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TORONTO INTERNATIONAL FILM FESTIVAL SELEZIONE UFFICIALE 2006 Un Film Di PAUL VERHOEVEN UN KOLOSSAL BELLICO in CUI SUCCEDE DAVVERO OGNI COSA
presenta un film di PAUL VERHOEVEN TORONTO INTERNATIONAL FILM FESTIVAL SELEZIONE UFFICIALE 2006 un film di PAUL VERHOEVEN UN KOLOSSAL BELLICO IN CUI SUCCEDE DAVVERO OGNI COSA. RITMO DA GRAN SPETTACOLO DI VITA E MORTE. (CORRIERE DELLA SERA) MOLTO SPETTACOLARE (LA STAMPA) GIRATO BENISSIMO, GRANDE RITMO, NON ANNOIA MAI (IL MESSAGGERO) IMMAGINI FORTI E DI GRANDE VALORE FIGURATIVO (IL TEMPO) TRADIZIONALE E INNOVATIVO. BELLO. (IL GIORNALE) VERHOEVEN AUTENTICA FORZA VISIONARIA (IL MANIFESTO) 10 MINUTI DI APPLAUSI AL FESTIVAL DI VENEZIA PREMIO ARCA CINEMAGIOVANI MIGLIOR FILM Dutch Film Festival PREMIO MIGLIOR FILM PREMIO MIGLIOR REGISTA PREMIO MIGLIORE ATTRICE Platinum Award MASSIMO CAMPIONE DI INCASSI IN OLANDA Oscar 2007 MIGLIOR FILM STRANIERO CANDIDATO UFFICIALE PER L’ OLANDA CAST ARTISTICO RachelSteinn/Ellis De Vries CARICE VAN HOUTEN Ludwig Müntze SEBASTIAN KOCH Hans Akkermans THOM HOFFMAN Ronnie HALINA REIJN Ufficiale Franken WALDEMAR KOBUS Gerben Kuipers DEREK DE LINT GeneraleSS Käutner CHRISTIAN BERKEL VanGein PETER BLOK Rob MICHIEL HUISMAN Tim Kuipers RONALD ARMBRUST voci italiane RachelSteinn/Ellis De Vries CHIARA COLIZZI Ludwig Müntze LUCA WARD Hans Akkermans MASSIMO LODOLO Ronnie LAURA BOCCANERA Ufficiale Franken MASSIMO CORVO Gerben Kuipers GINO LA MONICA dialoghi e direzione del doppiaggio MASSIMO CORVO stabilimento di doppiaggio TECHNICOLOR SOUND SERVICES CAST TECNICO regia: PAUL VERHOEVEN storia originale: GERARD SOETEMAN sceneggiatura: GERARD SOETEMAN direttore della fotografia: PAUL VERHOEVEN luci: KARLWALTER LINDENLAUB, ACS, -
Spetters Directed by Paul Verhoeven
Spetters Directed by Paul Verhoeven Limited Edition Blu-ray release (2-disc set) on 2 December 2019 From legendary filmmaker Paul Verhoeven (Robocop, Basic Instinct) and screenwriter Gerard Soeteman (Soldier of Orange) comes an explosive, fast-paced and thrilling coming- of-age drama. Raw, intense and unabashedly sexual, Spetters is a wild ride that will knock the unsuspecting for a loop. Starring Renée Soutendijk, Jeroen Krabbé (The Fugitive) and the late great Rutger Hauer (Blade Runner), this limited edition 2-disc set (1 x Blu-ray & 1 x DVD) brings Spetters to Blu-ray for the first time in the UK and is a must own release, packed with over 4 hours of bonus content. In Spetters, three friends long for better lives and see their love of motorcycle racing as a perfect way of doing it. However the arrival of the beautiful and ambitious Fientje threatens to come between them. Special features Remastered in 4K and presented in High Definition for the first time in the UK Audio commentary by director Paul Verhoeven Symbolic Power, Profit and Performance in Paul Verhoeven’s Spetters (2019, 17 mins): audiovisual essay written and narrated by Amy Simmons Andere Tijden: Spetters (2002, 29 mins): Dutch TV documentary on the making of Spetters, featuring the filmmakers, cast and critics of the film Speed Crazy: An Interview with Paul Verhoeven (2014, 8 mins) Writing Spetters: An Interview with Gerard Soeteman (2014, 11 mins) An Interview with Jost Vacano (2014, 67 mins): wide ranging interview with the film’s cinematographer discussing his work on films including Soldier of Orange and Robocop Image gallery Trailers Illustrated booklet (***first pressing only***) containing a new interview with Paul Verhoeven by the BFI’s Peter Stanley, essays by Gerard Soeteman, Rob van Scheers and Peter Verstraten, a contemporary review, notes on the extras and film credits Product details RRP: £22.99 / Cat. -
Paul Verhoeven's Sci-Fi Trilogy
Paul Verhoeven’s Sci-Fi Trilogy: Understanding the Media Influence on Capitalism, Individualism, and Patriotism in the United States Maria Rozhestvenskaya (s4771060) M North American Studies Radboud University Nijmegen 01/08/2017 Supervisor: Prof Dr Frank Mehring Second Reader: Dr Mathilde Roza Still from: Total Recall. Directed by Paul Verhoeven, performances by Arnold Schwarzenegger and Rachel Ticotin, Carolco Pictures, 1990. North American Studies Teachers who will receive this document: Prof Dr Frank Mehring and Dr Mathilde Roza Title of document: Paul Verhoeven’s Sci-Fi Trilogy: Understanding the Media Influence on Capitalism, Individualism, and Patriotism in the United States Name of course: Master Thesis Date of submission: 01/08/2017 The work submitted here is the sole responsibility of the undersigned, who has neither committed plagiarism nor colluded in its production. Signed Name of student: Maria Rozhdestvenskaya Student number: s4771060 Abstract: To examine such components of American culture as capitalism, individualism, and patriotism, I will analyze how these three themes are depicted in the three movies Paul Verhoeven directed in Hollywood: RoboCop (1987), Total Recall (1990), and Starship Troopers (1997). Then, I will examine how the Dutch director remediates the above-mentioned pillars of American identity and transforms them into consumerism, conformism, and hegemony to criticize the national self- delusion forged by media. I will demonstrate how Verhoeven engages in a dialectic dialogue with media via media. In other words, I will investigate how the Dutch director uses filmic techniques and genre conventions to satirize the vices of American culture and society of the 1980s and 1990s. To do that, scrutinize the combination of such genres as science fiction, western, and action relying on Barry Keith Grant, Steve Neale, and Rick Altman’s theories on genre. -
Starship Troopers Paul Verhoeven
83_9 0 9 03.q d 8/ /0 3:38 age 83_9 0 9 03.q d 8/ /0 3:38 age PAUL VERHOEVEN RÉDACTEUR EN CHEF Emmanuel Burdeau LYCÉENS COORDINATION ÉDITORIALE Thierry Lounas ET APPRENTIS STARSHIP RÉDACTEUR DU DOSSIER Cyril Béghin est rédacteur aux Cahiers du cinéma et collabore à divers revues et AU CINÉMA TROOPERS catalogues. Il a rédigé plusieurs dossiers Lycéens au cinéma : Soul in the Hole (2002), Le Mariage des moussons (2003), Gare centrale (2004), Kaïro (2006). Il est aussi chargé de cours à l’université de Paris III, traducteur de L’ar t du film de David Bordwell (éd. De Boeck Universités), et a coordonné la traduction française d’un volume de textes critiques de Glauber Rocha, Le siècle du cinéma (éd. Y ellow Now). RÉDACTRICE PÉDAGOGIQUE Ariane Allemandi est professeur de phi- losophie. Elle enseigne aussi le Cinéma- audiovisuel en série Littéraire au lycée Bellevue du Mans. Elle est titulaire d'une maîtrise de Lettres et Cinéma à la Sorbonne nouvelle sur le Fantastique ICONOGRAPHIE Eugenio Renzi CONCEPTION GRAPHIQUE Thierry Célestine PRÉFET DE LA RÉGION Avec le soutien du conseil régional d’Île-de-France, de la DRAC Île-de-France et le concours des rectorats de Créteil, Paris, Versailles et les salles de cinéma participant à l’opération. par Cyril Béghin Starship_troopers_DP_CNC.indd 2-3 08/09/2017 15:41 83_9 0 9 03.q d 8/ /0 3:38 age 83_9 0 9 03.q d 8/ /0 3:38 age 3 ÉDITORIAL SÉLECTION VIDÉO & BIBLIOGRAPHIE Sélection bibliographique Une bonne page de Wikipédia avec de nombreux - Invasion of the Body Snatchers, Philip Kaufman, liens concernant le roman de Heinlein et le film : 1978, MGM DVD, 1998 - Douglas Keesey et Paul Duncan (ed.), Paul <http://en.wikipedia.org/wiki/Starship_troopers> - Body Snatchers, Abel Ferrara, 1993, Warner Verhoeven, Taschen, 2005. -
ROBODOC 1 DISCLAIMER: Red Rock Entertainment Ltd Is Not Authorised and Regulated by the Financial Conduct Authority (FCA)
ROBODOC 1 DISCLAIMER: Red Rock Entertainment Ltd is not authorised and regulated by the Financial Conduct Authority (FCA). The content of this promotion is not authorised under the Financial Services and Markets Act 2000 (FSMA). Reliance on the promotion for the purpose of engaging in any investment activity may expose an individual to a significant risk of losing all of the investment. UK residents wishing to participate in this promotion must fall into the category of sophisticated investor or high net worth individual as outlined by the Financial Conduct Authority (FCA). CONTENTS 4 Director’s Vision 5 Synopsis 6-15 RoboDoc Participants 16 Co-Director | Co-Writer 16 Co-Director | Co-Writer | Editor 17 Producers 18 Production Company 19 Executive Producers 20 Equity 21 Perks & Benefits 22-23 RoboDoc Participants (Interviews) DIRECTORS’ VISION Produced by RoboCop aficionados, the enduring vision for this project is to delve deep into the making of the 1987 American Cyberpunk action film, RoboCop. With the original film offering so many memorable sequences, characters and spectacular elements, we want this documentary to be completely unlike any traditional movie retrospective that has come before. Our aim is to completely dissect the film on a scene by scene basis, in a way that maintains the film’s narrative flow and highlights all the intricate working parts. We intend to show our audience just how much blood, sweat and tears went into the making of this classic movie and to reveal this fascinating information in both an informative and entertaining manner. We have an abundance of unique stories from key members of the cast and crew, supported by a wealth of never-before-seen archive material that ultimately goes beyond just an informative piece and instead plunges the audience into an immersive experience of sound and vision. -
Wolfgang Petersen, DAS BOOT (1981/1997, 209 Min)
April 6, 2010 (XX:12) Wolfgang Petersen, DAS BOOT (1981/1997, 209 min) Directed by Wolfgang Petersen Based on the novel by Lothar G. Buchheim Original Music by Klaus Doldinger Cinematography by Jost Vacano Jürgen Prochnow...Capt.-Lt. Henrich Lehmann-Willenbrock Herbert Grönemeyer...Lt. Werner - Correspondent Klaus Wennemann...Chief Engineer Fritz Grade Hubertus Bengsch...1st Lieutenant - Number One-1WO Oscar nominations: best cinematography, best director, best effects/sound effects editing, best film editing, best sound, best writing screenplay based on material from another medium (that was the year that Gandhi took just about all the prizes except special effects, which went to E.T.) WOLFGANG PETERSEN (14 March 1941, Emden, Lower Saxony, Germany) directed 29 films and tv series, some of which were Poseidon (2006), Troy (2004), The Perfect Storm (2000), Air Force Frankfurt (1968) (TV), König Ödipus (1967) (TV), Dresden 1964 - One (1997), Outbreak (1995), In the Line of Fire (1993), Shattered Im Zwinger (1964), and Bodega Bohemia (1962). (1991), Enemy Mine (1985), "Das Boot" (1985) TV mini-series, Die unendliche Geschichte (1984), Das Boot (1981), Schwarz und weiß HEINRICH LEHMANN- wie Tage und Nächte (1978) (TV), Die Konsequenz (1977), "Tatort" WILLENBROCK (11 December (6 episodes, 1971-1977), Planübung (1977) (TV), Smog (1973) 1911—18 April 1986) (from (TV), Anna und Toto (1972) (TV), and Stadt auf Stelzen (1965) Wikipedia): German naval (TV). officer, and a submarine commander during World War JOST VACANO (15 March 1934, Osnabrück, Germany) did the II. He was among the top ten cinematography of 58 films and tv shows, some of which were Aces of the Deep during the Hollow Man (2000) (director of photography), Starship Troopers Second Battle of the Atlantic (1997) (director of photography), Showgirls (1995), Untamed Heart against the Allies, in terms of (1993) (director of photography), Total Recall (1990), "Tales from tonnage of merchant ships the Crypt" (1 episode, 1990), Rocket Gibraltar (1988), RoboCop sunk. -
Les Noces Barbares / Robocop]
Document generated on 09/24/2021 1:59 p.m. 24 images Les noces barbares Robocop Pierre Lisi and Linda Soucy Number 36, 1987 URI: https://id.erudit.org/iderudit/22197ac See table of contents Publisher(s) 24/30 I/S ISSN 0707-9389 (print) 1923-5097 (digital) Explore this journal Cite this review Lisi, P. & Soucy, L. (1987). Review of [Les noces barbares / Robocop]. 24 images, (36), 66–66. Tous droits réservés © 24 images inc., 1987 This document is protected by copyright law. Use of the services of Érudit (including reproduction) is subject to its terms and conditions, which can be viewed online. https://apropos.erudit.org/en/users/policy-on-use/ This article is disseminated and preserved by Érudit. Érudit is a non-profit inter-university consortium of the Université de Montréal, Université Laval, and the Université du Québec à Montréal. Its mission is to promote and disseminate research. https://www.erudit.org/en/ LES NOCES BARBARES Pierre Lisi n 1982, elle adapte Le lit de Domini d'amour. Les mots ne semblent alors pas que Rolin et son film remporte le prix importants pour elle. Elle se sert du cinéma Cravens en plus d'être mis en nomina comme d'un média privilégié pour traduire tion pour le César du meilleur film ces flots d'émotions par de simples gestes, étranger. Elle revient en 1984 avec regards, touchers et surtout de longs silen Les noces barbares, EDust, tiré d'Au coeur de ce pays de J.M. ces contemplatifs. Les images du petit Coetzee et obtient rien de moins que le Ludo, qui grince inlassablement des dents depuis sa naissance. -
Mark Emery Moore Soc – Camera / Steadicam Operator
MARK EMERY MOORE SOC – CAMERA / STEADICAM OPERATOR FEATURES (Selected Credits): SAN ANDREAS San Francisco 2nd Unit A Camera/Steadicam FAST AND FURIOUS 7 Texture Camera Unit, 2nd unit B Camera/Steadicam, RACE WARS 1st unit B and A Camera/ Steadicam Director James Wan DP Stephen Windon DP Mark Spicer SCARY MOVIE 5 A Camera/Steadicam Director: Malcolm Lee DP: Steve Smith LONE SURVIVOR 2ND Unit Action Unit, Steadicam Director: Kevin Scott 2 GUNS (2nd Unit Dayplayer) Universal Camera/Steadicam Director: Baltasar Kormakur DP:Duane Manwiller BULLET TO THE HEAD Warner Bros. A Camera/Steadicam Director: Walter Hill DP: Lloyd Ahern DARLING COMPANION A Likely Story A Camera/Steadicam Director: Lawrence Kasdan DP: Michael McDonough HOT TUB TIME MACHINE MGM A Camera/Steadicam (Add’l Photography) Director: Steve Pink DP: Jack Green AREA 51 Blumhouse Productions Steadicam Director: Oren Peli DP: Oren Peli ZOOM (Add’l Photography) Revolution Studios A Camera/Steadicam Director: Peter Hewitt DP: Jack Green INVINCIBLE Universal Pictures A Camera/Steadicam (First 3 weeks) Director: Ericson Core DP: Ericson Core SERENITY Universal Pictures A Camera/Steadicam Director: Joss Whedon DP: Jack Green FAT ALBERT 20th Century Fox Steadicam (Day Player) Director: Joel Zwick DP: Paul Elliot THE CLEARING Fox Searchlight Steadicam/Add’l Camera Director: Pieter Jan Brugge DP: Denis Lenoir OLD SCHOOL DreamWorks Steadicam (Day Player) Director: Todd Phillips DP: Mark Irwin SERVING SARA Paramount Pictures A Camera/Steadicam (Last 3 weeks) Director: Reginald Hudlin DP: Robert Brinkmann A MAN APART New Line Cinema B Camera/Steadicam Director: F. Gary Gray DP: Jack Green THE HOLLOW MAN Columbia Pictures Camera/Steadicam Director: Paul Verhoeven DP: Jost Vacano DEEP BLUE SEA Warner Bros. -
Filozofická Fakulta Univerzity Palackého V Olomouci Katedra
Filozofická fakulta Univerzity Palackého v Olomouci Katedra Nederlandistiky Studijní rok 2010/2011 PAUL VERHOEVEN. IK NEUK BETER DAN GOD! PAUL VERHOEVENS FILMCARRIÈRE TOT 1980. Bakalářská práce studia Nizozemštiny pro hospodářskou praxi PAUL VERHOEVEN. I FUCK BETTER THAN GOD! PAUL VERHOEVEN’S FILM CAREER TILL 1980 Pavel Valent Vedoucí práce: Mgr. Iwona Piotrowska Olomouc 2011 Prohlašuji, že jsem bakalářskou práci vypracoval samostatně s využitím uvedených pramenů a literatury. ..................................... Podpis autora práce 2 Dankbetuiging Graag wil ik mijn dank betuigen aan Mgr. Iwona Piotrowska. Ik wil haar bedanken voor haar intensieve begeleiding, waardevolle adviezen en geduld. 3 Inhoudsopgave: 1. Inleiding........................................................................................................................ 5 2. Paul Verhoevens filmcarrière tot 1967......................................................................... 8 2.1 Eén hagedis teveel (1960) .................................................................................... 12 2.2 Niets bijzonders (1961) en De lifters (1962). ....................................................... 13 2.3 Feest (1963).......................................................................................................... 14 2.4 Het Korps Mariniers (1965)................................................................................. 15 3. Floris (1969). Team Paul Verhoven en Gerard Soeteman ......................................... 17 4. Wat zien ik! (1971) -
Robocop Analysis
Robocop “The anti-automaton” Film analysis by Rob Ager 2014 CHAPTER LIST 1. Commercial firepower 2. Thinking in metaphors 3. The baddest movie gang in town 4. Laughter, disbelief and tragedy 5. Blood in our eyes 6. Comic overtones 7. The crystal screen 8. Future hell 9. Rape in the city 10. What’s news? 11. Promocop 12. New S. A. 13. The Bladerunner connection 14. Monopoly Concepts 15. Boardroom thugs 16. Dick 209 17. Stitching up Alex J. Murphy 18. The Big League 19. Playback and simulation 20. A peak at the top 21. Babacop 22. The New Jesus 23. Robo-OCP 24. RoboMurphy 25. The future of law enforcement 26. Going against the program 27. Random Access Memory 28. Thoughts on the 2014 remake 1 Chapter ONE COMMERCIAL FIREPOWER Without even having to delve into the subjects of social or political commentary and relevance, Robocop was, and remains, an astonishing piece of entertainment. I first saw the film when I was fourteen years old and at a time when our household was unique in our neighbourhood in that we had a two-VCR set- up that could copy video tapes rented from stores. So, family and friends came and viewed Robocop in our household and these guest viewers responded to the film very similarly to how I did. They’d watch the opening media break scenes with slight bafflement, then Murphy’s intro scenes would hold their attention, but you could see they still weren’t sold on the film. But then came the first boardroom scene and ED 209’s bullet pumping slaughter of a young executive. -
FCD1919-AV218-Roboco
ARROW VIDEO ARROW VIDEO ARROW VIDEO ARROW VIDEO ARROW VIDEO ARROW VIDEO ARROW VIDEO ARROW VIDEO ARROW VIDEO ARROW VIDEO ARROW VIDEO ARROW VIDEO ARROW VIDEO ARROW VIDEO CONTENTS ARROW VIDEOCAST AND CREWARROW … 3 VIDEO TALES OF BLOOD AND STEEL (2019) by Omar Ahmed … 5 ROBOCOP AND THE GENERATION THAT GREW UP WITH IT (2019) ARROWby Christopher VIDEO Griffiths … 13 ARROW VIDEO ROBOCOP: DISMANTLED & REASSEMBLED (2019) by Henry Blyth … 21 ABOUT THE TRANSFER … 42 PRODUCTION CREDITSARROW / SPECIAL THANKSVIDEO … 43 ARROW VIDEO 2 ARROW VIDEO ARROW VIDEO ARROW VIDEO ARROW VIDEO CAST Peter Weller Murphy/RoboCop Nancy Allen Lewis Daniel O’Herlihy The Old Man Ronny Cox Jones Kurtwood Smith Clarence Miguel Ferrer Morton Robert DoQui Sgt. Reed Ray Wise Leon Felton Perry Johnson Paul McCrane Emil Jesse Goins Joe Calvin Jung Minh Del Zamora Kaplan Rick Lieberman Walker Lee DeBroux Sal Mark Carlton Miller Edward Edwards Manson Michael Gregory Lt. Hedgecock CREW ARROW VIDEO ARROW VIDEO Directed by Paul Verhoeven Written by Edward Neumeier & Michael Miner Executive Producer Jon Davison Produced by Arne Schmidt Editor Frank J. Urioste Director of Photography Jost Vacano Production Designer William Sandell Music by Basil Poledouris ARROW VIDEO ARROW VIDEORoboCop designed and created by Rob Bottin ED-209 Sequences by Phil Tippett ARROW VIDEO ARROW VIDEO3 ARROW VIDEO ARROW VIDEO ARROW VIDEO ARROW VIDEO ARROW VIDEO ARROW VIDEO ARROW VIDEO ARROW VIDEO ARROW VIDEO ARROW VIDEO ARROW VIDEO ARROW VIDEO ARROW VIDEO ARROW VIDEO 4 ARROW VIDEO ARROW VIDEO ARROW VIDEO ARROW VIDEO TALES OF BLOOD & STEEL By Omar Ahmed Detroit, some time in the future.