The Poetical Works of Thomas Traherne

Total Page:16

File Type:pdf, Size:1020Kb

The Poetical Works of Thomas Traherne TH E P OETIC A L WOR K S O F T HOMA S T R A H E RN E 1 6 3 6 3— 1 67 4 FROMTHE O RIGINAL MANUSCRIPTS EDIT E D BY BE RTR A M D O B E L L [VI TH A ME MOIR O F THE A UTHOR S E COND EDITION “ I iv uth e endo f a o lden tr in g e yo g s g , Onl w indit into a b y all, ’ cadyo uinat H ea v ens g a te ’ ” in er u em w l J sal s al . ”GI/fan: Blake ” an li es abo ut us ino ur inf cy. W Wor ds 'w or tb L O ND O N PUB LISHED BY THE E DITOR CH A R I R ROAD .C G C O S W . 7 7 N S , 1 90 6 4 R DR R G . THO N U Y MY ev er youth was constant to one dream , Though hope failed oft — s o hopeless did it seem That in the ripeness of my days I might Something achieve that should the world requite Fo r my existence for it was a pain To think that I should live and live in vain A d M nd most my thoughts were turned towar s the use, Though long she did my earnest prayers refuse, And left me darkling and despairing then By happy chance there came within my ken A — I hapless poet , whom thank kind fate It was my privilege to help instate Inthat proud eminence wherein he shines Now that no more on earth he sadly pines . This was a fortune such as I must ever ’ Be — thankful for yet still twas my endeavour, I With what , hope , was no unw orthy z eal , M - y life work with some other deed to seal , v i DEDICATIO N A w nd 10 when such a dream might ell seem vain , P ropitious fate smiled on me once again , ’ And through the mists of time s close - woven pall A o f li h glint g t on one dim form did fall , I Which , as gaz ed more earnestly, became A fl living soul , discovered by the ame Of glowing inspiration which possessed E ’ ven now, as when he lived, the poet s breast . DidI deceive myself ? Could it be true A new poetic star was in my view , A nd shining with a lustre bright and clear, Where , constellated in the heavenly sphere , H V C M erbert and aughan , rashaw and ilton shine With varying brightness , yet alike divine I z ga ed again , but still that star burned on , A nd ever with a deeper radiance shone , ’ ’ ’ U I - o - th - ntil knew no Will Wisp s false light , No meteor delusive mocked my sight, But ’twas indeed a fulgent planet which Henceforth shall with its beams the heavens enrich . I Some vanity , know, is in this strain , But men may be with reason sometimes vain Shall he alone who does a worthy deed o N t pay himself, if so he will , that meed - S Of self applause from which all virtues pring, Without it who would do a noble thing i D ED ICATION v ii the So let world arraign me as it will , It cannot now my satisfaction chill , I Since you , dear friend and all whose praise pri z e , L ook on my labours with approving eyes . This book to you ’ tis fi t I dedicate Since you , my friend , so well appreciate Na t y, rather love, our poe s of old time , Responding ever to their notes sublime Who, though you treasure most those sons of light, Whose radiance glitters on the brow of night, Do not despise the faintest twinkling starM That shines where Shakespeare , Spenser, ilton are L fl Who can , like amb, a brilliant ower descry Where all seems sterile to the common eye , L fi Who, like amb , too, to no strait bounds con ned , H ave room for all fair fancies in your mind, A v nd , with a taste that never errs, disco er F aults like a censor, beauties like a lover . H ff ere is another o ering for your store, Though not arrayed in that brown garb of yore Which , with quaint type and paper stained with Were for the Spirit of our Poet - Sage A fi tter dwelling , more becoming page . I could not give him these, and so have sought To match his noble and exalted thought DEDICA TION With the best raiment that our time affords Of fi ne comely type, paper, seemly boards , ’ 3 Which , centuries hence , to our children s children Ma y have an antique look which they shall pri z e , ’ Tr aher ne s When name , familiar to their ears Shall hold assured a place among his peers . CONTENTS DEDICATION CONTENTS INTRODUCTION T H E S A LUTATIO N WONDER EDEN INNOCENCE T H E P REPARATI V E T H E IN S TRUCTION T H E VI S ION T H E RAPTURE T HE IMPROV EMENT T H E APPROACH DumB NEs s S ILENCE MY S PIRIT CO NTENT S T H E APPREHEN S IO N FULLNE SS NATURE EA S E S PEED T H E C HOICE T H E PERSON T H E E S TATE T H E E NQ UIRY T H E C IRCULATION AMENDMENT T H E DEMON S TRATION T HE ANTICIPATION T HE R ECOV ERY ANOTHER LOV E T G S — I HOU HT . T G — HOU HTS . II [T H E INFLU X ] T G S — HOU HT . III DES I RE T G S — IV HOU HT . GOODNE S S ’ [T HE SOUL S GLORY] [FINITE YET INFI NITE] CONTENTS xi P A GE O N NEWS [T H E T RIUMPH] [T H E ONLY ILL] T H E RECOV ERY [T H E GLORY O P IS RAEL] [AS PIRATION] [S UPPLICATION] ’ ST W S AN HYM N UPO N . BARTHOLOME ’ “ PROM T RA H ERN E S CHRI STIAN ET HIC K S FO R MA N TO ACT A S I F H IS S OUL DI D S EE MS K S A W ES S S EL C TS C D I H ALL U IC , , FEA T , , AND ” P LEA SU REs ’ ’ A s I N A CLOC K T IS H INDE R D FORCE DOTH ” B RIN G WERE ALL THE WORLD A PARADI S E OF EA S E O F MEE K NES S O F CONTENTMENT A ND I F THE GLORY AN D E STEEM I HAV E APPENDI X BLI SS ’ [LIPE S BLES S EDNEs s ] [T H E RE S URRECTION] T H E WAYS OF WI S DOM CONTENTS P A G E ’ “ T RA H ERNE S S ERIOU S AN D PAT H ET ICA LL CONTEMPLA ” TION OF THE MERCIES O P G O D T H E WILL OF T HOMA S TRAHERNE Th e poems o f w hich th e titles ar e encl os ed w i thinbr ack ets ar e i h e o n n eemed bet e o w i th o ut ti tl es n t r ig i al ma uscr i pts . It s t r t i v e t emn me ino de to f ci i t te efe ence to t em g h a s, r r a l a r r h . I NTR OD UCTION IT is with a more than ordinary degree Of pleas ure that I have undertaken the tas k of introducing to readers of the pres ent day the writings of a hitherto unknown s even e nth - C s s t e century poet . enturie had drawn their curtain h im as s m around , and he had died utterly, it ee ed , out of the minds and memories of men but the long night of h is s is his ob curity at length over, and light henceforth , am m ms is s S if I not uch i taken , de tined to hine with undiminis hed lu s tre as long as England or the Engli s h tong ue s hall endure . The author O f the poems contained in the pre s ent volume belongs to that s mall group of religiou s poets s C s which include Herbert, Vaughan, and ra haw, though he is much more nearly allied to the authors of “ ” “ ” The Temple and S ilex Scintillan s than to the R m C s m is lyris t of o an atholici . Yet he neither a follower m s s his nor an i itator of any of the e, but one who draw in s piration from s ources either peculiar to hims elf or made h is m h s own by the oulding force of is own fervent pirit . T RA HE RNE’S POEMS Of the inner life O f the author of the s e poems we have s s is abundant and ati factory knowledge, for it certain that ’ no man s writings ever furni s hed a clearer or more ’ faithful mirror of their au thor s pers onality than do thos e Of s of Thomas Traherne . B ut the outward incident of h is is s uflicient life little can be told , though that li ttle to S w as man s s how that he a of the fine t and noble t character .
Recommended publications
  • This Thesis Has Been Submitted in Fulfilment of the Requirements for a Postgraduate Degree (E.G
    This thesis has been submitted in fulfilment of the requirements for a postgraduate degree (e.g. PhD, MPhil, DClinPsychol) at the University of Edinburgh. Please note the following terms and conditions of use: • This work is protected by copyright and other intellectual property rights, which are retained by the thesis author, unless otherwise stated. • A copy can be downloaded for personal non-commercial research or study, without prior permission or charge. • This thesis cannot be reproduced or quoted extensively from without first obtaining permission in writing from the author. • The content must not be changed in any way or sold commercially in any format or medium without the formal permission of the author. • When referring to this work, full bibliographic details including the author, title, awarding institution and date of the thesis must be given. The moral theory of Thomas Traherne, with special attention to the pro-formative role of nature in the moral formation of children by Rev. Chad M. Rimmer M.Th., University of Edinburgh, School of Divinity (2010) M.Div., Lutheran Theological Seminary at Gettysburg (2003) B.Sc. (Biology and Chemistry), University of North Carolina at Chapel Hill (1999) Doctor of Philosophy Submitted to New College, School of Divinity in the College of Humanities and Social Sciences of the University of Edinburgh 2014 Thesis Abstract In the mid seventeenth century, Thomas Traherne claimed human beings must retire into creation in order to fully know the virtues, including goodness, peaceableness and care. In this thesis I review Traherne's moral theory in light of recently discovered manuscripts of his work.
    [Show full text]
  • Beauty in the Theological Vision of Thomas Traherne
    Durham E-Theses Divine Allurement: Beauty in the Theological Vision of Thomas Traherne MERRILL, DAVID,LOWELL How to cite: MERRILL, DAVID,LOWELL (2017) Divine Allurement: Beauty in the Theological Vision of Thomas Traherne , Durham theses, Durham University. Available at Durham E-Theses Online: http://etheses.dur.ac.uk/12399/ Use policy The full-text may be used and/or reproduced, and given to third parties in any format or medium, without prior permission or charge, for personal research or study, educational, or not-for-prot purposes provided that: • a full bibliographic reference is made to the original source • a link is made to the metadata record in Durham E-Theses • the full-text is not changed in any way The full-text must not be sold in any format or medium without the formal permission of the copyright holders. Please consult the full Durham E-Theses policy for further details. Academic Support Oce, Durham University, University Oce, Old Elvet, Durham DH1 3HP e-mail: [email protected] Tel: +44 0191 334 6107 http://etheses.dur.ac.uk 2 Divine Allurement Beauty in the Theological Vision of Thomas Traherne By David Merrill Submitted for the Degree of Doctor of Philosophy At the University of Durham Department of Theology and Religion 2017 i Abstract Through an in-depth exploration of his literary theory, doctrine of creation, anthropology and doctrine of sanctification, this thesis examines the essential role that beauty plays in the theological vision of Thomas Traherne. Through an analysis of Traherne’s poetry and prose, Chapter 1 identifies the purposive nature of Traherne’s literary output to be one of allurement.
    [Show full text]
  • The Metaphysical Poets Were Men of Learning and to Show Their Learning Was Their Chief Object
    ENGLISH (HONS.) PART-I PAPER-I ABHAY KUMAR CHAUBEY MP COLLEGE, MOHANIA Q- Write about The Metaphysical School of Poet Or The Revival of Metaphysical Poetry Ans- Metaphysical poetry owes its origin in the Jacobean age. Donne is the founder of the Metaphysical school of poetry, who led the revolt against the conventional poetry of the Spenserians. Donne was the leaving force in the rise of the style and its most consistent and extreme adherent. Metaphysical poetry began in the Jacobean age, in the last of the age of Shakespeare. Donne was the leader and founder of the metaphysical school of poetry. The Metaphysical poets were men of learning and to show their learning was their chief object. In Metaphysical poetry we come across obscure and recondite refrences and the vast learning is twisted in such a manner that it becomes very difficult for a reader to follow what the poet really intends to say. Metaphysical poetry was purely intellectual and made an appeal to the intellectuals. Donne was the great Metaphysical poet who taught his followers to indulge in conceits and witticism in poetry, conceit is an instrument by which a metaphysical poet reveals his wit. Conceit is a literary term which means a strained or far fetched comparison of literary figure. Conceits were also employed by Elizabethan poets and dramatist but those were commonly in the nature of ornamentation. Most of the metaphysical are often called mystical poets. In the poetry of Donne, Herbert, Crashaw, Vaughan and Traherne there is an expression of a communion with God. The Elizabethan style of poetry was clear.
    [Show full text]
  • Merton and Traherne: the Two Thomases
    9 PRESIDENTIAL ADDRESS Merton and Traherne: The Two Thomases CANON A .M . 'DONALD' ALLCHIN N THINKING OF WHAT I WOULD SAY THIS EVENING I HAD A DILEMMA. I I wondered whether to speak in very general terms, Merton and the new millennium; or Merton and the spiritual and theological situation of our Post-Modernist age; or perhaps a little more particularly Merton in relationship, I believe a potentially very fruitful relationship, to the current of theological and spiritual writing which is emerging here in Britain, a current which is sometimes described in terms of generous orthodoxy. That is a current which as far as Anglicans are concerned can be represented above all by the work of two outstanding theologians, one an Irish layman from Dublin, and the other a Welsh archbishop from Swansea; David Ford, Regius Professor at Cambridge and Dr Rowan Williams, Archbishop of Wales, one of our keynote speakers in our conference two years ago. It is perhaps particularly good for the English amongst us to recognise that Anglican and English are not necessarily synonymous! But the more I thought about it the more I decided to avoid generalities, we have had too many of them in the turn of the millennium; and instead to concentrate on a few minute particulars, and in particular on one quite narrow topic, Merton's attitude to and indebtedness to some of the classical Anglican writers of the seventeenth century. No-one could pretend that these classical writers bulk large in Merton's work. Of course he had had some knowledge of the poets of the period from his student days at Columbia when, not unexpectedly, he had been particularly drawn to John Donne and Richard Crashaw.
    [Show full text]
  • “Til We Mix Wounds”: Divine Bodies and the Homoerotics of Christian Devotion in English Renaissance Religious Poetry By: Tony Dinardo
    “Til We Mix Wounds”: Divine Bodies and the Homoerotics of Christian Devotion in English Renaissance Religious Poetry By: Tony DiNardo Research Question: How can the prevalence of homoerotic desire for the divine in Renaissance religious poetry be reconciled with a culture which handles male-male sexuality prohibitively? Introduction: The English Renaissance produced a vigorous outpouring of Christian religious poetry, as both Protestants and Catholics in a nation beset by spiritual turmoil sought to re-evaluate humanity’s relationship with God. Since the advent of queer theory as a major force within Renaissance literary criticism in the 1990s, critics have increasingly noted that the devotional poetry of the period, particularly that of the Metaphysical poets, frequently subjects the body of Christ to a distinctly homoerotic desire, and often discusses communion with Christ in highly sexualized terms. In the last decade, non-heteronormative criticism of the English Renaissance has also expanded to include the works of John Milton, with a similar eros being noted in Milton’s descriptions of angels, their relationships, and Adam’s interactions with the archangel Raphael in Paradise Lost. This creates an apparent contradiction in Renaissance religious ​ ​ thought, in which “a cultural formation whose investment in men’s desire for the male body is pronouncedly phobic and prohibitive” (Richard Rambuss, “Pleasure and Devotion” 243) wars with an open display of erotic desire for masculine, divine bodies. This paper examines a number of works by John Donne, Thomas Traherne, George Herbert, Richard Crashaw, and John Milton in an effort to reconcile this apparent contradiction by decentering a binary of hetero- and homosexual desire in which the former is privileged in favor of a construction of acceptable sexuality that is focused on spiritual motility.
    [Show full text]
  • Prosthetizing the Soul: Reading, Seeing, and Feeling in Seventeenth-Century Devotion
    University of Massachusetts Amherst ScholarWorks@UMass Amherst Doctoral Dissertations Dissertations and Theses July 2016 Prosthetizing the Soul: Reading, Seeing, and Feeling in Seventeenth-Century Devotion Katey E. Roden University of Massachusetts Amherst Follow this and additional works at: https://scholarworks.umass.edu/dissertations_2 Part of the Literature in English, British Isles Commons Recommended Citation Roden, Katey E., "Prosthetizing the Soul: Reading, Seeing, and Feeling in Seventeenth-Century Devotion" (2016). Doctoral Dissertations. 684. https://doi.org/10.7275/8437962.0 https://scholarworks.umass.edu/dissertations_2/684 This Open Access Dissertation is brought to you for free and open access by the Dissertations and Theses at ScholarWorks@UMass Amherst. It has been accepted for inclusion in Doctoral Dissertations by an authorized administrator of ScholarWorks@UMass Amherst. For more information, please contact [email protected]. Prosthetizing the Soul: Reading, Seeing, and Feeling in Seventeenth-Century Devotion A Dissertation Presented by KATEY E. RODEN Submitted to the Graduate School of the University of Massachusetts Amherst in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY May 2016 English © Copyright by Katey E. Roden 2016 All Rights Reserved Prosthetizing the Soul: Reading, Seeing, and Feeling in Seventeenth-Century Devotion A Dissertation Presented by KATEY E. RODEN Approved as to style and content by: ______________________________________ Joseph L. Black, Co-Chair ______________________________________ Jane Hwang Degenhardt, Co-Chair ______________________________________ Brian Ogilvie, Member ___________________________________ Jenny Spencer, Department Chair English DEDICATION To Mike This has been your journey as much as mine. Words fail to capture the depth of my gratitude for your patience and steadfast support.
    [Show full text]
  • Transforming Perceptions of Mysticism in the Early Modern Period. (2016) Directed by Dr
    FOWLER, KATHLEEN D., Ph.D. The Anatomy of Joy: Transforming Perceptions of Mysticism in the Early Modern Period. (2016) Directed by Dr. Christopher Hodgkins. 317 pp. In Early Modern England, Christian mysticism was often associated with religious “enthusiasm” and was, therefore, discouraged by the Church of England. Those with a temperament which drew them to this intuitive and affective approach to spirituality often found themselves misunderstood and persecuted. Accusations against them ranged from heresy and superstition to perversion and madness. Despite this climate of fear and suspicion, mysticism did not die out. Protestants, as well as Catholics, still claimed to experience mystical phenomena and strove to understand the source and meaning of these experiences. Because of the lack of an over- arching tradition of mystical teachings in the Church of England, Protestant mystics developed their own individuated explanations and interpretations of these phenomena. Examining the lives of individual mystics in their historical contexts and through the lens of their own writings provides a way to analyze how contemporary pressures from religion, politics, epistemology, and science affected their approaches to understanding their experiences. This study examines the lives and writings of a variety of Early Modern English mystics. After the initial review of the literature and methods in Chapters 1 and 2, Chapter 3 focuses on the mystagogical texts of the recusants Benet of Canfield and Augustine Baker, examining how their Protestant education and their law training influenced the writing of these vernacular manuals and the effects of the popularity of these works. Chapter 4 examines ecstatic imagery in the poetry of Robert Southwell and Richard Crashaw.
    [Show full text]
  • A Theopoetic Reflection on Thomas Traherne, Meister Eckhart and Mother Julian of Norwich
    A theopoetic reflection on Thomas Traherne, Meister Eckhart and Mother Julian of Norwich by James Arthur Charlton BA (University of Tasmania) B. Soc. Admin. (Flinders University of South Australia) MA (University of Cambridge) A thesis submitted in fulfilment of the requirements for the Degree of Doctor of Philosophy to the School of Philosophy of the University of Tasmania Hobart Tasmania Australia © James Charlton April 2011 Declaration of Originality This thesis contains no material which has been accepted for a degree or diploma by the University or any other institution, except by way of background information and duly acknowledged in the thesis, and to the best of the my knowledge and belief no material previously published or written by another person except where due acknowledgement is made in the text of the thesis, nor does the thesis contain any material that infringes copyright. Authority of Access This thesis is not to be made available for loan or copying for two years following the date this statement was signed. Following that time the thesis may be made available for loan and limited copying in accordance with the Copyright Act 1968. signed: dated: ii Acknowledgements Professor Wayne Hudson‘s multifarious assistance has been indispensable; I am also indebted to Dr. Lucy Tatman and to Dr. Anna Alomes for vital criticisms and suggestions. Thanks is also extended to Dr. Antony Bellette for sharing his expertise on Traherne and for allowing unrestrained access to a private collection of manuscripts and books. iii Abstract A theopoetic reflection on Thomas Traherne, Meister Eckhart and Mother Julian of Norwich This study provides a poet‘s readings of the non-dualism of Thomas Traherne, Meister Eckhart and Mother Julian of Norwich.
    [Show full text]
  • Thomas Traherne and Gender Jean E. Graham the College of New
    ‘High Delights that satisfy all Appetites’: Thomas Traherne and Gender Jean E. Graham The College of New Jersey [email protected] The poetry of Thomas Traherne (written sometime before his death in 1674) has often seemed purely and innocently devotional in comparison with that of George Herbert, John Donne, or Richard Crashaw, poets whose religious work, at least occasionally, is sexually explicit. ‘Until recently’, Denise Inge comments in her work on Traherne’s prose, Wanting Like a God (2009), ‘there has been so little sex in Traherne that, although some scholars have noted sensuous imagery of feasting and treasure, discussing desire in terms of sexuality has not been an issue for Traherne scholars’.1 The poem ‘Love’ is a notable exception, expressing erotic pleasure in a relationship between a human speaker who is figured both as a ‘boy’ and as a ‘bride’ and a masculine deity who possesses that speaker’s womb and brings forth fruit from it. The few scholars who mention the sexual references in ‘Love’ include Inge; Richard Rambuss in Closet Devotions (1998), his exploration of the complex sexuality of metaphysical poetry; and Randolph Trumbach, who in a 2012 article on the history of sodomy mentions Traherne’s use of the Ganymede myth.2 Yet although it was twenty years ago that Rambuss complained of ‘the ways in which the 1 Denise Inge, Wanting Like a God: Desire and Freedom in Thomas Traherne (London: SCM Press, 2009), p. 31. Cf. Gary Kuchar, ‘Traherne’s Specters: Self-Consciousness and Its Others’, in Re-Reading Thomas Traherne: A Collection of New Critical Essays, ed.
    [Show full text]
  • Thomas Traherne a Study of the Philosophy of His Poems and Centuries of Meditations
    Loyola University Chicago Loyola eCommons Master's Theses Theses and Dissertations 1939 Thomas Traherne a Study of the Philosophy of His Poems and Centuries of Meditations Mary Gregory Perkins Loyola University Chicago Follow this and additional works at: https://ecommons.luc.edu/luc_theses Part of the English Language and Literature Commons Recommended Citation Perkins, Mary Gregory, "Thomas Traherne a Study of the Philosophy of His Poems and Centuries of Meditations" (1939). Master's Theses. 316. https://ecommons.luc.edu/luc_theses/316 This Thesis is brought to you for free and open access by the Theses and Dissertations at Loyola eCommons. It has been accepted for inclusion in Master's Theses by an authorized administrator of Loyola eCommons. For more information, please contact [email protected]. This work is licensed under a Creative Commons Attribution-Noncommercial-No Derivative Works 3.0 License. Copyright © 1939 Mary Gregory Perkins Thomas Traherne: A Study of the Philosophy of His Poems ~ Centuries of Meditations by Sister Mary Gregory Perkins, O.S.F., A.B. A Thesis Submitted to the Faculty of the Graduate School of Loyola University in Partial Fulfillment ot the Requirements tor the Degree ot Ma'ster ot Arts Loyola University Chicago, Illinois April, 1939 To Mother M. Stanislaus in appreciation Table of Contents Page Introduction 1 Statement of the purpose of thesis An account of Traherne 1 s life Body Chapter I 13 Platonism: Its Influence on the Thought of Thomas Traherne His debt to the Cambridge Platonists Chapter II 32 Originality of Traherne 1 s Treatment of the Theory of Childhood Innocence Teaching on Nature and Human Body Chapter III .
    [Show full text]
  • Appendix 1 Hermetic Philosophy
    Appendix 1 Hermetic Philosophy Hermetic philosophy goes back to earliest times and was known to the ancient Egyptians and the Hebrews. By the mid seven­ teenth century it was complex and incorporated many Eliz­ abethan ideas, such as the 'chain of being' and the relation of man to the universe as 'microcosm' and 'macrocosm'. It stressed the unity of the cosmos and the interdependence of all its parts. Hermeticism was linked to Christian doctrine by positing the divine essence inherent in all Creation. The divine part of man is his soul, but other living creatures are also endowed with a divine spark that keeps them in harmony or sympathy with God. Nor is this touch of the divine essence confined to animate beings. All things strive to be at one with God. This belief lies behind such lines by Vaughan as the following Waters that fall Chide, and fly up; Mists of corruptest fome Quit their first beds & mount; trees, herbs, flowres, all Strive upwards stil; ('The Tempest', 11.25-8) and: So hills and valleys into singing break, And though poor stones have neither speech nor tongue, While active winds and streams both run and speak, Yet stones are deep in admiration. ('The Bird' 11.13-16) 172 HERMETIC PffiLOSOPHY 173 Vaughan practised medicine on hermetic principles and trans­ lated a treatise on the subject written by Henry Nollius and first published in 1613: Hermetical Physick: or, The right way to preserve, and to restore Health. Vaughan's translation was pub­ lished in 1655, the same year as the second part of Silex Scintillans.
    [Show full text]
  • A Pre-Concert Talk on Thomas Traherne and Gerald Finzi Given By
    ‘Inexpressibly rare’, a pre-concert talk on Thomas Traherne and Gerald Finzi given by Richard Willmott, Chairman of the Traherne Association, in memory of Denise Inge at the Three Choirs Festival before a performance of Dies Natalis by Ed Lyon and the Philharmonia Orchestra conducted by Peter Nardone on 29 July 2017 Bishop John, Ladies and Gentlemen, I want to start this evening by acknowledging a debt that is both a personal one and one owed by all who love Traherne. And that debt is to Denise Inge, whose familiarity with Traherne’s more recently discovered manuscripts enabled her to lead the way in widening our understanding of a poet and theologian that we came to realise was far from being the simple, pre-romantic poet of happiness that Gladys Wade, Traherne’s first biographer, created, but instead a serious scholar whose intellectual curiosity prompted an interest in science and philosophy, and a theologian who believed in the intensity of God’s desire for us, but also in the horror of the sin that rejected that love. This new understanding Denise shared with a wide audience through her anthologies of Traherne’s prose and poetry, especially the second one, Happiness and Holiness, with its perceptive introductions to different themes. If these anthologies smoothed the path towards a much broader understanding of Traherne, her substantial monograph, Wanting Like a God, offered the first book-length study to follow the discovery of so many more of Traherne’s works in the latter part of the twentieth century. The debt is indeed a great one.
    [Show full text]