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Contact Mass Schedule SUNDAY, MARCH 28, 2021 | PALM SUNDAY OF THE LORD’S PASSION WELCOME With joy we welcome all who have gathered here with us to worship God. “How good to sing praise to our God; how pleasant to give fitting praise.” (Psalm 147:1) Let us lift up our minds, hearts, and spirits to our loving and merciful God, from whom all good things come. CONTACT 37588 Fremont Blvd. Fremont, CA 94536 Parish: 510.797.1660 School: 510.793.3553 Preschool: 510.793.2013 [email protected] holyspiritfremont.org MASS SCHEDULE Weekend Saturday: 7:00* & 8:15 am Saturday Vigil: 5:00 pm* Sunday: 7:15 am* | 9:00 am | 10:45 am | 12:30 pm | 5:00 pm* Weekday Mon.-Fri.: 7:00* & 8:15 am Wednesday: 6:30 pm 1st Friday: 6:30 pm *Masses are livestreamed on our Facebook page and YouTube channel. BE SPIRIT FILLED AND MAKE DISCIPLES! WORSHIP SUNDAY, MARCH 28 | PALM SUNDAY OF THE LORD’S PASSION OUR VISION Mk 11:1-10 or Jn 12:12-16/Is 50:4-7/Ps 22:8-9, 17-18, 19-20, 23-24 [2a]/ Be a flourishing community Phil 2:6-11/Mk 14:1—15:47 or 15:1-39 of intentional disciples 5:00 pm † Orlando Tarun, † Estelito Tedalgo Fornoles shining as beacons of (Vigil Mass) Christ. 7:15 am For the People of the Holy Spirit Parish † Ememorita Gonzales, Chelsea Fernandes, † Noring Gotengco & Family, 9:00 am Confession † Eugenia T. Mano Saturday: 3:30 pm 10:45 am † Isabel Mina & Clifford, † Romualde Cabangangan, † Lydia Domingo Thursday before 1st Friday: 12:30 pm † Luke Chung, Padilla Guzman Family, † Loreto Manansala Sr., † Aven Isuga 3:30 pm 5:00 pm † Loreto Manansala Sr., † Aven Isuga, † Richard Mengollo Weekdays: call for an appointment MONDAY, MARCH 29 | MONDAY OF HOLY WEEK Is 42:1-7/Ps 27:1, 2, 3, 13-14 [1a]/Jn 12:1-11 Eucharistic Adoration 7:00 am † Mike Brand, Luke Ringelman During the COVID-19 health 8:15 am † Leslie Mendonsa, † Walter Fasolis crisis, the Adoration Chapel is closed, until further notice. TUESDAY, MARCH 30 | TUESDAY OF HOLY WEEK Is 49:1-6/Ps 71:1-2, 3-4a, 5ab-6ab, 15 and 17 [cf. 15ab]/Jn 13:21-33, 36-38 Anointing of the Sick 7:00 am † Anthony Costa, Mia Rose Måáñao First Saturday (except January and May) at 12:00 pm. All 8:15 am † Hung Pham, † Jun F. Tengsico seniors and those seriously ill WEDNESDAY, MARCH 31 | WEDNESDAY OF HOLY WEEK or anticipating surgery are Is 50:4-9a/Ps 69:8-10, 21-22, 31 and 33-34 [14c]/Mt 26:14-25 invited to attend. Next Mass: TBD 7:00 am Dennis D. Engalla, † Venancia Nodado, Zandra Antenorcruz † Alfredo D. Garcia, † Milagros Benjamin, † Warlito Dizon, Florante & Bella Asis, † 8:15 am Sacraments Lorraine Cortez For Baptism, First Communion, THURSDAY, APRIL 1 | HOLY THURSDAY Confirmation, Adult Chrism Mass: Is 61:1-3a, 6a, 8b-9/Ps 89:1, 2-3, 3-4, 5-6 [2a]/Rv 1:5-8/Lk 4:16-21 Sacraments, Marriage, Evening Mass of the Lord’s Supper: Ex 12:1-8, 11-14/Ps 116:12-13, 15-16bc, 17-18 [cf. 1 Anointing of the Sick or Cor 10:16]/1 Cor 11:23-26/Jn 13:1-15 Funeral, contact us at 7:00 pm For Holy Spirit Priests 510.797.1660 or holyspiritfremont.org. FRIDAY, APRIL 2 | GOOD FRIDAY OF THE LORD’S PASSION Is 52:13—53:12/Ps 31:2, 6, 12-13, 15-16, 17, 25 [Lk 23:46]/Heb 4:14-16; 5:7-9/ First Friday Mass Jn 18:1—19:42 Next Mass: May 7, 2021 SATURDAY, APRIL 3 | HOLY SATURDAY AT THE EASTER VIGIL New to Holy Spirit? Vigil: Gn 1:1—2:2 or 1:1, 26-31a/Ps 104:1-2, 5-6, 10, 12, 13-14, 24, 35 [30] or Ps 33:4-5, 6-7, 12-13, 20-22 [5b]/Gn 22:1-18 or 22:1-2, 9a, 10-13, 15-18/Ps 16:5, 8, 9-10, 11 [1]/Ex Welcome! To register, contact 14:15—15:1/Ex 15:1-2, 3-4, 5-6, 17-18 [1b]/Is 54:5-14/Ps 30:2, 4, 5-6, 11-12, 13 [2a]/Is us: [email protected] 55:1-11/Is 12:2-3, 4, 5-6 [3]/Bar 3:9-15, 32—4:4/Ps 19:8, 9, 10, 11 [Jn 6:68c]/Ez 36:16-17a, or go online at 18-28/Ps 42:3, 5; 43:3, 4 [42:2] or Is 12:2-3, 4bcd, 5-6 [3] or Ps 51:12-13, 14-15, 18-19 holyspiritfremont.org/join-our- [12a]/Rom 6:3-11/Ps 118:1-2, 16-17, 22-23/Mk 16:1-7 community 12:00 pm For the People of Holy Spirit Parish Interested in 8:00 pm For the People of Holy Spirit Parish Catholicism? To learn about the Catholic PLEASE CONSIDER ONLINE GIVING Please visit our parish website at https://holyspiritfremont.org/give/ to enroll in Online Giving or Text-to- faith, please call 510.456.4975 Give. For assistance with registration, please contact OSV at 800.348.2886 or our parish helpline at 510.456.4969. 2 NOURISH FROM THE DESK OF The donkey represents the humble arrival of DCN. BERNARD… someone in peace, as opposed to arriving on a powerful horse. Palm Sunday, also known as Passion Sunday, is the sixth Sunday of Lent which signifies the The waving of palms and laying of them on the start of the Holiest week of the year. ground is a reminder for us Christians that we welcome Jesus Christ into our hearts and are It leads us through the Last Supper, Christ’s willing to follow Him. crucifixion, and ends on Easter Sunday with Jesus’ resurrection, which is the basis of our The liturgy of Palm Sunday of the Lord’s Christian faith. Passion, putting together Jesus’ triumphant entry into Jerusalem and His Passion and Many biblical prophesies were fulfilled during Death, reflects the memorable events and high this Holy Week. People of all Christian faiths moments of our faith – our baptism, commemorate Jesus Christ's triumphal entry confirmation, first communion, marriage, and into Jerusalem. ordination. We celebrate and are proud of the sacraments. When life treats us well, we, too, The Holy Week celebrations make present the shout, “Hosanna!” Pascal mystery of Jesus – His Passion, Death and Resurrection. We recall the Last Supper, But in a few days, what happened on Palm betrayal of Judas, Peter’s denial, Jesus’ arrest Sunday are easily denied on Good Friday. Our and trial, His humiliation and passion, His cheers will become tears as we behold our King conviction and crucifixion, His death and wearing a crown, not of gold and precious resurrection. Jesus fulfills the Father’s will. He stones, but of thorns. We will see our King not shows true love, mercy, and forgiveness. He sitting on a throne of praise but hanging on a showed no bitterness in His words, no cross of disgrace. resentment in His mind, and no hatred in His heart. Jesus willingly accepts the cross and Just like when our faith is tested and we are crucifixion for the forgiveness of sins and for our asked to carry our own cross, we protest, we salvation. reject and find ways to avoid it. When our faith and the sacraments demand that we serve, we The crowds took palm branches, went out to step back and complain and detach ourselves meet Him, and shouted: "Hosanna! Blessed is from Christ. And similarly, too, we cry, “Crucify he who comes in the name of the Lord! Blessed Him!” is the kingdom of our father David that is to come! Hosanna in the highest!" May this most Holiest of Weeks convert our hearts, deepen our faith, and make us truly The cries of "Hosanna" are cries of praise, grateful for all that our God adoration and joy which means, "save us” or does to show His great and “rescue us” – very fitting because Jesus is our unconditional love for us all. savior. God Bless us all! The palm branches are symbols of triumph, victory, and peace. Dn. Bernard & Jean 3 SERVE St. Joseph the Worker: St. Vincent de Paul Food Sister Parish Dispatch Pantry Here’s Father Sam celebrat- ing Mass during Lent. Heading to the store this week? Consider picking up a few items for our SVdP food pantry. Here’s this week’s grocery wish list: ; Canned Green Beans ; Chef Boyardee / Canned Pasta ; Pork & Beans Please drop off non-perishable food donations at the Governo House on Saturdays, 9:00-10:00 am only. Do not leave donations outside the Governo House. Please note: We do not accept perishable, fresh “...this is my body.” foods (e.g., meats, produce, dairy, etc.). All food donations must be in factory sealed packages and/or containers. Thank you for your support—especially during this challenging time! Donation Envelope / ID write your name and ID Number number. You may also request us to send you personalized When you register with us as monthly donation envelopes. a parishioner, you are given an ID number which appears on Your ID number helps us “...for this is my blood of the your donation envelopes. document your donations covenant…” accurately for your end-of- If you are an online donor, year donor substantiation Holy Spirit Ethnic please be sure to include your report.
Recommended publications
  • The Last Supper Seen Six Ways by Louis Inturrisi the New York Times, March 23, 1997
    1 Andrea del Castagno’s Last Supper, in a former convent refectory that is now a museum. The Last Supper Seen Six Ways By Louis Inturrisi The New York Times, March 23, 1997 When I was 9 years old, I painted the Last Supper. I did it on the dining room table at our home in Connecticut on Saturday afternoon while my mother ironed clothes and hummed along with the Texaco. Metropolitan Operative radio broadcast. It took me three months to paint the Last Supper, but when I finished and hung it on my mother's bedroom wall, she assured me .it looked just like Leonardo da Vinci's painting. It was supposed to. You can't go very wrong with a paint-by-numbers picture, and even though I didn't always stay within the lines and sometimes got the colors wrong, the experience left me with a profound respect for Leonardo's achievement and a lingering attachment to the genre. So last year, when the Florence Tourist Bureau published a list of frescoes of the Last Supper that are open to the public, I was immediately on their track. I had seen several of them, but never in sequence. During the Middle Ages the ultima cena—the final supper Christ shared with His disciples before His arrest and crucifixion—was part of any fresco cycle that told His life story. But in the 15th century the Last Supper began to appear independently, especially in the refectories, or dining halls, of the convents and monasteries of the religious orders founded during the Middle Ages.
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  • The Vincent Voice March 2021
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  • Thursday the Last Supper on This Night We Commemorate Jesus' Meal
    Thursday The Last Supper On this night we commemorate Jesus’ meal with his disciples where he says some special words and does some special things. Let’s listen and see. Then came the day of Unleavened Bread, on which the Passover lamb had to be sacrificed. So Jesus sent Peter and John, saying, “Go and prepare the Passover meal for us that we may eat it.” They asked him, “Where do you want us to make preparation for it?” “Listen,” he said to them, “when you have entered the city, a man carrying a jar of water will meet you; follow him into the house he enters and say to the owner of the house ‘The teacher asks you, “Where is the guest room where I may eat the Passover with my disciples?”’ “He will show you a large room upstairs, already furnished. Make preparations for us there.” So, they went and found everything as he had told them; and they prepared the Passover meal. When it was evening he came with the twelve. While they were eating, he took a loaf of bread, and after blessing it he broke it, gave it to them, and said, “Take; this is my body.” Then he took a cup, and after giving thanks he gave it to them, and all of them drank from it. He said to them “This is my blood of the covenant which is poured out for many.” When they had sung a hymn, they went out to the Mount of Olives. I wonder if this table reminds you of anything? Have you seen it at church? What happens at this table? I wonder how the disciples felt when Jesus said those words at supper, take, eat, take, drink? Do they remind us of anything we have heard at church? Every Sunday when we gather the priest says these words of Jesus.
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  • Holy Week: Holy Friday & Saturday Evenings
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  • The Scientific Narrative of Leonardoâ•Žs Last Supper
    Best Integrated Writing Volume 5 Article 4 2018 The Scientific Narrative of Leonardo’s Last Supper Amanda Grieve Wright State University Follow this and additional works at: https://corescholar.libraries.wright.edu/biw Part of the Ancient, Medieval, Renaissance and Baroque Art and Architecture Commons, Classical Archaeology and Art History Commons, and the International and Area Studies Commons Recommended Citation Grieve, A. (2018). The Scientific Narrative of Leonardo’s Last Supper, Best Integrated Writing, 5. This Article is brought to you for free and open access by CORE Scholar. It has been accepted for inclusion in Best Integrated Writing by an authorized editor of CORE Scholar. For more information, please contact library- [email protected]. AMANDA GRIEVE ART 3130 The Scientific Narrative of Leonardo’s Last Supper AMANDA GRIEVE ART 3130: Leonardo da Vinci, Fall 2017 Nominated by: Dr. Caroline Hillard Amanda Grieve is a senior at Wright State University and is pursuing a BFA with a focus on Studio Painting. She received her Associates degree in Visual Communications from Sinclair Community College in 2007. Amanda notes: I knew Leonardo was an incredible artist, but what became obvious after researching and learning more about the man himself, is that he was a great thinker and intellectual. I believe those aspects of his personality greatly influenced his art and, in large part, made his work revolutionary for his time. Dr. Hillard notes: This paper presents a clear and original thesis about Leonardo da Vinci’s Last Supper that incorporates important scholarly research and Leonardo’s own writings. The literature on Leonardo is extensive, yet the author has identified key studies and distilled their essential contributions with ease.
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  • Saint Jude Parish Community Hopatcong, New Jersey
    Saint Jude Parish Community Hopatcong, New Jersey ©2012 Bon Venture Services, ©2012 LLCServices, Bon Venture Welcome! New parishioners are asked to register by calling or visiting the parish office or by speaking to one of the parish staff. WHY A CATHOLIC CHRISTIAN SHOULD BE A REGISTERED PARISHIONER The precepts of the Church explained that: we need to belong to a parish (your parish is the Church in the City where you are domiciled) and to contribute to its support. Everyone should do this (Canon 107). To identify yourself with a worshipping community of faith. Salvation comes to us by God in community. Religion is not meant to be individualistic. Membership in a parish community is the norm. To allow the priest of the parish to know you so that Letters of Recommendation can be given when needed. (Sponsorship/certificates) MASS INTENTIONS – HOLY WEEK SATURDAY Mar. 24 8:30 AM Jennie Olenowski MONDAY: 8:00AM – 3:00PM 5:00 PM Francisca Casasnovas TUESDAY: 8:00AM – 3:00PM SUNDAY Mar. 25 PALM SUNDAY FRIDAY: 8:00AM – 3:00PM 7:45 AM People of St. Jude’s WEDNESDAY: 8:00AM – 2:00P 9:15 AM Fran Niemotka 11:00 AM Andrea Sanchez THURSDAY: 8:00AM – 2:00PM SATURDAY & SUNDAY CLOSED MONDAY Mar. 26 ====================================== 8:30 AM Special Intention for Peggy McGarry PALM SUNDAY OF THE PASSION OF THE LORD TUESDAY Mar. 27 First Reading: Isaiah 50:4-7 8:30 AM For the Sick Isaiah describes the pain and insults of the Servant of God. Yet WEDNESDAY Mar. 28 he sounds hopeful when describing God as his help, knowing he 8:30 AM Novena will not be disgraced.
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  • The Masterpieces of Tintoretto, 1518-1594
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  • The Transfiguration of the Visible. Leonardo's 'Last Supper'
    Studies in Visual Arts and Communication - an international journal Vol 6, No 1 (2019) on-line ISSN 2393-1221 The Transfiguration of the Visible. Leonardo’s ‘Last Supper’ Carmen Sârbu* Abstract What else can be said about Leonardo Da Vinci’s ‘Last Supper’? An image so thoroughly analysed, interpreted and reinterpreted by historians, writers, researchers and artists or filmmakers. But still, it proves itself to be inexhaustible. The experimental technique used by Leonardo Da Vinci in his masterpiece ‘The Last Supper’ offers us an example of how materials respond to the way in which they are used, and the opportunity to discuss about the inherent vice from dematerialization to transfiguration of the image, using a phenomenological approach.We will also analyse how the visible integrates and interferes with the invisible until the nature of the image changes, generating a different aesthetic. The aim of this study is to highlight the dynamic role of materials in changing the nature of the image, even beyond the act of creation, and to provide a look from inside image to outside, to better understand its form, physiognomy, and this ambiguity between offering and hiding itself to us, in the same time. Keywords: `Last Supper`, Da Vinci, materiality, dematerialization, transfiguration, image, visible, invisible, inherent vice. About The Last Supper vastly has already to which architect Donato Bramante took part in been written, especially from an iconological 1492. The iconographic program for refectory was and iconographic point of view, proving an fixed on the topic of the inexhaustible source of inspiration for Christian sacrifice1, comprising the Crucifixion historians, writers, and researchers.
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  • Large Print Guide
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  • Last Supper) HIGH RENAISSANCE: Leonardo’S Last Supper
    INNOVATION and EXPERIMENTATION: ART of the EARLY and HIGH RENAISSANCE (Leonardo’s Last Supper) HIGH RENAISSANCE: Leonardo’s Last Supper Online Links: Leonardo da Vinci – Wikipedia Bramante – Wikipedia Leonardo's Virgin of the Rocks - Smarthistory Leonardo's Last Supper – Smarthistory Leonardo's Last Supper - Private Life of a Masterpiece Andrea del Castagno's Last Supper - Art in Tuscany Dieric Bouts - Flemish Primitives Bouts Holy Sacrament Altarpiece - wga.hu Leonardo da Vinci. Self-Portrait Leonardo da Vinci (1452-1519), the illegitimate son of the notary Ser Piero and a peasant girl known only as Caterina, was born in the village of Vinci, outside Florence. He was apprenticed in the shop of the painter and sculptor Verrocchio until about 1476. After a few years on his own, Leonardo traveled to Milan in 1482 or 1483 to work for the Sforza court. In fact, Leonardo spent much of his time in Milan on military and civil engineering projects, including an urban-renewal plan for the city. Leonardo da Vinci. Virgin of the Rocks, c. 1485, oil on wood The Virgin of the Rocks was painted around 1508 for a lay brotherhood, the Confraternity of the Immaculate Conception, of San Francesco in Milan. Two versions survive, an earlier one, begun 1483, in the Louvre, and a later one of c. 1508 in the National Gallery in London. There is no general agreement, but the majority of scholars concede that the Louvre panel is earlier and entirely by Leonardo, whereas the London panel, even if designed by the master, shows passages of pupils’ work consistent with the date of 1506, when there was a controversy between the artists and the confraternity.
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  • The Last Supper
    Christ’s Passion in Art Visual Arts Ministry 2020.04.19 Bernard Bell Peninsula Bible Church Cupertino Holy Week • Palm Sunday • Ascension Day (Thursday, 40 days after Easter) • Maundy Thursday • Pentecost Sunday (50 days) • Good Friday • Holy Saturday • Easter Sunday Holy Week • Palm Sunday The Passion • Maundy Thursday • Agony in the Garden • Good Friday • Betrayal & Arrest • Holy Saturday • Trials before Caiaphas, Pilate • Easter Sunday • Sentence • Ascension Day • Way to the Cross (Thursday, 40 days after Easter) • Crucifixion • Pentecost Sunday (50 days) • Burial Sant’Apollinare di Nuovo, Ravenna (504) Byzantine mosaic l. 12th–m. 13th cent. Monreale Cathedral Palermo, Sicily Washing Feet Last Supper Arrest wikimedia commons Byzantine mosaic l. 12th–m. 13th cent. Monreale Cathedral Palermo, Sicily Crucifixion Deposition Entombment wikimedia commons Byzantine mosaic l. 12th–m. 13th cent. Monreale Cathedral Palermo, Sicily Doubting Thomas Noli me tangere wikimedia commons Duccio, Maestà 1308-11, Siena Duccio di Buoninsegna (c. 1255–c. 1318) WGA Front Back Duccio, Maestà 1308-11, Siena Duccio di Buoninsegna (c. 1255–c. 1318) post-resurrection appearances Passion Temptation & Miracles Back WGA Duccio, Maestà 1308-11, Siena Duccio di Buoninsegna (c. 1255–c. 1318) The Passion Cycle WGA Giotto, Arena Chapel 1303-05, Padua Giotto di Bondone (c.1267–1337) Entry into Jerusalem The Last Supper Expulsion of the Money-Changers Judas Being Paid Washing the Feet Giotto Arena Chapel Arrest Mocking Crucifixion Christ before Caiaphas Road to Calvary Lamentation Entry to Jerusalem Duccio, Maestà WGA Entry to Jerusalem Giotto, Scrovegni Chapel Expulsion of the Money-changers Entry to Jerusalem from the Temple wikimedia commons The Last Supper mosaic, e.
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  • 50 Reasons the Last Supper Was Not the Passover
    part 2 50 Reasons the Last Supper Was Not the Passover he purpose of this chapter is to list, in one location, many of the reasons why Tthe Last Supper could not have been the eating of the Passover. While some reasons are very clear to see, others require more historical and biblical background to be fully understood. One of the strongest proofs stems from the fact that the day following this supper was not kept as the 15th-day great or high Sabbath. Many commentators don’t seem to fully comprehend the consequences of this timing— that if the 14th-day Passover were eaten at the Last Supper, then the Crucifixion day would illegally land on this 15th-day Sabbath of the Passover Festival. The Jewish nation revered the 15th day of Nisan, for it commemorated God delivering the Israelites from bondage in Egypt. God proclaimed that it be kept as an important Sabbath rest day, when “no work at all shall be done”; the only work al- lowed was preparing and eating the meals (Exodus 12:16, 17, 41, 42; Leviticus 23:7; Numbers 33:3). In the Old Covenant, He told the Israelites that “throughout your generations you are to celebrate it as a permanent ordinance” (Exodus 12:14). Even today Jews in Jerusalem celebrate this 15th day as a very special Sabbath. Therefore, to determine which day was actually the 14th-day Passover, all we have to do is examine the events listed in the Gospels to see which day was kept as the 15th-day high Sabbath.
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