ASC 100Th Reel 90-Second

Total Page:16

File Type:pdf, Size:1020Kb

ASC 100Th Reel 90-Second Series Intro Ernest W. Miller, ASC Black Panther (2018) The Godfather (1972) Rachel Morrison, ASC Gordon Willis, ASC Blade Runner (1982) Goodfellas (1990) Jordan Cronanweth, ASC Michael Ballhaus, ASC ASC 100th Reel Enter the Dragon (1973) Butch Cassidy and the 90-Second Gil Hubbs, ASC Sundance Kid (1969) Clip Playlist Conrad L. Hall, ASC Apocalypse Now (1979) Vittorio Storaro, ASC, AIC Frankenstein (1931) Link to video here. Arthur Edeson, ASC Patton (1970) Gravity (2013) Fred J. Koenekamp, ASC The Gold Rush (1925) Emmanuel Lubezki, ASC, Roland Totheroh, ASC AMC Platoon (1986) Robert Richardson, ASC Footloose (2011) Amadeus (1984) Amy Vincent, ASC Miroslav Ondříček, ASC In the Heat of the Night (1967) Eternal Sunshine of the American Beauty (1999) Haskell Wexler, ASC Spotless Mind (2004) Conrad L. Hall, ASC Ellen Kuras, ASC E.T.: The Extra- The Deer Hunter (1978) Terrestrial (1982) Mad Men (2013) Vilmos Zsigmond, ASC, Allen Daviau, ASC “The Crash” HSC Chris Manley, ASC Bram Stoker’s Dracula Road to Perdidion (2002) (1992) Vertigo (1958) Conrad L. Hall, ASC Michael Ballhaus, ASC Robert Burks, ASC Carol (2015) There Will Be Blood Star Wars: Episode VII — Ed Lachman, ASC (2007) The Force Awakens Robert Elswit, ASC (2015) Gone With the Wind Dan Mindel, ASC, BSC (1939) Breaking Bad (2008) Ernest Haller, ASC “Pilot” Terminator 2: Judgment John Toll, ASC Day (1991) The Color Purple (1985) Adam Greenberg, ASC Allen Daviau, ASC Back to the Future (1985) Dean Cundey, ASC Taxi Driver (1976) The Dark Knight (2008) Michael Chapman, ASC Wally Pfister, ASC Citizen Kane (1941) Gregg Toland, ASC The Matrix (1999) Blade Runner 2049 Bill Pope, ASC (2017) Game of Thrones (2017) Roger Deakins, ASC, BSC “Dragonstone” Mad Max: Fury Road Gregory Middleton, ASC (2015) The Exorcist (1973) John Seale, ASC, ACS Owen Roizman, ASC Black Swan (2010) Matthew Libatique, ASC Jurassic Park (1993) Skyfall (2012) Dead Cundey, ASC Roger Deakins, ASC, BSC Gunsmoke (1955) Jaws (1975) The Wizard of Oz (1939) The Seven Year Itch Bill Butler, ASC Harold Rosson, ASC (1955) Milton R. Krasner, ASC Rocky (1976) Titanic (1998) James Crabe, ASC Russell Carpenter, ASC Rear Window (1954) Robert Burks, ASC The X-Files (1995) Sunrise (1927) “Clyde Bruckman’s Final Charles Rosher, ASC The Graduate (1967) Repose” Karl Struss, ASC Robert Surtees, ASC John S. Bartley, ASC Easy Rider (1969) Raging Bull (1980) The Tree of Life (2011) László Kovács, ASC Michael Chapman, ASC Emmanuel Lubezki, ASC, AMC Dreamgirls (2006) Close Encounters of the Tobias A. Schliessler, ASC Third Kind (1977) Days of Heaven (1978) Vilmos Zsigmond, ASC, Néstor Almendros, ASC Brokeback Mountain HSC (2005) Empire of the Sun (1987) Rodrigo Prieto, ASC, AMC Pan’s Labyrinth (2006) Allen Daviau, ASC Guillermo Navarro, ASC, The Silence of the Lambs AMC Lion (2016) (1991) Greig Fraser, ASC, ACS Tak Fujimoto, ASC The Mountain Between Us (2018) Dunkirk (2017) The French Connection Mandy Walker, ASC, ACS Hoyte van Hoytema, ASC, (1971) NSC, FSF Owen Roizman, ASC Star Trek (1966) "Where No Man Has Casablanca (1942) Kill Bill Vol. 1 (2003) Gone Before" Arthur Edeson, ASC Robert Richardson, ASC Ernest Haller, ASC Crazy Rich Asians (2018) The Neon Demon (2016) King Kong (1933) Vanja Černjul, ASC Natasha Braier, ASC, ADF Edward Linden; J.O. Taylor, ASC; Vernon L. Psycho (1960) The Natural (1984) Walker, ASC John L. Russell, ASC Caleb Deschanel, ASC The Assassination of Jesse The Right Stuff (1983) Inception (2010) James by the Coward Caleb Deschanel, ASC Wally Pfister, ASC Robert Ford (2007) Roger Deakins, ASC, BSC The Sound of Music Braveheart (1995) (1965) John Toll, ASC For more background Ted D. McCord, ASC on the American Scarface (1983) Society of Singin’ in the Rain (1952) John A. Alonzo, ASC Cinematographers, Harold Rosson, ASC go to theasc.com. The Night of the Hunter The Ten Commandments (1955) (1956) Stanley Cortez, ASC Loyal Griggs, ASC Sunset Boulevard (1950) West Side Story (1961) John F. Seitz, ASC Daniel L. Fapp, ASC .
Recommended publications
  • SHOOT Magazine March/April 2019 Issue
    March/April 2019 March/April Chat Room 4 The Road To Emmy Preview Hot Locations 10 4 Spring 2019 DIR Adam McKay Lauren Greenfield Chat Room 18 ECT online.com Series SHOOT ORS Matthew Heineman 8 Ramaa Mosley www. Up-and-Coming Directors 19 Floyd Russ Ridley Scott Spike Jonze Cinematographers & Cameras 22 Top Ten VFX & Animation Chart 26 Top Ten Music Tracks Chart 28 TO GET CONNECTED THE FURTHEST REACHES OF YOUR IMAGINATION ARE CLOSER THAN YOU THINK. With versatile landscapes, experienced film crews and incentivized tax breaks, the only limit to filming in the U.S. Virgin Islands is your imagination. Enjoy up to a 29% tax rebate and up to a 17% transferable tax credit when you film in the USVI. For more opportunities in St.Croix, St. John and St. Thomas, call 340.774.8784 ext. 2243. filmusvi.com DOWNLOAD THE FILM USVI APP: © 2019 U.S. Virgin Islands Department of Tourism USVI19037_9x10.875_SHOOT.indd 1 3/22/19 4:09 PM AGENCY: JWT/Atlanta SPECS: 4C Page Bleed PUB: SHOOT Magazine CLIENT: USVI TRIM: 9” x 10.875” DATE: March/April, 2019 AD#: USVI19037 BLEED: 9.25” x 11.125” HEAD: “The Furthest Reaches of LIVE: 8.5” x 10.375” your Imagination...” Perspectives The Leading Publication For Film, TV & Commercial Production and Post March/April 2019 spot.com.mentary By Robert Goldrich Volume 60 • Number 2 www.SHOOTonline.com EDITORIAL Publisher & Editorial Director Serious Comedy Roberta Griefer 203.227.1699 ext. 701 [email protected] Editor Robert Goldrich Our Up-and-Coming known for its humorous chops, and hope- her feature film, Late Night.
    [Show full text]
  • Rawrs Camera Wows
    rawr21s camera wows British cameraman Ousama Rawi worked on the film Coup d'Etat in Toronto and shares with Mark Irwin some of his thoughts and techniques about lighting. by Mark Irwin Ousama Rawi checks a shot 22/ Cinema Canada / managed to meet Ousama Rawi two going to need a lot of light; it's going When Ossie Morris was shooting days before he began shooting Coup to be a very warm set. Equus here last year, he very openly d'Etat for Magnum Films. I had fol­ expressed his lack of confidence in lowed his work after seeing Pulp Canadian labs and their work. Have Your lighting style has managed to be (a Michael Caine comedy/thriller) you experienced any such horrors? a directional soft light. How have you in 1972. Since then I'd seen Black achieved that? Windmill, Gold and Sky Riders, all Well, Medallion is doing all our Some bounce, some diffuse. It de­ of them incredibly well photographed work. I spent a day with them and they pends on two factors: one, the location and I was very honored to finally meet were terrific. We're printing 5381 and we're shooting in, the height of the the man himself. not Gevaert because I think that final­ ceiling, the color of the ceiling, etc., ly 5247 and 5381 have now matured. I Born in Bagdad, and educated in and then two, the style of the director. was very disappointed when I first Scotland, he began shooting news for If he wants to pan through 270 degrees used 5247 before the modification Border Television in 1965.
    [Show full text]
  • Extreme Leadership Leaders, Teams and Situations Outside the Norm
    JOBNAME: Giannantonio PAGE: 3 SESS: 3 OUTPUT: Wed Oct 30 14:53:29 2013 Extreme Leadership Leaders, Teams and Situations Outside the Norm Edited by Cristina M. Giannantonio Amy E. Hurley-Hanson Associate Professors of Management, George L. Argyros School of Business and Economics, Chapman University, USA NEW HORIZONS IN LEADERSHIP STUDIES Edward Elgar Cheltenham, UK + Northampton, MA, USA Columns Design XML Ltd / Job: Giannantonio-New_Horizons_in_Leadership_Studies / Division: prelims /Pg. Position: 1 / Date: 30/10 JOBNAME: Giannantonio PAGE: 4 SESS: 3 OUTPUT: Wed Oct 30 14:53:29 2013 © Cristina M. Giannantonio andAmy E. Hurley-Hanson 2013 All rights reserved. No part of this publication may be reproduced, stored in a retrieval system or transmitted in any form or by any means, electronic, mechanical or photocopying, recording, or otherwise without the prior permission of the publisher. Published by Edward Elgar Publishing Limited The Lypiatts 15 Lansdown Road Cheltenham Glos GL50 2JA UK Edward Elgar Publishing, Inc. William Pratt House 9 Dewey Court Northampton Massachusetts 01060 USA A catalogue record for this book is available from the British Library Library of Congress Control Number: 2013946802 This book is available electronically in the ElgarOnline.com Business Subject Collection, E-ISBN 978 1 78100 212 4 ISBN 978 1 78100 211 7 (cased) Typeset by Columns Design XML Ltd, Reading Printed and bound in Great Britain by T.J. International Ltd, Padstow Columns Design XML Ltd / Job: Giannantonio-New_Horizons_in_Leadership_Studies / Division: prelims /Pg. Position: 2 / Date: 30/10 JOBNAME: Giannantonio PAGE: 1 SESS: 5 OUTPUT: Wed Oct 30 14:57:46 2013 14. Extreme leadership as creative leadership: reflections on Francis Ford Coppola in The Godfather Charalampos Mainemelis and Olga Epitropaki INTRODUCTION How do extreme leadership situations arise? According to one view, they are triggered by environmental factors that have nothing or little to do with the leader.
    [Show full text]
  • Feature Films
    NOMINATIONS AND AWARDS IN OTHER CATEGORIES FOR FOREIGN LANGUAGE (NON-ENGLISH) FEATURE FILMS [Updated thru 88th Awards (2/16)] [* indicates win] [FLF = Foreign Language Film category] NOTE: This document compiles statistics for foreign language (non-English) feature films (including documentaries) with nominations and awards in categories other than Foreign Language Film. A film's eligibility for and/or nomination in the Foreign Language Film category is not required for inclusion here. Award Category Noms Awards Actor – Leading Role ......................... 9 ........................... 1 Actress – Leading Role .................... 17 ........................... 2 Actress – Supporting Role .................. 1 ........................... 0 Animated Feature Film ....................... 8 ........................... 0 Art Direction .................................... 19 ........................... 3 Cinematography ............................... 19 ........................... 4 Costume Design ............................... 28 ........................... 6 Directing ........................................... 28 ........................... 0 Documentary (Feature) ..................... 30 ........................... 2 Film Editing ........................................ 7 ........................... 1 Makeup ............................................... 9 ........................... 3 Music – Scoring ............................... 16 ........................... 4 Music – Song ...................................... 6 ..........................
    [Show full text]
  • The Revenant Nominations List Achievement in Cinematography 1
    The Revenant nominations list Achievement in cinematography 1 Achievement in costume design 2 Achievement in directing 3 Achievement in film editing 4 Achievement in makeup and hairstyling 5 Achievement in production design 6 Achievement in sound editing 7 Achievement in sound mixing 8 Achievement in visual effects 9 Best motion picture of the year 10 Performance by an actor in a leading role 11 Performance by an actor in a supporting role 12 Oscars® 2016 Movie Checklist 13 Academy of Motion Picture Arts and Sciences Page 1 1. NOMINATIONS BY CATEGORY - 88TH AWARDS Performance by an actor in a leading role Bryan Cranston in “Trumbo” (Bleecker Street) Matt Damon in “The Martian” (20th Century Fox) Leonardo DiCaprio in “The Revenant” (20th Century Fox) Michael Fassbender in “Steve Jobs” (Universal) Eddie Redmayne in “The Danish Girl” (Focus Features) Performance by an actor in a supporting role Christian Bale in “The Big Short” (Paramount) Tom Hardy in “The Revenant” (20th Century Fox) Mark Ruffalo in “Spotlight” (Open Road Films) Mark Rylance in “Bridge of Spies” (Walt Disney and 20th Century Fox) Sylvester Stallone in “Creed” (Warner Bros.) Performance by an actress in a leading role Cate Blanchett in “Carol” (The Weinstein Company) Brie Larson in “Room” (A24) Jennifer Lawrence in “Joy” (20th Century Fox) Charlotte Rampling in “45 Years” (Sundance Selects) Saoirse Ronan in “Brooklyn” (Fox Searchlight) Performance by an actress in a supporting role Jennifer Jason Leigh in “The Hateful Eight” (The Weinstein Company) Rooney Mara in “Carol” (The Weinstein Company) Rachel McAdams in “Spotlight” (Open Road Films) Alicia Vikander in “The Danish Girl” (Focus Features) Kate Winslet in “Steve Jobs” (Universal) Academy of Motion Picture Arts and Sciences PagePage 2 2.
    [Show full text]
  • Katalog Dwa Brzegi 2009:Layout 1.Qxd
    katalog_dwa_brzegi_2009:Layout 1 2009-07-24 08:11 Strona 1 katalog_dwa_brzegi_2009:Layout 1 2009-07-24 08:11 Strona 2 Sponsor Generalny Sponsorzy Oficjalny Oficjalny Hotel Samochód Festiwalu Festiwalu PRZYJACIELE FESTIWALU Partnerzy 2 FRIENDS FESTIVAL’S Organizatorzy Kazimierz Dolny Patronat Medialny katalog_dwa_brzegi_2009:Layout 1 2009-07-24 08:11 Strona 3 FILM AND ART FESTIVAL TWO RIVERSIDES Kazimierz Dolny Janowiec n/ Wisłą Festiwal Filmu i Sztuki DWA BRZEGI katalog_dwa_brzegi_2009:Layout 1 2009-07-24 08:11 Strona 4 katalog_dwa_brzegi_2009:Layout 1 2009-07-24 08:11 Strona 5 Spis treści | Content Przyjaciele Festiwalu | Festival’s Friends 2 Kto jest kto | Who Is Who 6 Wstęp | Foreword 9 FILM Świat pod namiotem | World Under Canvas 12 Dokument | Documentary 30 Na krótką metę | In the Short Run 38 Serial animowany | Animated Series 78 Na krótką metę na Zamku w Janowcu | In the Short Run (Screenings In the Castle in Janowiec) 80 Muzyka, moja miłość | Music My Love 84 Pokaz specjalny | Special Screening 90 Krystyna Janda. I Bóg stworzył aktorkę | And the God Created an Actress 92 Kocham kino | I Love Cinema 98 Wielkie kino na Małym Rynku | Great Cinema on Small Market Square 106 Retrospektywa Pawła Kłuszancewa | Retrospective of Pawel Klushantsev 112 W hołdzie Janowi Machulskiemu | Tribute to Jan Machulski 120 Dzień z Piotrem Szulkinem | A Day with Piotr Szulkin 122 Krótka retrospektywa Bruno Baretto | A Short Retrospective of Bruno Baretto 126 Lekcje kina | Cinema Lessons 128 Video • 130 TEATR | THEATRE CONTENT Krystyna Janda. I Bóg stworzył
    [Show full text]
  • SKYPANEL New Accessories for the Family of LED Soft Lights
    NEWS IBC ISSUE 2015 SKYPANEL New accessories for the family of LED soft lights ELECTRONIC ALEXA MINI CONTROL SYSTEM AMIRA Karl Walter Lindenlaub ASC, BVK Expanded options for lens and New application areas for tries the Mini on Nine Lives camera remote control the highly versatile AMIRA EDITORIAL DEAR FRIENDS AND COLLEAGUES We hope you can join postproduction through ARRI Media, illustrating us here at IBC, where we the uniquely broad range of products and services are showcasing our latest we offer. 18 camera systems and lighting technologies. For the ARRI Rental has also been busy supplying the first time in ARRI News we are also introducing our ALEXA 65 system to top DPs on major feature films newest business unit: ARRI Medical. Harnessing – many are testing the large-format camera for the core imaging technology and reliability of selected sequences and then opting to use it on ALEXA, our ARRISCOPE digital surgical microscope main unit throughout production. In April IMAX is already at work in operating theaters, delivering announced that it had chosen ALEXA 65 as the unsurpassed 3D images of surgical procedures. digital platform for 2D IMAX productions. In this issue we share news of how AMIRA is Our new SkyPanel LED soft lights, announced 12 being put to use on productions so diverse and earlier this year and shipping now as promised, are wide-ranging that it has taken even us by surprise. proving extremely popular and at IBC we are The same is true of the ALEXA Mini, which was unveiling a full selection of accessories that will introduced at NAB and has been enthusiastically make them even more flexible.
    [Show full text]
  • ASC 100Th Reel 30-Second
    E.T.: The Extra- John Seale, ASC, ACS Terrestrial (1982) Allen Daviau, ASC Enter the Dragon (1973) The Gold Rush (1925) Gil Hubbs, ASC Roland Totheroh, ASC The Godfather (1972) Citizen Kane (1941) Gordon Willis, ASC Gregg Toland, ASC ASC 100th Reel 30-Second The Tree of Life (2011) Apocalypse Now (1979) Clip Playlist Emmanuel Lubezki, ASC, Vittorio Storaro, ASC, AIC AMC The Dark Knight (2008) Link to Video here. Taxi Driver (1976) Wally Pfister, ASC Michael Chapman, ASC Close Encounters of the Kill Bill Vol. 1 (2003) Third Kind (1977) The Matrix (1999) Robert Richardson, ASC Vilmos Zsigmond, ASC, Bill Pope, ASC HSC King Kong (1933) Jurassic Park (1993) Edward Linden; J.O. Blade Runner 2049 Dead Cundey, ASC Taylor, ASC; Vernon L. (2017) Walker, ASC Roger Deakins, ASC, BSC Braveheart (1995) John Toll, ASC Star Trek (1966) Gone With the Wind "Where No Man Has (1939) The French Connection Gone Before" Ernest Haller, ASC (1971) Ernest Haller, ASC Owen Roizman, ASC Sunrise (1927) Footloose (2011) Charles Rosher, ASC Game of Thrones (2017) Amy Vincent, ASC Karl Struss, ASC “Dragonstone” Gregory Middleton, ASC Sunset Boulevard (1950) Titanic (1998) John F. Seitz, ASC Russell Carpenter, ASC The Sound of Music (1965) Psycho (1960) The Graduate (1967) Ted D. McCord, ASC John L. Russell, ASC Robert Surtees, ASC The Wizard of Oz (1939) For more background Singin’ in the Rain (1952) Harold Rosson, ASC on the American Harold Rosson, ASC Society of Rocky (1976) Cinematographers, The Color Purple (1985) James Crabe, ASC go to theasc.com. Allen Daviau, ASC Frankenstein (1931) Empire of the Sun (1987) Arthur Edeson, ASC Allen Daviau, ASC Platoon (1986) Black Panther (2018) Robert Richardson, ASC Rachel Morrison, ASC Mad Max: Fury Road (2015) .
    [Show full text]
  • 108 Kansas History “Facing This Vast Hardness”: the Plains Landscape and the People Shaped by It in Recent Kansas/Plains Film
    Premiere of Dark Command, Lawrence, 1940. Courtesy of the Douglas County Historical Society, Watkins Museum of History, Lawrence, Kansas. Kansas History: A Journal of the Central Plains 38 (Summer 2015): 108–135 108 Kansas History “Facing This Vast Hardness”: The Plains Landscape and the People Shaped by It in Recent Kansas/Plains Film edited and introduced by Thomas Prasch ut the great fact was the land itself which seemed to overwhelm the little beginnings of human society that struggled in its sombre wastes. It was from facing this vast hardness that the boy’s mouth had become so “ bitter; because he felt that men were too weak to make any mark here, that the land wanted to be let alone, to preserve its own fierce strength, its peculiar, savage kind of beauty, its uninterrupted mournfulness” (Willa Cather, O Pioneers! [1913], p. 15): so the young boy Emil, looking out at twilight from the wagon that bears him backB to his homestead, sees the prairie landscape with which his family, like all the pioneers scattered in its vastness, must grapple. And in that contest between humanity and land, the land often triumphed, driving would-be settlers off, or into madness. Indeed, madness haunts the pages of Cather’s tale, from the quirks of “Crazy Ivar” to the insanity that leads Frank Shabata down the road to murder and prison. “Prairie madness”: the idea haunts the literature and memoirs of the early Great Plains settlers, returns with a vengeance during the Dust Bowl 1930s, and surfaces with striking regularity even in recent writing of and about the plains.
    [Show full text]
  • The Ideology of the Long Take in the Cinema of Alfonso Cuarón by BRUCE ISAACS
    4.3 Reality Effects: The Ideology of the Long Take in the Cinema of Alfonso Cuarón BY BRUCE ISAACS Between 2001 and 2013, Alfonso Cuarón, working in concert with long-time collaborator, cinematographer Emmanuel Lubezki, produced several works that effectively modeled a signature disposition toward film style. After a period of measured success in Hollywood (A Little Princess [1995], Great Expectations [1998]), Cuarón and Lubezki returned to Mexico to produce Y Tu Mamá También (2001), a film designed as a low- budget, independent vehicle (Riley). In 2006, Cuarón directed Children of Men, a high budget studio production, and in March 2014, he won the Academy Award for Best Director for Gravity (2013), a film that garnered the praise of the American and European critical establishment while returning in excess of half a billion dollars worldwide at the box office (Gravity, Box Office Mojo). Lubezki acted as cinematographer on each of the three films.[1] In this chapter, I attempt to trace the evolution of a cinematographic style founded upon the “long take,” the sequence shot of excessive duration. Reality Effects Each of Cuarón’s three films under examination demonstrates a fixation on the capacity of the image to display greater and more complex indices of time and space, holding shots across what would be deemed uncomfortable durations in a more conventional mode of cinema. As Udden argues, Cuarón’s films are increasingly defined by this mark of the long take, “shots with durations well beyond the industry standard” (26-27). Such shots are “attention-grabbing spectacles,” displaying the virtuosity of the filmmaker over and above the requirement of narrative unfolding.
    [Show full text]
  • False Authenticity in the Films of Woody Allen
    False Authenticity in the Films of Woody Allen by Nicholas Vick November, 2012 Director of Thesis: Amanda Klein Major Department: English Woody Allen is an auteur who is deeply concerned with the visual presentation of his cityscapes. However, each city that Allen films is presented in such a glamorous light that the depiction of the cities is falsely authentic. That is, Allen's cityscapes are actually unrealistic recreations based on his nostalgia or stilted view of the city's culture. Allen's treatment of each city is similar to each other in that he strives to create a cinematic postcard for the viewer. However, differing themes and characteristics emerge to define Allen's optimistic visual approach. Allen's hometown of Manhattan is a place where artists, intellectuals, and writers can thrive. Paris denotes a sense of nostalgia and questions the power behind it. Allen's London is primarily concerned with class and the social imperative. Finally, Barcelona is a haven for physicality, bravado, and sex but also uncertainty for American travelers. Despite being in these picturesque and dynamic locations, happiness is rarely achieved for Allen's characters. So, regardless of Allen's dreamy and romanticized visual treatment of cityscapes and culture, Allen is a director who operates in a continuous state of contradiction because of the emotional unrest his characters suffer. False Authenticity in the Films of Woody Allen A Thesis Presented To the Faculty of the Department of English East Carolina University In Partial Fulfillment of the Requirements for the Degree MA English by Nicholas Vick November, 2012 © Nicholas Vick, 2012 False Authenticity in the Films of Woody Allen by Nicholas Vick APPROVED BY: DIRECTOR OF DISSERTATION/THESIS: _______________________________________________________ Dr.
    [Show full text]
  • Production Designer Jack Fisk to Be the Focus of a Fifteen-Film ‘See It Big!’ Retrospective
    FOR IMMEDIATE RELEASE PRODUCTION DESIGNER JACK FISK TO BE THE FOCUS OF A FIFTEEN-FILM ‘SEE IT BIG!’ RETROSPECTIVE Series will include Fisk’s collaborations with Terrence Malick, Brian De Palma, Paul Thomas Anderson, and more March 11–April 1, 2016 at Museum of the Moving Image Astoria, Queens, New York, March 1, 2016—Since the early 1970s, Jack Fisk has been a secret weapon for some of America’s most celebrated auteurs, having served as production designer (and earlier, as art director) on all of Terrence Malick’s films, and with memorable collaborations with David Lynch, Paul Thomas Anderson, and Brian De Palma. Nominated for a second Academy Award for The Revenant, and with the release of Malick’s new film Knight of Cups, Museum of the Moving Image will celebrate the artistry of Jack Fisk, master of the immersive 360-degree set, with a fifteen-film retrospective. The screening series See It Big! Jack Fisk runs March 11 through April 1, 2016, and includes all of Fisk’s films with the directors mentioned above: all of Malick’s features, Lynch’s Mulholland Drive and The Straight Story, De Palma’s Carrie and Phantom of the Paradise, and Anderson’s There Will Be Blood. The Museum will also show early B- movie fantasias Messiah of Evil and Darktown Strutters, Stanley Donen’s arch- affectionate retro musical Movie Movie, and Fisk’s directorial debut, Raggedy Man (starring Sissy Spacek, Fisk’s partner since they met on the set of Badlands in 1973). Most titles will be shown in 35mm. See below for schedule and descriptions.
    [Show full text]