Class of 1959 December 2020 Bio Updates
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CCAR Journal the Reform Jewish Quarterly
CCAR Journal The Reform Jewish Quarterly Halachah and Reform Judaism Contents FROM THE EDITOR At the Gates — ohrgJc: The Redemption of Halachah . 1 A. Brian Stoller, Guest Editor ARTICLES HALACHIC THEORY What Do We Mean When We Say, “We Are Not Halachic”? . 9 Leon A. Morris Halachah in Reform Theology from Leo Baeck to Eugene B . Borowitz: Authority, Autonomy, and Covenantal Commandments . 17 Rachel Sabath Beit-Halachmi The CCAR Responsa Committee: A History . 40 Joan S. Friedman Reform Halachah and the Claim of Authority: From Theory to Practice and Back Again . 54 Mark Washofsky Is a Reform Shulchan Aruch Possible? . 74 Alona Lisitsa An Evolving Israeli Reform Judaism: The Roles of Halachah and Civil Religion as Seen in the Writings of the Israel Movement for Progressive Judaism . 92 David Ellenson and Michael Rosen Aggadic Judaism . 113 Edwin Goldberg Spring 2020 i CONTENTS Talmudic Aggadah: Illustrations, Warnings, and Counterarguments to Halachah . 120 Amy Scheinerman Halachah for Hedgehogs: Legal Interpretivism and Reform Philosophy of Halachah . 140 Benjamin C. M. Gurin The Halachic Canon as Literature: Reading for Jewish Ideas and Values . 155 Alyssa M. Gray APPLIED HALACHAH Communal Halachic Decision-Making . 174 Erica Asch Growing More Than Vegetables: A Case Study in the Use of CCAR Responsa in Planting the Tri-Faith Community Garden . 186 Deana Sussman Berezin Yoga as a Jewish Worship Practice: Chukat Hagoyim or Spiritual Innovation? . 200 Liz P. G. Hirsch and Yael Rapport Nursing in Shul: A Halachically Informed Perspective . 208 Michal Loving Can We Say Mourner’s Kaddish in Cases of Miscarriage, Stillbirth, and Nefel? . 215 Jeremy R. -
Second Wind: a Tribute to E Music of Bill Evans
Chuck Israels Jazz Orchestra contribution to Evans’ body of work. Second Wind: A Tribute To e Music Israels, of course, was the replacement for the Of Bill Evans legendary Scott LaFaro, who died in a car accident SOULPATCH in 1961, the loss of a friend and creative partner ++++ ½ that had devastated Evans. Eventually he found his footing with Israels, who had worked with As the famous album title has it, everybody digs Bill Evans. a who’s who of greats including Billie Holiday, But not everybody has su#ciently dug Chuck Israels, Evans’ Benny Goodman, Coleman Hawkins and John great, underappreciated bassist from his second trio (1962– Coltrane. Besides being a brilliant technician with 1966). is album, Israels’ return to full-time performing a wonderful round tone, Israels was an exquisitely aer a 30-year teaching career, should win him new fans for sensitive musical partner who helped bring out the his prodigious skills as both arranger and bassist, even as it best in the introspective Evans. Aer his stint with serves to remind longtime Evans devotees of his signi!cant Evans, Israels studied composition and arrang- ing with Hall Overton, who arranged elonious Monk compositions for a tentet at Monk’s tri- umphant 1959 Town Hall concert. Later, Israels became a pioneer of the jazz repertory movement, founding and leading the National Jazz Ensemble from 1973 to 1981. Although Israels has played Evans tunes with others (notably Danish pianist omas Clausen on the excellent 2003 trio album For Bill ), this is the !rst time he has orchestrated a whole album of songs associated with or inspired by Evans for a larger ensemble. -
Of Audiotape
1 Funding for the Smithsonian Jazz Oral History Program NEA Jazz Master interview was provided by the National Endowment for the Arts. DAVID N. BAKER NEA Jazz Master (2000) Interviewee: David Baker (December 21, 1931 – March 26, 2016) Interviewer: Lida Baker with recording engineer Ken Kimery Date: June 19, 20, and 21, 2000 Repository: Archives Center, National Museum of American History Description: Transcript, 163 pp. Lida: This is Monday morning, June 19th, 2000. This is tape number one of the Smithsonian Jazz Oral History Project interview with David Baker. The interview is being conducted in Bloomington, Indiana, [in] Mr. Baker’s home. Let’s start with when and where you were born. David: [I was] born in Indianapolis, December 21st, 1931, on the east side, where I spent almost all my – when I lived in Indianapolis, most of my childhood life on the east side. I was born in 24th and Arsenal, which is near Douglas Park and near where many of the jazz musicians lived. The Montgomerys lived on that side of town. Freddie Hubbard, much later, on that side of town. And Russell Webster, who would be a local celebrity and wonderful player. [He] used to be a babysitter for us, even though he was not that much older. Gene Fowlkes also lived in that same block on 24th and Arsenal. Then we moved to various other places on the east side of Indianapolis, almost always never more than a block or two blocks away from where we had just moved, simply because families pretty much stayed on the same side of town; and if they moved, it was maybe to a larger place, or because the rent was more exorbitant, or something. -
User's Guide To
User’s Guide to Garritan Jazz & Big Band—Version 3 1 User’s Guide to GARRITAN JAZZ & BIG BAND Version 3 Including the ARIATM Player This guide written by: Gary Garritan, Chuck Israels, Gary Lindsay and Tom Hopkins Produced by: Gary Garritan & Tom Hopkins Director of Programming: Tom Hopkins ARIA Engine Development: Plogue Art et Technologie Inc. Additional Programming: Eric Patenaude, Jeff Hurchalla Document Editing: The Extraordinary Team of Beta Testers MIDI Programming: Markleford Friedman Art Direction: James Mireau Project Management: Max Deland Software Development: Jeff Hurchalla Manual Layout: Adina Cucicov Sound Editing: Jeannot Welter Garritan Jazz & Big Band™ is a trademark of Garritan Corp. Use of the Garritan Jazz & Big Band library and the contents herein are subject to the terms and conditions of the license agreement distributed with the library. You should carefully read the license agreement before using this product. The sounds presented in Garritan Jazz & Big Band are protected by copyright and cannot be distributed, whether modified or unmodified. The Guide to Gar- ritan Jazz & Big Band and instrument lists contained herein are also covered by copyright. ARIA™ is a trademark of Garritan and Plogue Art et Technologie Inc., Finale is a trademark of MakeMusic, Steinway™ is a trademark of Steinway & Sons and any other trademarks of third-party programs are trademarks of their respective owners. No part of this publication may be copied, reproduced or otherwise transmitted or recorded, for any purpose, without prior written permission by Garritan Corporation. The information contained herein may change without notice and does not represent a commitment on the part of Garritan Corporation. -
Urim Publications Jerusalem · New York
Urim Publications Jerusalem · New York Summer 2016 TOPICS Bible Commentary Biography Children Contemporary Issues Education Encyclopedia Fiction Hebrew Historical Fiction History Holidays Holocaust After the Holocaust Inspirational the Bells Still Ring Israel by Joseph Polak Jewish Law foreword by Elie Wiesel Jewish Thought Winner of the National Jewish Book Award 2015 in the category of Biography/Autobiography Lifecycle “This gem of a book, 70 years in the making, is already a classic, Passover Haggadah riveting in what it reveals, in the questions it releases.” –Merle Feld Prayer “As one of the last witnesses to the Shoah, certainly one of Psychology and Judaism the youngest, Joseph Polak has written a memoir that is an essential contribution to the body of Holocaust literature . Science and Judaism This is a must read for anyone not afraid of grappling with the unfathomable.” –Blu Greenberg Tikkun Olam “. Joseph’s voice originates from within Bergen-Belsen, and Women and Judaism perhaps poses the questions and challenges to G-d that Anne [Frank] might have posed, had she survived. His story and Title Index her story merge. These two youngsters from Holland, Anne forever a teenager, Joseph approaching the status of elder, provide a perspective of unusual insight from within the Holocaust, and from within survival.” –Robert Krell, MD Publishing since 1997 Urim Publications, 2015, Hardcover, 141 pages $19.95 (70 nis), isbn 978-965-524-162-4 2 www.UrimPublications.com American Interests in the Holy Land Revealed in Early Photographs From 1840 to 1940 by Lenny Ben-David Although Jewish life in the Holy Land reawakened during the 19th century, photographs of Jews in Palestine and the life they lived there are scarce. -
Feminist Perspectives
http://researchcommons.waikato.ac.nz/ Research Commons at the University of Waikato Copyright Statement: The digital copy of this thesis is protected by the Copyright Act 1994 (New Zealand). The thesis may be consulted by you, provided you comply with the provisions of the Act and the following conditions of use: Any use you make of these documents or images must be for research or private study purposes only, and you may not make them available to any other person. Authors control the copyright of their thesis. You will recognise the author’s right to be identified as the author of the thesis, and due acknowledgement will be made to the author where appropriate. You will obtain the author’s permission before publishing any material from the thesis. Every Breath is a Wave In what ways can contemporary dance making express an ecofeminist perspective A thesis submitted in partial fulfilment of the requirements for the degree of Master of Media and Creative Technology at The University of Waikato by Gabriel Anne Baker 2017 Abstract Arising from the growing interest in ecological concerns that intersected with second wave feminism in the 1970s, ecological feminism is a theoretical perspective which argues that the oppression of women is parallel to and mutually reinforcing to that of the natural environment. Interested in the holistic nature of ecofeminist analysis I seek to understand how the processes of contemporary dance making can intersect with the theory and praxis of ecofeminism. Within ecofeminism the body is often used as a reference point for expression and understanding. Contemporary dance making therefore is of relevance for the exploration of ecofeminism as it offers a way of knowing that is of and from the body. -
JAZZ EDUCATION in ISRAEL by LEE CAPLAN a Thesis Submitted to The
JAZZ EDUCATION IN ISRAEL by LEE CAPLAN A Thesis submitted to the Graduate School-Newark Rutgers, The State University of New Jersey in partial fulfillment of the requirements for the degree of Master of Arts Graduate Program in Jazz History and Research written under the direction of Dr. Henry Martin and approved by ___________________________________ ___________________________________ Newark, New Jersey May,2017 ©2017 Lee Caplan ALL RIGHTS RESERVED ABSTRACT OF THE THESIS JAZZ EDUCATION IN ISRAEL By LEE CAPLAN Thesis Director Dr. Henry Martin Jazz Education in Israel is indebted to three key figures – Zvi Keren, Arnie Lawrence, and Mel Keller. This thesis explores how Jazz developed in Israel and the role education played. Jazz Education in Israel discusses the origin of educational programs such as the Rimon School of Jazz and Contemporary Music (1985) and the New School Jazz Program (1986). One question that was imperative to this study was attempting to discover exactly how Jazz became a cultural import and export within Israel. Through interviews included in this thesis, this study uncovers just that. The interviews include figures such as Tal Ronen, Dr. Arnon Palty, Dr. Alona Sagee, and Keren Yair Dagan. As technology gets more advanced and the world gets smaller, Jazz finds itself playing a larger role in humanity as a whole. iii Preface The idea for this thesis came to me when I was traveling abroad during the summer of 2015. I was enjoying sightseeing throughout the streets of Ben Yehuda Jerusalem contemplating topics when all of a sudden I came across a jam session. I went over to listen to the music and was extremely surprised to find musicians from all parts of Europe coming together in a small Jazz venue in Israel playing bebop standards at break-neck speeds. -
23. Other Major Players
23. Other Major Players s the 21st century began, a small army of jazz "Woody never told us in advance what tunes we would artists from Cleveland were making their marks play," said Fedchock, "but the band would know what A on world jazz stages. Perhaps never before had the upcoming number was after a couple ofwords ofthe so many excellent musicians from Cleveland received little rap he gave the audience." such widespread recognition simultaneously. After touring with the Herman Herd for a couple of In addition to Joe Lovano, Jim Hall and Ken years, Fedchock wrote his first arrangement for the Peplowski, there were many world class musicians from band, a tune called "Fried Buzzard." Cleveland playing and recording. Some traveled In 1985, when Woody was doing a small group tour, extensively; others remained in their hometown and Fedchock returned to Eastman and fmished up his made Cleveland their base of operations. masters. Here is a closer look at some of them: Five months later, he returned to the Herman Orchestra and became Herman's music director and an John Fedchock arranger. He did 16 or 17 charts for the band. Looking In 1974, when Woody back, Fedchock said, "Woody didn't like to do the old Herman and his Orchestra stuff." were in Cleveland for a series In a radio interview, Herman said, "We try to find of performances, they went new material and try to find things that are reasonably to Mayfield High School on new and different. I think that I would have lost interest Wilson Mills Road to playa a long, long time ago if I had been very stylized and concert and conduct a clinic. -
Monterey Jazz Festival
DECEMBER 2018 VOLUME 85 / NUMBER 12 President Kevin Maher Publisher Frank Alkyer Editor Bobby Reed Reviews Editor Dave Cantor Contributing Editor Ed Enright Creative Director ŽanetaÎuntová Assistant to the Publisher Sue Mahal Bookkeeper Evelyn Oakes ADVERTISING SALES Record Companies & Schools Jennifer Ruban-Gentile Vice President of Sales 630-359-9345 [email protected] Musical Instruments & East Coast Schools Ritche Deraney Vice President of Sales 201-445-6260 [email protected] Advertising Sales Associate Grace Blackford 630-359-9358 [email protected] OFFICES 102 N. Haven Road, Elmhurst, IL 60126–2970 630-941-2030 / Fax: 630-941-3210 http://downbeat.com [email protected] CUSTOMER SERVICE 877-904-5299 / [email protected] CONTRIBUTORS Senior Contributors: Michael Bourne, Aaron Cohen, Howard Mandel, John McDonough Atlanta: Jon Ross; Austin: Kevin Whitehead; Boston: Fred Bouchard, Frank- John Hadley; Chicago: John Corbett, Alain Drouot, Michael Jackson, Peter Margasak, Bill Meyer, Mitch Myers, Paul Natkin, Howard Reich; Denver: Norman Provizer; Indiana: Mark Sheldon; Iowa: Will Smith; Los Angeles: Earl Gibson, Todd Jenkins, Kirk Silsbee, Chris Walker, Joe Woodard; Michigan: John Ephland; Minneapolis: Robin James; Nashville: Bob Doerschuk; New Orleans: Erika Goldring, David Kunian, Jennifer Odell; New York: Alan Bergman, Herb Boyd, Bill Douthart, Ira Gitler, Eugene Gologursky, Norm Harris, D.D. Jackson, Jimmy Katz, Jim Macnie, Ken Micallef, Dan Ouellette, Ted Panken, Richard Seidel, Tom Staudter, Jack Vartoogian, Michael Weintrob; -
Bulletin 2021 July 2021
Bulletin 2021 Message from the BAJS President July 2021 by Helen Spurling (University of Southampton) It has been a busy year for us all, with new opportunities but also considerable disruption and challenge. Within BAJS, we have Message from the BAJS President 1 continued to work on your behalf to advance Prizes and Prize-winners 4 teaching and research in Jewish culture and Student Essay Prize 4 history. This year’s annual Bulletin provides The 2021 BAJS Book Prize 4 me with a welcome opportunity to give an Jewish Studies Highlights: from A to Z – including: 5 overview of what the Association has achieved The blossoming of Jewish Studies at the University of Chester 5 for its members over the last twelve months. I Edinburgh Jewish Studies Network 7 hope that you will agree that the Association The Selig Brodetsky Memorial Lecture at Leeds 8 Sephardi Thought and Modernity webinar series, KCL 11 goes from strength to strength, and, Northern UK and Dublin Jewish Studies Partnership 14 importantly, engages with the issues that really News from Archives, Libraries and Museums – including: 17 matter to our members. The Hidden Treasures Covid-19 Community Archive Project 17 Cecil Roth’s rare book collection 18 A core part of the work of BAJS is to hold an annual conference, which this Manchester Jewish Museum Re-opens 18 year was on the theme: ‘World in Crisis: Reflections and Responses from Book-launch of the Palgrave Handbook of Britain and the 19 Antiquity to the Present’ (5-7 July 2021). The theme was chosen well before Holocaust recent events, but even three years ago it felt timely and an opportunity to News from Parkes Library and Anglo-Jewish Archive 20 explore significant, long-standing or contemporary issues of crisis and News from the British Library’s Hebrew Section 21 response, and the place of Jews, Judaism and Jewish Studies within this. -
Stardigio Program
スターデジオ チャンネル:445 モダンジャズ 放送日:2020/01/13~2020/01/19 「番組案内 (3時間サイクル)」 開始時間:4:00~/7:00~/10:00~/13:00~/16:00~/19:00~/22:00~/25:00~ 楽曲タイトル 演奏者名 ■ウィンタージャズセレクション(3) ~ピアノの詩人:ビル・エヴァンス・ベスト・ジャズ・セッション~ ON GREEN DOLPHIN STREET MILES DAVIS VERY EARLY BILL EVANS TRIO (Bill Evans, Chuck Israels, Paul Motian) I COULD HAVE DANCED ALL NIGHT CHET BAKER (from My Fair Lady) -一晩中踊れたら- SKATING IN CENTRAL PARK BILL EVANS & JIM HALL STRAIGHT LIFE JULIAN ADDERLEY QUINTET ISRAEL BILL EVANS TRIO (Bill Evans, Scott LaFaro, Paul Motian) SO WHAT MILES DAVIS NIGHT AND DAY STAN GETZ & BILL EVANS SPARTACUS LOVE THEME from Bryna Productions Bill Evans With Jeremy Steig "SPARTACUS"(スパルタカス 愛のテーマ) TENDERLY BILL EVANS TRIO (Bill Evans, Sam Jones, Philly Joe Jones) I'VE NEVER BEEN IN LOVE BEFORE THE EDDIE COSTA QUARTET with BILL EVANS HOW HIGH THE MOON JIMMY KNEPPER with BILL EVANS PERI'S SCOPE BILL EVANS TRIO (Bill Evans, Scott LaFaro, Paul Motian) MARTINA BILL EVANS NARDIS (take 5) Julian Cannonball Adderley Quintet ELSA BILL EVANS TRIO (Bill Evans, Scott LaFaro, Paul Motian) SNO' PEAS BILL EVANS & TOOTS THIELEMANS IN A SENTIMENTAL MOOD THE DAVE PIKE QUARTET with BILL EVANS RE: PERSON I KNEW BILL EVANS TRIO (Bill Evans, Chuck Israels, Paul Motian) NANCY (WITH THE LAUGHING FACE) Julian"Cannonball"Adderley with Bill Evans PENSATIVA BILL EVANS TRIO with LEE KONITZ & WARNE MARSH BLUE IN GREEN MILES DAVIS LOVER MAN Herbie Mann & The Bill Evans Trio THANK HEAVEN FOR LITTLE GIRLS (from Gigi) CHET BAKER WALTZ FOR DEBBY BILL EVANS SOMEDAY MY PRINCE WILL COME BILL EVANS TRIO (Bill Evans, Scott LaFaro, Paul Motian) Comrade Conrad BILL EVANS ALONE TOGETHER CHET BAKER with BILL EVANS Theme From M*A*S*H (aka Suicide Is Painless) BILL EVANS [M*A*S*Hのテーマ] TURN OUT THE STARS BILL EVANS & JIM HALL *著作権法上、番組の録音は個人的に楽しむ場合を除き禁じられています。. -
Between Intention and Action Welcoming the Days Of
August/September 2014 Av/Elul 5774 Tishrei 5775 Vol. 41 No. 1 Welcoming the Between Days of Awe Intention Pages 3-7 and Action Sometimes the thematic vocabulary of the High Holidays becomes so familiar—year after year, service after service—that we cease to hear it. We say teshuvah and speak of repentance and return; we chant chadesh yameinu and speak of renewal. But do we believe it? The whole moral economy of the Days of Awe is predicated upon belief in the possibility of change—beginning in our hearts, flowing into our relationships, reaching out into God’s world. But if those three R’s—repentance, return, renewal—are just the sound of Rabbi David wispy rhetorical longing, then Stern they lose their teeth, the High Holy Days lose their power and we run the risk of losing hope. Then along comes this wonderful poem by Jane Hirschfield (see next page), with a blunt and liberating reminder: “What is usual is not what is always.” Sometimes I think if we could just remember those eight words—when philanthropywe are so sure of how someone will react to what we say,d sow¨ surec¨v§ that they will be harsh, unkind or unlistening; or so sure that we can take their forgiveness for granted. When we HAVING A BLAST! Shown are the Ba’alei Tekiah, those who sound the shofar for are so sure of their viewpoint based on their Temple. L-r, bottom row: David Zimmerman, Max Karp, Noah Grimsley, politics or their Miriam Kolni. Top row: Shira Karp, Lee Kleinman, Debbie Steckler, Jon Karp, (Continued philanthropy on Page d 2)w¨c¨v§ Stan Goldman prayer d¨Nt¦