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SEPTEMBER/OCTO B E R 2 0 1 5 V O LUME 14, NUMBER 5 INSI DE The Chinese Pavilion at Venice Biennale 2015 Chinese Feminism in Contemporary Art Artist Features: Chen Wei, Cheng Ran, Mao Yan, Qiu Xiaofei, Liang Quan Interview with Paz Venturelli Baraona Unscrolled in Vancouver US$12.00 NT$350.00 PRINTED IN TAIWAN 6 VOLUME 14, NUMBER 5, SEPTEMBER/OCTOBER 2015 C ONT ENTS 21 2 Editor’s Note 4 Contributors 6 On Civil Society and Colliding with Reality: The Chinese Pavilion at the 2015 Venice Biennale Jo-Anne Birnie Danzker 21 Context, Challenge, Conversion: 41 Chinese Feminism via Contemporary Art Taliesin Thomas 41 Mise-en-scène: Cinematheque Chen Wei and Cheng Ran Julie Chun 57 Interview with Paz Venturelli Baraona Zheng Shengtian 72 Mao Yan at Pace Gallery, New York 72 Jonathan Goodman 80 Qiu Xiaofei’s Struggle Danielle Shang 88 Amassing the Essence: A Preliminary Look at Liang Quan’s Thirty Years of Painting Chia Chi Jason Wang 104 Unscrolled: Reframing Tradition in Contemporary Chinese Art 80 Tianmo Zhang 111 Chinese Name Index Cover: Liang Quan, Untitled (detail), 2006, ink, tea, colour, 104 rice paper, 120 x 90 cm. Courtesy of the artist and Hive Center for Contemporary Art, Beijing. We thank JNBY Art Projects, D3E Art Limited, Chen Ping, Mr. and Mrs. Eric Li, and Stephanie Holmquist and Mark Allison for their generous contribution to the publication and distribution of Yishu. 1 Vol. 14 No. 5 Editor’s Note YISHU: Journal of Contemporary Chinese Art PRESIDENT Katy Hsiu-chih Chien LEGAL COUNSEL Infoshare Tech Law Office, Mann C. C. Liu FOUNDING EDITOR Ken Lum Chinese film and video are not frequently featured in EDITOR-IN-CHIEF Keith Wallace the context of visual art exhibitions. Yishu 70 presents MANAGING EDITOR Zheng Shengtian EDITORS Julie Grundvig two texts that examine the presentation of these Kate Steinmann mediums within the exhibition format. Jo-Anne Birnie Chunyee Li EDITORS (CHINESE VERSION) Yu Hsiao Hwei Danzker discusses the Chinese Pavilion, designed by Chen Ping Rem Koolhaas, at the 2015 Venice Biennale, which Guo Yanlong CIRCULATION MANAGER Larisa Broyde for the most part included seasoned filmmakers, WEB SITE EDITOR Chunyee Li musicians, and dancers whose work focuses on ADVISORY BOARD the public realm and the engagement of all sectors Judy Andrews, Ohio State University of society in the formation of culture. Julie Chun Melissa Chiu, Hirschhorn Museum and Sculpture Garden John Clark, University of Sydney presents an in-depth examination of Cinematheque, Lynne Cooke, National Gallery of Art, Washington, D.C. an exhibition of the work of Chen Wei and Cheng Okwui Enwezor, Critic and Curator Britta Erickson, Independent Scholar and Curator Ran, two artists whose interests resonate with the Fan Di’an, Central Academy of Fine Arts disquietudes of a younger generation. Fei Dawei, Independent Critic and Curator Gao Minglu, University of Pittsburgh Hou Hanru, MAXXI, Rome Taliesin Thomas offers an insightful consideration Hu Fang, Vitamin Creative Space and the shop Katie Hill, University of Westminster of Chinese women artists whose work reflects Claire Hsu, Asia Art Archive a feminist position and that exemplifies aspects Martina Köppel-Yang, Independent Critic and Historian Sebastian Lopez, Critic and Curator of Western feminist discourse while unveiling Lu Jie, Long March Space specificities that are characteristic of a Chinese Charles Merewether, Director, ICA Singapore Apinan Poshyananda, Ministry of Culture, Thailand social and political psyche. Zheng Shengtian, in his Philip Tinari, Ullens Center for Contemporary Art interview with Paz Venturelli Baraona, elaborates Chia Chi Jason Wang, Independent Critic and Curator Wu Hung, University of Chicago upon his research into the extensive engagement Pauline J. Yao, M+, West Kowloon Cultural District of Latin American artists, in this case Chilean PUBLISHER Art & Collection Group Ltd. artist José Venturelli, with Chinese culture and its 6F. No. 85, Section 1, government officials during the 1950s to the 1980s, Chungshan N. Road, Taipei, Taiwan 104 contesting assumptions that Socialist Realism was Phone: (886)2.2560.2220 all that was evident at the time. Fax: (886)2.2542.0631 E-mail: [email protected] The final four texts offer differing perspectives on the VICE GENERAL MANAGER Jenny Liu Alex Kao role of painting within contemporary art. Jonathan MARKETING MANAGER Joyce Lin Goodman writes about Mao Yan and his commitment CIRCULATION EXECUTIVE Perry Hsu Betty Hsieh to a tradition of painting that in its figurative and academic roots straddles the artistic histories of both PRINTING Chi Wei Colour Printing Ltd. WEB SITE http://yishu-online.com the West and the East. Danielle Shang’s essay on Qiu WEB DESIGN Design Format Xiaofei highlights a shift in the artist’s work that is the ISSN 1683 - 3082 result of his persistent questioning of the relevance Yishu is published bi-monthly in Taipei, Taiwan, and edited in Vancouver, Canada. The publishing dates are January, of painting today. Chia Chi Jason Wang pays homage March, May, July, September, and November. All subscription, to an artist who has been working for thirty years advertising, and submission inquiries may be sent to: and traces the incremental shifts that have brought Yishu Editorial Office his painting into a dialogue with influences that 200–1311 Howe Street Vancouver, BC, Canada include the San Francisco’s Bay Area Figurative V6Z 2P3 Movement and the tradition of ink painting. Tianmo Phone: 1.604.649.8187 E-mail: offi[email protected] Zhang looks at an exhibition, Unscrolled, that also addresses ink painting but from a perspective that SUBSCRIPTION RATES 1 year (6 issues): $84 USD (includes airmail postage) acknowledges its tradition while taking it into bold 2 years (12 issues): $158 USD (includes airmail postage) new contemporary realms. 1 Year PDF Download (6 issues): $49.95 USD (http://yishu-online.com) Please note: Owing to an significant increase in postage during the past 12 years, we are obliged to adjust accordingly the postage part of the subscription rate starting next year. For subscription rates of 2016, Keith Wallace please check on line at http://yishu-online.com DESIGN AND PRODUCTION Leap Creative Group CREATIVE DIRECTOR Raymond Mah ART DIRECTOR Gavin Chow DESIGNER Philip Wong No part of this journal may be reprinted without the written permission from the publisher. The views expressed in Yishu are not necessarily those of the editors or publisher. Yishu: Journal of Contemporary Chinese Art 典藏國際版(Yishu)創刊於 2002年5月1日 典藏國際版‧第14卷第5期‧2015年9–10月 社 長： 簡秀枝 法律顧問： 思科技法律事務所 劉承慶 創刊編輯： 林蔭庭（Ken Lum） 2 編者手記 總 策 劃： 鄭勝天 主 編： 華睿思 (Keith Wallace) 編 輯： 顧珠妮 (Julie Grundvig) 4 作者小傳 史楷迪 (Kate Steinmann) 黎俊儀 6 評2015威尼斯雙年展中國館： 網站編輯： 黎俊儀 公民社會的理想與現實的踫撞 中文編輯： 余小蕙 Jo-Anne Birnie Danzker 陳 萍 郭彥龍 行 政： 藍立杉 (Larisa Broyde) 21 當代藝術中的中國女性主義： 語境、挑戰和轉換 顧 問： 王嘉驥 田霏宇 (Philip Tinari) Taliesin T. Thomas 安雅蘭 (Judy Andrews) 巫 鴻 林似竹 (Britta Erickson) 41 陳維與程然的場面調度 范迪安 招穎思 (Melissa Chiu) 田珠莉（Julie Chun） 洛柿田 (Sebastian Lopez) 胡 昉 侯瀚如 57 與智利畫家萬徒勒里女兒和平 徐文玠 (Claire Hsu) （Paz Venturelli Baraona）的對話 姜苦樂 (John Clark) 鄭勝天 姚嘉善 (Pauline J. Yao) 高名潞 費大爲 72 毛焰在紐約佩斯畫廊的展覽 楊天娜 (Martina Köppel-Yang) 盧 杰 Jonathan Goodman Lynne Cooke Okwui Enwezor Katie Hill 仇曉飛的嘗試 Charles Merewether 80 Apinan Poshyananda 尚端（Danielle Shang） 出 版： 典藏藝術家庭股份有限公司 副總經理： 劉靜宜 高世光 88 蓄素守中：梁銓三十年繪畫歷程初探 行銷總監： 林素珍 王嘉驥 發行專員： 許銘文 謝宜蓉 社 址： 台灣台北市中山北路一段85號6樓 電話: (886) 2.2560.2220 104 開卷當代與傳統 傳真：(886) 2.2542.0631 張天墨 電子信箱：[email protected] 國際版編輯部：Yishu Editorial Office 200-1311 Howe Street, 111 中英人名對照 Vancouver, BC, V6Z 2P3, Canada 電話: (1) 604.649.8187 電子信箱: offi[email protected] 訂閱、投稿及廣告均請與國際版編輯部聯系。 設計製作： Leap Creative Group, Vancouver 創意總監： 馬偉培 藝術總監： 周繼宏 設 計 師： 黃健斌 印 刷： 台北崎威彩藝有限公司 本刊在溫哥華編輯設計，台北印刷出版發行。 一年6期。逢1、3、5、7、9、11月出版。 網 址： http://yishu-online.com 管 理： Design Format 國際刊號： 1683-3082 售價每本12美元。 訂 閲： 一年84美元，兩年158美元 （含航空郵資）。 封面：梁铨，《無题》，2006，墨、茶、 色、 網上下載： 一年49.95美元 宣纸，120 x 90 公分， 藝術家與北京蜂巢當代 請注意：由於郵費在過去12年間大幅上漲，我們不得 藝術中心提供 不自明年起對訂費中的郵資部份做相應調整。2016年 的訂閱費請上網查閱 http://yishu-online.com 感謝JNBY、 陳萍、李世默夫婦、賀芳霓 （Stephanie Holmquist）和Mark Allison 、 版權所有，本刊內容非經本社同意不得翻譯和轉載。 D3E Art Limited對本刊出版與發行的慷慨支持 本刊登載內容並不代表編輯部與出版社立場。 Contributors Julie Chun is an independent art historian Dialogue of the US–China Forum on the and lecturer who has been based in Arts and Culture in Beijing. Shanghai since 2011. She currently serves as the Art Convener of the Royal Asiatic Jonathan Goodman studied literature at Society, China, where she delivers monthly Columbia University and the University lectures at museums and galleries to widen of Pennsylvania before becoming an art public understanding of artistic objects, past writer specializing in contemporary and present. She holds an M.A. in art history Chinese art. He teaches at Pratt Institute from San Jose State University and B.A. in and the Parsons School of Design, both in economics from the University of California New York, focusing on art criticism and at Irvine. She has also completed graduate contemporary culture. studies in Asian history at Yonsei Graduate School of International Studies, Seoul, and Danielle Shang is a Los Angeles-based conducted research in modern art at UCLA. curator, writer, and art historian. Her She is a regular contributing writer to Yishu research interests include artistic and and Randian online. intellectual developments since 1976 in Chinese contemporary art history. Her recent Jo-Anne Birnie Danzker is Director of focus is on the impact of globalization, the Frye Art Museum, Seattle, and former urban renewal, social change, and class director of the Museum Villa Stück, restructuring on art-making in China, Munich, and the Vancouver Art Gallery. where artists participate in the decentralized She has curated numerous exhibitions on informal economy to produce works to be both contemporary and historical art, with disseminated in the institutionalized formal a special emphasis on the history of the system of the global art world.
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    JANE FARVER LIBRARY CATALOGUE AUTHOR/EDITOR/ARTIST TITLE DATE PUBLISHER NOTES SHELF Art History Section Alloway, Lawrence Topics in American Art Since 1945 1975 W. W. Norton & Company Inc., New York 1 Appiah, Kwame Anthony In My Father's House: Africa in the Philosophy of Culture 1992 Oxford University Press 1 Ashton, Dore The New York School: A Cultural Reckoning 1979 Penguin Books, 1972/1975/1979/1980/1983 1 Baerwaldt, Wayne (ed.) Memories of Overdevelopment: Philippine Diaspora in 1997 Plug in Editions, Canada Contemporary Art 1 Battcock, Gregory (ed.) The New Art: A Critical Anthology 1966 E. P. Dutton & Co., Inc., New York, 1st ed. 1 Benjamin, Walter Illuminations, Essays and Reflections 1985 Schocken Books, New York, 1955/1968/1985 1 Berger, Maurice (ed.) Modern Art and Society: An Anthology of Social and 1994 HarperCollins Publishers, New York, 1st ed. Multicultural Readings 1 Beynon, John & David Dunkerley (ed.) Globalization: The Reader 2000 Routledge, New York 1 Bishop, Claire Artificial Hells: Participatory Art and the Politics of 2012 Verso, New Left Books Spectatorship 1 Bishop, Claire (ed.) Participation: Documents of Contemporary Art 2006 Whitechapel Gallery Ventures Limited Texts, London & The MIT Press, Cambridge, MA, 1st ed. 1 Blazwick, Iwona (ed.) Century City Art and Culture in the Modern Metropolis 2001 Order of the Tate Trustees 1 Block, Holly (ed.) Art Cuba, The New Generation 2001 Harry N. Abrams, Inc. 1 Bourriaud, Nicolas Relational Aesthetics 2010 les presses du réel, 1998, 2009, 2002, France 1 Buskirk, Martha
  • View of New York Gallery; Right: Exterior and Interior View of Artfarm

    View of New York Gallery; Right: Exterior and Interior View of Artfarm

    Chambers Fine Art is named after Wang Tiande, Wu Jian'an, Shengzhong who converted the the distinguished British architect, Xiuzhen, Zhan Wang, Zhang gallery space into a vividly colore( Sir William Chambers who, in Huan, and other artists. who are 'temple' that evoked another addition to his architectural active in China and abroad today. aspect of life in China than the practice, was a leading exponent·~ / Born in Wuhan, China in 1963, contemporary urban culture of Chinese principles in garden Christophe W. Mao came to the explored by so many younger design in the late eighteenth United States in 1986. After artists. Other solo exhibitions in century. Inspired by the example graduating from Drexel University the last eight years have been of Chambers, Christophe W. Mao, in 1993, he worked for several devoted to the work of Hong Hao founder and director of the gallery years as a financial analyst before Wang Tiande, Wang Jianwei, since 2000, has organized a deciding that his interests lay Qiu Shihua, Rong Rong and inri, stimulating series of exhibitions elsewhere. In 2000, he opened Hong Lei and Qiu Zhijie. that have introduced the work of Chambers Fine Art in the Chelsea The following gallery program ha~ some of artists such as Ai Weiwei, district of New York, focusing on devoted to the work of establishe( Cai Guo-Qiang, Chi Peng, Geng classical Chinese furniture and and young artists and thematic Jianyi, Guo Hongwei, Hong Hao, contemporary Chinese art. exhibitions organized by recog• Hong Lei, Lu Shengzhong, Since 2003, however, recognizing nized scholars in the field such as Qiu Shihua, Qiu Zhijie, ShiJinsong that the contemporary side of his Feng Boyi, Paul Laster, Yasufumi Song Dong, WangJianwei, activities demanded his full Nakamori, Gu Zhenqing, Yang attention, the gallery has concen• Shin-Yi, Pi Li, Zheng Shengtian, trated on contemporary Chinese Michael Zhang, Zhang Li, etc.
  • To Download the PDF File

    To Download the PDF File

    Unmasking the Canon: The Role of the Uli Sigg Collection in the Construction of the Contemporary Chinese Art Canon By Rosemary Victoria Margaret Marland, B.Hum. Hons. A thesis submitted to the Faculty of Graduate Studies and Research in partial fulfilments of the requirements of the degree of Master of Arts in Art History: Art and Its Institutions Carleton University OTTAWA, Ontario September 20, 2009 © 2009, Rosemary Victoria Margaret Marland Library and Archives Biblioth&que et 1*1 Canada Archives Canada Published Heritage Direction du Branch Patrimoine de l'6dition 395 Wellington Street 395, rue Wellington Ottawa ON K1A0N4 Ottawa ON K1A0N4 Canada Canada Your file Votre r6f6rence ISBN: 978-0-494-58461-3 Our file Notre reference ISBN: 978-0-494-58461-3 NOTICE: AVIS: The author has granted a non- L'auteur a accorde une licence non exclusive exclusive license allowing Library and permettant a la Bibliotheque et Archives Archives Canada to reproduce, Canada de reproduce, publier, archiver, publish, archive, preserve, conserve, sauvegarder, conserver, transmettre au public communicate to the public by par telecommunication ou par Nnternet, preter, telecommunication or on the Internet, distribuer et vendre des theses partout dans le loan, distribute and sell theses monde, a des fins commerciales ou autres, sur worldwide, for commercial or non- support microforme, papier, electronique et/ou commercial purposes, in microform, autres formats. paper, electronic and/or any other formats. The author retains copyright L'auteur conserve la propriete du droit d'auteur ownership and moral rights in this et des droits moraux qui protege cette these. Ni thesis. Neither the thesis nor la these ni des extraits substantiels de celle-ci substantial extracts from it may be ne doivent etre imprimes ou autrement printed or otherwise reproduced reproduits sans son autorisation.