Copyrighted Material

Total Page:16

File Type:pdf, Size:1020Kb

Copyrighted Material 25_973815 bindex.qxp 8/16/06 3:42 PM Page 215 Index ttt Back Post double crochet A (BPdc), 35 C abbreviations, common, bags cabled yarn, 40 206–207 for crochet projects, capelet, 101–103 acrylic fibers, 49 65, 201–202 cardigan, 116. See also sweaters advice, resources for, 28, 59, Deliberate Shrinkage Sack, care instructions, 58 189–190, 191–194, 197 173–175 cashmere, 45 afghans, 141–142, 143 Market Bag, 86–87 Catie Berger blog, 190 Alien Skull appliqué, 126–127 Wowie Zowie Eco-Tote, cellulose fibers, 47–48 alpaca yarn, 47 167–168 chains, 7–10. See also turning alterations, resources for, 70 balls, winding yarn into, 43–44 chain American terminology, 20, 207 ball winders, mechanical, 43–44 charity, crochet for, 192 amigurumi, 113 basic double crochet ripple Chunky Monkey Scarf, 99 angora, 46 stitch, 35 chunky weight yarn, 52 Anthropologie, 72, 188 Bead Crochet (Barry), 170 circles, crocheting, 16–19. See appliqués belts, 157–158 also Granny Squares Alien Skull, 126–127 beret (variation on Classic Street Classic Street Page Boy, crocheted flowers, 149 Page Boy), 147 144–147 Straight-Laced Tank and blocking, 13, 24–25, 38, 75 coats, 128–139 Shrug, 163–165 blogs, crochet, 187, 190–191 color, 52–54, 55, 73–74 uses, 166 BlueFly, 188 communities, crochet, 191–193, Aran weight yarn, 52 body shape, garment, 68 204–205 around-the-post rib stitch, 35–36 books, crocheting, 194 copyright laws on patterns, 200 auctions, shopping online, 200 bouclé yarn, 41 Corriedale wool, 46 British terminology, 20, 207 cotton, 47–48 Bubble Belt, 157–158 Cozy Peacoat, 128–139 bubble yarn, 42 Craftster, 191 B COPYRIGHTEDbud stitch in half double MATERIALCraft Yarn Council, 206 Babelfish, online translator, 113 crochet, 34 Creatures of the Wooly Deep, baby items, fibers to avoid in, 46 bulky weight yarn, 52 178–180 baby weight yarn, 52 buttons, yarn-covered, 129 215 25_973815 bindex.qxp 8/16/06 3:42 PM Page 216 crochet Dulaan Project, 192 differences from knitting, dyeing yarn, 19, 53, 54, 55, 199 G 5–6 dye lots, 52–53 garments, construction of, differences from macramé, 9 68–69 history, 183–187 gauge popularity, 186–187 chart, 208 uniqueness, 2 E checking, 50–51, 64, Crochet911 Web site, 190 ease in fitting, 69–70 74–75, 94 Crochetblogs Webring, 190 eBay, shopping on, 200 fitting garments, 66–67, The Crochet Dude blog, 190 edges, uneven, 26 69–70 Crocheted Bling, 169–170 edgings, working, 96 patterns and, 58, 78 CrochetMe webzine, 187, 189 Eisaku Noro yarn company, 54 too tight, 26, 27 Crochet Pattern Central Web Elann, 60, 199 yarn weight and, 49, 51–52, site, 189 events, crochet/fiber, 208 Crochetville, 191 61, 202–203 gers (Mongolian structures), Crochet with Dee Web site, 190 44, 175, 185 curling of crocheted material, Getting Dizzy Scarf, 92–93 13, 27 gifts, suggestions for, 58 cutting tools, 64 glitter yarn, 41 F Granny’s Been in the Bourbon fairs, crochet/fiber, 61, 202–203 Again: A Drunken Throw, Family Circle Easy Knitting 141–142 D (Plus Crochet), 193 Granny Squares, 18–19, 24, 38, Fast Fit (Bettina), 70 79–80, 186 Daisy Chain Neck Warmer, Felted Trellis Scarf, 176–177 148–149 groups, crochet, 191–193 felting, 44–45, 175, 176 guilds, crochet, 192–193 decreasing, 19, 20–21 festivals, crochet/fiber, Deliberate Shrinkage Sack, 61, 202–203 173–175 The Fiber League, 200 dental floss dispenser for cutting fiber type, yarn, 44–49 yarn, 64 fine weight yarn, 52 H designer fashions, crochet in, fingering weight yarn, 52 half double crochet (hdc), 31 187–188 fitting garments, 66–67, 69–70 hand-painted/dyed yarn, 19, 53, designers, crochet, 194–195 flirtation projects, described, 2 54, 55, 199 dishcloth pattern, 87 flowers, crocheted, 149 hanks of yarn, 43 DK (double knitting) yarn, 52 foundation chains, 7–10 hats dolls foundation row, 10–11 beret (variation on Classic Lucy-Lou & Tim-Bob, Too, freeform crochet, 166, 195 Street Page Boy), 147 150–154 frogging, 26, 27 Classic Street Page Boy, stuffing, 154 Front Post double crochet 144–147 double crochet, 13–14, 15, 32 (FPdc), 35 Toque, 90–91 double crochet ripple stitch, 35 fulling, 44–45, 174, 175, 176 Who Hat, 159–161 double knitting (DK) yarn, 52 fur yarn, 41 help, resources for, 28, 59, double mesh stitch, 34 189–194, 197 216 Not Your Mama’s Crochet 25_973815 bindex.qxp 8/16/06 3:42 PM Page 217 hooks construction, 62 L N difficulty inserting, 26 lace-making, 184–185 necklaces history, 183–184 lace-weight yarn, 52 Bubble Belt variation, 158 sizes, 58, 62–64, 207–208 lacy flower stitch, 37 Crocheted Bling, 169–170 hook sizing tools, 63, 64 Lexie Barnes, source for project Daisy Chain Neck Warmer, bags, 202 148–149 light weight yarn, 52 new age fibers, 48 linen, 48 notebooks, project, 58, 64, 211 I loose threads on surface, 26 Not Your Mama’s Beading (Welsh), increasing, 19–20 love o’ your life projects, 170 Interweave Knits (and Crochet), described, 2 nylon fibers, 49 193 Lucy-Lou & Tim-Bob, Too, ironing, 25 150–154 itchiness, yarn, 46 O Offhand Designs, source for M project bags, 201–202 J macramé, 9 The Organized Knitter, source jackets, 128–139 magazines, crochet, 193 for project bags, 202 Japan, crocheting/knitting in, Make One Yarn Studio, 199 113 Market Bag, 86–87 jewelry-making, 170. See also measurement chart, 210 necklaces measurements, body, 66–67, 210 P Jodi Green blog, 190 medium-weight yarn, 52 Pashmina, 45 Jordana Paige, source for Meetup, 192 pattern instructions project bags, 202 The Memories of a Highland Lady Alien Skull, 126–127 (Grant), 183 beret (variation on Classic men, crochet patterns for, 72–73 Street Page Boy), 147 mercerized cotton, 48 Bubble Belt, 158 K merino wool, 45, 46 cardigan (variation on Sari metric system for yarn Silk Shrug), 116 kimono, 107–112 measurement, 56 Knit.1, 193 Chunky Monkey Scarf, 99 microfiber, 49 Classic Street Page Boy, KnitPicks, 199 mistakes, fixing, 25–28, 75 KnitScene, 193 144–147 ModeKnit/The Knitting Heretic Cozy Peacoat, 128–139 Knit Simple, 193 blog, 190 Knitter’s Review, 60, 192 Creatures of the Wooly mohair, 42, 45, 92, 93 Deep, 178–180 knitting, 2, 5–6, 184, 186 moisture-wicking fibers, 47 Know Knits, source for project Crocheted Bling, 169–170 MonsterCrochet blog, 190 crocheted flowers, 149 bags, 202 motifs. See appliqués Kool-Aid, dyeing yarn with, 55 Daisy Chain Neck Warmer, multiple ply yarn, 40 148–149 Index 217 25_973815 bindex.qxp 8/16/06 3:42 PM Page 218 pattern instructions (cont.) patterns resources Deliberate Shrinkage Sack, abbreviations, common, advice and help, 173–175 206–207 59, 189–194 dishcloth, 87 altering, 70 alterations, 70 Felted Trellis Scarf, 176–177 body shape, selecting for, jewelry-making, 170 Getting Dizzy Scarf, 92–93 71–72 patterns, 38, 59, 113, Granny’s Been in the copyright laws on, 200 189–190, 194–195 Bourbon Again: A cost of projects in book, 77 supplies, 59–61, 113 Drunken Throw, elements, 76–79 ribbon yarn, 42 141–142 history, 183 RingSurf ring system, 191 Lucy-Lou & Tim-Bob, Too, losing track of place in, ripple afghans, alternatives to, 150–154 27–28 142, 143 Market Bag, 86–87 multiple stitch count, 29 ripple stitch, basic double Peek-a-boo Plaid Skirt, problems, preventing, 74–75 crochet, 35 104–106 ratings of, 2 Robyn Chachula blog, 191 Preppy/Hippy Scarf, 88–89 reading, 29–30 round, working in the, 16–19. Pseudo-Kimono, 107–112 resources for, 38, 59, 113, See also Granny Squares Ramblin’ Rosie Cardie, 189–190, 194–195 round peg in a square hole 117–122 size, selecting correct, stitch, 36 ripple afghan alternatives, 69–70, 74, 77 roving weight yarn, 52 142–143 vintage, 57 rows Rose Squares scarf Peek-a-boo Plaid Skirt, 104–106 recognizing in patterns, 17 (variation on Ramblin’ pets, crochet for, 178–180, 192 working into, 10–11, 12 Rosie Cardie), 122 pieces, seaming together, 21–24 rugs, 171–172 S3: Sari Silk Shrug, 114–116 pills, 40 sampler scarf, 30 plush yarn, 42 scarf variation of Bubble ply, yarn, 39, 40 Belt, 158 polyester fibers, 49 S Straight-Laced Tank and pompom yarn, 42 S3: Sari Silk Shrug, 114–116 Shrug, 163–166 Preppy/Hippy Scarf, 88–89 samplers, stitch, 30 “Too Good for Your problems, solving, 25–28, 75 scarves Boyfriend” Sweater, project logs, 58, 64, 211 Bubble Belt variation, 158 123–127 protein-based fibers, 44–47 Chunky Monkey Scarf, 99 Toque, 90–91 Pseudo-Kimono, 107–112 Felted Trellis Scarf, 176–177 Uber-Femme Capelet, pull-skeins, 43 Getting Dizzy Scarf, 92–93 101–103 Puppy Yarn Company, 113 Preppy/Hippy Scarf, 88–89 Weekend Vest, 94–98 purses. See bags Rose Squares (variation on When the Jeans Don’t Fit: Ramblin’ Rosie Cardie), A Recycled Denim Rug, 122 171–172 sampler, 30 Who Hat, 159–161 R Woven Fringe Scarf, Woven Fringe Scarf, raglan sleeves, 69 155–156 155–156 railroad yarn, 42 schematic diagrams, 79 Wowie Zowie Eco-Tote, Ramblin’ Rosie Cardie, 117–122 scissors/cutting tools, 64 167–168 ratings, pattern, 2 seaming, 21–24 yarn weight and, 51–52 recycling yarn, 61, 116, 172 self-patterned yarn, 53–54 218 Not Your Mama’s Crochet 25_973815 bindex.qxp 8/16/06 3:42 PM Page 219 set in sleeves, 68 half double crochet (hdc), 31 swifts, 43, 44 Sheep and Wool Festivals, lacy flower, 37 symbolcraft, 30, 79–80 61, 203 modifying, 30 synthetic cellulose fibers, 48 Shetland wool, 45, 46 other, 15 synthetic fibers, 48–49 shrugs reference books for, 194 S3: Sari Silk Shrug, 114–116 round peg in a square Straight-Laced Tank and hole, 35 Shrug, 163–166 single crochet rib, 33 T silk yarn, 46, 114, 115 single crochet (sc), 10–12, tails, leaving, 21, 22, 24 single crochet rib, 33 13, 15, 27, 31 tension.
Recommended publications
  • Textile Industry Needs Christopher D
    The Journal of Cotton Science 21:210–219 (2017) 210 http://journal.cotton.org, © The Cotton Foundation 2017 ENGINEERING & GINNING Textile Industry Needs Christopher D. Delhom, Vikki B. Martin, and Martin K. Schreiner ABSTRACT lthough the immediate customer of the gin is Athe cotton producer, the end user of the ginned The immediate customers of cotton gins are lint is the textile mill, retailers, and eventually the the producers; however, the ultimate customers consumer. Thus, it is essential for the ginner to are textile mills and consumers. The ginner has satisfy both the producers and the textile industry. the challenging task to satisfy both producers and Consequently, the ginner needs to be aware of the the textile industry. Classing and grading systems needs of the textile industry. are intended to assign an economic value to the The intent of the cotton classing and grading bales that relates to textile mill demands and the system is to assign an economic value to the bale that quality of the end product. International textile documents its properties as it relates to the quality of mills currently are the primary consumers of U.S. the end product. Since the last edition of the Cotton cotton lint where it must compete against foreign Ginners Handbook in 1994, the customers of U.S. origins. International textile mills manufacture cotton have changed radically, shifting from primar- primarily ring-spun yarns, whereas domestic mills ily domestic to international mills. International mills manufacture predominantly rotor spun yarns. Pro- have been accustomed primarily to hand-harvested ducers and ginners must produce cottons to satisfy cotton that has been processed at slow ginning all segments of the industry, i.e., domestic and in- rates.
    [Show full text]
  • 4-H Crocheting Project Member Guide
    4-H Crocheting Project Member Guide Crocheting is one of the oldest needlework arts. To crochet means to form yarn or thread into a fabric using a hook. Its name comes from the French word croche, meaning “hook.” The crochet hook was one of many tools first used to make delicate lace. As time went on, more stitches and designs came into being, and crocheting became a separate art. Crocheting appeals to many people because it can be used to make a variety of creations, such as scarves, caps, vests, sweaters, purses, belts, lace, doilies, tablecloths, afghans, pillow covers, and bedspreads. In the 4-H Crocheting Project, you can learn to: • Crochet articles for yourself and others • Select, use, and care for crocheting tools • Work and share with others in your club • Keep simple records of your project and activities The 4-H Crocheting project is divided into six phases. Skills to learn and suggested articles to make are on page 2. Your club leader will teach you how to do basic crochet stitches and help you find patterns to use as you learn. When you reach the advanced phases, you’ll need to choose patterns from a variety of pattern books, needlework books, and magazines. You can find these at newsstands, notions counters, fabric stores, or specialty shops that sell yarn and thread. If you want to show others what you learn in the Crocheting project, check with your leader about exhibiting articles at fairs or other community events. If you make an article to wear, you might like to model in your county 4-H fashion revue.
    [Show full text]
  • Dear Stitchers, Looking for a Little Inspiration? Color, Texture and Pattern Are All Sparking Our Creativity This Month
    KATHY'S KREATIONS 141 East Main Street Ligonier, PA 15658 724-238-9320 FEBRUARY 2015 UPDATE Dear Stitchers, Looking for a little inspiration? Color, texture and pattern are all sparking our creativity this month. This is the season when we turn inward, embracing those elements that make our home a welcome sanctuary against the longer nights and the chill of winter. Knit and crochet projects using rich colors of comforting yarn, plush textures and a mix of traditionally-inspired patterns all bring a sense of warmth. Color your world and bring substance to your wardrobe this winter! Laid-back outfits are elevated by mixing color and texture. Cozy classics in deep neutral tones create the perfect canvas to express yourself with "let it snow" accessories. TAHKI YARNS tonal cotton-wool blend "Zona" embodies casual elegance. A few bold tones can rejuvenate a neutral base, while keeping the overall palette simple and adjustable. Lightweight MIRASOL "Pagu Pura" 100% alpaca is fashionable without being trendy. Dream up your own combinations. Change it up with your mood. Make it your own. Discover rustic textures in beautiful tweeds and thick-and-thin yarns. Inspired by the notion that opposites attract, rustic textures create drama, depth, and a casual fashion sense with the added spice of luscious texture. Tweeds and marls can be an elegant canvas for your personal style, especially when paired with softer, more luxurious surfaces, from densely woven knits to delicate embroidery. On our shelves, you'll find new shades of BERROCO "Inca Tweed" and ROWAN "Felted Tweed Aran" for toasty mittens, hats and scarves.
    [Show full text]
  • Memoirs Faculty of Engineering
    ISSN 0078-6659 MEMOIRS OF THE FACULTY OF ENG THE FACULTY MEMOIRS OF MEMOIRS OF THE FACULTY OF ENGINEERING OSAKA CITY UNIVERSITY INEERING OSAKA CITY UNIVERSITY VOL. 60 DECEMBER 2019 VOL. 60. 2019 PUBLISHED BY THE GRADUATE SCHOOL OF ENGINEERING OSAKA CITY UNIVERSITY 1911-0402大阪市立大学 工学部 工学部英文紀要VOL.60(2019) 1-4 見本 スミ 㻌 㻌 㻌 㻌 㻌 㻌 㻌 㻌 㻌 This series of Memoirs is issued annually. Selected original works of the members 㻌 of the Faculty of Engineering are compiled in the first part of the volume. Abstracts of 㻌 㻌 papers presented elsewhere during the current year are compiled in the second part. List 㻌 of conference presentations delivered during the same period is appended in the last part. 㻌 All communications with respect to Memoirs should be addressed to: 㻌 Dean of the Graduate School of Engineering 㻌 Osaka City University 㻌 3-3-138, Sugimoto, Sumiyoshi-ku 㻌 Osaka 558-8585, Japan 㻌 㻌 Editors 㻌 㻌 㻌 Akira TERAI Hayato NAKATANI This is the final print issue of “Memoirs of the Faculty of Engineering, Osaka City Masafumi MURAJI University.” This series of Memoirs has been published for the last decade in print edition as Daisuke MIYAZAKI well as in electronic edition. From the next issue, the Memoirs will be published only Hideki AZUMA electronically. The forthcoming issues will be available at the internet address: Tetsu TOKUONO https://www.eng.osaka-cu.ac.jp/en/about/publication.html. The past and present editors take Toru ENDO this opportunity to express gratitude to the subscribers for all their support and hope them to keep interested in the Memoirs.
    [Show full text]
  • Senior Textile Artist Badge Workshop
    Senior Textile Artist Badge Workshop An At-Home Program GSCCC Senior Textile Artist Badge Workshop (At-Home) • When you see fabrics, yarn, or string off all colors and textures what do you think of? Do you envision all of the things you could create? Let’s turn those visions into reality! Program Outline Materials: - Computer - Internet access - Materials for craft of choice Step 1: Choose your textile art There are a number of textile arts in the world from macramé to crocheting to quilting and much more. In this step you will be doing some research to learn about a textile art that you find interesting and that you would like to learn. Some of the most common textile arts are macramé, embroidery, cross-stitch, needlework, knitting, crocheting, weaving, and quilting. Do some research to find out about these or other textile arts. Below are some helpful links to start with. Here are a few links to get your search started – crochet, macramé, embroidery, weaving. Click here to see what some current textile artists are doing. Step 2: Find your tools and materials Now that you have chosen your art, you need to gather materials. Crocheting needs crochet hooks and yarn. Embroidery needs needles, embroidery floss, hoops, and fabric. Do some research about what you will need for your chosen textile art form. What all is involved? Do you know anyone who already has the supplies? Would they be willing to lend you some materials? Below are some great resources to learn about materials needed for the most common textile arts.
    [Show full text]
  • Reflecting Noble Luxury and Refinement, New Lightweight Wool Materials Are of Key Interest to Designers, Retailers and Bespoke Tailors
    Reflecting noble luxury and refinement, new lightweight wool materials are of key interest to designers, retailers and bespoke tailors. Beyond demanding perfected fits and wool’s signature aesthetic, discerning consumers expect emotional, sensorial tactility in garments. Responding to luxury market demands, leading Italian and English spinners and weavers are introducing exclusive fine-micron yarns and fabrics, derived from rare Australian merino. Stylesight explores Baruffa Group’s finest wool yarns for first-class sweater knits, cut-and-sew jersey, and wovens. Vogue Australia December 2012 / Elizabeth Debicki in wool, on location at Haddon Rig, a Merino wool farm in New South Wales. With seductive, magnetic charm, lighter weight but often still densely constructed wovens and knits are key on men and women's runways and at textile trade shows. Wool—traditionally a winter fiber—evolves with cutting-edge superfine qualities from 150s and 180s up to 250s. Offering noble refinement and unique trans-seasonal possibilities, wool moves beyond its pastime connotations. Gossamer knits / Posh mesh / Lightweight jerseys / Dense, hefty yet lightweight wools Finest wool Fabrics F/W 13 Dormeuil Limited Edition - finest wool yarns Zegna Baruffa Lane Record Bale - finest wool fabric Loro Piana Borgosesia Finest wool Fabrics Taylor & Lodge Meticulous fiber selection from choice breeds, along with revolutionary spinning and weaving technologies, is core to new noble wool productions. Wools characterized by strength, elasticity, fluidity, low pilling and
    [Show full text]
  • STITCH AWAY SCARF Pattern 1: “Quaker Ridging” (40 Sts) Row 1: Knit
    STITCH AWAY SCARF Pattern 1: “Quaker Ridging” (40 sts) Row 1: Knit. Chicago Yarn Crawl Pattern 2019 Row 2: Purl. Row 3: Knit. This scarf was inspired by Barbara Walker’s Row 4: Purl. A Treasury of Knitting Patterns. There are seven Row 5: Knit. different stitch patterns used in this scarf, starting Row 6: Knit. out with easy and becoming more difficult. At Row 7: Knit. times you may need to increase or decrease the Row 8: Purl. number of stitches on your needles in order to Row 9: Knit. Row 10: Purl. accommodate the various stitch patterns. So, cast Row 11: Knit. on and “stitch away”! Row 12: Knit. Row 13: Purl. YARN: Kelbourne Woolens Germantown, 2 Row 14: Knit. skeins Repeat rows 1-14 until pattern 1 measures 8”. Needles: U.S. 8 Knit 5 rows. Knit 1 more row, increasing 1 after the initial K4. Cast on 40 stitches and knit every row for 6 rows. The first 4 stitches and last 4 stitches are knit Pattern 2: “Broken Rib” (41 sts) every row (garter stitch). You should place a Row 1: Knit th marker after the 4 stitch and before the last 4 Row 2: Purl stitches to “remind” you to work these stitches in Row 3: (K1, P1) repeat, end with K1. garter. The following stitch patterns are worked in Row 4: (P1, K1) repeat, end with P1. between these markers. Repeat these 4 rows until you have worked 8” in Pattern 2. Source: Walker, Barbara G., A Treasury of Knitting Patterns, published by Charles Scriber’s Knit for 6 rows.
    [Show full text]
  • Oriental Rug Knotting & Construction
    Oriental Rug Knotting & Construction Knotted, Tufted and Flat-Woven Rugs; Knot Types and Density Anatomy of A Hand Knotted Rug A. WARP - The parallel threads running through the entire length of the rug onto which the knots are tied. B. WEFT - The threads running across the width of the rug inserted between all the rows of knots. These threads pass through alternate warp threads. Their job is to secure the knots in parallel lines and to strengthen the fabric. C. KNOT - The term used for a strand of wool yarn which is looped around two adjacent warp threads and then cut to form the pile (surface of carpet). D. OVERCASTING - A simple wrapping of dyed yarn along the entire length of both sides of a handmade rug. E. FRINGE - The visible continuation of the warp threads at both ends of the carpet. F. KILIM - The pileless web of warp and weft between the rug's pile and the knotted fringe. This is also the name for a rug without pile. Types of Oriental Rug Construction Who Uses Which Knot? Line of division (dotted line): distinguishing Turkish Knot (west of line) and Persian Knot areas (east). PERSIAN KNOT WITH ALL OF THE WARP THREADS ON ONE LEVEL TURKISH KNOT WITH ALL OF THE WARP THREADS ON ONE LEVEL PERSIAN KNOT WITH THE WARP THREADS ON TWO DIFFERENT LEVELS OPEN BACK & CLOSED BACK OPEN BACK CLOSED Different methods for finishing the undersides of rugs BACK The FULL LOOP part of the In the CLOSED BACK KNOT is on the UPPER KNOT the FULL LOOP is warp thread on the LOWER warp thread .
    [Show full text]
  • Beginner Basics Illustrated Stitches Updated Techniques
    beginner basics illustrated stitches 8 NEW updated techniques PROJECTS Crochet Made Easy Using this Book Crochet Made Easy is written for beginners, and features easy-to- understand diagrams and step-by-step instructions to illustrate crochet stitches and techniques. When you have mastered the basic techniques, try the projects included at the back of this book—they're designed especially for beginners! Products All of the projects in this book were designed and made with products from Coats & Clark—Red Heart yarns and Aunt Lydia's threads. General information is included about yarn, thread and crochet hooks. We recommend reading through the book to become familiar with terminology before picking up your hook and yarn. When you're ready, use a Medium Worsted Weight yarn (size 4 on chart at right) and a 5 mm (US-H-8) or 5.5 mm (US-I-9) hook to learn to crochet. Diagrams and Instructions Diagrams are shown for right-handers. Because of space limitations, it is not possible to show left-handed diagrams. If you are a left-hander and are hav- ing trouble understanding the diagrams, try tracing the diagrams and then turning the tracing paper over and looking at the reversed image. When read- ing instructions, substitute "left" for "right" and "right" for "left" where it appears. The abbreviation and its accompanying symbol are shown with the instruc- tions for each stitch. Visit www.redheart.com for more information and inspiration! We also recommend these sites. For additional patterns: www.coatsandclark.com For magazine information: www.crochettoday.com For television show information: www.knitandcrochettoday.com Distributed in the USA by Coats & Clark, Greer SC 29650 Learn to Crochet Yarn Yarns are available in a variety of weights.
    [Show full text]
  • How to Make Métis Hooked Rugs
    How to Make Métis Hooked Rugs There are six steps in making a hooked rug. These are: 1) Preparing Materials 2) Building a Frame 3) Preparing a Work Surface 4) Cutting and Tracing the Pattern 5) Hooking the Rug 6) Putting on the Backing and Finishing Touches 1) Preparing Materials • Use two-by-two inch pieces of wood for the frame • Make the frame slightly bigger than the rug • Use nails to attach the frame • Use burlap or jute for the frame’s backing • Use corduroy or denim to reinforce the frame’s border • Use quilting or upholstery thread to stitch the border • Use sealed wax to bind the border to the burlap/jute backing • Use wool or string to lace the burlap border to the frame • Use various big-eyed needles and a thimble for the lacing process • Use paper to make the pattern • Use paper scissors to cut out the pattern • Use small or large straight pins to pin down the pattern • Use sharp scissors to cut all fabric • Use a rug-hooking tool to begin the rug-hooking process • Rug-hooking tools can be found at craft or carpet stores, or can be made from a cork and a nail • Use various colours of cotton t-shirts for materials • Cut the seams out of the t-shirts, and then cut the material into thumb width strips • The strips can be rolled into balls for easy storage 2) Building a Frame • Make an adjustable frame by drilling holes in the wood • Use a nut and a bolt to adjust the frame’s size • If the frame is to be used only once, nail it together 3) Preparing a Work Surface • Choose either burlap or jute (which is finer grained) • Then
    [Show full text]
  • 8 Free Amigurumi Patterns for Beginners and Intermediate Crocheters
    8 free amigurumi patterns for beginners and intermediate crocheters. CROCHET PATTERNs BY Table of contents Abbreviations in US terms st stitch(es) ch chain slst slip stitch sc single crochet MR magic ring rep repeat previous round instructions rnd round inc make 2 sc in the next stitch (in- Abbreviations .............................2 crease) General instructions .......................2 dec single crochet 2 stitches together Tutorial : the invisible finish (Inv.FO) and the (I use the invisible decrease tech- invisible color change (INV.CC) ............3 nique but sc2tog would do just fine) 1. Mad fluffy Bunnies .......................4 hdc half double crochet Tutorial : How to embroider details........5 2. Valentine Bunnies .......................6 dc double crochet dc2tog double crochet 2 stitches together 3. Tinycorn ................................8 dc3tog double crochet 3 stitches together 4. TinyPegasus ............................11 BLO back loop only 5. Ghosty, Casper’s cousin ................12 FLO front loop only fasten off 6. Star Wars Lightsabers ..................14 FO inv.FO invisible finish of (see p3) 7. Minibuddies : girls ......................16 8. Minibuddies : boys .....................19 Inv.CC Invisible color change (see p3) 9. Lil’Agnes (Despicable me) ..............20 (...,...)*x repeat “x” number of times the in- structions between brackets General instructions • These patterns are worked in continuous round : do not join or turn unless stated other- wise. • Mark the last stitch of the round with your stitch marker in order to check that you’ve made the right amount of stitches in the round. • You’ll see that the increases and decreases of the patterns are shifted from one row to another. That’s to avoid the small line that shows when you keep on making your increases and decreases at the same place.
    [Show full text]
  • Yarn 101 with Fancy Tiger
    Yarn 101 with Fancy Tiger Chapter 1 - Introduction Overview (inspiring music) - Hi, I'm Jaime. - And I'm Amber. We're from Fancy Tiger in Denver, Colorado. We have a craft shop and in our shop we carry a lot of different yarns. We really love different fibers and different types of yarn. We're going to tell you today a little bit about what we look for in a yarn. - It can be intimidating and overwhelming sometimes to go into a yarn shop and see all of the different types of yarns that are available. So, today in Yarn 101, we're gonna teach you everything we know about yarn. We're gonna teach you how it's made, what to look for when picking out yarn for a project, what the different gauges are, what the different fibers are, the difference between plant fibers and protein fibers. - We'll cover a little bit of everything about yarn. (inspiring music) Chapter 2 - Natural Fibers Yarn overview - We're gonna talk about how yarn is made. This is a piece of fiber and yarn is made from lots of different fibers and it's the same whether it's a plant fiber or a protein fiber like wool. As you can see, when it's just in the fiber form, it is very easy to pull apart. So in order to make yarn twist is added to the fiber. And by adding twist it then makes it really strong. This is how yarn is made. - This is called a single.
    [Show full text]