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Dans La Peau Des Champions Comment Fonctionne Le Corps 2008 Des Superathlètes Chaque Samedi À 19.00 32 Du 2 Août Au 8 Août 2008 LES FILMS
N° 32 2 AOÛT > 8 2008 magazine DANS LA PEAU DES CHAMPIONS Comment fonctionne le corps 2008 des superathlètes Chaque samedi à 19.00 32 DU 2 AOÛT AU 8 AOÛT 2008 LES FILMS Balzac et la petite Les grands rendez-vous tailleuse chinoise de Dai Sijie Lundi 4 août à 14.55 A touch of zen de King Hu Lundi 4 août à 21.00 SUMMER OF THE 70S Shaft Suite de l’été revival de Gordon Parks avec une flamboyante série Lundi 4 août à 0.50 sur la révolution culturelle Sweet Sweetback’s des années 70 (Sauvages baadasssss song seventies), une soirée “Provoc” de Melvin Van Peebles qui porte bien son nom Lundi 4 août à 3.00 (Les valseuses, Emmanuelle…) et Philippe Manœuvre aux L’épouvantail commandes de Top of the pops. de Jerry Schatzberg > Sauvages seventies, Mardi 5 août à 14.55 du lundi 4 au Les valseuses vendredi 8 août à 20.15 de Bertrand Blier > Provoc, Mardi 5 août à 21.00 mardi 5 août à 21.00 > Top of the pops, Emmanuelle de Just Jaeckin du lundi au vendredi Mardi 5 août à 0.00 à 18.30 Purple rain d’Albert Magnoli Mercredi 6 août à 14.55 Palindromes de Todd Solondz Mercredi 6 août à 23.15 La vie de château de Jean-Paul Rappeneau Jeudi 7 août à 14.55 Slogan de Pierre Grimblat Jeudi 7 août à 3.00 Quand la mer monte de Yolande Moreau et Gilles Porte Vendredi 8 août à 14.55 FRANCIS GIACOBETTI Une femme coréenne d’Im Sang-soo Vendredi 8 août à 3.00 2 AOÛT | 8 AOÛT 2008 LES PRIME TIME SAMEDI 2/8 DIMANCHE 3/8 LUNDI 4/8 L’aventure humaine THEMA CINÉMA Trahison à Trieste L’ère de la bombe A touch of zen Il y a cent cinquante ans, Josef Ressel Les bombes lancées sur Hiroshima Un chef-d’œuvre du cinéma d’arts mettait au point la première hélice et Nagasaki ont mis un terme définitif martiaux chinois, d’une incroyable pour bateau. -
Takeshi Kitano
UNIVERSIDADE FEDERAL DO RIO GRANDE DO SUL SÉRGIO LUIZ LIMA GRECCO TAKESHI KITANO UM CINEASTA DE DOIS MUNDOS: HOLLYWOOD E O TRADICIONAL CINEMA JAPONÊS Porto Alegre 2007 SÉRGIO LUIZ LIMA GRECCO TAKESHI KITANO UM CINEASTA DE DOIS MUNDOS: HOLLYWOOD E O TRADICIONAL CINEMA JAPONÊS Monografia em Comunicação Social Para a formação no curso de Comunicação Social – Publicidade e Propaganda Universidade Federal do Rio Grande do Sul Faculdade de Biblioteconomia e Comunicação Social (FABICO) Cinema Orientadora: Profa. Dra. Miriam de Souza Rossini Porto Alegre 2007 AGRADECIMENTO Agradeço a ajuda das pessoas que, das mais diversas maneiras, tornaram esta monografia possível: Aiko Tsukamoto, Ana Paula Wisnievski da Cunha, Bruno Storchi Bergmann, Mariana Yatsuda Ikuta, Mariana Pacheco Corrêa, minha orientadora Miriam Rossini, e aos meus pais: Sérgio Luiz Grecco e Lucimar Soares de Lima Grecco. Muito obrigado! RESUMO Este trabalho tem como objetivo estudar e entender o cinema de Takeshi Kitano através de suas duas influências principais, o cinema hollywoodiano e o cinema tradicional japonês. Para isso, foi primeiramente estudada a cultura do homem atual, dando destaque para o Japão globalizado, onde convivem o passado tradicional e a cultura ocidental e tecnológica atual. Depois, buscou-se compreender as diferentes particularidades e aspectos das escolas de cinema norte-americana e japonesa, suas conexões com suas respectivas culturas, e suas influências nos trabalhos de Kitano. No final, fez-se uma análise, baseada nos estudos anteriores, de um dos filmes de Takeshi Kitano: Brother, de 2000. PALAVRAS-CHAVE: cinema, cultura, tradição, globalização, Japão, Hollywood. SUMÁRIO INTRODUÇÃO ...................................................................................................................... 5 1 CULTURA E TRADIÇÃO: O LOCAL E O GLOBAL NA CONTEMPORANEIDADE ................................................................................................ -
Uk Producers in Cannes 2009
UK PRODUCERS IN CANNES 2009 Produced by Export Development www.ukfilmcouncil.org/exportteam The UK Film Council The UK Film Council is the Government-backed lead agency for film in the UK ensuring the economic, cultural and educational aspects of films are effectively represented at home and abroad. Our goal is to help make the UK a global hub for film in the digital age, with the world’s most imaginative, diverse and vibrant film culture, underpinned by a flourishing, competitive film industry. We invest Government grant-in-aid and Lottery money in developing new filmmakers, in funding new British films and in getting a wider choice of films to audiences throughout the UK. We also invest in skills training, promoting Britain as an international filmmaking location and in raising the profile of British films abroad. The UK Film Council Export Development team Our Export Development team supports the export of UK films and talent and services internationally in a number of different ways: Promoting a clear export strategy Consulting and working with industry and government Undertaking export research Supporting export development schemes and projects Providing export information The team is located within the UK Film Council’s Production Finance Division and is part of the International Group. Over the forthcoming year, Export Development will be delivering umbrella stands at the Toronto International Film Festival and Hong Kong Filmart; and supporting the UK stands at the Pusan Asian Film Market; American Film Market and the European Film Market, Berlin;. The team will also be leading Research & Development delegations to Japan and China. -
Ewan Mcgregor Tilda Swinton
Presents Ewan McGregor Tilda Swinton YOUNG ADAM “…the best performance of Ewan McGregor's career” Peter Bradshaw, The Guardian WINNER of 4 SCOTTISH BAFTA AWARDS Best Actor (Ewan McGregor) | Best Actress (Tilda Swinton) Best Director (David Mackenzie) | Best Film Nationally in Select Cinemas April 7, 2005 Rating: MA High Level Sex Scenes, Nudity Running Time: 94 minutes www.madman.com.au/incinemas ALL IMAGES AVAILABLE AT: www.image.net Exhibitor contact (and VIC publicity): Publicity (all states excluding VIC) Anna McLeish Edweana Wenkart Theatrical Distribution Manager Director Madman Cinema Tsuki Publicity [email protected] | +61 3 9417 0977 [email protected] | +61 3 8354 1830 RECORDED PICTURE COMPANY, HANWAY, FILM COUNCIL, SCOTTISH SCREEN and SVENO MEDIA present a JEREMY THOMAS production a film by DAVID MACKENZIE EWAN MCGREGOR, TILDA SWINTON, PETER MULLAN, EMILY MORTIMER YOUNG ADAM Casting by DES HAMILTON Costume designer JACQUELINE DURRAN Production designer LAURENCE DORMAN Film editor COLIN MONIE Director of photography GILES NUTTGENS Music by DAVID BYRNE Associate producers PETER WATSON, STEPHAN MALLMANN, GILLIAN BERRIE Based on the novel by ALEXANDER TROCCHI Co-producers ALEXANDRA STONE, NICK O’HAGAN, JIM REEVE Produced by JEREMY THOMAS Written and directed by DAVID MACKENZIE YOUNG ADAM Written and directed by the award-winning short filmmaker David Mackenzie, Young Adam is a hauntingly faithful adaptation of the novel by the Scottish Beat writer Alexander Trocchi. Featuring a strong cast headed by Ewan McGregor, Tilda Swinton, Peter Mullan and Emily Mortimer, Young Adam is a moody, sensual thriller that takes place on the canals between Glasgow and Edinburgh during the 1950s. -
The Future: the Fall and Rise of the British Film Industry in the 1980S
THE FALL AND RISE OF THE BRITISH FILM INDUSTRY IN THE 1980S AN INFORMATION BRIEFING National Library Back to the Future the fall and rise of the British Film Industry in the 1980s an information briefing contents THIS PDF IS FULLY NAVIGABLE BY USING THE “BOOKMARKS” FACILITY IN ADOBE ACROBAT READER SECTION I: REPORT Introduction . .1 Britain in the 1980s . .1 Production . .1 Exhibition . .3 TV and Film . .5 Video . .7 “Video Nasties” & Regulation . .8 LEADING COMPANIES Merchant Ivory . .9 HandMade Films . .11 BFI Production Board . .12 Channel Four . .13 Goldcrest . .14 Palace Pictures . .15 Bibliography . .17 SECTION II: STATISTICS NOTES TO TABLE . .18 TABLE: UK FILM PRODUCTIONS 1980 - 1990 . .19 Written and Researched by: Phil Wickham Erinna Mettler Additional Research by: Elena Marcarini Design/Layout: Ian O’Sullivan © 2005 BFI INFORMATION SERVICES BFI NATIONAL LIBRARY 21 Stephen Street London W1T 1LN ISBN: 1-84457-108-4 Phil Wickham is an Information Officer in the Information Services of the BFI National Library. He writes and lectures extensively on British film and television. Erinna Mettler worked as an Information Officer in the Information Services of the BFI National Library from 1990 – 2004. Ian O’Sullivan is also an Information Officer in the Information Services of the BFI National Library and has designed a number of publications for the BFI. Elena Marcarini has worked as an Information Officer in the Information Services Unit of the BFI National Library. The opinions contained within this Information Briefing are those of the authors and are not expressed on behalf of the British Film Institute. Information Services BFI National Library British Film Institute 21 Stephen Street London W1T 1LN Tel: + 44 (0) 20 7255 1444 Fax: + 44 (0) 20 7436 0165 Try the BFI website for film and television information 24 hours a day, 52 weeks a year… Film & TV Info – www.bfi.org.uk/filmtvinfo - contains a range of information to help find answers to your queries. -
Soft in the Middle Andrews Fm 3Rd.Qxd 7/24/2006 12:20 PM Page Ii Andrews Fm 3Rd.Qxd 7/24/2006 12:20 PM Page Iii
Andrews_fm_3rd.qxd 7/24/2006 12:20 PM Page i Soft in the Middle Andrews_fm_3rd.qxd 7/24/2006 12:20 PM Page ii Andrews_fm_3rd.qxd 7/24/2006 12:20 PM Page iii Soft in the Middle The Contemporary Softcore Feature in Its Contexts DAVID ANDREWS The Ohio State University Press Columbus Andrews_fm_3rd.qxd 7/24/2006 12:20 PM Page iv Copyright © 2006 by The Ohio State University. All rights reserved. Library of Congress Cataloging-in-Publication Data Andrews, David, 1970– Soft in the middle: the contemporary softcore feature in its contexts / David Andrews. p. cm. Includes bibliographic references and index. ISBN 0-8142-1022-8 (cloth: alk. paper)—ISBN 0-8142-9106 (cd-rom) 1. Erotic films— United States—History and criticism. I. Title. PN1995.9.S45A53 2006 791.43’65380973—dc22 2006011785 The third section of chapter 2 appeared in a modified form as an independent essay, “The Distinction ‘In’ Soft Focus,” in Hunger 12 (Fall 2004): 71–77. Chapter 5 appeared in a modified form as an independent article, “Class, Gender, and Genre in Zalman King’s ‘Real High Erotica’: The Conflicting Mandates of Female Fantasy,” in Post Script 25.1 (Fall 2005): 49–73. Chapter 6 is reprinted in a modified form from “Sex Is Dangerous, So Satisfy Your Wife: The Softcore Thriller in Its Contexts,” by David Andrews, in Cinema Journal 45.3 (Spring 2006), pp. 59–89. Copyright © 2006 by the University of Texas Press. All rights reserved. Cover design by Dan O’Dair. Text design and typesetting by Jennifer Shoffey Forsythe. -
Persrecensie : "Emmanuelle? Niet Te Kloppen"
Kempen, Mechelen, Metropool Noord, Metropool Zuid, Waasland "Emmanuelle? Niet te kloppen" 31-01-2006 Pag. 57 Het voorbije weekend werd ze tijdens De Nachten in deSingel 'de Anaïs Nin van de Benelux' genoemd, 'de beste softpornoster ever', 'muze', 'cultfiguur' en 'Emmanuelle', maar eigenlijk heet ze Sylvia Kristel (53). De actrice en beeldend kunstenares las in uiterst decent donkergrijs broekpak voor uit de aan haar opgedragen debuutbundel van de Antwerpse Jess De Gruyter. "Ik hou vooral van spannend proza", zegt La Kristel. "Een mysterie waarom al die jonge dichters mij blijven vinden." Sylvia Kristel, 32 jaar later, geeft tips voor opvolgsters nieuwe filmreeks Het mysterie heeft vermoedelijk een naam en wel deze: Emmanuelle. "Tough to beat!", zegt Sylvia Kristel. "Niet te kloppen. Ik ben gebombardeerd tot liefdesicoon door de inmiddels derde generatie! Ik krijg nog steeds mails en brieven, genre: 'Ons huwelijk is gered, dank u!' Ik vind het fijn om opnieuw die oude foto's te zien, van toen ik nog niet in de gaten had dat ik het aanzien waard was." Kent u nog tekst uit het hoofd van de Emmanuelle-films? Je veux te boire. Ik wil je drinken. Liefst 32 jaar na u worden weer tien speelfilms Emmanuelle gepland. Via een reality-show annex talentenjacht zal de nieuwe Emmanuelle worden gezocht. Bent u daarbij betrokken? Ik zou wel willen meewerken, maar achter de schermen dan. Ik heb geen zin om erbij te lopen zoals Tyra Banks en Janis Dickinson bij Top model. Twintig dames en evenveel heren zullen elkaar bekampen in de categorieën erotische scènes, het fonetisch nabootsen van orgasmes, strippen, telefoonseks en worstelen in een nat T-shirt.. -
Product Guide Is Available Online At
CANNESPRPRODUCTODUCT GUIDEGUIDE Country of Origin: Italy 2003problems of adolescence – their first Sex Files I & II 14x90’, Scandal 7x90’, Based on a true story, a moving tale of sexual contacts with girls. On their way The Emmanuelle TV Series 7x90’, A hope of a man whose disability has not to discover the world of pleasures they Emmanuelle 5, 6 & 7 3x90’, Seducing ADRIANA CHIESA prevented him from living a fulfilling meet many beautiful women ready to Fina 90’ and Wages of Lust 90’ life. Features an exceptional performance give them precious lessons. ENTERPRISES by Giancarlo Giannini. EGOISTS ALLIANCE Drama, 103 min. Adriana Chiesa Enterprises, Via Barnaba Language: English ATLANTIS Oriani 24/A - 00197 Rome, Italy. Tel: Director: Mariusz Trelinski 39.0680.86052. Fax: 39.0680.86052. ADYTON Alliance Atlantis, Toronto: 121 Bloor Cast: Rafal Mohr, Magdalena Cielecka At Cannes: Adriana Chiesa Di Palma Street East, Suite #1500, Toronto, INTERNATIONAL Delivery Status: Ready to Delivery (President), Rossella Gori (Sales Ontario, M4W 3M5, Canada. Tel: Adyton International, European office: Year of Production: 2001 manager), Céline Dalix (Assistant) 416.967.1174. Fax: 416.960.0971. ul. Woronicza 17, 00-999 Warszawa, A story about young elites of a big city, Office: Hotel Carlton / Salon du Bridge Montreal: 5, Place Ville Marie, Suite Poland. Tel: 0048.22.844.22.96. Fax: alcohol, drugs, trans music and easy sex. 1st floor, Tel: 0493064100 #1435, Montreal, Quebec, H3B 2G2, THE LEGEND OF AL, JOHN AND 0048.22.844.22.96. [email protected], On their run from one bar to another, Canada. Tel: 514.878.2282. Fax: JACK (LA LEGGENDA DI AL JOHN www.adyton.pl from one lover to another they lose the 514.878.2419. -
Takeshi Kitano Vol
UNIVERSITY OF SHEFFIELD KITANO TAKESHI: AUTHORSHIP1 GENRE & STARDOM IN JAPANESE CINEMA PHD THESIS ADAM R BINGHAM 2009 VOL II 213 The Return of the Kids! A Scene at the Sea [1991], Kids Return [1996] & Dolls [2002] It is possible to sub-divide and compartmentally categorise the oeuvre of Kitano Takeshi in several distinct and mutually compatible ways. Thus far, the tendency in the critical discourse on his work has been, rather too readily and too easily, to focus on those aspects of his films deemed salient authorial determinants - such as the violence and tenderness - and apply this to the body of work as a whole. Thus, for better or for worse, one repeatedly finds in reviews of films such as Ana natsu, ichiban shizukana umi ... (A Scene at the Sea, 1991) and Kikujiro no natsu (Kikujiro, 1999) a focus on their lack of the violent material found in other, better known Kitano films. Similarly, a number of reviews and essays about Hana-Bi [1997] concentrated on its perceived Zen qualities, and in the US this quality of quietude and mono no aware was then read into other works that were released in the wake of 1997, even San tai yon, ekkusu ...jugatsu (Boiling Point, 1990). It is, of course, the central tenet of film authorship to evaluate one of a perceived auteur's films against the oeuvre in general. However, as the aforementioned example of Hana-Bi can amply attest, it is nonetheless the case that the common critical conceptions of Kitano Takeshi or even 'Beat' Takeshi that have gained consensus opinion have often been lazily employed, rehashed and repeated. -
6. Baschiera Final
From Beijing with love: The global dimension of Bertolucci’s The Last Emperor Baschiera, S. (2014). From Beijing with love: The global dimension of Bertolucci’s The Last Emperor. Journal of Italian Cinema & Media Studies, 2(3), 399-415. https://doi.org/10.1386/jicms.2.3.399_1 Published in: Journal of Italian Cinema & Media Studies Document Version: Peer reviewed version Queen's University Belfast - Research Portal: Link to publication record in Queen's University Belfast Research Portal Publisher rights © 2014 Journal of Italian Cinema & Media Studies General rights Copyright for the publications made accessible via the Queen's University Belfast Research Portal is retained by the author(s) and / or other copyright owners and it is a condition of accessing these publications that users recognise and abide by the legal requirements associated with these rights. Take down policy The Research Portal is Queen's institutional repository that provides access to Queen's research output. Every effort has been made to ensure that content in the Research Portal does not infringe any person's rights, or applicable UK laws. If you discover content in the Research Portal that you believe breaches copyright or violates any law, please contact [email protected]. Download date:01. Oct. 2021 From Beijing with love: the global dimension of Bertolucci’s The Last Emperor Stefano Baschiera, Queen’s University Belfast DOI 10.1386/jicms.2.3.399_1 Intellect: Journal of Italian Cinema & Media Studies, Volume 2, Number 3, September 2014, pp. 399-415(17) Abstract Famous for being the first foreign feature film that obtained permission to shoot in the Forbidden City, The Last Emperor (1987) is also one of the most ambitious and expensive independent productions of its time, awarded four Golden Globes and nine Academy Awards, including Best Picture. -
Hoods and Yakuza the Shared Myth of the American and Japanese Gangster Film
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Queen Mary Research Online Hoods and Yakuza The Shared Myth of the American and Japanese Gangster Film. Pate, Simon The copyright of this thesis rests with the author and no quotation from it or information derived from it may be published without the prior written consent of the author For additional information about this publication click this link. http://qmro.qmul.ac.uk/xmlui/handle/123456789/13034 Information about this research object was correct at the time of download; we occasionally make corrections to records, please therefore check the published record when citing. For more information contact [email protected] Hoods and Yakuza: the Shared Myth of the American and Japanese Gangster Film 1 Hoods and Yakuza The Shared Myth of the American and Japanese Gangster Film by Simon Pate Submitted in partial fulfilment of the requirements of the Degree of Doctor of Philosophy School of Languages, Linguistics and Film Queen Mary University of London March 2016 Hoods and Yakuza: the Shared Myth of the American and Japanese Gangster Film 2 Statement of Originality I, Simon Pate, confirm that the research included within this thesis is my own work or that where it has been carried out in collaboration with, or supported by others, that this is duly acknowledged below and my contribution indicated. Previously published material is also acknowledged below. I attest that I have exercised reasonable care to ensure that the work is original, and does not to the best of my knowledge break any UK law, infringe any third party’s copyright or other Intellectual Property Right, or contain any confidential material. -
Indican Pictures Presents LORD of NIGHTMARES
Indican Pictures presents VALKHN FILMS In Association With PARADIGM FILMS A ROLFE KANEFSKY Flick LORD OF NIGHTMARES Starring TIFFANY SHEPIS BLYTHE METZ LUCIANO SZAFIR JAMES FERRIS JACK SWAY Introducing HANNA PUTNAM With ROBERT DONAVAN And RICHARD MOLL Director Of Photography PAUL DENG Music Composed By CHRISTOPHER FARRELL Edited By VICTOR KANEFSKY & GEORGE PANOS Executive Producer ALICE GLENN Produced By ROLFE KANEFSKY FREDERICO LAPENDA ESTHER GOODSTEIN VICTOR KANEFSKY Written & Directed By ROLFE KANEFSKY Indican Pictures 8424 Santa Monica Bl. #752 West Hollywood, CA 90069 The new horror film directed by Rolfe Kanefsky and starring Tiffany Shepis, Blythe Metz, Luciano Szafir, and Richard Moll has horror fans and the internet buzzing with excitement! LORD OF NIGHTMARES has been generating outstanding reviews and reaction from fans has been excellent as the film enjoys a 200 screen Theatrical Release through Lionsgate! Some of the rave reviews are from trusted sites and magazines like been raves! “Bloody-Disgusting.com” (a leading horror website) declared it “Fantastic” and a highlight of ComiCon, “Fangoria” magazine said it was “fun and delivered thrills”. The leading trailer/poster house in Los Angeles, “The Ant Farm” has created an eye- popping poster and an amazing trailer for the film as well. Magazines are also jumping on board. “Sirens Of Cinema” just hit newstands with a four page layout on Rolfe Kanefsky and Blythe Metz, DRACULINA magazine gave it a rave review with a four page article on star Tiffany Shepis! In the next issue of “Sirens Of Cinema” will also have a full article interview with THE WOMEN OF LORDS OF NIGHTMARE.