Crimson White Exploring the Great Outdoors in the Tuscaloosa Area

Total Page:16

File Type:pdf, Size:1020Kb

Crimson White Exploring the Great Outdoors in the Tuscaloosa Area The Scene Volume 1 | Issue 10 | February 19, 2008 A publication of The Crimson White Exploring the great outdoors in the Tuscaloosa area Also inside ■ The School of Musicʼs tribute to the Enterprise High victims, page 8 ■ An interview with Phillip Weaver of Buffalo Philʼs, page 10 Predict the Oscars | Contest ballot Best Picture Name: Best Supporting Actress “Atonement” Cate Blanchett, “I’m Not There” “Juno” Ruby Dee, “American Gangster” Saoirse Ronan, “Atonement” “Michael Clayton” Phone number: “No Country for Old Men” Amy Ryan, “Gone Baby Gone” “There Will Be Blood” Tilda Swinton, “Michael Clayton” Best Director Best Original Screenplay Julian Schnabel, “The Diving Diablo Cody, “Juno” Bell and the Butterfl y” Outguess CW critic Nancy Oliver, “Lars and the Real Jason Reitman, “Juno” Girl” Tony Gilroy, “Michael Clayton” Corey Craft, and Tony Gilroy, “Michael Clayton” Joel Coen and Ethan Coen, “No win fabulous Jan Pinkava, Jim Capobianco and Country for Old Men” Brad Bird, “Ratatouille” Paul Thomas Anderson, “There prizes! Tamara Jenkins, “The Savages” Will Be Blood” Best Adapted Screenplay Best Actor Christopher Hampton, George Clooney, “Michael Clayton” “Atonement” Daniel Day-Lewis, “There Will Enter the contest at www. Sarah Polley, “Away from Her” Be Blood” cw.ua.edu, or bring this Ronald Harwood, “The Diving Johnny Depp, “Sweeney Todd: Bell and the Butterfl y” The Demon Barber of Fleet Street” ballot to the Offi ce of Joel Coen and Ethan Coen, “No Tommy Lee Jones, “In the Valley Country for Old Men” of Elah” Student Media by Feb. 22. Paul Thomas Anderson, “There Viggo Mortensen, “Eastern Will Be Blood” Promises” Winners will be Best Cinematography Best Actress announced in the Feb. 27 Roger Deakins, “The Cate Blanchett, “Elizabeth: The Assassination of Jesse James by the Golden Age” issue of The Coward Robert Ford” Julie Christie, “Away from Her” Seamus McGarvey, “Atonement” Marion Cotillard, “La Vie en Rose” Crimson White. Janusz Kaminski, “The Diving Laura Linney, “The Savages” Bell and the Butterfl y” Ellen Page, “Juno” Roger Deakins, “No Country for Old Men” Best Supporting Actor Robert Elswit, “There Will Be Casey Affl eck, “The Blood” Assassination of Jesse James by the Coward Robert Ford” Best Original Score Javier Bardem, “No Country for Dario Marianelli, “Atonement” Old Men” Alberto Iglesias, “The Kite Philip Seymour Hoffman, Runner” “Charlie Wilson’s War” James Newton Howard, “Michael Hal Holbrook, “Into the Wild” Employees of the Offi ce of Clayton” Tom Wilkinson, “Michael Student Media are not eligible Michael Giacchino, “Ratatouille” Clayton” to participate. Marco Beltrami, “3:10 to Yuma” Contents Staff Editor: Corey Craft [email protected] The Scene looks at outdoor 4 Assistant editor: Phil Owen activities in Tuscaloosa and the [email protected] surrounding areas; part one of four 2 Design editor: Kathleen Buccleugh 3 [email protected] Art director: Elliot A. Knight [email protected] Multimedia editor: Andrew Richardson [email protected] The Crimson White editor: Mike Faulk [email protected] Advertising coordinator: The Friends for Homeless Animals Organization presents Cassie Edwards 5 a new feature in The Scene — the featured pet 348-8995 Advertising manager: Maria Franco 348-8044 The School of Music 8 Assistant advertising presents a tribute to the manager: Whitney Gullet 348-2598 Enterprise High School tornado victims Creative Services manager: 8 David Dailey 348-8042 This issueʼs contributors: Matt Abbey Holly Blalock Matt Ferguson Caleb Johnson Julia Kolb In every issue Laura Pitts Erin Redd 6-7 Biweekly calendar 11 Scene it, love it; poll Drew Taylor Jacob Walker 10 Album previews; Merchant 12 Theatrical previews; DVD picks Macy Webster profi le; Whatʼs in your ears? 13 A word from the editor Cover photo of the Black Warrior River by Macy Webster 2 The Scene | February 19, 2008 THE CRIMSON WHITE Part one of a Tuscaloosa outdoors four-part series BY JULIA KOLB AND JACOB WEBSTER will we be doing when the fl ow- to enjoy the outdoors around the Tuscaloosa area. There are PHOTOS BY MACY WEBSTER ers begin to bud in the spring? Tuscaloosa for little or no many different areas that offer THE SCENE CONTRIBUTORS With Tuscaloosa’s rich traditions charge. the type of experience that we, and unique history, there are nu- With all the homework, class- as students, need. Whether it is pring is on its way. The merous places of which to take es and jobs that students have fi shing, hunting, birdwatching, days are getting longer, and advantage throughout the com- to juggle, it seems that most of hiking, camping or boating, there Ssoon the weather will be munity and the University. us do not have chance to get is something that everyone can warmer. The question is, what There are many different ways out and enjoy the outdoors in experience year-round. off so boats do not interfere. If you are going to camp, there are sites for Lake Lurleen RVs and tents that are kept very clean. They also At Lake Lurleen, you can enjoy a num- have free showers to use near most campsites. ber of outdoor activities. Visitors can sim- In case you need water, there is running water at ply take a walk, use one of the hiking trails every site, as well. Lake Lurleen is $3 per person or even go camping. Visitors can go out on to enter. You can bring pets, but you must obey a boat in the lake, and no worries if you do leash laws. For more information, pricing and not have a boat — you can rent one there. directions go to www.stateparks.com/lake_ Lake Lurleen has a swimming area roped lurleen.html. them, it is a fun place to relax and enjoy the outdoors. Lake Tuscaloosa To help keep your valuables clean you can do Lake Tuscaloosa offers a wide array of out- a number of things, like bring a garbage bag and door activities. You can enjoy a beautiful day out dispose of any garbage left behind by yourself on the lake. Whether you enjoy fi shing or hik- or others. ing, there is something for everyone. There is no charge to enter Lake Tuscaloosa. A good spot to enjoy a day is the cliffs over For more information go to www.ourgreat- the lake itself. Though you cannot jump off lake.org/index.html. THE CRIMSON WHITE February 19, 2008 | The Scene 3 Hurricane Creek Hurricane Creek is one of the can attend the annual cleanup. area’s hidden pleasures. Hurri- On April 5 starting at 8:30 a.m. cane Creek is tucked away and visitors can participate in the is being cleaned up so that more 14th Annual Hurricane Creek people and animals can enjoy Cleanup and Chili Cook-Off. this wonder. Hurricane Creek is For more information and ways currently closed to the general that you can help contact creek- public so the clean-up process keeper John Wathen at creek can continue uninterrupted. [email protected] To help in the process you Black Warrior River The Black Warrior River is a dunk in the river. If you enjoy among Tuscaloosa’s treasures. The going out for a run you can take Black Warrior River meanders advantage of the Riverwalk The through Tuscaloosa County and path starts on Jack Warner Park- you can fi nd things to do all the way, behind Rose Towers. There way through. There are numer- is no charge for Black Warrior ous places for launching boats and River. For more information and plenty of fi shing spots. There are directions go www.blackwarrior even places where you can enjoy river.org/river-uses.html Outdoor activities key Biking Camping Fishing Hiking Kayaking Running Fly fi shing Swimming Water skiing Canoeing Hunting Paddle boating Walking Bird watching 4 The Scene | February 19, 2008 THE CRIMSON WHITE wildlife at its best. It also has a fi rst-class shooting range and is home to Payne Oakmulgee Lake, where outdoor men and women The Oakmulgee district of the Tal- can enjoy swimming, fi shing, boating ladega National Forest covers about and camping for a small fee. A wildlife 160,000 acres of Bibb, Hale, Perry and management area license, a manage- Tuscaloosa counties. The rolling hills of ment area permit and a hunting license Oakmulgee offer many different oppor- are required to hunt all game in the tunities to hunt, camp, fi sh or just enjoy national forest. Student Recreation Center, Outdoor Recreation Calendar of events and prices for Outdoor Recreation. ■ Saturday, March 15 through Wednesday, March 19 — For more information and for prices for renting Spring break, backpacking the Appalachian Trail, Smokey equipment, go to urec.sa.ua.edu/orstaff.cfm. Mountain National Park, North Carolina, $135 ■ Friday, March 28 — Introduction to tree and plant spe- cies hike at the Arboretum, $10 February ■ Saturday, March 29 through Sunday, March 30 — ■ Thursday, Feb. 21 — Full moon kayak instruction on Climbing sandrock, $50 the Black Warrior River, 7 p.m. to 10 p.m., $20 ■ Saturday, Feb. 23 through Sunday, Feb. 24 — Bouldering April and camping at HP40, $50 ■ Thursday, April 3, 10, 17 and 24 — Progression kayak March instruction, 7 p.m. to 9 p.m., $40 ■ Friday, April 4 through Sunday, April 6 — Ducky Sec- ■ Saturday, March 1 — Fourth Annual Adventure Race at Lake Lurleen State Park, $60 per team tion 3, Chattanooga River, $110 ■ Friday, April 11 through Sunday, April 13 — Raft the ■ Thursday, March 6, 13, 20 and 27 — Four-class pro- gression kayak instruction, 7 p.m. to 9 p.m., $40 Ocoee River, $115 ■ Friday, April 18 — Sanders Ferry Road bike ride, 2 p.m.
Recommended publications
  • Tom Kerwick Key Grip
    Tom Kerwick Key Grip ----------------------------------------------------------------------------------------- 122 Stethem Dr. Centereach, NY 11720 516-662-7655 E-mail: [email protected] Qualifications: 30 years experience as grip on motion pictures, Episodic TV, and commercials. Member of Local 52 IATSE Work History: Criminal Justice (2012) Key Grip Director: Steven Zaillian Director of Photography: Robert Elswit Gotham (2012) Key Grip Director: Francis Lawrence Director of Photography: Jo Willems The Avengers (2011) Key Grip NY Director: Joss Whedon Director of Photography: Seamus McGarvey Lola Versus (2011) Key Grip Director: Daryl Wein Director of Photography: Jakob Ihre Being Flynn (2011) Key Grip Director: Paul Weitz Director of Photography: Declan Quinn We need To talk about Kevin (2010) Key Grip Director: Lynne Ramsay Director of Photography: Seamus McGarvey The Beautiful Life - TV Series(2009) Key Grip Directors: various Director of Photography: Craig DiBona Twelve (2009) Key Grip Director: Joel Schummacher Director of Photography: Steve Fierberg Everyday (2009) Key Grip Director: Richard Levine Director of Photography: Nancy Schreiber Private Lives of Pippa Lee (2008) Key Grip Director: Rebecca Miller Director of Photography: Declan Quinn Rock On (2008) Key Grip NY Director: Todd Graff Director of Photography: Eric Steelberg For One More Day (2007) Key Grip Director: Lloyd Kramer Director of Photography: Tami Reiker Babylon Fields- TV (2007) Key Grip Director: Michael Cuesta Director of Photography: Romeo Tirone The Bronx is
    [Show full text]
  • Friendly Fire, It's Only Natural to Pranica Praise Its Director the Most
    Note: This show periodically replaces their ad breaks with new promotional clips. Because of this, both the transcription for the clips and the timestamps after them may be inaccurate at the time of viewing this transcript. 00:00:00 Music Music Tense string music. 00:00:01 Adam Host When we watch a great film on Friendly Fire, it's only natural to Pranica praise its director the most. It's easy to do, and every critic does it, from the film reviewers in the newspaper to the Academy of Motion Picture Arts and Sciences. But you and I, and those same directors, all know that it takes a video village to bring a film from the page to the screen to the stage accepting an award. Personally, I think it's the editors that get the shortest shrift in these cases. But the person who's often just as responsible as a director for how a film looks and feels is the cinematographer. Which is what makes the partnership between they and the director so crucial in filmmaking. If a director is lucky, they form a bond with one for most of their oeuvre. Paul Thomas Anderson and Robert Elswit. Spielberg and Janusz Kamiński. Christopher Nolan and Wally Pfister. And sometimes you'll get some cinematography polyamory. Oliver Stone, Quentin Tarantino, and Martin Scorsese share Robert Richardson. Of course a counterpoint to this film paper is that Kathryn Bigelow has worked with many different cinematographers over the years. Roger Deakins, on camera for Sam Mendes's 1917, is widely considered to be one of the greatest and most influential cinematographers in the history of film.
    [Show full text]
  • Wmc Investigation: 10-Year Analysis of Gender & Oscar
    WMC INVESTIGATION: 10-YEAR ANALYSIS OF GENDER & OSCAR NOMINATIONS womensmediacenter.com @womensmediacntr WOMEN’S MEDIA CENTER ABOUT THE WOMEN’S MEDIA CENTER In 2005, Jane Fonda, Robin Morgan, and Gloria Steinem founded the Women’s Media Center (WMC), a progressive, nonpartisan, nonproft organization endeav- oring to raise the visibility, viability, and decision-making power of women and girls in media and thereby ensuring that their stories get told and their voices are heard. To reach those necessary goals, we strategically use an array of interconnected channels and platforms to transform not only the media landscape but also a cul- ture in which women’s and girls’ voices, stories, experiences, and images are nei- ther suffciently amplifed nor placed on par with the voices, stories, experiences, and images of men and boys. Our strategic tools include monitoring the media; commissioning and conducting research; and undertaking other special initiatives to spotlight gender and racial bias in news coverage, entertainment flm and television, social media, and other key sectors. Our publications include the book “Unspinning the Spin: The Women’s Media Center Guide to Fair and Accurate Language”; “The Women’s Media Center’s Media Guide to Gender Neutral Coverage of Women Candidates + Politicians”; “The Women’s Media Center Media Guide to Covering Reproductive Issues”; “WMC Media Watch: The Gender Gap in Coverage of Reproductive Issues”; “Writing Rape: How U.S. Media Cover Campus Rape and Sexual Assault”; “WMC Investigation: 10-Year Review of Gender & Emmy Nominations”; and the Women’s Media Center’s annual WMC Status of Women in the U.S.
    [Show full text]
  • British Society of Cinematographers
    Best Cinematography in a Theatrical Feature Film 2020 Erik Messerschmidt ASC Mank (2020) Sean Bobbitt BSC Judas and the Black Messiah (2021) Joshua James Richards Nomadland (2020) Alwin Kuchler BSC The Mauritanian (2021) Dariusz Wolski ASC News of the World (2020) 2019 Roger Deakins CBE ASC BSC 1917 (2019) Rodrigo Prieto ASC AMC The Irishman (2019) Lawrence Sher ASC Joker (2019) Jarin Blaschke The Lighthouse (2019) Robert Richardson ASC Once Upon a Time … in Hollywood (2019) 2018 Alfonso Cuarón Roma (2018) Linus Sandgren ASC FSF First Man (2018) Lukasz Zal PSC Cold War(2018) Robbie Ryan BSC ISC The Favourite (2018) Seamus McGarvey ASC BSC Bad Times at the El Royale (2018) 2017 Roger Deakins CBE ASC BSC Blade Runner 2049 (2017) Ben Davis BSC Three Billboards outside of Ebbing, Missouri (2017) Bruno Delbonnel ASC AFC Darkest Hour (2017) Dan Laustsen DFF The Shape of Water (2017) 2016 Seamus McGarvey ASC BSC Nocturnal Animals (2016) Bradford Young ASC Arrival (2016) Linus Sandgren FSF La La Land (2016) Greig Frasier ASC ACS Lion (2016) James Laxton Moonlight (2016) 2015 Ed Lachman ASC Carol (2015) Roger Deakins CBE ASC BSC Sicario (2015) Emmanuel Lubezki ASC AMC The Revenant (2015) Janusz Kaminski Bridge of Spies (2015) John Seale ASC ACS Mad Max : Fury Road (2015) 2014 Dick Pope BSC Mr. Turner (2014) Rob Hardy BSC Ex Machina (2014) Emmanuel Lubezki AMC ASC Birdman or (The Unexpected Virtue of Ignorance) (2014) Robert Yeoman ASC The Grand Budapest Hotel (2014) Lukasz Zal PSC & Ida (2013) Ryszard Lenczewski PSC 2013 Phedon Papamichael ASC
    [Show full text]
  • Robert Elswit Interview.Edits
    Summer on the Mountain An Interview with Cinematographer Robert Elswit By Bridgette Bates In the words of Sundance Institute's Executive Director Ken Brecher, "One can learn to love eating in a tent." Tent dining is a quintessential experience of the Sundance Labs where Lab Fellows and Creative Advisors gather in the mountains of Utah each summer for what participants have affectionately called summer camp for artists. During this past June, the Feature Film Program under the direction of Michelle Satter hosted the Directors Lab, which offers eight filmmakers the supportive environment to develop new work under the supervision of experts in the field. The Insider sat down in the dining tent with a rogue chipmunk and Academy-Award winning cinematographer Robert Elswit to talk about his role as a Creative Advisor in this landscape of fresh air and fresh perspective. Some of Elswit's most recent DP work includes: There Will Be Blood, Michael Clayton, Syriana, Good Night and Good Luck, Punch Drunk Love, Magnolia, and Boogie Nights. Insider: From a Creative Advisor's perspective what is like working with the filmmakers at the Directors Lab? RE: I love coming here because of all the things the Fellows deal with when they start working on a project. All the basic elements that they are coming to grips with in terms of narrative filmmaking and storytelling; it reconnects me with basic stuff. Yet at the same time because the projects are so unusual and so varied and the people that they pick to come up here are so bright, I learn more in the Advisors meetings and interacting on sets than I do in three or four years of going from movie to movie.
    [Show full text]
  • Arri Rental's Alexa 65 Camera System Gains Wide
    Contact: ARRI Rental US Brigitte Wehner +1 212 757 0906 (office) [email protected] ARRI Rental UK Michelle Smith +44 1895 457 100 (office) [email protected] ARRI Rental Germany Andrea Rosenwirth +49 89 3809 1240 (office) [email protected] FOR IMMEDIATE RELEASE ARRI RENTAL’S ALEXA 65 CAMERA SYSTEM GAINS WIDE POPULARITY AND NEW FUNCTIONALITY (IBC 2015, Amsterdam) – Top cinematographers are taking advantage of the ALEXA 65’s exceptional image quality for major feature films, while updates are announced that will extend the capabilities and appeal of the system still further. Offering a complete large-format solution for high-end motion pictures, the ALEXA 65 system comprises a 65 mm digital cinema camera, custom-designed prime and zoom lenses, and fast, efficient workflow tools. Interest in the system has spread rapidly, with leading filmmakers pressing to use it on major feature films and IMAX announcing that it has selected the ALEXA 65 platform as its digital option for 2D IMAX productions. Available exclusively through ARRI Rental, the ALEXA 65 has already been supplied to numerous high-profile projects, some using it as the main unit camera throughout production and others using it as a specialist camera for sequences that require extreme levels of image quality. Rogue One: A Star Wars Story, shot by Greig Fraser ACS, ASC, has been utilizing the ALEXA 65 as its main unit A, B and C-cameras. Before that, Stuart Dryburgh ASC, NZCS captured with ALEXA 65 on The Great Wall, using it as his A and B-cameras on main unit. The first production to use the ALEXA 65 and to hit theaters was Mission: Impossible – Rogue Nation.
    [Show full text]
  • Circ Cine Ve 03-2006
    (r.e.) Che ne sarà di Venezia? Nei giorni in cui Veltroni e i suoi sodali illustravano l’allettante menù della prossima Festa romana del cinema, in programma ad ottobre, un provvidenziale torrente di nominations all’Oscar, piovute sui film del- l’edizione 2005, consentiva ai vertici della Fondazione veneziana di tirare un sospiro di sollievo. Del tipo: visto che la qua- lità paga? Che Venezia è sempre Venezia? Che l’arte siamo noi? È oltretutto ben possibile che le candidature vadano a tra- mutarsi in un profluvio di belle statuine, consegnando la competizione lidense ai fasti della Serenissima (Mostra) Trionfante. Bene, benissimo, anzi male, perché la più che legittima (e comprensibile, e condivisibile) soddisfazione per l’auspicato successo dei vari Brokeback Mountain, Good Night, and Good Luck!, Bestia nel cuore potrebbe dar luogo ad un entusiasmo, come dire, fuorviante. In che senso? Ma nel senso che con o senza i prestigiosi riconoscimenti dell’Academy Awards i problemi di Venezia, anche alla luce della concorrenza romana, rimangono. E non paiono risol- vibili d’ufficio con presunti schematismi estetici vecchi già ai tempi del buon Chiarini e magari indigesti allo stesso Marco Müller (l’arte di qua, la merce di là: e il fascinoso trash dove lo mettiamo?), con il ricorso a longevità anagrafiche che sem- mai dovrebbero preoccupare (il primo festival, certo, ma anche il più vecchio), con fughe progettuali in avanti tanto ecu- menicamente condivise quanto finanziariamente improbabili e, qualora possibili, comunque opinabili (il nuovo
    [Show full text]
  • 2012 Twenty-Seven Years of Nominees & Winners FILM INDEPENDENT SPIRIT AWARDS
    2012 Twenty-Seven Years of Nominees & Winners FILM INDEPENDENT SPIRIT AWARDS BEST FIRST SCREENPLAY 2012 NOMINEES (Winners in bold) *Will Reiser 50/50 BEST FEATURE (Award given to the producer(s)) Mike Cahill & Brit Marling Another Earth *The Artist Thomas Langmann J.C. Chandor Margin Call 50/50 Evan Goldberg, Ben Karlin, Seth Rogen Patrick DeWitt Terri Beginners Miranda de Pencier, Lars Knudsen, Phil Johnston Cedar Rapids Leslie Urdang, Dean Vanech, Jay Van Hoy Drive Michel Litvak, John Palermo, BEST FEMALE LEAD Marc Platt, Gigi Pritzker, Adam Siegel *Michelle Williams My Week with Marilyn Take Shelter Tyler Davidson, Sophia Lin Lauren Ambrose Think of Me The Descendants Jim Burke, Alexander Payne, Jim Taylor Rachael Harris Natural Selection Adepero Oduye Pariah BEST FIRST FEATURE (Award given to the director and producer) Elizabeth Olsen Martha Marcy May Marlene *Margin Call Director: J.C. Chandor Producers: Robert Ogden Barnum, BEST MALE LEAD Michael Benaroya, Neal Dodson, Joe Jenckes, Corey Moosa, Zachary Quinto *Jean Dujardin The Artist Another Earth Director: Mike Cahill Demián Bichir A Better Life Producers: Mike Cahill, Hunter Gray, Brit Marling, Ryan Gosling Drive Nicholas Shumaker Woody Harrelson Rampart In The Family Director: Patrick Wang Michael Shannon Take Shelter Producers: Robert Tonino, Andrew van den Houten, Patrick Wang BEST SUPPORTING FEMALE Martha Marcy May Marlene Director: Sean Durkin Producers: Antonio Campos, Patrick Cunningham, *Shailene Woodley The Descendants Chris Maybach, Josh Mond Jessica Chastain Take Shelter
    [Show full text]
  • Test Your Oscar ESP
    Test your Oscar ESP Achievement in music d. “Tanghi Argentini”: Guido Thys and AND THE OSCAR written for motion pictures Anja Daelemans GOES TO... (Original score) e. “The Tonto Woman”: Daniel Barber and Matthew Brown You’ve seen the films. You a. “Atonement”: Dario Marianelli have your opinions. So, who do b. “The Kite Runner”: Alberto Iglesias Achievement in sound you think will win the statue? c. “Michael Clayton”: James Newton editing The correct answers will be Howard a. “The Bourne Ultimatum”: Karen revealed on ABC at 8 p.m. Sun- d. “Ratatouille”: Michael Giacchino Baker Landers and Per Hallberg day. e. “3:10 to Yuma”: Marco Beltrami b. “No Country for Old Men”: Skip Lievsay Performance by an actor in Achievement in music a leading role c. “Ratatouille”: Randy Thom and written for motion pictures Michael Silvers a. George Clooney in “Michael (Original song) d. “There Will Be Blood”: Christopher Clayton” a. “Falling Slowly” from “Once”: Scarabosio and Matthew Wood b. Daniel Day-Lewis in “There Will Be music and lyric by Glen Hansard and e. “Transformers”: Ethan Van der Ryn Blood” Marketa Irglova and Mike Hopkins c. Johnny Depp in “Sweeney Todd: The b. “Happy Working Song” from Demon Barber of Fleet Street” Achievement in sound “Enchanted”: music by Alan Menken; mixing d. Tommy Lee Jones in “In the Valley Photos provided lyric by Stephen Schwartz of Elah” a. “The Bourne Ultimatum”: Scott “American Gangster” c. “Raise It Up” from “August Rush”: Millan, David Parker and Kirk Francis e. Viggo Mortensen in “Eastern music and lyric by Jamal Joseph, Promises” Charles Mack and Tevin Thomas b.
    [Show full text]
  • Tt Seanwalker Cv
    S E A N W A L K E R [ 2020 - TOP TECHS MANAGEMENT ] [email protected] +61 (0) 412 305527 https://www.imdb.com/name/nm3254393/ BIO Working as a bilingual camera assistant in Tokyo segued into a decade of technician roles on large scale feature films including ‘Mad Max: Fury Road’, ‘Mission Impossible: Rogue Nation’, ‘Rogue One’ and ‘Solo – A Star Wars Story’. My ambition is to assist in the development of uniquely Australian stories and utilise my bilingual and international production background to support a new generation of productions punch above their weight. SELECTED FILMOGRAPHY Video Operator, Main Unit ——-———————————————— 2018 ‘SOLO - A Star Wars Story’ DIR: Ron Howard DP: Bradford Young ASC Video Operator ——-———————————————-——————— — 2017 ‘MARY MAGDALENE’ DIR: Garth Davis DP: Greig Fraser ASC, ACS Video Operator————————————————————————— 2017‘T2: TRAINSPOTTING 2’ DIR: Danny Boyle DP: Anthony Dod Mantle DFF, BSC, ASC Video Assistant, Main Unit —————————————————2016 ‘STAR WARS: ROGUE ONE’ DIR: Gareth Edwards DP: Greig Fraser ASC, ACS Video Operator, VFX UNIT ———————-———-———————————————2015 ‘SPECTRE’ DIR: Sam Mendes DP: Peter Talbot BSC Onset Video Assist, Main Unit—————————2014 ‘MISSION IMPOSSIBLE: ROGUE NATION’ DIR: Chris McQuarrie DP: Robert Elswit ASC Onset Video Assist, ————————————————————2012 ‘THE WOLVERINE’ DIR: David Leitch (2ND UNIT) DP: Brad Shield ACS Onset Video Assist, Main Unit —————————————————2012 ‘MAD MAX: FURY ROAD’ DIR: George Miller DP: John Seale ACS, ASC Onset Video Assist, Main Unit ——————————————————2011
    [Show full text]
  • Camerimage, the Uniqueness of a Festival Devoted to the Art of Cinematography”
    RLCS, Revista Latina de Comunicación Social, 73 – Pages 614 to 632 [Research] | DOI:10.4185/RLCS-2018-1272en | ISSN 1138-5820 | Year 2018 How to cite this article in bibliographies / References L Cortés-Selva, M Jurado-Martín, L Ostrovskaya (2018): “European Jewels: Camerimage, the uniqueness of a festival devoted to the art of cinematography”. Revista Latina de Comunicación Social, 73, pp. 614 to 632. http://www.revistalatinacs.org/073paper/1272/31en.html DOI: 10.4185/RLCS-2018-1272en Camerimage, the uniqueness of a festival devoted to the art of cinematography Laura Cortés-Selva [CV][ ] [ ] Associate Professor. Universidad Católica de Murcia, UCAM, Spain [email protected] Montserrat Jurado-Martín [CV][ ] [ ] Assistant Professor. Universidad Miguel Hernández, UMH, Spain [email protected] Liudmila Ostrovskaya [CV][ ] [ ] Associate Professor. Universidad de Alicante, UA, Spain [email protected] Abstract [ES] Introducción. Camerimage es uno de los escasos festivales especializado en fotografía cinematográfica sobre el que existe una escasa reflexión. Objetivos. Esta investigación aborda sus estrategias para potenciar la fotografía cinematográfica, los estilos fotográficos impulsados y su repercusión en la carrera de los directores de fotografía. Metodología. Se emplea una triangulación metodológica con técnicas cualitativas y cuantitativas: observación participante; análisis de la programación y de los documentos publicados por el festival; análisis de contenido de los filmes galardonados y análisis de la base de datos imdb. Resultados y conclusiones. El festival se centra en los directores de fotografía, las obras audiovisuales de excelencia fotográfica y una audiencia preocupada por la calidad de la imagen. Para ello, premia la excelencia fotográfica, apuesta por la formación continua, el contacto entre creadores y construye una comunidad.
    [Show full text]
  • Gary Hutchings Key Grip and Equipment Supplier Windward, Terrace Road North, Binfield, Berks, RG42 5JG, UK Home
    Gary Hutchings Key Grip and Equipment Supplier Windward, Terrace Road North, Binfield, Berks, RG42 5JG, UK home +44 (0)1344 457324 mobile +44 (0)7976 736757 email [email protected] Key Skills / Experience • Over 30 years’ experience working worldwide in Film • Level 3 advanced Grip NVQ qualified • Member of Guild of British Camera Technicians and BECTU Grips branch TITLE DATE CAPACITY DoP Bohemian Rhapsody 2017 Key Grip Tom Sigel The Human Voice (short) 2017 Key Grip Seamus McGarvey Phantom Thread 2017 UK Grip Paul Thomas Anderson LIFE 2016 Key Grip Seamus McGarvey The Conjuring 2 2015 Key Grip (UK) Don Burgess The BFG 2015 Key Grip (UK) Janusz Kaminski Pan 2014 Key Grip Seamus McGarvey The Imitation Game 2013 Key Grip Oscar Faura Edge of Tomorrow 2012/13 Key Grip Dion Beebe Anna Karenina 2011 Key Grip Seamus McGarvey The Dark Knight Rises 2011 Best Boy Grip (UK) Wally Pfister RA.One 2010 Grip Nicola Pecorini Clash of the Titans 2009 Key Grip (2nd Unit) Martin Kenzie Nowhere Boy 2009 Key Grip Seamus McGarvey Brightstar 2008 Key Grip Greig Fraser Bond 22 2007 Key Grip Palio Unit Roberto Schaefer Mr Beans Holiday 2006/7 Key Grip (UK) Baz Irvine Atonement 2006 Key Grip Seamus McGarvey Risk Addiction Basic Instinct 2 2005 B camera Grip Gyula Pados Where the Truth Lies 2004 Key Grip (UK) Paul Sarossy Hitch Hikers Guide to The Galaxy 2004 VFX Model unit Rick Mietkowski Sahara 2003/4 Key Grip Seamus McGarvey Tomb Raider 2 2002/3 Key Grip David Tattersall To Kill A King 2002 Key Grip Eigil Bryld TITLE DATE CAPACITY DoP The Hours 2001 Key Grip Seamus McGarvey Tomb Raider 2000/1 Key Grip Peter Menzies Jnr.
    [Show full text]