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The Charismatic Leadership and Cultural Legacy of Stan Lee
REINVENTING THE AMERICAN SUPERHERO: THE CHARISMATIC LEADERSHIP AND CULTURAL LEGACY OF STAN LEE Hazel Homer-Wambeam Junior Individual Documentary Process Paper: 499 Words !1 “A different house of worship A different color skin A piece of land that’s coveted And the drums of war begin.” -Stan Lee, 1970 THESIS As the comic book industry was collapsing during the 1950s and 60s, Stan Lee utilized his charismatic leadership style to reinvent and revive the superhero phenomenon. By leading the industry into the “Marvel Age,” Lee has left a multilayered legacy. Examples of this include raising awareness of social issues, shaping contemporary pop-culture, teaching literacy, giving people hope and self-confidence in the face of adversity, and leaving behind a multibillion dollar industry that employs thousands of people. TOPIC I was inspired to learn about Stan Lee after watching my first Marvel movie last spring. I was never interested in superheroes before this project, but now I have become an expert on the history of Marvel and have a new found love for the genre. Stan Lee’s entire personal collection is archived at the University of Wyoming American Heritage Center in my hometown. It contains 196 boxes of interviews, correspondence, original manuscripts, photos and comics from the 1920s to today. This was an amazing opportunity to obtain primary resources. !2 RESEARCH My most important primary resource was the phone interview I conducted with Stan Lee himself, now 92 years old. It was a rare opportunity that few people have had, and quite an honor! I use clips of Lee’s answers in my documentary. -
The North Turns Rocks to Riches with Mining and Exploration
The North turns rocks to riches with mining and exploration NORTHWEST TERRITORIES & NUNAVUT CHAMBER OF MINES Explore for More: Table of Contents Exploration starts here! ..................................................................2 Environment – highest level of protection .....................31 Giant mine – a big role in defining Yellowknife ....................32 Mining North Works! for Canada’s Environmental legacy ...........................................................................32 Northwest Territories and Nunavut .......................................3 Leading the way through government legislation .............33 Minerals are the North’s economic advantage ...................... 4 Climate change – mining has important role to play ...... 34 Northern rocks – a diverse and vast geology .......................... 5 Infrastructure legacy – building makes it better .................35 Rich mining history and legacy ......................................................... 6 Geologic time scale spans over four billion years ............... 7 Minerals in our lives – what do we make Exploration and mining span several centuries .................... 8 from them? ...........................................................................................36 Cobalt .........................................................................................................36 Mineral resources cycle – how it works ............................10 Diamonds .................................................................................................36 -
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JACK KIRBY COLLECTOR THIRTY-NINE $9 95 IN THE US . c n I , s r e t c a r a h C l e v r a M 3 0 0 2 © & M T t l o B k c a l B FAN FAVORITES! THE NEW COPYRIGHTS: Angry Charlie, Batman, Ben Boxer, Big Barda, Darkseid, Dr. Fate, Green Lantern, RETROSPECTIVE . .68 Guardian, Joker, Justice League of America, Kalibak, Kamandi, Lightray, Losers, Manhunter, (the real Silver Surfer—Jack’s, that is) New Gods, Newsboy Legion, OMAC, Orion, Super Powers, Superman, True Divorce, Wonder Woman COLLECTOR COMMENTS . .78 TM & ©2003 DC Comics • 2001 characters, (some very artful letters on #37-38) Ardina, Blastaar, Bucky, Captain America, Dr. Doom, Fantastic Four (Mr. Fantastic, Human #39, FALL 2003 Collector PARTING SHOT . .80 Torch, Thing, Invisible Girl), Frightful Four (Medusa, Wizard, Sandman, Trapster), Galactus, (we’ve got a Thing for you) Gargoyle, hercules, Hulk, Ikaris, Inhumans (Black OPENING SHOT . .2 KIRBY OBSCURA . .21 Bolt, Crystal, Lockjaw, Gorgon, Medusa, Karnak, C Front cover inks: MIKE ALLRED (where the editor lists his favorite things) (Barry Forshaw has more rare Kirby stuff) Triton, Maximus), Iron Man, Leader, Loki, Machine Front cover colors: LAURA ALLRED Man, Nick Fury, Rawhide Kid, Rick Jones, o Sentinels, Sgt. Fury, Shalla Bal, Silver Surfer, Sub- UNDER THE COVERS . .3 GALLERY (GUEST EDITED!) . .22 Back cover inks: P. CRAIG RUSSELL Mariner, Thor, Two-Gun Kid, Tyrannus, Watcher, (Jerry Boyd asks nearly everyone what (congrats Chris Beneke!) Back cover colors: TOM ZIUKO Wyatt Wingfoot, X-Men (Angel, Cyclops, Beast, n their fave Kirby cover is) Iceman, Marvel Girl) TM & ©2003 Marvel Photocopies of Jack’s uninked pencils from Characters, Inc. -
Research Commons at The
http://waikato.researchgateway.ac.nz/ Research Commons at the University of Waikato Copyright Statement: The digital copy of this thesis is protected by the Copyright Act 1994 (New Zealand). The thesis may be consulted by you, provided you comply with the provisions of the Act and the following conditions of use: Any use you make of these documents or images must be for research or private study purposes only, and you may not make them available to any other person. Authors control the copyright of their thesis. You will recognise the author’s right to be identified as the author of the thesis, and due acknowledgement will be made to the author where appropriate. You will obtain the author’s permission before publishing any material from the thesis. FROM 'AMBIGUOUSLY GAY DUOS' TO HOMOSEXUAL SUPERHEROES: THE IMPLICATIONS FOR MEDIA FANDOM PRACTICES A thesis submitted in fulfilment of the requirements for the degree of Master of Arts in Screen and Media At The University of Waikato By GEMMA CORIN The University of Waikato 2008 Abstract Despite traversing the fine line between homosocial and homosexual (Brooker, 2000) in his controversial text Seduction of the Innocent, Fredric Wertham’s (1954) description of Batman and Robin as a ‘wish dream of two homosexuals living together’ (Lendrum, 2004, p.70) represents one of the first published queer readings of superhero characters. This text can also be interpreted as the commencement of, and subsequent intense interest in the way superhero characters often portray a ‘camp’ sensibility (Medhurst, 1991) representative of a queer performative identity (Butler, 1993). -
3M™ Iron Man Plus Workstation Monitor CTC331 User’S Guide Table of Contents
3M™ Iron Man Plus Workstation Monitor CTC331 User’s Guide Table of Contents Section Page 1.0 Safety Information .......................................................................................3 Intended Use ................................................................................................3 2.0 Environmental Conditions ...........................................................................5 3.0 Package Contents .........................................................................................5 4.0 General Product Specifications ....................................................................6 5.0 Operation ......................................................................................................6 6.0 Installation ....................................................................................................8 7.0 Verification Procedures ..............................................................................12 8.0 Replacing the Wrist Strap Input Jack .........................................................12 9.0 Accessory Items .........................................................................................13 Regulatory Information .......................................................................................14 Warranty ..............................................................................................................16 2 1.0 Safety Information Read, understand, and follow all safety information contained in this user guide prior to installation and -
(“Spider-Man”) Cr
PRIVILEGED ATTORNEY-CLIENT COMMUNICATION EXECUTIVE SUMMARY SECOND AMENDED AND RESTATED LICENSE AGREEMENT (“SPIDER-MAN”) CREATIVE ISSUES This memo summarizes certain terms of the Second Amended and Restated License Agreement (“Spider-Man”) between SPE and Marvel, effective September 15, 2011 (the “Agreement”). 1. CHARACTERS AND OTHER CREATIVE ELEMENTS: a. Exclusive to SPE: . The “Spider-Man” character, “Peter Parker” and essentially all existing and future alternate versions, iterations, and alter egos of the “Spider- Man” character. All fictional characters, places structures, businesses, groups, or other entities or elements (collectively, “Creative Elements”) that are listed on the attached Schedule 6. All existing (as of 9/15/11) characters and other Creative Elements that are “Primarily Associated With” Spider-Man but were “Inadvertently Omitted” from Schedule 6. The Agreement contains detailed definitions of these terms, but they basically conform to common-sense meanings. If SPE and Marvel cannot agree as to whether a character or other creative element is Primarily Associated With Spider-Man and/or were Inadvertently Omitted, the matter will be determined by expedited arbitration. All newly created (after 9/15/11) characters and other Creative Elements that first appear in a work that is titled or branded with “Spider-Man” or in which “Spider-Man” is the main protagonist (but not including any team- up work featuring both Spider-Man and another major Marvel character that isn’t part of the Spider-Man Property). The origin story, secret identities, alter egos, powers, costumes, equipment, and other elements of, or associated with, Spider-Man and the other Creative Elements covered above. The story lines of individual Marvel comic books and other works in which Spider-Man or other characters granted to SPE appear, subject to Marvel confirming ownership. -
NEW THIS WEEK from MARVEL COMICS... Amazing Spider-Man Venom Inc
NEW THIS WEEK FROM MARVEL COMICS... Amazing Spider-Man Venom Inc. Alpha Astonishing X-Men #6 Avengers #674 Black Bolt #8 (LEGACY) Cable Vol. 1 GN Captain America #696 Doctor Strange #382 Gwenpool #23 Hawkeye #13 (LEGACY) Iceman #8 Inhumans Once and Future Kings #5 (of 5) Iron Fist #75 Spider-Man #235 Spirits of Vengeance #3 (of 5) Star Wars Darth Vader #9 Star Wars Vol. 6 GN True Believers Enter the Phoenix ($1 / reprints X-Men #101) True Believers Cyclops & Marvel Girl ($1 / reprints X-Men #48) X-Men Gold #17 NEW THIS WEEK FROM DC COMICS... Bane Conquest #8 (of 12) Batgirl & the Birds of Prey (Rebirth) Vol. 2 GN Batman #36 Batman and Robin Adventures Vol. 2 GN Batman / TMNT II #1 (of 6) Batman White Knight #3 (of 8) Black Lightning #2 (of 6) Bombshells United #7 Cyborg #19 Dastardly & Mutley #4 (of 6) DC Universe 2017 Holiday Special Deadman #2 (of 6) Deathstroke #26 Green Arrow #35 Green Arrow (Rebirth) Vol. 4 GN Green Lanterns #36 Harley & Ivy Meet Betty & Veronica #3 (of 6) Injustice 2 #15 Jetsons #2 Justice League #34 Nightwing #34 Shadow / Batman #3 (of 6) Superman #36 NEW THIS WEEK FROM IMAGE... Extremity #9 Fix #10 Grave Diggers Union #2 Moonstruck #4 No. 1 with a Bullet #2 Paper Girls #18 Paradiso #1 Savage Dragon #229 Scales & Scoundrels #4 Sleepless #1 Stray Bullets Sunshine & Roses #30 Throwaways #10 Violent Love #10 Walking Dead #174 NEW FROM THE OTHER PUBLISHERS... Babyteeth Vol. 1 GN Captain Canuck Year One #1 Chimichanga Sorrow of World's Worst Face #4 (of 4) Faith's Winter Wonderland #1 Fire Force Vol. -
Hulk: World War Hulks Vol. 6 Free
FREE HULK: WORLD WAR HULKS VOL. 6 PDF Jeph Loeb,Ed McGuinness | 112 pages | 29 Apr 2011 | Marvel Comics | 9780785142676 | English | New York, United States Hulk, Volume 6: World War Hulks by Jeph Loeb No recent wiki edits to this page. Who is the Red Hulk? The truth is finally out: The identity of the Red Hulk is revealed! Everything Hulk fans have been waiting for pays off here, but it only whets the appetite for the epic final showdown between Red and Green Hulks - a cataclysmic battle that will settle Hulk: World War Hulks Vol. 6 comes out on top once and for all. This series is collected among the following paperbacks:. This edit will also create new pages on Comic Vine for:. Until you earn points all your submissions need to be vetted by other Comic Vine users. This process takes no more than a few hours and we'll send you an email once approved. Tweet Clean. Cancel Update. What size Hulk: World War Hulks Vol. 6 should we insert? This will not affect the original upload Small Medium How do you want the image positioned around text? Float Left Float Right. Cancel Insert. Go to Link Unlink Change. Cancel Create Link. Disable this feature for this session. Rows: Columns:. Enter the URL for the tweet you want to embed. This edit will also create new pages on Comic Vine for: Beware, you are proposing to add brand new pages to the wiki along with your edits. Make sure this is what you intended. This will likely increase the time it takes for your changes to go live. -
Resistant Vulnerability in the Marvel Cinematic Universe's Captain America
Western University Scholarship@Western Electronic Thesis and Dissertation Repository 2-15-2019 1:00 PM Resistant Vulnerability in The Marvel Cinematic Universe's Captain America Kristen Allison The University of Western Ontario Supervisor Dr. Susan Knabe The University of Western Ontario Graduate Program in Media Studies A thesis submitted in partial fulfillment of the equirr ements for the degree in Master of Arts © Kristen Allison 2019 Follow this and additional works at: https://ir.lib.uwo.ca/etd Part of the Other Feminist, Gender, and Sexuality Studies Commons, Other Film and Media Studies Commons, and the Women's Studies Commons Recommended Citation Allison, Kristen, "Resistant Vulnerability in The Marvel Cinematic Universe's Captain America" (2019). Electronic Thesis and Dissertation Repository. 6086. https://ir.lib.uwo.ca/etd/6086 This Dissertation/Thesis is brought to you for free and open access by Scholarship@Western. It has been accepted for inclusion in Electronic Thesis and Dissertation Repository by an authorized administrator of Scholarship@Western. For more information, please contact [email protected]. Abstract Established in 2008 with the release of Iron Man, the Marvel Cinematic Universe has become a ubiquitous transmedia sensation. Its uniquely interwoven narrative provides auspicious grounds for scholarly consideration. The franchise conscientiously presents larger-than-life superheroes as complex and incredibly emotional individuals who form profound interpersonal relationships with one another. This thesis explores Sarah Hagelin’s concept of resistant vulnerability, which she defines as a “shared human experience,” as it manifests in the substantial relationships that Steve Rogers (Captain America) cultivates throughout the Captain America narrative (11). This project focuses on Steve’s relationships with the following characters: Agent Peggy Carter, Natasha Romanoff (Black Widow), and Bucky Barnes (The Winter Soldier). -
Cold War Under the Ice
WeissCold War Under the Ice Cold War Under the Ice: The Army’s Bid for a Long-Range Nuclear Role, 1959–1963 ✣ Erik D. Weiss ilitary preparations for the Cold War extended to even the most frigidM environments on earth. The Arctic holds both fascination and fear in its stark expanses and unforgiving climate. In the superpower contest, the harsh, icy wastelands of the north presented an intriguing, barren region that technology could seek to conquer. Although the new ability to harness nu- clear energy revolutionized arctic research, the North Greenland ice cap also held more challenging options for U.S. Cold War strategists. Ice could be molded and carved. Ice tunnels could facilitate transport and offer seclusion, isolation, and a hidden presence. No weapon would have required more mo- bility and concealment than a system of intermediate range ballistic missiles (IRBMs) armed with nuclear warheads. The U.S. Army’s proposal to deploy “Iceworm” mobile IRBMs came to light in a recently declassiªed set of documents obtained by the Danish Insti- tute of International Affairs in connection with a larger study in 1997 on Greenland during the Cold War.1 Because scholars have not yet studied the Iceworm concept per se, this article seeks to place it within the context of the Cold War. Iceworm ªlled the perceived need for IRBM forces after the Soviet launch of Sputnik in 1957, an event that threatened the United States and the rest of the North Atlantic Treaty Organization (NATO) with destruction by intercontinental ballistic missiles (ICBMs) and eroded European conªdence in NATO’s deterrent posture. -
Superhero Science
SPECIAL REPORT THE SCIENCE BEHIND THE FICTION Superhero Science BENJAMIN RADFORD pasibo. It means thank you. I tists: Spider-Man (Peter Parker) is really know only a few words an accomplished science student; Sof the Russian language, but the Incredible Hulk (in his human what little I do know I learned form, Bruce Banner) is a nuclear about twenty years ago. I was taught physicist; Mr. Fantastic (Reed by a man named Piotr Rasputin. I Richards) holds doctorates in phys- didn’t know him very well, and ics and electrical engineering; and never asked if he was related to the so on. Most Marvel Comics super- czar’s infamous “Mad Monk,” but I heroes have some strong link with do remember that he had the curi- science or technology (for exam- ous ability to turn his flesh into a ple, Peter Parker invented his own sort of impervious living steel. Very web-slinging mechanism, and engi- cool, really. neer Tony Stark created his own One of my earliest geology les- Iron Man exoskeleton). (For an sons came when I was about ten in-depth look at science and super- years old. Like my smattering of heroes, see The Science of Super- Russian, it wasn’t a full, formal heroes, by Lois Gresh and Robert lesson. But I did learn some inter- Weinberg.) esting and scientifically sound facts, Marvel Comics founder Stan including that because limestone in Lee had created dozens of superhe- the earth is partially water-soluble An Iceman exhibit at the Ontario Science Centre teaches roes to populate his comic books, visitors about heat transfer. -
Limits, Malice and the Immortal Hulk
https://lthj.qut.edu.au/ LAW, TECHNOLOGY AND HUMANS Volume 2 (2) 2020 https://doi.org/10.5204/lthj.1581 Before the Law: Limits, Malice and The Immortal Hulk Neal Curtis The University of Auckland, New Zealand Abstract This article uses Kafka's short story 'Before the Law' to offer a reading of Al Ewing's The Immortal Hulk. This is in turn used to explore our desire to encounter the Law understood as a form of completeness. The article differentiates between 'the Law' as completeness or limitlessness and 'the law' understood as limitation. The article also examines this desire to experience completeness or limitlessness in the work of George Bataille who argued such an experience was the path to sovereignty. In response it also considers Francois Flahault's critique of Bataille who argued Bataille failed to understand limitlessness is split between a 'good infinite' and a 'bad infinite', and that it is only the latter that can ultimately satisfy us. The article then proposes The Hulk, especially as presented in Al Ewing's The Immortal Hulk, is a study in where our desire for limitlessness can take us. Ultimately it proposes we turn ourselves away from the Law and towards the law that preserves and protects our incompleteness. Keywords: Law; sovereignty; comics; superheroes; The Hulk Introduction From Jean Bodin to Carl Schmitt, the foundation of the law, or what we more readily understand as sovereignty, is marked by a significant division. The law is a limit in the sense of determining what is permitted and what is proscribed, but the authority for this limit is often said to derive from something unlimited.