Punk and Anarchist Squats in Poland
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Skłoting W Europie Środkowej I Rosji
Skłoting w Europie Środkowej i Rosji Redakcja: Dominika V. Polanska Grzegorz Piotrowski Miguel A. Martínez Skłoting w Europie Środkowej i Rosji Redakcja: Dominika V. Polanska Grzegorz Piotrowski Miguel A. Martínez europejskie centrum Gdańsk 2018 Spis treści Wstęp .......................................................................... 05 Dominika V. Polanska, Miguel A. Martinez, Grzegorz Piotrowski Skłoting w Pradze po 1989 roku: rozwój, upadek i odrodzenie ...................................... 21 Michaela Pixová, Arnošt Novák Rozwój skłotingu w Polsce: lokalne różnice oraz znaczenie spójności i trwałości ...................... 47 Dominika V. Polanska, Grzegorz Piotrowski Wymiar „polityczności” skłotingu – dwa przykłady z Węgier po 1989 roku ................. 75 Ágnes Gagyi Nadawanie znaczenia opuszczonym budynkom: skłoting kontrkulturowy w posowieckim Wilnie ... 97 Jolanta Aidukaitė Skłoting w Leningradzie/Petersburgu i moralna ekonomia relacji publiczno-prywatnych ................ 125 Tatiana Golova Zakończenie ..................................................................... 149 Grzegorz Piotrowski, Dominika V. Polanska Biogramy .................................................................... 160 O serii Raport ................................................................... 164 Wstęp Wstęp Wstęp Dominika V. Polanska, Miguel A. Martinez, Grzegorz Piotrowski Niniejszy raport jest pierwszą próbą eksploracji w języku polskim mało A 1. 1 zbadanego terytorium badawczego: skłotingu w Europie Środkowej Używamy w tym tomie i Rosji. -
Reassembling the Anarchist Critique of Technology Zachary M
Potential, Power and Enduring Problems: Reassembling the Anarchist Critique of Technology Zachary M. Loeb* Abstract Within anarchist thought there is a current that treats a critique of technology as a central component of a broader critique of society and modernity. This tendency – which can be traced through the works of Peter Kropotkin, Rudolf Rocker, and Murray Bookchin – treats technologies as being thoroughly nested within sets of powerful social relations. Thus, it is not that technology cannot provide ‘plenty for all’ but that technology is bound up in a system where priorities other than providing plenty win out. This paper will work to reassemble the framework of this current in order to demonstrate the continuing strength of this critique. I. Faith in technological progress has provided a powerful well of optimism from which ideologies as disparate as Marxism and neoliberal capitalism have continually drawn. Indeed, the variety of machines and techniques that are grouped together under the heading “technology” often come to symbolize the tools, both * Zachary Loeb is a writer, activist, librarian, and terrible accordion player. He earned his MSIS from the University of Texas at Austin, and is currently working towards an MA in the Media, Culture, and Communications department at NYU. His research areas include the critique of technology, media refusal and resistance to technology, ethical implications of technology, as well as the intersection of library science with the STS field. 87 literally and figuratively, which a society uses to construct a modern, better, world. That technologically enhanced modern societies remain rife with inequity and oppression, while leaving a trail of toxic e-waste in their wake, is treated as an acceptable tradeoff for progress – while assurances are given that technological solutions will soon appear to solve the aforementioned troubles. -
Murray Bookchin´S Libertarian Municipalism
CONCEPTOS Y FENÓMENOS FUNDAMENTALES DE NUESTRO TIEMPO UNAM UNIVERSIDAD NACIONAL AUTÓNOMA DE MÉXICO INSTITUTO DE INVESTIGACIONES SOCIALES MURRAY BOOKCHIN´S LIBERTARIAN MUNICIPALISM JANET BIEHL AGOSTO 2019 1 MURRAY BOOKCHIN’S LIBERTARIAN MUNICIPALISM By Janet Biehl The lifelong project of the American social theorist Murray Bookchin (1921–2006) was to try to perpetuate the centuries-old revolutionary socialist tradition. Born to socialist revolutionary parents in the Bronx, New York, he joined the international Communist movement as a Young Pioneer in 1930, then was inducted into the Young Communist League in 1934, where he trained to become a young commissar for the coming proletarian revolution. Impatient with traditional secondary education, he received a thoroughgoing education in Marxism-Leninism at the Workers School in lower Manhattan, where he immersed himself in dialectical materialism and the labor theory of value. But in the summer of 1939, when Stalin’s Soviet Union formed a pact with Nazi Germany, he cut his ties with the party to join the Trotskyists, who expected World War II to end in international proletarian revolution. When the war ended with no such revolution, many radical socialists of his generation abandoned the Left altogether.1 But Bookchin refused to give up on the socialist revolutionary project, or abandon the goal of replacing barbarism with socialism. Instead, in the 1950s, he set out to renovate leftist thought for the current era. He concluded that the new revolutionary arena would be not the factory but the city; that the new revolutionary agent would be not the industrial worker but the citizen; that the basic institution of the new society must be, not the dictatorship of the proletariat, but the citizens’ assembly in a face-to-face democracy; and that the limits of capitalism must be ecological. -
English Beat: in Concert at the Royal Festival Hall DVD Reviewed on Audiovideorevolution.Com
English Beat: In Concert at the Royal Festival Hall DVD Reviewed on AudioVideoRevolution.com title: English Beat: In Concert at the Royal Festival Hall studio: Secret Films MPAA rating: Not Rated starring: English Beat DVD release 2005 year: film rating: Three Stars sound/picture: Three Stars reviewed by: Dan MacIntosh When you break it right down, there’s nothing particularly English about The English Beat. You may recall how the group was once lumped in with the whole ska movement back in the ‘80s, mainly because it was on the 2 Tone Records label, along with The Specials and The Selector. But if you listen closely, you hear very little actual ska (which is not exactly a British export in the first place) in the group’s songs. For instance, the only horn player in this outfit is the ancient Saxa, who would much rather play mellow jazz than skanking beats anyhow. Furthermore, the group’s repertoire contains a bounteous supply of reggae – both fast and slow – as well as other dance grooves. But no matter the style, all of these elements support this act’s punkish political attitude, which is possibly its lone true English attribute. This show, which was filmed at The Royal Festival Hall in London, England, features quite a few of the band’s original members. These players include the two front people, Ranking Roger and Dave Wakeling, as well as Saxa and drummer Everett Morton. And except for Saxa, of course, all of these musicians still look incredibly young. Better yet, they also sound great. -
A Comparative Analysis of Punk in Spain and Mexico
Brigham Young University BYU ScholarsArchive Theses and Dissertations 2018-07-01 El futuro ya está aquí: A Comparative Analysis of Punk in Spain and Mexico Rex Richard Wilkins Brigham Young University Follow this and additional works at: https://scholarsarchive.byu.edu/etd Part of the Spanish and Portuguese Language and Literature Commons BYU ScholarsArchive Citation Wilkins, Rex Richard, "El futuro ya está aquí: A Comparative Analysis of Punk in Spain and Mexico" (2018). Theses and Dissertations. 6997. https://scholarsarchive.byu.edu/etd/6997 This Thesis is brought to you for free and open access by BYU ScholarsArchive. It has been accepted for inclusion in Theses and Dissertations by an authorized administrator of BYU ScholarsArchive. For more information, please contact [email protected], [email protected]. El futuro ya está aquí: A Comparative Analysis of Punk Culture in Spain and Mexico Rex Richard Wilkins A thesis submitted to the faculty of Brigham Young University in partial fulfillment of the requirements for the degree of Master of Arts Brian Price, Chair Erik Larson Alvin Sherman Department of Spanish and Portuguese Brigham Young University Copyright © 2018 Rex Richard Wilkins All Rights Reserved ABSTRACT El futuro ya está aquí: A Comparative Analysis of Punk Culture in Spain and Mexico Rex Richard Wilkins Department of Spanish and Portuguese, BYU Master of Arts This thesis examines the punk genre’s evolution into commercial mainstream music in Spain and Mexico. It looks at how this evolution altered both the aesthetic and gesture of the genre. This evolution can be seen by examining four bands that followed similar musical and commercial trajectories. -
Social Ecology and Communalism
Murray Bookchin Bookchin Murray $ 12,95 / £ xx,xx Social Ecology and Communalism Replace this text Murray Bookchin ocial cology Social Ecology and Communalism and Communalism Social Ecology S E and Communalism AK Press Social Ecology and Communalism Murray Bookchin Social Ecology and Communalism Bookchin, Murray Social Ecology and Communalism Library of Congress Control Number 2006933557 ISBN 978-1-904859-49-9 Published by AK Press © Eirik Eiglad and Murray Bookchin 2006 AK Press 674–A 23rd St. Oakland, CA 94612 USA www.akpress.org [email protected] AK Press UK PO Box 12766 Edinburgh, EH8 9YE Scotland (0131) 555–5165 www.akuk.com [email protected] Design and layout by Eirik Eiglad Contents An Introduction to Social Ecology and Communalism 7 What is Social Ecology? 19 Radical Politics in an Era of Advanced Capitalism 53 The Role of Social Ecology in a Period of Reaction 68 The Communalist Project 77 After Murray Bookchin 117 An Introduction to Social Ecology and Communalism We are standing at a crucial crossroads. Not only does the age- old “social question” concerning the exploitation of human labor remain unresolved, but the plundering of natural resources has reached a point where humanity is also forced to politically deal with an “ecological question.” Today, we have to make conscious choices about what direction society should take, to properly meet these challenges. At the same time, we see that our very ability to make the necessary choices are being undermined by an incessant centralization of economic and political power. Not only is there a process of centralization in most modern nation states that divests humanity of any control over social affairs, but power is also gradually being transferred to transnational institutions. -
Punk Preludes
University of Tennessee, Knoxville TRACE: Tennessee Research and Creative Exchange Supervised Undergraduate Student Research Chancellor’s Honors Program Projects and Creative Work Summer 8-1996 Punk Preludes Travis Gerarde Buck University of Tennessee - Knoxville Follow this and additional works at: https://trace.tennessee.edu/utk_chanhonoproj Recommended Citation Buck, Travis Gerarde, "Punk Preludes" (1996). Chancellor’s Honors Program Projects. https://trace.tennessee.edu/utk_chanhonoproj/160 This is brought to you for free and open access by the Supervised Undergraduate Student Research and Creative Work at TRACE: Tennessee Research and Creative Exchange. It has been accepted for inclusion in Chancellor’s Honors Program Projects by an authorized administrator of TRACE: Tennessee Research and Creative Exchange. For more information, please contact [email protected]. Punk Preludes Travis Buck Senior Honors Project University of Tennessee, Knoxville Abstract This paper is an analysis of some of the lyrics of two early punk rock bands, The Sex Pistols and The Dead Kennedys. Focus is made on the background of the lyrics and the sub-text as well as text of the lyrics. There is also some analysis of punk's impact on mondern music During the mid to late 1970's a new genre of music crept into the popular culture on both sides of the Atlantic; this genre became known as punk rock. Divorcing themselves from the mainstream of music and estranging nlany on their way, punk musicians challenged both nlusical and cultural conventions. The music, for the most part, was written by the performers and performed without worrying about what other people thought of it. -
Bookchin's Libertarian Municipalism
BOOKCHIN’S LIBERTARIAN MUNICIPALISM Janet BIEHL1 ABSTRACT: The purpose of this article is to present the Libertarian Municipalism Theory developed by Murray Bookchin. The text is divided into two sections. The first section presents the main precepts of Libertarian Municipalism. The second section shows how Bookchin’s ideas reached Rojava in Syria and is influencing the political organization of the region by the Kurds. The article used the descriptive methodology and was based on the works of Murray Bookchin and field research conducted by the author over the years. KEYWORDS: Murray Bookchin. Libertarian Municipalism. Rojava. Introduction The lifelong project of the American social theorist Murray Bookchin (1921-2006) was to try to perpetuate the centuries-old revolutionary socialist tradition. Born to socialist revolutionary parents in the Bronx, New York, he joined the international Communist movement as a Young Pioneer in 1930 and trained to become a young commissar for the coming proletarian revolution. Impatient with traditional secondary education, he received a thoroughgoing education in Marxism-Leninism at the Workers School in lower Manhattan, immersing himself in dialectical materialism and the labor theory of value. But by the time Stalin’s Soviet Union formed a pact with Nazi Germany (in the sum- mer of 1939), he cut his ties with the party to join the Trotskyists, who expected World War II to end in international proletarian revolutions. When the war 1 Janet Biehl is an American political writer who is the author of numerous books and articles associated with social ecology, the body of ideas developed and publicized by Murray Bookchin. -
Society Register
ISSN 2544-5502 SOCIETY REGISTER 4 (4) 2020 Adam Mickiewicz University in Poznan ISSN 2544-5502 SOCIETY REGISTER 4 (4) 2020 Adam Mickiewicz University in Poznan SOCIETY REGISTER 2020 / Vol. 4, No. 4 ISSN: 2544-5502 | DOI: 10.14746/sr EDITORIAL TEAM: Mariusz Baranowski (Editor-in-Chief), Marcos A. Bote (Social Policy Editor), Piotr Cichocki (Quantitative Research Editor), Sławomir Czapnik (Political Science Editor), Piotr Jabkowski (Statistics Editor), Mark D. Juszczak (International Relations), Agnieszka Kanas (Stratification and Inequality Editor), Magdalena Lemańczyk (Anthropology Editor), Urszula Markowska-Manista (Educational Sciences Editor), Bartosz Mika (Sociology of Work Editor), Kamalini Mukherjee (English language Editor), Krzysztof Nowak-Posadzy (Philoso- phy Editor), Anna Odrowąż-Coates (Deputy Editor-in-Chief), Aneta Piektut (Migration Editor). POLISH EDITORIAL BOARD MEMBERS: Agnieszka Gromkowska-Melosik, Adam Mickiewicz University in Poznań (Poland); Kazimierz Krzysztofek, SWPS University of Social Sciences and Humanities (Poland); Roman Leppert, Kazimierz Wielki University (Poland); Renata Nowakowska-Siuta, ChAT (Poland); Inetta Nowosad, University of Zielona Góra (Poland); Ewa Przybylska, Nicolaus Copernicus University in Toruń (Poland); Piotr Sałustowicz, SWPS University of Social Sciences and Humanities (Poland); Bogusław Śliwerski, University of Lodz (Poland); Aldona Żurek, Adam Mickiewicz University in Poznań (Poland). INTERNATIONAL EDITORIAL BOARD MEMBERS: Tony Blackshaw, Sheffield Hallam University (United King- dom); Theodore Chadjipadelis, Aristotle University Thessaloniki (Greece); Kathleen J. Farkas, Case Western Reserve University, Cleveland, Ohio (US); Sribas Goswami, Serampore College, University of Calcutta (India); Bozena Hautaniemi, Stockholm University (Sweden); Kamel Lahmar, University of Sétif 2 (Algeria); Georg Kam- phausen, University of Bayreuth (Germany); Nina Michalikova, University of Central Oklahoma (US); Jaroslaw Richard Romaniuk, Case Western Reserve University, Cleveland, Ohio (US); E. -
Songs Always Something There to Remind
Flashback Heart Attack - Songs Always Something There to Remind Me - Naked Eyes Anything Anything – Dramarama Any Way You Want It – Journey Bad Luck - Social Distortion Bizarre Love Triangle - New Order Blister in Sun/Add it Up/Gone Daddy Gone (Medley) - Violent Femmes Blitzkrieg Bop –Ramones Blue Monday - New Order Boys Don’t Cry – The Cure Centerfold - J Giles Band Come on Eileen – Dexies Midnight Runner Dancing w Myself - Billy Idol Destination Unknown – Missing Persons Don’t Change - INXS Don’t Stop Belivin – Journey Don’t You Forget About Me - Simple Minds Don’t You Want Me – Human League Dream Police - Cheap Trick Erotic City - Prince Everybody Wants to Rule the World - Tears for Fears Eyes without a Face – Billy Idol Fascination - Human League Fight for Your Right to Party – Beastie Boys Girls Just Wanna Have Fun – Cyndi Lauper Hungry Like the Wolf – Duran Duran I Love Rock n Roll - Joan Jett I Ran - A Flock of Seagulls In Cars - Gary Newman Jenny Jenny (867-5309) - Tommy Tutone Jesses Girl - Rick Springfield Just Can’t Get Enough - Depeche Mode Just Like Heaven - The Cure Just What I Needed - The Cars Land Down Under – Men at Work Let’s Go Crazy – Prince Live and Let Die – Wings Living on a Prayer – Bon Jovi Mexican Radio – Wall of VooDoo Melt With You - Modern English Metro - Berlin Million Miles Away – The Plimsouls Mirror in the Bathroom – English Beat Modern Love - David Bowie Need You Tonight - INXS Only the Lonely – The Motels Personal Jesus - Depeche Mode Pretty In Pink – Psychedelic Furs Promises Promises – Naked Eyes -
Anarchist Movement in Belarus 1992-2002
Anarchist movement in Belarus 1992-2002 Pauliuk Kanavalchyk 9.10.2020 Contents The hardening of the steel .................................. 4 The first anarchist newspaper in Belarus .......................... 5 Chyrvony Zhond ....................................... 6 The struggle continues .................................... 10 Notes: ............................................. 14 2 You are holding a short historical account of the first decade of anarchism in post-Soviet Be- larus. Written in a simple way, it gives you an idea of the processes that took place intheanar- chist movement of Belarus from 1991 to 2002. The brochure was issued in Russian and Belarusian in 2002 by a former anarchist Pauliuk Kanavalchyk who recollected the facts and funny stories that he lived through or heard from other contemporaries. Mind that this is a personal account, probably lacking other important dates and happenings. Another Belarusian anarchist Mikalai Dziadok got down to writing the continuation of the history covering the following decades. The book isn’t finished yet. Translated by Anarchist Black Cross Belarus *** Anarchism in Belarus has more than a century-old history. The first mentions of anarchists on the territory of Belarus date back to the eve of the Russian revolution of 1905-1907, when first anarchist groups started to emerge in different towns1. Not numerous at first, anarchists engaged in the trendy at that time individual terror2. Thanks to such a “propaganda of the deed” anarchism became a vast revolutionary movement literally over the first years of its existence. The movement attracted radical in thinking young people who were willing to throwabombat exploiters. It is common knowledge that Maksim Bahdanovich, a canonical Belarusian writer, used to be an anarchist during his studies, and under the influence of Bakunin’s writings attempted toblow the administration of his own grammar school with a self-made bomb. -
Abolishing the Borders from Below Page 2
•TMj^ii-oftmmmm vROmim 12I^«Pw editorial Abolishing the Borders from Below page 2 There is a justifiable need to abolish the borders between nations, societies, cultures and whatever else Distt separates and defines us. In order that this process does not lead to the formation of new borders or other types of segregation, like those established by elitist institutions such as the EU, NATO or UN, it has to be done from We are looking below, by the people. There is an enduring need to immediately abolish all states, governments and authoritarian ready to distribut regular basis in th institutions so that communities based on common values such as freedom, respect, cooperation and solidarity southern Europe) well available. Con above mentioned values. In order to push that process forward with support for the development of the anarchist movement over the borders we have created ... wielkowitsc More complex ij Free copi Free copies go to all There are many reasons why it is necessary to put out this type of publication on a regular basis. There are a large librarys in Eastern Ei number of anarchist groups in EE which could operate much more effectively with a continual exchange of ideas, with us) as well as t supply a postal adn tactics, experiences and materials with similarly minded groups from all over Europe and the World. It is clear that print by ourselves 1 many western activists are also interested in the ideas and actions of the "eastern anarchists". We believe it to be and there are some necessary to tighten the cooperation between east and west in resisting Fortress Europe, the globalization of the more copies by world economy, and above all capitalism and it's effects on our life.