Hollywood Edge Sound Design Vol 2

Total Page:16

File Type:pdf, Size:1020Kb

Hollywood Edge Sound Design Vol 2 Title FX Vol. 2 Sound Effects: Toolkit: Volume 2 Disc Secs Description Filename Category 7 SDTK 2 01 01 01 Stingers & Trailer Elements 6 SDTK 2 01 01 02 Stingers & Trailer Elements 6 SDTK 2 01 01 03 Stingers & Trailer Elements 7 SDTK 2 01 02 01 Stingers & Trailer Elements 7 SDTK 2 01 02 02 Stingers & Trailer Elements 6 SDTK 2 01 02 03 Stingers & Trailer Elements 10 SDTK 2 01 03 01 Stingers & Trailer Elements 9 SDTK 2 01 03 02 Stingers & Trailer Elements 10 SDTK 2 01 03 03 Stingers & Trailer Elements 10 SDTK 2 01 03 04 Stingers & Trailer Elements 6 SDTK 2 01 04 01 Stingers & Trailer Elements 6 SDTK 2 01 04 02 Stingers & Trailer Elements 6 SDTK 2 01 04 03 Stingers & Trailer Elements 6 SDTK 2 01 04 04 Stingers & Trailer Elements 7 SDTK 2 01 04 05 Stingers & Trailer Elements 6 SDTK 2 01 04 06 Stingers & Trailer Elements 9 SDTK 2 01 05 01 Stingers & Trailer Elements 7 SDTK 2 01 05 02 Stingers & Trailer Elements 10 SDTK 2 01 06 01 Stingers & Trailer Elements 18 SDTK 2 01 06 02 Stingers & Trailer Elements 8 SDTK 2 01 07 01 Stingers & Trailer Elements 9 SDTK 2 01 07 02 Stingers & Trailer Elements 8 SDTK 2 01 07 03 Stingers & Trailer Elements 7 SDTK 2 01 08 01 Stingers & Trailer Elements 7 SDTK 2 01 08 02 Stingers & Trailer Elements 6 SDTK 2 01 08 03 Stingers & Trailer Elements 10 SDTK 2 01 09 01 Stingers & Trailer Elements 8 SDTK 2 01 09 02 Stingers & Trailer Elements 6 SDTK 2 01 10 01 Stingers & Trailer Elements 7 SDTK 2 01 10 02 Stingers & Trailer Elements 6 SDTK 2 01 10 03 Stingers & Trailer Elements 6 SDTK 2 01 10 04 Stingers & Trailer Elements 9 SDTK 2 01 11 01 Stingers & Trailer Elements 6 SDTK 2 01 11 02 Stingers & Trailer Elements 8 SDTK 2 01 11 03 Stingers & Trailer Elements 8 SDTK 2 01 11 04 Stingers & Trailer Elements 11 SDTK 2 01 11 05 Stingers & Trailer Elements 6 SDTK 2 01 12 01 Stingers & Trailer Elements 8 SDTK 2 01 12 02 Stingers & Trailer Elements 6 SDTK 2 01 12 03 Stingers & Trailer Elements 9 SDTK 2 01 13 01 Stingers & Trailer Elements 8 SDTK 2 01 13 02 Stingers & Trailer Elements 5 SDTK 2 01 13 03 Stingers & Trailer Elements 6 SDTK 2 01 14 01 Stingers & Trailer Elements 7 SDTK 2 01 14 02 Stingers & Trailer Elements 7 SDTK 2 01 14 03 Stingers & Trailer Elements 7 SDTK 2 01 15 01 Stingers & Trailer Elements 8 SDTK 2 01 15 02 Stingers & Trailer Elements 10 SDTK 2 01 16 01 Stingers & Trailer Elements 10 SDTK 2 01 16 02 Stingers & Trailer Elements 10 SDTK 2 01 16 03 Stingers & Trailer Elements CD1 11 Resolute Impacts - Main SDTK 2 01 16 04 Stingers & Trailer Elements CD1 9 Resolute Impacts - Thin Version SDTK 2 01 16 05 Stingers & Trailer Elements CD1 5 Resolute Impacts - Rustling In The End SDTK 2 01 17 01 Stingers & Trailer Elements CD1 6 Explosion Trailer Element Ver 1 SDTK 2 01 17 02 Stingers & Trailer Elements CD1 8 Explosion Trailer Element Ver 2 SDTK 2 01 17 03 Stingers & Trailer Elements CD1 6 Explosion Trailer Element Ver 3 SDTK 2 01 17 04 Stingers & Trailer Elements CD1 10 Shocking Frame - Strong Impact Ver 1 SDTK 2 01 18 01 Stingers & Trailer Elements CD1 10 Shocking Frame - Strong Impact Ver 2 SDTK 2 01 18 02 Stingers & Trailer Elements CD1 10 Shocking Frame - Strong Impact Ver 3 SDTK 2 01 19 01 Stingers & Trailer Elements CD1 6 Shocking Frame - Strong Impact Ver 4 SDTK 2 01 19 02 Stingers & Trailer Elements CD1 7 Medium Finale Hit Version 1 SDTK 2 01 19 03 Stingers & Trailer Elements CD1 10 Medium Finale Hit Version 2 SDTK 2 01 20 01 Stingers & Trailer Elements CD1 11 Medium Finale Hit Version 3 SDTK 2 01 20 02 Stingers & Trailer Elements CD1 11 Medium Finale Hit Version 4 SDTK 2 01 20 03 Stingers & Trailer Elements CD1 12 Medium Finale Hit Version 5 SDTK 2 01 20 04 Stingers & Trailer Elements CD1 13 Medium Finale Hit Version 6 SDTK 2 01 20 05 Stingers & Trailer Elements CD1 11 Finding Horror - Dissonant End SDTK 2 01 20 06 Stingers & Trailer Elements CD1 12 Finding Horror - Dissonant End - Thin Version SDTK 2 01 20 07 Stingers & Trailer Elements CD1 11 Unexpected Finale Hit SDTK 2 01 20 08 Stingers & Trailer Elements CD1 10 Short Buzzing Trailer Pad - Rhythmic Drum Hits SDTK 2 01 20 09 Stingers & Trailer Elements CD1 15 Echo Deep Hits - Ver 1 SDTK 2 01 21 01 Stingers & Trailer Elements CD1 9 Echo Deep Hits - Ver 2 SDTK 2 01 21 02 Stingers & Trailer Elements CD1 12 Echo Deep Hits - Ver 3 - Become Thinner SDTK 2 01 22 01 Stingers & Trailer Elements CD1 11 Deep Finale Hit Ver 1 SDTK 2 01 22 02 Stingers & Trailer Elements CD1 11 Deep Finale Hit Ver 2 SDTK 2 01 22 03 Stingers & Trailer Elements CD1 11 Deep Finale Hit Ver 3 SDTK 2 01 23 01 Stingers & Trailer Elements THE HOLLYWOOD EDGE Title FX Vol. 2 Disc Secs Description Filename Category CD1 14 Strong Finale Hit Ver 1 SDTK 2 01 23 02 Stingers & Trailer Elements CD1 10 Strong Finale Hit Ver 2 SDTK 2 01 23 03 Stingers & Trailer Elements CD1 8 Tension Hit Ver 1 - Main SDTK 2 01 23 04 Stingers & Trailer Elements CD1 6 Tension Hit Ver 2 - Sharp End SDTK 2 01 24 01 Stingers & Trailer Elements CD1 5 Tension Hit Ver 3 - Stronger SDTK 2 01 24 02 Stingers & Trailer Elements CD1 5 Tension Hit Ver 4 - Whoosh Version SDTK 2 01 24 03 Stingers & Trailer Elements CD1 5 Heavy Trailer Finale Type 1 SDTK 2 01 24 04 Stingers & Trailer Elements CD1 8 Heavy Trailer Finale Type 2 SDTK 2 01 25 01 Stingers & Trailer Elements CD1 14 Heavy Trailer Finale Type 3 SDTK 2 01 25 02 Stingers & Trailer Elements CD1 9 Heavy Trailer Finale Type 4 SDTK 2 01 25 03 Stingers & Trailer Elements CD1 8 Heavy Trailer Finale Type 5 SDTK 2 01 25 04 Stingers & Trailer Elements CD1 10 Sharp Metal Finale Type 1 SDTK 2 01 26 01 Stingers & Trailer Elements CD1 7 Sharp Metal Finale Type 2 SDTK 2 01 26 02 Stingers & Trailer Elements CD1 17 Sharp Metal Finale Type 2 SDTK 2 01 26 03 Stingers & Trailer Elements CD1 10 Heavy Trailer Beginning Type 1 SDTK 2 01 27 01 Stingers & Trailer Elements CD1 9 Heavy Trailer Beginning Type 2 SDTK 2 01 27 02 Stingers & Trailer Elements CD1 8 Heavy Trailer Beginning Type 3 SDTK 2 01 27 03 Stingers & Trailer Elements CD1 4 Abstract Heavy Door Slam Type 1 SDTK 2 01 28 01 Stingers & Trailer Elements CD1 9 Abstract Heavy Door Slam Type 2 SDTK 2 01 28 02 Stingers & Trailer Elements CD1 9 Abstract Heavy Door Slam Type 3 SDTK 2 01 28 03 Stingers & Trailer Elements CD1 7 Abstract Open Type A SDTK 2 01 29 01 Stingers & Trailer Elements CD1 6 Abstract Open Type B SDTK 2 01 29 02 Stingers & Trailer Elements CD1 7 Easy Mysterious Beginning Ver 1 SDTK 2 01 29 03 Stingers & Trailer Elements CD1 5 Easy Mysterious Beginning Ver 2 SDTK 2 01 29 04 Stingers & Trailer Elements CD1 5 Easy Mysterious Beginning Ver 3 SDTK 2 01 30 01 Stingers & Trailer Elements CD1 5 Easy Mysterious Beginning Ver 4 SDTK 2 01 30 02 Stingers & Trailer Elements CD1 6 Easy Mysterious Beginning Ver 5 SDTK 2 01 30 03 Stingers & Trailer Elements CD1 9 Intrusive Tone Type 1 - Light Echo SDTK 2 01 31 01 Stingers & Trailer Elements CD1 8 Intrusive Tone Type 2 - Lower SDTK 2 01 31 02 Stingers & Trailer Elements CD1 11 Intrusive Tone Type 3 - Slower Motion SDTK 2 01 31 03 Stingers & Trailer Elements CD1 15 Intrusive Tone Type 4 - High And Fast SDTK 2 01 32 01 Stingers & Trailer Elements CD1 8 Intrusive Tone Type 5 - Strongest Middle SDTK 2 01 32 02 Stingers & Trailer Elements CD1 8 Intrusive Tone Type 6 - Strongest Middle SDTK 2 01 32 03 Stingers & Trailer Elements CD1 8 Heavy Whoosh Tones Finale - 1 - Main SDTK 2 01 33 01 Stingers & Trailer Elements CD1 7 Heavy Whoosh Tones Finale - 2 - Short SDTK 2 01 33 02 Stingers & Trailer Elements CD1 5 Heavy Whoosh Tones Finale - 3 - Echo Final SDTK 2 01 33 03 Stingers & Trailer Elements CD1 5 Eerie Harsh Passing Tones 1 SDTK 2 01 33 04 Stingers & Trailer Elements CD1 10 Eerie Harsh Passing Tones 2 SDTK 2 01 34 01 Stingers & Trailer Elements CD1 11 Eerie Harsh Passing Tones 3 SDTK 2 01 34 02 Stingers & Trailer Elements CD1 8 Eerie Harsh Passing Tones 4 SDTK 2 01 34 03 Stingers & Trailer Elements CD1 3 Eerie Harsh Passing Tones 5 SDTK 2 01 34 04 Stingers & Trailer Elements CD1 6 Eerie Harsh Passing Tones 6 SDTK 2 01 35 01 Stingers & Trailer Elements CD1 5 Eerie Harsh Passing Tones 7 SDTK 2 01 35 02 Stingers & Trailer Elements CD1 8 Eerie Harsh Passing Tones 8 SDTK 2 01 35 03 Stingers & Trailer Elements CD1 7 Eerie Harsh Passing Tones 9 SDTK 2 01 36 01 Stingers & Trailer Elements CD1 6 Low Bell - Long SDTK 2 01 36 02 Stingers & Trailer Elements CD1 6 Low Bell - Short And Easy SDTK 2 01 36 03 Stingers & Trailer Elements CD1 8 Low Show Up - Ver 1 SDTK 2 01 37 01 Stingers & Trailer Elements CD1 6 Low Show Up - Ver 2 SDTK 2 01 37 02 Stingers & Trailer Elements CD1 5 Low Show Up - Ver 3 SDTK 2 01 37 03 Stingers & Trailer Elements CD1 6 Sharp Echo Shoosh Ver 1 SDTK 2 01 37 04 Stingers & Trailer Elements CD1 4 Sharp Echo Shoosh Ver 2 SDTK 2 01 38 01 Stingers & Trailer Elements CD1 4 Sharp Echo Shoosh Ver 3 SDTK 2 01 38 02 Stingers & Trailer Elements CD1 4 Sharp Echo Shoosh Ver 4 SDTK 2 01 39 01 Stingers & Trailer Elements CD1 5 Deep Strike 1 - Fast Double SDTK 2 01 39 02 Stingers & Trailer Elements CD1 7 Deep Strike 2 SDTK 2 01 40 01 Stingers & Trailer Elements CD1 6 Deep Strike 3 SDTK 2 01 40 02 Stingers & Trailer Elements CD1 7 Deep Strike 4 SDTK 2 01 41 01 Stingers & Trailer Elements CD1 21 Abstract Timbal Hit 1 - Several Hits, Long SDTK 2 01 41 02 Stingers & Trailer Elements CD1 8 Abstract Timbal Hit 2 - Rissing SDTK 2 01 42 01 Stingers & Trailer Elements CD1 9 Abstract Timbal Hit 3 - Double SDTK 2 01 42 02 Stingers & Trailer Elements CD1 7 Abstract Timbal Hit 4 - Double, Echo SDTK 2 01 42 03 Stingers & Trailer Elements CD1 5 Deep Hit, Ver 1 - Several, Rhythmic Fade Out SDTK 2 01 43 01
Recommended publications
  • How to Die in a Slasher Film: the Impact of Sexualization July, 2021, Vol
    Journal of Criminal Justice and Popular Culture How to Die in a Slasher Film: The Impact of Sexualization July, 2021, Vol. 21 (Issue 1): pp. 128 – 146 Wellman, Meitl, & Kinkade Copyright © 2021 Journal of Criminal Justice and Popular Culture All rights reserved. ISSN: 1070-8286 How to Die in a Slasher Film: The Impact of Sexualization, Strength, and Flaws on Characters’ Mortality Ashley Wellman Texas Christian University & Michele Bisaccia Meitl Texas Christian University & Patrick Kinkade Texas Christian University 128 Journal of Criminal Justice and Popular Culture How to Die in a Slasher Film: The Impact of Sexualization July, 2021, Vol. 21 (Issue 1): pp. 128 – 146 Wellman, Meitl, & Kinkade Abstract Popular culture has often referenced formulaic ways to predict a character’s fate in slasher films. The cliché rules have noted only virgins live, black characters die first, and drinking and drugs nearly guarantee your death, but to what extent do characters’ basic demographics and portrayal determine whether a character lives or dies? A content analysis of forty-eight of the most influential slasher films from the 1960s – 2010s was conducted to measure factors related to character mortality. From these films, gender, race, sexualization (measured via specific acts and total sexualization), strength, and flaws were coded for 504 non killer characters. Results indicate that the factors predicting death vary by gender. For male characters, those appearing weak in terms of physical strength or courage and those males who appeared morally flawed were more likely to die than males that were strong and morally sound. Predictors of death for female characters included strength and the presence of sexual behavior (including dress, flirtatious attitude, foreplay/sex, nudity, and total sexualization).
    [Show full text]
  • Production Notes
    PUBLICITY CONTACTS LA NATIONAL Karen Paul Anya Christiansen Chris Garcia – 42 West (310) 575-7033 (310) 575-7028 (424) 901-8743 [email protected] [email protected] [email protected] NY NATIONAL Sara Groves – 42 West Tom Piechura – 42 West Jordan Lawrence – 42 West (212) 774-3685 (212) 277-7552 (646) 254-6020 [email protected] [email protected] [email protected] REGIONAL Gillian Fischer Linda Colangelo (310) 575-7032 (310) 575-7037 [email protected] [email protected] DIGITAL Matt Gilhooley Grey Munford (310) 575-7024 (310) 575-7425 [email protected] [email protected] Release Date: May 31, 2013 (Limited) Run Time: 92 Minutes For all approved publicity materials, visit www.cbsfilmspublicity.com THE KINGS OF SUMMER Preliminary Production Notes Synopsis Premiering to rave reviews at the 2013 Sundance Film Festival, THE KINGS OF SUMMER is a unique coming-of-age comedy about three teenage friends – Joe (Nick Robinson), Patrick (Gabriel Basso) and the eccentric and unpredictable Biaggio (Moises Arias) - who, in the ultimate act of independence, decide to spend their summer building a house in the woods and living off the land. Free from their parents’ rules, their idyllic summer quickly becomes a test of friendship as each boy learns to appreciate the fact that family - whether it is the one you’re born into or the one you create – is something you can't run away from. ABOUT THE PRODUCTION The Kings of Summer began in the imagination of writer Chris Galletta, who penned his script during his off hours while he was working in the music department of “The Late Show with David Letterman.” After some false starts in screenwriting, Galletta shunned his impulse to write a high-concept tentpole feature and craft something more character-driven and personal.
    [Show full text]
  • The Impact of Social Media on a Movie's Financial Performance
    Undergraduate Economic Review Volume 9 Issue 1 Article 10 2012 Turning Followers into Dollars: The Impact of Social Media on a Movie’s Financial Performance Joshua J. Kaplan State University of New York at Geneseo, [email protected] Follow this and additional works at: https://digitalcommons.iwu.edu/uer Part of the Economics Commons, and the Film and Media Studies Commons Recommended Citation Kaplan, Joshua J. (2012) "Turning Followers into Dollars: The Impact of Social Media on a Movie’s Financial Performance," Undergraduate Economic Review: Vol. 9 : Iss. 1 , Article 10. Available at: https://digitalcommons.iwu.edu/uer/vol9/iss1/10 This Article is protected by copyright and/or related rights. It has been brought to you by Digital Commons @ IWU with permission from the rights-holder(s). You are free to use this material in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s) directly, unless additional rights are indicated by a Creative Commons license in the record and/ or on the work itself. This material has been accepted for inclusion by faculty at Illinois Wesleyan University. For more information, please contact [email protected]. ©Copyright is owned by the author of this document. Turning Followers into Dollars: The Impact of Social Media on a Movie’s Financial Performance Abstract This paper examines the impact of social media, specifically witterT , on the domestic gross box office revenue of 207 films released in the United States between 2009 and 2011.
    [Show full text]
  • Scream If You Like His Movies Kevin Williamson’S Strange Ride
    spring 2012 EastThe Magazine of easT Carolina UniversiTy erber g scream if you . s like his movies Kevin Williamson’s strange ride Copyright 2011 by Max by 2011 Copyright from Dawson’s Creek to hollywood vieWfinDer spring 2012 EastThe Magazine of easT Carolina UniversiTy Construction worker Willie Joyner Jr. is part of the renovation of Tyler residence Hall, one of the older dorms on College Hill. Opened as a men’s residence in 1969, it was switched to all women in FEATUrEs 1972 and remained so for 20 30 years. it was named for sCreaM if YOU liKe his MOVIES Arthur Lynwood Tyler, a 2 0 His TV series became former university trustee. By David Menconi Dawson’s Creek Photograph by Forrest Croce iconic, then Kevin Williamson ’87 became king of the scary movie genre and now his scripts about teenage vampires fill primetime TV. He’s had hits and some misses, so now he’s hoping to find an elusive balance in his creative and personal lives. “I’m not good at highs and lows,” he says. hearT Throb 3 0 Professor Sam Sears, a leading 30 authorityBy Spaine onStephens the psychology of living with what are called implantable cardioverter defibrillators (ICDs), helps patients adjust to living with the constant worry that the device will deliver a 700-volt punch. “It’s a modern-day paradox of safety and fear,” he says. “I see more courage on a daily basis than anyone.” genTle gianT 3 6 For 24 years, Dean of Students James TuckerBy Steve laid Tuttle down ’09 the law on campus, from the time of the Big Yellow House Incident through the protests over the 36 Vietnam War.
    [Show full text]
  • David Arquette Will Return to Pursue Ghostface As Dewey Riley in the Relaunch of Scream for Spyglass Media Group
    DAVID ARQUETTE WILL RETURN TO PURSUE GHOSTFACE AS DEWEY RILEY IN THE RELAUNCH OF SCREAM FOR SPYGLASS MEDIA GROUP James Vanderbilt and Guy Busick to Co-write the Screenplay With Project X Entertainment Producing, Creator Kevin Williamson Serving as Executive Producer and the Filmmaking Collective Radio Silence at the Helm LOS ANGELES (May 18, 2020)— David Arquette will reprise his role as Dewey Riley in pursuit of Ghostface in the relaunch of “Scream,” it was announced today by Peter Oillataguerre, President of Production for Spyglass Media Group, LLC (“Spyglass”). Plot details are under wraps but the film will be an original story co-written by James Vanderbilt (“Murder Mystery,” “Zodiac,” “The Amazing Spider-Man”) and Guy Busick (“Ready or Not,” “Castle Rock,”) with Project X Entertainment’s Vanderbilt, Paul Neinstein and William Sherak producing for Spyglass. Creator Kevin Williamson will serve as executive producer. Matt Bettinelli- Olpin and Tyler Gillett of the filmmaking group Radio Silence (“Ready or Not,” “V/H/S”) will direct and the third member of the Radio Silence trio, Chad Villella, will executive produce alongside Williamson. Principal photography will begin later this year in Wilmington, North Carolina when safety protocols are in place. Arquette said, “I am thrilled to be playing Dewey again and to reunite with my ‘Scream’ family, old and new. ‘Scream’ has been such a big part of my life, and for both the fans and myself, I look forward to honoring Wes Craven’s legacy.” Though Arquette is the first member of the film’s ensemble to be officially announced, conversations are underway with other legacy cast.
    [Show full text]
  • Superstars Align Under a Full Moon for Spike's 'SCREAM 2010'
    Superstars Align Under a Full Moon for Spike's 'SCREAM 2010' OCEANIC FLIGHT 815 TO LAND AS CAST AND CREATORS OF 'LOST' RECEIVE A FINAL FAREWELL Kristen Stewart, Megan Fox, Alexander Skarsgard, Mickey Rourke, Chris Hemsworth And Marilyn Manson Added To Roster Of Celebrities To Appear 'Lost' Castmembers Harold Perrineau, Henry Ian Cusick And Jorge Garcia To Attend Along With Show Creators Carlton Cuse And Damon Lindelof 'SCREAM 2010' To Also Feature Musical Performance By Grammy And Academy Award-Nominated Recording Artist M.I.A. And Premieres Tuesday, October 19 At 9PM, ET/PT NEW YORK, Oct 07, 2010 /PRNewswire via COMTEX/ -- Months after millions of viewers were riveted by "Lost's" finale, fans will be given the opportunity to bid a final farewell to the landmark series, as "SCREAM 2010" brings together the show's cast and creators, including Jorge Garcia, Harold Perrineau, Henry Ian Cusick, Carlton Cuse and Damon Lindelof, for a tribute to the survivors of Oceanic Flight 815. More cast will be announced shortly. The two-hour event premieres on Spike TV on Tuesday, October 19 (9:00 - 11:00 PM, ET/PT). (Logo: http://photos.prnewswire.com/prnh/20060322/NYW096LOGO) (Logo: http://www.newscom.com/cgi-bin/prnh/20060322/NYW096LOGO) The show will feature a musical performance by Grammy and Academy Award-nominee M.I.A., as well as appearances by Kristen Stewart, Megan Fox, Mickey Rourke, Marilyn Manson and Chris Hemsworth. These luminaries join a host of previously announced "SCREAM 2010" talent, including the reunion of Michael J. Fox, Lea Thompson
    [Show full text]
  • A Historical Approach to the Slasher Film Below Halloween (1978)
    Articles A Historical Approach to the Slasher Film Below Halloween (1978) The Classical Period, the Post-slasher A Historical Films, and the Neoslashers Approach to the By Sotiris Petridis Keywords slasher films, neoslashers, Slasher Film postmodern horror, Carol Clover, final girl, Vera Dika Horror films are one of the most popular genres in Many academic texts, including Dika’s analysis, Hollywood and constitute an integral part of pop cul- argue that Halloween (1978) is the starting point of ture. The horror genre made its appearance almost slasher films. Of courseHalloween is a milestone for at the same time cinema was born and numerous the whole subgenre and it perfectly combines all subgenres were created after that time. Some exam- of its conventions. However, four years before that, ples are the demonic movies, the vampire films and there were another two films which belong to the the splatter films. One of the most well-known and slasher subgenre. In 1974, Black Christmas and The important subgenres of horror is the slasher film. Texas Chainsaw Massacre came into theatres and set In this article I will argue that there are three basic some basic rules for the subgenre’s formula. There- periods in the lifetime of slasher films: the classical fore, I would argue that the starting point of the period; the postmodern period; and the neoslashers. subgenre is 1974. Naturally, even before that, there The classical period starts in 1974 and lasts until the were some films that had influenced the slasher end of the 1980s; the postmodern period takes place in the 1990s; and neoslashers started to evolve in the beginning of the new millennium.
    [Show full text]
  • Proquest Dissertations
    RECYCLED FEAR: THE CONTEMPORARY HORROR REMAKE AS AMERICAN CINEMA INDUSTRY STANDARD A Dissertation by JAMES FRANCIS, JR. Submitted to the Office of Graduate Studies of Middle Tennessee State University in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY UMI Number: 3430304 All rights reserved INFORMATION TO ALL USERS The quality of this reproduction is dependent upon the quality of the copy submitted. In the unlikely event that the author did not send a complete manuscript and there are missing pages, these will be noted. Also, if material had to be removed, a note will indicate the deletion. UMT Dissertation Publishing UMI 3430304 Copyright 2010 by ProQuest LLC. All rights reserved. This edition of the work is protected against unauthorized copying under Title 17, United States Code. ProQuest LLC 789 East Eisenhower Parkway P.O. Box 1346 Ann Arbor, Ml 48106-1346 Approved as to style and content by: ^aJftLtfv^ *3 tu.^r TrsAAO^p P, M&^< David Lavery Martha Hixon Chair of Committee Reader Cyt^-jCc^ C. U*-<?LC<^7 Wt^vA AJ^-i Linda Badley Tom Strawman Reader Department Chair (^odfrCtau/ Dr. Michael D. Allen Dean of Graduate Studies August 2010 Major Subject: English RECYCLED FEAR: THE CONTEMPORARY HORROR REMAKE AS AMERICAN CINEMA INDUSTRY STANDARD A Dissertation by JAMES FRANCIS, JR. Submitted to the Office of Graduate Studies of Middle Tennessee State University in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY August 2010 Major Subject: English DEDICATION Completing this journey would not be possible without the love and support of my family and friends.
    [Show full text]
  • Showtime Unlimited Schedule September 1, 2012 12:00 AM 12:30 AM 1:00 AM 1:30 AM 2:00 AM 2:30 AM 3:00 AM 3:30 AM 4:00 AM 4:30 AM 5:00 AM 5:30 AM
    Showtime Unlimited Schedule September 1, 2012 12:00 AM 12:30 AM 1:00 AM 1:30 AM 2:00 AM 2:30 AM 3:00 AM 3:30 AM 4:00 AM 4:30 AM 5:00 AM 5:30 AM SHOWTIME Blitz R The Franchise:... Weeds: Saplings Episodes:... The Real L Word: Gigolos: #301 The Core (4:15) PG13 (1:15) TVMA (1:45) TVMA (2:15) TVMA Premonitions (2:45) TVMA (3:45) TVMA SHO 2 Big Brother After Dark Season 7 TVMA Hobo With a Shotgun TVMA Cracks R SHOWTIME Aries Spears:... TVMA Russell Peters: The Green Card Tour Don't Go in the Woods (1:35) TVMA Smiley Face R That Evening Sun PG13 SHOWCASE Live from the O2 Arena (12:35) TVMA SHO EXTREME The Entitled (11:50) R Shoot the Hero! R Supreme Champion R Extreme Ops PG13 SHO BEYOND Devil's Playground (11:35) TVMA Terror Trap (1:15) R Night Of The Demons (2010) (2:40) R Ondine (4:15) PG13 SHO NEXT Fire of Conscience (11:15) R Better Luck Tomorrow (1:05) R Things Behind The Sun (2:45) R Spooner (4:45) R SHO WOMEN Pret-a-Porter (11:35) R Dancing at the Blue Iguana (1:50) R Adopt a Sailor (3:55) TVPG Elvis Has Left... (5:20) PG13 SHOWTIME Father Hood (12:10) PG13 Skin (1:45) PG13 Smoke Signals (3:35) PG13 Evelyn (5:05) PG FAMILY ZONE THE MOVIE High Life R Psychosis R The Immaculate Conception of Little Dizzle (2:35) TVMA Here And There TV14 CHANNEL THE MOVIE Grimm Brothers' Snow White, The: A Tale Of Terror R Metamorphosis (2010) (1:45) R Grimm Brothers' Snow White, The: A Tale Of Terror R Highlander III:..
    [Show full text]
  • Nancy Nayor Casting Resume January 2015 1
    Nancy Nayor Casting Resume January 2015 1 NANCY NAYOR CASTING Office: 323-857-0151 / Cell: 213-309-8497 E-mail: [email protected] / Website: www.nancynayorcasting.com SENIOR VP OF FEATURE FILM CASTING, UNIVERSAL STUDIOS 1983-1997 BOY NEXT DOOR Director: Rob Cohen Producers: Universal, Blumhouse, Elaine Goldsmith-Thomas, Benny Medina, John Jacobs Cast: Jennifer Lopez, Kristin Chenoweth, John Corbett, Hill Harper KIDNAP Director: Luis Prieto Producers: Lorenzo Di Bonaventura, Elaine Goldsmith-Thomas, Erik Howsam, Lotus Entertainment, Gold Star Films Cast: Halle Berry, Jason George, Chris McGinn, Lew Temple, Sage Correa OUIJA Director: Stiles White Producers: Universal, Platinum Dunes, Blumhouse, Hasbro Cast: Olivia Cooke, Douglas Smith, Daren Kagasoff, Bianca Santos, Shelley Hennig THE MESSENGERS (CBS / CW SERIES) Director: Stephen Williams (pilot) Producers: Thunder Road Pictures, Eoghan O’Donnell, Ava Jamshidi Cast: Diogo Morgado, Shantel VanSanten, Jon Fletcher, Sofia Black-D’Elia, Joel Courtney, JD Pardo THE CONFIRMATION Director: Bob Nelson Producer: Todd Hoffman Cast: Clive Owen, Maria Bello, Patton Oswalt, Stephen Tobolowsky, Tim Blake Nelson, Robert Forster, Matthew Modine and Jaeden Lieberher EYE CANDY (MTV SERIES) Producers: Blumhouse, Christian Taylor Cast: Victoria Justice, Robert Hoffman, Kiersey Clemons, John Garet Stoker HOME Director: Dennis Iliadis Producers: Universal, Appian Way, Blumhouse, GK Films Cast: Topher Grace, Patricia Clarkson, Callan Mulvey, Genesis Rodriguez 21 AND OVER Directors: Scott Moore, Jon
    [Show full text]
  • Live Nation Productions Makes Two Senior Hires to Continue Growing Slate of Scripted and Unscripted Projects
    LIVE NATION PRODUCTIONS MAKES TWO SENIOR HIRES TO CONTINUE GROWING SLATE OF SCRIPTED AND UNSCRIPTED PROJECTS LOS ANGELES (August 6, 2018) – Live Nation Productions today announced two key hires for its production and development departments. Seasoned-producer and studio exec Matthew Stein will be the company’s new Head of Scripted Development and Production, while Emmy Award-winning producer Ryan Kroft has been named Head of Unscripted Development and Production. Both will report into Heather Parry, Live Nation Productions’ President of Production, Film and Television. Stein joins Live Nation Productions just in time for the release of the company’s first scripted features: ‘A Star Is Born’ and ‘After Party.’ A longtime studio exec and producer, Stein is coming from a successful producing deal at Sony where he has various projects in development in both film and television, and previously served as VP, Sony Pictures International Productions. Earlier in his career, Stein spent 12 years working for Dimension films, climbing the ranks from Executive Assistant, to Co-Chairman, and ultimately Executive Vice President of Production, overseeing all phases of production, development and casting for the division. Throughout his career, Stein has served as the executive in charge of production on over 35 films and has been Executive Producer on many others including Scream 4, Halloween, Halloween 2, Apollo 18, Hellride, Superhero Movie and more. Live TV expert Ryan Kroft joins Live Nation Productions after a 20-year career at Viacom, where he most recently served as Senior Vice President, Events and Specials for MTV, VH1 and Logo. At Viacom, Kroft oversaw the development and production of numerous live and live-to-tape events including the Video Music Awards and MTV Movie Awards red carpets, MTV Woodie Awards, VH1 Divas, Hip Hop Honors, Dear Mama, Trailblazer Honors and Logo’s New Now Next Awards, as well as documentary specials including The T Word with Laverne Cox, Demi Lovato: Stay Strong and Lady Gaga: Inside the Outside.
    [Show full text]
  • Killing Eve: Episodes 1-4
    HoRROrs on screen and reality Tatumn Ellis Killing Eve: Episodes 1-4 Synopsis: In the beginning we meet Eve Polastri and Villanelle. Eve is a woman who is stubborn and follows her own rules. She was fired/quit her job and joined a small team of people to find an assassin, Villanelle. Together these two play cat and mouse with each other. They are obsessed with each other with who can catch who first. Killer of Killing Eve ● Plays games ● No regards towards others and their feelings. ● No remorse ● Her emotions are faked ● Into fashion Real Life Case ● Idoia López Riaño (Left image), was a spanish hit woman and killed 23 people. She would seduce police officers in order to get close to her victims. ● Villanelle (Right image), Killing Eve assassin. Tragedy Girls Two teenage girls, Sadie and McKayla, are obsessed with crimes and are teenage crime reporters. They start to track a serial killer and eventually catch him. They hold him hostage and realize they need to keep creating murders. By doing this they are able to boost their social media. Killers of Tragedy Girls ● Best Friends ● No remorse ● Mission orientated ● Gory Real Life Cases A case that is similar to Tragedy Girls are John Duffy and David Mulcahy. These best friends killed attacked 20 people and strangled a 19 year old girl. They are similar to the Tragedy Girls because they were also a best friend duo who’s mission was to attack and murder others. Scream 2 Scream 2 goes along with Scream 1. The beginning is showing how a new movie is out based on the experience of the first Scream.
    [Show full text]