The Vincent Voice March 2021

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The Vincent Voice March 2021 The Vincent Voice March 2021 Vincent United Methodist Church 100 Vincent Place Nutley, NJ 07110 973-667-5440 [email protected] www.vincentumc.org Worship and Sunday School Sundays at 10:00 a.m. Dear Friends in Christ, March Worship Schedule The season of Lent has begun. Lent is a season of self-examination where we March 7 Third Sunday in Lent are to reflect on our lives in the light of the cross. It is a Special Music by Louise Cimaszewski time where we should faithfully consider committing Homily by Rev. LeDuc ourselves to a season of Weekly Worship, Daily Prayer, “24 Hours: The Denial” Daily Bible Reading, to Give Something Up, and/or to Sacrament of the Lord’s Supper Do Something Extra (see elsewhere in this newsletter for further information on this). The point of all of these is March 14 Fourth Sunday in Lent the same. It is to draw us closer to Jesus – to knowing Girl Scout Sunday him, to following him, to sharing him, and to serving Recognition of Our Girl Scouts others in his name. Special Music by Linda Baker Grimm In order to help us do this, we are sharing in a Sermon by Rev. LeDuc special Lenten worship and sermon series entitled “24 “24 Hours: The Trial” Hours.” Based on the book “24 Hours That Changed the World” by Adam Hamilton, the series is helping us walk March 21 Fifth Sunday in Lent through the closing events of Jesus’ earthly ministry. Scouts BSA Sunday We are exploring events like the Last Supper, the Recognition of Our BSA Scouts Garden of Gethsemane, the Trial, the Crucifixion… and Special Music by the Chancel Choir then the Resurrection. But not only the events, but what Sermon by Rev. LeDuc they mean for us in our lives in our day. In this holy and “24 Hours: The Humiliation” reflective season, may this series help us rediscover and renew our walk as disciples of Jesus Christ. March 28 Palm Sunday Additionally, we are having two studies on Special Music by Janet Saia-Feld Zoom to help us learn and grow. “Seven Words: Sermon by Rev. LeDuc Listening to Christ from the Cross” by Susan Robb is the “24 Hours: The Crucifixion” resource being used for the Monday morning study group from 9:30-11. I am leading a study on Adam “24 Hours” Worship Series for Lent Hamilton’s “24 Hours” book on Tuesday evenings from Vincent Church is presenting a worship and sermon 7:30-9:00. More information on both of these is below. series for Lent this year entitled “24 Hours.” Based on Lent is a particularly meaningful time to join in such a the book “24 Hours That Changed the World” by Adam study and to grow in faith in Jesus’ name. Hamilton, the series will walk through the closing events As we join in this powerful season together, may of Jesus’ earthly ministry. We are exploring events like: we avail ourselves of this wonderful opportunity to grow the Last Supper, the Garden of Gethsemane, the Trial, in our faith and commitment, to be challenged at the the Crucifixion…and then the Resurrection. But not only Cross-roads of our world, and to journey to life with and the events, but what they mean for us in our lives in our in our Lord Jesus Christ. day. Join us as we experience the sacrificial love and never-ending life we have in Jesus Christ! Faithfully yours, Rev. Dave NOTE: Daylight Savings Time Begins March 14!! Girl Scout Sunday – March 14 Spiritual Disciplines for Lent We will celebrate Girl Scout Sunday at our service on Lent is a season of reflection upon our lives, of March 14. We invite all of our Girl Scouts and their repentance of our sins, of re-direction of our paths, and leaders to tune in to our service that Sunday for a special renewal of our faith. Life is not easy and we tend to time of recognition and blessing before our stray from the way. Lent is a time to try to get back on congregation. track by seeking God’s guidance and help and strength. So, we are encouraged to consider doing one or more of Scouts BSA Sunday – March 21 the following for Lent: Scouts BSA Sunday will be held on March 21. We 1. Come to Worship - Worship is a weekly discipline invite all of our Cub and Boy Scouts and leaders to tune that puts us firmly in the presence of God. Through in to our service that Sunday for a time of recognition hymns and prayers and scriptures and sermons, God and blessing before our congregation. speaks to our hearts and encourages us and seeks to guide us. Vincent Church Is Sharing Virtual Worship 2. Pray Daily – Let’s take some time to open our Due to the dangerous surge of coronavirus cases in our hearts to God, sharing our thoughts and concerns area, Vincent Church is closed for in-person and listening for God's guiding in quietness. Even if worship. We are broadcasting the worship services live it is only a few moments, let’s take some time to from the church sanctuary for viewing on Facebook Live check in with God! and for Call In. Our church’s goal is to spread the Good 3. Read the Bible – We’ll have available for you a News of Jesus Christ and NOT the coronavirus. Please devotional guide called “Sanctuary for Lent.” For plan to join us online or by phone, and invite your each day of the season, it has a scripture, a story, and friends, on Sundays at 10 a.m. a prayer. Using this or some other devotional, let’s take a few minutes each day to be fed by God's Worship with Us on Facebook Live! word! On Sundays at 10 a. m. (9:50 for prelude music), we 4. Give Something Up – Here’s the old standby! Let's invite you to go to the church’s Facebook page on a think of something that we could “give up for Lent” computer, tablet, or smart phone by clicking this link: that would be beneficial to us and a ready reminder Vincent UMC Facebook Live Tab (or for our main page: of Jesus’ self-denial for us. Vincent UMC Facebook Page). You do not need a 5. Do Something - Here's a new twist on the old Facebook account to watch the service (you may need to standby. Is there something we could do to reach click “Not Now” on the invitation to join out in a loving way to someone else in Jesus’ name? Facebook). Click on the service to enlarge it and you Perhaps we could try to call or visit or send a card to should be good! one person per week that is in need of encouragement, or some other type of witness or Call In to HEAR the Worship Service!! service to others. Those unable to be online for Sunday worship can call in Which one might be most meaningful for your journey to worship with us by phone. To do so: call phone of faith? Which one might help you grow more in the number 1-929-205-6099 (touch the green “dial” button if Spirit? Which one or more of these would best fit your you haven’t), enter this Meeting ID: 886-1883-8523, schedule? Pray about it. Then, decide how this season touch #, then enter Participant Code 100, press # again, of Lent can be an especially holy time for you. then enter Password 100, press # again and you’re in! So call in by phone on Sunday mornings at 9:50 a.m. “24 Hours” Study for Lent to join our Vincent Church family for worship at 10:00! Vincent Church is holding a Lent Study on Tuesday evenings at 7:30 via Zoom starting February 16 based on Winter Soup Sale Results!! the book “24 Hours That Changed the World” by Adam The Winter Soup Sale fundraiser was a huge success Hamilton. Walking with Jesus through his final hours is netting $1,695 for the church! That is just incredible! not easy, but bring us closer to the hearts of the Lord Thank you to our “Super Soupers” who donated their who gave up his life for us. Through exploration of the time and talent along with all the supplies and love that scriptures, video clips of the Holy Land sites, and went into those soups! Those “Super Soupers” are discussion, we are exploring these world-changing and Barbara Carrino, Gaylene Maichuk, Linda Baker life-changing events. Books can be purchased through Grimm, Becky Olivo, Colleen Kingston, Diana Amazon in paperback or Kindle versions. To join the Spangenberg, and Carol Greengrove. Thank you also to study use this Zoom link "24 Hours" Study Group or call those who purchased soups and made some extra in at 1-929-205-6099 with Meeting ID: 822 3307 6836 donations. This is a big help as we work to fulfill the and Passcode: 764497. Join us as we grow in mission and ministry of Christ through Vincent Church! appreciation of the love of Christ for us all. “Seven Words” Study "Blessing of the Palms" – March 28 “Seven Words: Listening to Christ from the Cross” by Several Nutley congregations will assemble with palms Susan Robb is the resource being used for a Monday from their churches on the front lawn of Town Hall morning study group from 9:30-11 on Zoom.
Recommended publications
  • The Last Supper Seen Six Ways by Louis Inturrisi the New York Times, March 23, 1997
    1 Andrea del Castagno’s Last Supper, in a former convent refectory that is now a museum. The Last Supper Seen Six Ways By Louis Inturrisi The New York Times, March 23, 1997 When I was 9 years old, I painted the Last Supper. I did it on the dining room table at our home in Connecticut on Saturday afternoon while my mother ironed clothes and hummed along with the Texaco. Metropolitan Operative radio broadcast. It took me three months to paint the Last Supper, but when I finished and hung it on my mother's bedroom wall, she assured me .it looked just like Leonardo da Vinci's painting. It was supposed to. You can't go very wrong with a paint-by-numbers picture, and even though I didn't always stay within the lines and sometimes got the colors wrong, the experience left me with a profound respect for Leonardo's achievement and a lingering attachment to the genre. So last year, when the Florence Tourist Bureau published a list of frescoes of the Last Supper that are open to the public, I was immediately on their track. I had seen several of them, but never in sequence. During the Middle Ages the ultima cena—the final supper Christ shared with His disciples before His arrest and crucifixion—was part of any fresco cycle that told His life story. But in the 15th century the Last Supper began to appear independently, especially in the refectories, or dining halls, of the convents and monasteries of the religious orders founded during the Middle Ages.
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  • Thursday the Last Supper on This Night We Commemorate Jesus' Meal
    Thursday The Last Supper On this night we commemorate Jesus’ meal with his disciples where he says some special words and does some special things. Let’s listen and see. Then came the day of Unleavened Bread, on which the Passover lamb had to be sacrificed. So Jesus sent Peter and John, saying, “Go and prepare the Passover meal for us that we may eat it.” They asked him, “Where do you want us to make preparation for it?” “Listen,” he said to them, “when you have entered the city, a man carrying a jar of water will meet you; follow him into the house he enters and say to the owner of the house ‘The teacher asks you, “Where is the guest room where I may eat the Passover with my disciples?”’ “He will show you a large room upstairs, already furnished. Make preparations for us there.” So, they went and found everything as he had told them; and they prepared the Passover meal. When it was evening he came with the twelve. While they were eating, he took a loaf of bread, and after blessing it he broke it, gave it to them, and said, “Take; this is my body.” Then he took a cup, and after giving thanks he gave it to them, and all of them drank from it. He said to them “This is my blood of the covenant which is poured out for many.” When they had sung a hymn, they went out to the Mount of Olives. I wonder if this table reminds you of anything? Have you seen it at church? What happens at this table? I wonder how the disciples felt when Jesus said those words at supper, take, eat, take, drink? Do they remind us of anything we have heard at church? Every Sunday when we gather the priest says these words of Jesus.
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  • Holy Week: Holy Friday & Saturday Evenings
    Holy Week: Holy Friday & Saturday Evenings HOLY THURSDAY EVENING Setting: The Upper Room I. The Washing of the Disciple’s Feet Gospel Text: John 13:2-17 At Jewish meals it was customary for the youngest to wash the hands of the guest present. Christ takes it a step further- he washes the feet in an expression of extreme humility. When Christ washed the feet of his disciples, he fulfilled a prophecy. "He who is greatest among you shall be your servant; whoever exhalts himself shall be humbled, and whoever humbles himself will be exalted" (Matt 23:11-12). Teaching on true discipleship: Christ says this in the middle of a series of condemnations of the Jewish Religious Teachers (Scribes & Pharisees). Liturgical Hymn: "Humbling Yourself in your compassion, You have washed the feet of your disciples, teaching them to take the path which as God You have followed. And Peter, who at first refused to be washed, yielded then to the divine command, and earnestly asked you that we may be granted Your great mercy." * Note: In certain Cathedrals and monasteries, there is a special ceremony of feet washing which follows the Liturgy. The bishop or abbot takes the role of Christ and twelve priests represent the apostles. The Washing on the Feet in relation to the Eucharist: The connection between the extreme humility in the washing was a teaching in the Cross. Our lives are to be one of sacrifice to God. The sacrifice is accomplished in Christ from the moment of his incarnation. All the acts of his life (his baptism, fasting, washing of the feet, offering the Last Supper and going to the cross all express a given reality: the extreme humility of Christ is his sacrifice and our salvation.
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  • The Scientific Narrative of Leonardoâ•Žs Last Supper
    Best Integrated Writing Volume 5 Article 4 2018 The Scientific Narrative of Leonardo’s Last Supper Amanda Grieve Wright State University Follow this and additional works at: https://corescholar.libraries.wright.edu/biw Part of the Ancient, Medieval, Renaissance and Baroque Art and Architecture Commons, Classical Archaeology and Art History Commons, and the International and Area Studies Commons Recommended Citation Grieve, A. (2018). The Scientific Narrative of Leonardo’s Last Supper, Best Integrated Writing, 5. This Article is brought to you for free and open access by CORE Scholar. It has been accepted for inclusion in Best Integrated Writing by an authorized editor of CORE Scholar. For more information, please contact library- [email protected]. AMANDA GRIEVE ART 3130 The Scientific Narrative of Leonardo’s Last Supper AMANDA GRIEVE ART 3130: Leonardo da Vinci, Fall 2017 Nominated by: Dr. Caroline Hillard Amanda Grieve is a senior at Wright State University and is pursuing a BFA with a focus on Studio Painting. She received her Associates degree in Visual Communications from Sinclair Community College in 2007. Amanda notes: I knew Leonardo was an incredible artist, but what became obvious after researching and learning more about the man himself, is that he was a great thinker and intellectual. I believe those aspects of his personality greatly influenced his art and, in large part, made his work revolutionary for his time. Dr. Hillard notes: This paper presents a clear and original thesis about Leonardo da Vinci’s Last Supper that incorporates important scholarly research and Leonardo’s own writings. The literature on Leonardo is extensive, yet the author has identified key studies and distilled their essential contributions with ease.
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  • Saint Jude Parish Community Hopatcong, New Jersey
    Saint Jude Parish Community Hopatcong, New Jersey ©2012 Bon Venture Services, ©2012 LLCServices, Bon Venture Welcome! New parishioners are asked to register by calling or visiting the parish office or by speaking to one of the parish staff. WHY A CATHOLIC CHRISTIAN SHOULD BE A REGISTERED PARISHIONER The precepts of the Church explained that: we need to belong to a parish (your parish is the Church in the City where you are domiciled) and to contribute to its support. Everyone should do this (Canon 107). To identify yourself with a worshipping community of faith. Salvation comes to us by God in community. Religion is not meant to be individualistic. Membership in a parish community is the norm. To allow the priest of the parish to know you so that Letters of Recommendation can be given when needed. (Sponsorship/certificates) MASS INTENTIONS – HOLY WEEK SATURDAY Mar. 24 8:30 AM Jennie Olenowski MONDAY: 8:00AM – 3:00PM 5:00 PM Francisca Casasnovas TUESDAY: 8:00AM – 3:00PM SUNDAY Mar. 25 PALM SUNDAY FRIDAY: 8:00AM – 3:00PM 7:45 AM People of St. Jude’s WEDNESDAY: 8:00AM – 2:00P 9:15 AM Fran Niemotka 11:00 AM Andrea Sanchez THURSDAY: 8:00AM – 2:00PM SATURDAY & SUNDAY CLOSED MONDAY Mar. 26 ====================================== 8:30 AM Special Intention for Peggy McGarry PALM SUNDAY OF THE PASSION OF THE LORD TUESDAY Mar. 27 First Reading: Isaiah 50:4-7 8:30 AM For the Sick Isaiah describes the pain and insults of the Servant of God. Yet WEDNESDAY Mar. 28 he sounds hopeful when describing God as his help, knowing he 8:30 AM Novena will not be disgraced.
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  • The Masterpieces of Tintoretto, 1518-1594
    GOWANS'S ART BOOKS ^?22g^6p NET MASTERPIECES OF ^N Q GLASGOW. GOWANS 8 GRAY, IT? Presented to the library of the UNIVERSITY OF TORONTO by MRS. J. HOME CAMERON Telegraphic Addressi *^S?TO ^Pt*^, Telephone No. "GALERADA, ll11, fjjjgK l***ffif LONDON." ItflffOlE MAYFAJR. The Carlton Galleries, Ltd. (CLAUDE & TREVELYAN), PALL MALL PLACE, LONDON, S.W. PURCHASERS AND SELLERS OF FINE PICTURES BY THE BEST OLD MASTERS. Messrs. CLAUDE & TREVELYAN also invite the attention of anyone desiring Portraits painted in Oil and Pastel ; Marine Pictures ; Portraits of Horses ; to the work of exceptionally clever Artists whose work can be seen at the Galleries, Pictures and Engravings Cleaned and Restored. Valuations made for Probate or otherwise. Collections Classified and Arranged. All Gowanis Art Books can be obtained at the above Address. — — — Where to get Gowans's . Art Books abroad. France.—A. Perch*, 45 Rue Jacob, Paris. Belgium.—Spinkux & Cie, 3 Rue du Bois Sauvage, Brussels. Holland. Kirberger & Kesper, Amsterdam. Jas. G. Rohukrs, Amsterdam. Swkts & Zeithnger, Amsterdam. A. Abrahams, The Hague. Italy. Rosenberg & Sellier, 18 Via Maria Vittoria, Turin. F. Casanova & Co., Piazza Carignano, Turin. B. Seeber, ao Via Tornabuoni, Florence. Librrkia W. Modes, Corso Umbtrto i° 146, Rome. G. RiCCi & Co., Galleria Mazzini 43, Genoa. Libreria Stefano Serafin, Venice. Libreria L. Beltrami, Piazza Galvani, Via Farini, Bologna. Libreria E. Bonomi, Galleria Vittoria Emanuele 84, Milan. U. Hoepu, Galleria De Cristoforis 59, Milan. Switzerland. — E. Frankfurter, 12 Grand-Chene, Laus- anne. Scandinavia. —A. & O. Schedin, Lund, Sweden. Spain and Portugal. Ferreira & Ouveira, Lda., Rua do Ouro, 13a, Lisbon. Canada.— Musson Eook Co., Ltd., 33 Richmond Street, West, Toronto.
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  • The Transfiguration of the Visible. Leonardo's 'Last Supper'
    Studies in Visual Arts and Communication - an international journal Vol 6, No 1 (2019) on-line ISSN 2393-1221 The Transfiguration of the Visible. Leonardo’s ‘Last Supper’ Carmen Sârbu* Abstract What else can be said about Leonardo Da Vinci’s ‘Last Supper’? An image so thoroughly analysed, interpreted and reinterpreted by historians, writers, researchers and artists or filmmakers. But still, it proves itself to be inexhaustible. The experimental technique used by Leonardo Da Vinci in his masterpiece ‘The Last Supper’ offers us an example of how materials respond to the way in which they are used, and the opportunity to discuss about the inherent vice from dematerialization to transfiguration of the image, using a phenomenological approach.We will also analyse how the visible integrates and interferes with the invisible until the nature of the image changes, generating a different aesthetic. The aim of this study is to highlight the dynamic role of materials in changing the nature of the image, even beyond the act of creation, and to provide a look from inside image to outside, to better understand its form, physiognomy, and this ambiguity between offering and hiding itself to us, in the same time. Keywords: `Last Supper`, Da Vinci, materiality, dematerialization, transfiguration, image, visible, invisible, inherent vice. About The Last Supper vastly has already to which architect Donato Bramante took part in been written, especially from an iconological 1492. The iconographic program for refectory was and iconographic point of view, proving an fixed on the topic of the inexhaustible source of inspiration for Christian sacrifice1, comprising the Crucifixion historians, writers, and researchers.
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  • Large Print Guide
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  • Last Supper) HIGH RENAISSANCE: Leonardo’S Last Supper
    INNOVATION and EXPERIMENTATION: ART of the EARLY and HIGH RENAISSANCE (Leonardo’s Last Supper) HIGH RENAISSANCE: Leonardo’s Last Supper Online Links: Leonardo da Vinci – Wikipedia Bramante – Wikipedia Leonardo's Virgin of the Rocks - Smarthistory Leonardo's Last Supper – Smarthistory Leonardo's Last Supper - Private Life of a Masterpiece Andrea del Castagno's Last Supper - Art in Tuscany Dieric Bouts - Flemish Primitives Bouts Holy Sacrament Altarpiece - wga.hu Leonardo da Vinci. Self-Portrait Leonardo da Vinci (1452-1519), the illegitimate son of the notary Ser Piero and a peasant girl known only as Caterina, was born in the village of Vinci, outside Florence. He was apprenticed in the shop of the painter and sculptor Verrocchio until about 1476. After a few years on his own, Leonardo traveled to Milan in 1482 or 1483 to work for the Sforza court. In fact, Leonardo spent much of his time in Milan on military and civil engineering projects, including an urban-renewal plan for the city. Leonardo da Vinci. Virgin of the Rocks, c. 1485, oil on wood The Virgin of the Rocks was painted around 1508 for a lay brotherhood, the Confraternity of the Immaculate Conception, of San Francesco in Milan. Two versions survive, an earlier one, begun 1483, in the Louvre, and a later one of c. 1508 in the National Gallery in London. There is no general agreement, but the majority of scholars concede that the Louvre panel is earlier and entirely by Leonardo, whereas the London panel, even if designed by the master, shows passages of pupils’ work consistent with the date of 1506, when there was a controversy between the artists and the confraternity.
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  • The Last Supper
    Christ’s Passion in Art Visual Arts Ministry 2020.04.19 Bernard Bell Peninsula Bible Church Cupertino Holy Week • Palm Sunday • Ascension Day (Thursday, 40 days after Easter) • Maundy Thursday • Pentecost Sunday (50 days) • Good Friday • Holy Saturday • Easter Sunday Holy Week • Palm Sunday The Passion • Maundy Thursday • Agony in the Garden • Good Friday • Betrayal & Arrest • Holy Saturday • Trials before Caiaphas, Pilate • Easter Sunday • Sentence • Ascension Day • Way to the Cross (Thursday, 40 days after Easter) • Crucifixion • Pentecost Sunday (50 days) • Burial Sant’Apollinare di Nuovo, Ravenna (504) Byzantine mosaic l. 12th–m. 13th cent. Monreale Cathedral Palermo, Sicily Washing Feet Last Supper Arrest wikimedia commons Byzantine mosaic l. 12th–m. 13th cent. Monreale Cathedral Palermo, Sicily Crucifixion Deposition Entombment wikimedia commons Byzantine mosaic l. 12th–m. 13th cent. Monreale Cathedral Palermo, Sicily Doubting Thomas Noli me tangere wikimedia commons Duccio, Maestà 1308-11, Siena Duccio di Buoninsegna (c. 1255–c. 1318) WGA Front Back Duccio, Maestà 1308-11, Siena Duccio di Buoninsegna (c. 1255–c. 1318) post-resurrection appearances Passion Temptation & Miracles Back WGA Duccio, Maestà 1308-11, Siena Duccio di Buoninsegna (c. 1255–c. 1318) The Passion Cycle WGA Giotto, Arena Chapel 1303-05, Padua Giotto di Bondone (c.1267–1337) Entry into Jerusalem The Last Supper Expulsion of the Money-Changers Judas Being Paid Washing the Feet Giotto Arena Chapel Arrest Mocking Crucifixion Christ before Caiaphas Road to Calvary Lamentation Entry to Jerusalem Duccio, Maestà WGA Entry to Jerusalem Giotto, Scrovegni Chapel Expulsion of the Money-changers Entry to Jerusalem from the Temple wikimedia commons The Last Supper mosaic, e.
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  • 50 Reasons the Last Supper Was Not the Passover
    part 2 50 Reasons the Last Supper Was Not the Passover he purpose of this chapter is to list, in one location, many of the reasons why Tthe Last Supper could not have been the eating of the Passover. While some reasons are very clear to see, others require more historical and biblical background to be fully understood. One of the strongest proofs stems from the fact that the day following this supper was not kept as the 15th-day great or high Sabbath. Many commentators don’t seem to fully comprehend the consequences of this timing— that if the 14th-day Passover were eaten at the Last Supper, then the Crucifixion day would illegally land on this 15th-day Sabbath of the Passover Festival. The Jewish nation revered the 15th day of Nisan, for it commemorated God delivering the Israelites from bondage in Egypt. God proclaimed that it be kept as an important Sabbath rest day, when “no work at all shall be done”; the only work al- lowed was preparing and eating the meals (Exodus 12:16, 17, 41, 42; Leviticus 23:7; Numbers 33:3). In the Old Covenant, He told the Israelites that “throughout your generations you are to celebrate it as a permanent ordinance” (Exodus 12:14). Even today Jews in Jerusalem celebrate this 15th day as a very special Sabbath. Therefore, to determine which day was actually the 14th-day Passover, all we have to do is examine the events listed in the Gospels to see which day was kept as the 15th-day high Sabbath.
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  • ANDREA DEL CASTAGNO's LAST SUPPER by Eva Maria Lundin
    ANDREA DEL CASTAGNO’S LAST SUPPER by Eva Maria Lundin Under the Direction of Shelley Zuraw ABSTRACT This thesis analyzes Andrea del Castagno’s fresco of the Last Supper in the refectory of Sant’Apollonia, Florence. This study investigates the details of the commission, Castagno’s fresco in the iconographic tradition of representations of the Last Supper, the aspects which separate this Last Supper from previous examples in Florentine refectories, the fresco’s purpose in relation to its conventual setting, and also the artist’s use of both classicizing and contemporary elements and techniques. The central focus of my work is the significance of this fresco in terms of both the imagery Castagno employs and his possible sources. The purpose of this thesis is to recognize the innovative aspects of the fresco, as well as the role that Castagno played in the development of Florentine Renaissance art. INDEX WORDS: Andrea del Castagno, Castagno, Last Supper, Sant’Apollonia, Florentine refectories, Italian Renaissance painting, Fresco, Fictive marble ANDREA DEL CASTAGNO’S LAST SUPPER by Eva Maria Lundin B.A., University of Alabama, 2000 A Thesis Submitted to the Graduate Faculty of The University of Georgia in Partial Fulfillment of the Requirements for the Degree MASTER OF ART ATHENS, GEORGIA 2006 © 2006 Eva Maria Lundin All Rights Reserved. ANDREA DEL CASTAGNO’S LAST SUPPER by Eva Maria Lundin Major Professor: Shelley Zuraw Committee: Andrew Ladis Asen Kirin Electronic Version Approved: Maureen Grasso Dean of the Graduate School The University of Georgia December 2006 iv ACKNOWLEDGEMENTS I would like to thank the numerous people who have helped me throughout the past two and a half years, most importantly, the faculty, staff, and my fellow graduate students at the University of Georgia.
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