Gloria Feman Orenstein, Phd

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Dr. Orenstein Dr. Orenstein graduates magna receives a Master Dr. Orenstein Dr. Orenstein Dr. Orenstein Dr. Orenstein serves Dr. Orenstein is Dr. Orenstein cum laude from of Arts in Slavic receives a Graduate receives a Doctor authors “The as a coadjutant Dr. Orenstein co- born in New York becomes an assistant Brandeis University, languages and Fellowship for of Philosophy Theatre of the in English and founds the Women’s City, New York to English professor at receiving a Bachelor literature from the Women from in Comparative Marvelous and Women’s Studies at Salon for Literature Louis Glass and Douglass Residential of Arts in romance Radcliffe Graduate the Danforth Literature from New the Contemporary Douglass College of in New York City. Gertrude Feman. College. languages and School of Harvard Foundation. York University. St a g e .” Rutgers University. literature. University. 1938 1959 1961 1965 1971 1974 1974 1974 1975 Gloria Feman Orenstein, PhD Comparative Literature Educator A timeline of professional milestones 1976 1978 1979 1982 1985 1990 2003 2018 2018 2018 Dr. Orenstein receives the Dr. Orenstein gives Dr. Orenstein Dr. Orenstein Lifetime Achievement Dr. Orenstein a speech to launch Dr. Orenstein is Dr. Orenstein Dr. Orenstein becomes a tenured is appointed Award from Women’s the opening of the Dr. Orenstein authors “The Dr. Orenstein Caucus of the College Art honored with the is appointed co-creates the Professor in the President of Leonora Carrington is appointed Department of Reflowering of receives a Medal Association and “Gloria’s Albert Nelson Chairperson of Ecofeminist the Division Call,” a film about her Museum in San director of The Comparative the Goddess” and Certificate of research on the women Luis Potosi, Mexico. Marquis Lifetime the Women’s Conference at on Relations of Rutgers Junior Literature and and “Reweaving Honor from The of Surrealism, is launched She also presents Achievement Studies Program the University Literature and the at the WCA Conference. Year in France at Gender Studies the World: The Veteran Feminists at the panel for the Award from at Douglass of Southern Other Arts of The The film is shown at Leonora Carrington Douglass College. at the University Emergence of of America. many film festivals, Marquis College. California. Modern Language Exhibition in Mexico of Southern ECO-Feminism.” in places such as Los Who’s Who. Association. Angeles, California and City at the Museo de California. Vienna, Austria. Arte Moderno..

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Feminist Perspectives
http://researchcommons.waikato.ac.nz/ Research Commons at the University of Waikato Copyright Statement: The digital copy of this thesis is protected by the Copyright Act 1994 (New Zealand). The thesis may be consulted by you, provided you comply with the provisions of the Act and the following conditions of use: Any use you make of these documents or images must be for research or private study purposes only, and you may not make them available to any other person. Authors control the copyright of their thesis. You will recognise the author’s right to be identified as the author of the thesis, and due acknowledgement will be made to the author where appropriate. You will obtain the author’s permission before publishing any material from the thesis. Every Breath is a Wave In what ways can contemporary dance making express an ecofeminist perspective A thesis submitted in partial fulfilment of the requirements for the degree of Master of Media and Creative Technology at The University of Waikato by Gabriel Anne Baker 2017 Abstract Arising from the growing interest in ecological concerns that intersected with second wave feminism in the 1970s, ecological feminism is a theoretical perspective which argues that the oppression of women is parallel to and mutually reinforcing to that of the natural environment. Interested in the holistic nature of ecofeminist analysis I seek to understand how the processes of contemporary dance making can intersect with the theory and praxis of ecofeminism. Within ecofeminism the body is often used as a reference point for expression and understanding. Contemporary dance making therefore is of relevance for the exploration of ecofeminism as it offers a way of knowing that is of and from the body.
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A Companion to Dada and Surrealism
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Surrealism, Occultism and Politics
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Class of 1959 December 2020 Bio Updates
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Leonora Carrington and the International Avant-Garde Jonathan P
Introduction Leonora Carrington and the international avant-garde Jonathan P. Eburne and Catriona McAra Over the course of her extensive artistic and literary career, Leonora Carrington (1917–2011) took part in numerous interviews. While generally amenable to discussing her life and work, she patently refused to explain it. A late interview with the curator Hans-Ulrich Obrist provides a striking, almost comic example of her resistance to answering questions about the origins and infl uences of her art. ‘Can you tell us more about the recurrence of horses?’ he asks. ‘I can,’ she replies, trotting out a formulaic and self-cancelling reply. ‘I used to ride a lot. My mother was Irish and it is well known that the Irish have a tradition with horses. This is a logical reply and I don ’ t think it ’ s really true. I don ’ t think it is that simple, but I don ’ t really know.’ 1 The interviewer ’ s attempt to locate a subjective origin for Carrington ’ s artistic themes and motifs swiftly arrives at a dead end. Her self- cancelling response is nonetheless revealing. In the negation of simple explanation, that is, we learn something of Carrington ’ s artistic process: not the ‘meaning’ of individual works or motifs, but the experimental form and force of her long career as an artist. Carrington ’ s career is marked by an experimentation rooted in diffi - culty, mystery, and the openness to uncertainty and non-knowledge, a commit- ment she articulates at the very moment she seems most obdurately to be fl outing the terms of the interview: ‘I don ’ t think it is that simple, but I don ’ t really know.’ Carrington ’ s resistance to interrogation is far from curmudgeonly.
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Leonora Carrington : a Bestiary
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! ! ! ! ! ! ! ! ! "!#$%&'!()!$*+%,-(./!!"!,))0!%(!(1$!23)4$#-&-'(!%5(!)4!6%30-$!75))0&$5!%&8!"&%!9$&8-$(%! ! :1$,'$%!;!"#<5)'$! =$>-'!?!:,%50!:),,$@$! A)5(,%&8B!C5$@)&! ! D&!E%5(-%,!4+,4-,,#$&(!)4!(1$!5$*+-5$#$&('!4)5!(1$!8$@5$$!)4!7%31$,)5!)4!"5('! ! 2&F-5)&#$&(%,!G(+8-$'!A5)@5%#! G(+8-)!"5(!;)+<,$!9%H)5! ! 9%.!IJKI! ! ! ! ! ! ! ! ! ! ! ! ! ! "#$%&!'!()*+%,!*+-.!%/%)0+$*&1!+$2+!(%!34&-+!5&4(!(%!62&!7%!+$2+!*.!()*++%&!48+!49!:%,!(*+$48+! %;6<8.*4&.,!(*+$48+!.+*=8<2+*4&>>>'&!4&%!2&4+$%)!(%!(*<<!&%/%)!7%!<265*&1>?! @A%<%&%!B*;48.,!C281$!49!+$%!D%38.2! ! ! ! ! ! ! ! '!(48<3!<*5%!+4!+$2&5!E*:,!F%7)2,!G2))*65,!:0!F23!2&3!D4:,!H3*%!2&3!D2I,!2&3!:0!9)*%&3.!94)!2<<! 49!+$%*)!.8==4)+>!J<.4!E*<<,!94)!.$4(*&1!:%!B*;48.>! ! Abstract Although the power of art is often underestimated, it works as a powerful medium to communicate ideas and promote change. Many environmental problems result from oppression of less powerful actors in systems of inequality. Ecofeminism challenges logic of domination through promotion of diverse, synergetic, co-habitable communities. While, ecofeminism is traditionally rooted in gender and environmental equality, it can be applied to subvert any oppressive system. I looked at two ecofeminist artists: Jackie Brookner and Ana Mendieta, to explore how their use (or lack thereof) of essentialist ideas in their artwork affected how well their art advocated subaltern rights. Though Ana Mendieta’s work is more famous than Jackie Brookner’s, her strategic use of essentialism ultimately contradicts the ecofeminist movement she supports. Brookner’s community- based art focused on diversity, inclusiveness and individuality of actors.
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CURRICULUM VITA Gloria Feman Orenstein
CURRICULUM VITA Gloria Feman Orenstein Full Professor Department of Comparative Literature and Gender Studies _______________________________________________________________________________ 360 S. Burnside Avenue University of Southern California Tower 33, Apt. 9G Department of Comparative Literature Los Angeles, CA 90036 3501 Trousdale Parkway (213) 272-3935 Los Angeles, CA 90089-0353 [email protected] (213) 740-0100 /02 and Fax: (213) 740-8286 _______________________________________________________________________________ EDUCATION 1971 Ph.D., Comparative Literature, New York University 1961 M.A. Slavic Languages and Literatures, Radcliffe Graduate School of Harvard University 1959 B.A. Romance Languages and Literatures, Brandeis University PROFESSIONAL POSITIONS 1982-2006 Tenured Professor, Department of Comparative Literature and Gender Studies, USC 1985-88 Director of a cultural program for honors students Faculty-in Residence: Pacific Apartments, USC 1975-80 Assistant Professor, English Douglass College of Rutgers University 1978-79 Director, The Rutgers Junior Year in France Douglass College of Rutgers University 1976-78 Chairperson, Women's Studies Program Douglass College of Rutgers University 1974-75 Co-Adjutant, English and Women's Studies Douglass College of Rutgers University 1971-72 Chargé de Cours in American Culture and Literature University of Paris (Paris III, Censier), Paris, France 1 HONORS AND PUBLIC RECOGNITION 2006—2007 Grant to establish an archive of video interviews of Pioneer Women Artists of Southern California at USC. 2004 Acknowledged in MELUSINE No XIX: Mexique, Miroir Magnetique Cahiers du Centre de Recherche Sur Le Surrealisme in the article “Le Mexique Revisite” by Henri Behar as the first one to write about Surrealism in Mexico in MELUSINE, No II, pp. 130—137. 2004 Elected to ART TABLE: A National Organization for Professional Women In Leadership Positions in The Visual Arts 2003 I was awarded a medal and certificate of honor from The Veteran Feminists of America.
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Sperber, Mikva Dreams
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