DOCSLIB.ORG

2015 Catalog of Publications and Dvds

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
2015 Catalog of Publications and Dvds PO Box 1342, Woodstock, NY 12498 / 845-679-8111 [email protected] / www.woodstockarts.com 2015 Catalog of Publications and DVDs Contents Page Featured Title……………………………...……………...2 Additional Publications………………..………………….4 DVDs...………………………...…………………………..9 Knowledge Cards………………………………………..12 Order Form…………………………………...…………..13 Books, DVDs and knowledge cards about the arts, artists and environment of Woodstock, NY This catalog includes works published by Byrdcliffe at Woodstock, by WoodstockArts, by the Woodstock Artists Association and Museum (WAAM) and by Bushwhack Books. It also features films by David Becker, by Tobe Carey of Willow Mixed Media and by Cambiz Khosravi of Woodstock Heritage Productions. WoodstockArts is a publishing, production and marketing company based in Woodstock, NY. As a publisher it specializes in quality regional art books. Joseph P. Eckhardt’s Living Large: Wilna Hervey and Nan Mason Publication Date: June 1, 2015 A rollicking dual biography that captures, through “deft and engrossing storytelling”: The adventures and enduring love affair of the two “Big Girls” of Woodstock, NY (also Carmel, CA and Anna Maria Island, FL) The tale of Wilna Hervey as the Toonerville Trolley’s Powerful Katrinka, silent comedy film star The artistic endeavors of Hervey and Mason, along with those of their peers, including Frank Capra, Edward Weston, Eugene Speicher, Juliana Force, Henry Lee McFee, William Pachner, Advance Praise for Living Large: Ray Murray, President, TLA Entertainment Group; founder and artistic director, Philadelphia QFest; and author of Images in the Dark: An Encyclopedia of Gay and Lesbian Film and Video, has this to say about the forthcoming title: “Living Large is a fascinating and revealing biography of two remarkable women—silent film actress and visual artist Wilna Hervey and her lifelong partner, fellow artist Nan Mason. Through deft and engrossing storytelling, Joseph Eckhardt explores the exceptional lives of these two independent women who were boldly defiant of societal restrictions. As a result of his meticulous research, the couple’s professional and personal stories unfold in vivid detail. The colorful tale is accompanied by a treasure trove of family photos, stills from several of Hervey’s films and images of the couple’s strik- ing art work. This is an uplifting, memorable and informative story of the lives, loves and careers of two incomparable women.” Robert S. Birchard, author of Cecil B. DeMille’s Hollywood and editor of the AFI Catalog of Feature Films, adds, “At one time or another every biographer has heard those dreaded words, “But I’ve never heard of that person.” Well, isn’t that the point? Wilna Hervey and Nan Mason led lives that mattered. Their story is a fascinating one. They brought joy to artists, art collectors and film fans. Living Large is a consummate example of the biographer’s craft. In these pages Joseph Eckhardt conveys vivid por- traits of the two “big ladies” of Woodstock, and once you meet Nan and Wilna you’ll never forget them. Bravo!” 2 WoodstockArts PO Box 1342 Woodstock, NY 12498 T: 845.679.8111 E: [email protected] W: www.woodstockarts.com BISAC: Biography / LGBT / Art ISBN: 9780967926889 LCCN: 2014954153 CIP: Data appear on the copyright page of the book List Price: $39.50 Page Count: 200; 79 color illusrations and 101 black-and-white images Trim Size: 8 x 10 inches Binding: Cloth/hardcover, Smythe-sewn, lay-flat binding Front Matter: Introduction Back Matter: Epilogue, notes, list of illustrations, a Wilna Hervey fimography, sources, acknowledgments and index Social Media: Facebook Distribution: Book Clearing House (Ingram) About the author Joseph P. Eckhardt is an Emeritus Professor of History at Montgomery County Community College in Blue Bell, Penn- sylvania. He taught history and art history from 1968 until his retirement in 2007. Living Large was born of Eckhardt’s inter- est in the silent Toonerville Trolley comedies made at the Betzwood studio in the Philadelphia suburbs. While searching for more information about the Amazonian actress who played “The Powerful Katrinka,” he uncovered an offbeat ro- mantic tale as good as any movie. Eckhardt is the author of The King of the Movies: Film Pioneer, Siegmund Lubin, published in 1997 by Fairleigh Dickinson University Press. He has also published several articles on the early film indus- try both in the US and Europe. Eckhardt’s film research led to the foundation of the Betzwood Film Archive at MCCC and he remains actively involved with the collections. His biography So Bravely and So Well: The Life and Art of William T. Trego, accompanied by an online catalogue raisonné, was pub- lished in 2011 by the James A. Michener Art Museum, and distributed by the University of Pennsyl- vania Press. Eckhardt is currently collaborating with independent TV producer Henry Nevison on a feature-length documentary film about Siegmund Lubin. 3 Additional Titles Available from WoodstockArts George Malkine: Perfect Surrealist Behavior Derin Tanyol, with contributions by Fern Malkine-Falvey Georges Malkine (1898–1970) is known to art history for one act alone: he is the only visual artist named in André Breton’s 1924 Manifesto of Surrealism as a founding participant of Surrealism, originally a literary movement. Malkine’s paintings and drawings hung at the inaugural Surrealist exhibitions in Paris from 1925 to 1928 alongside work by Giorgio de Chirico, Max Ernst, André Masson, Joan Miró, and Man Ray. To date we know that at least 220 of Malkine’s works are in American and European collec- tions. This publication is the first in English on Malkine. The page count is 224 and the trim size is 9 by 7¾ inches. The book is full color and there are 143 illustrations. Published by the Woodstock Artists Association and Museum in 2014. $35.00. Bolton Brown: Strength and Solitude Bolton Brown (1863–1936) co-founded the Byrdcliffe Art Colony in 1902 with Hervey White and Ralph Radcliffe Whitehead. In addition, he was an expert mountaineer and a master lithographer. Over the years he worked closely with George Bellows, Rockwell Kent and John Sloan. This 60-page catalog contains selections from his prints, original drawings and rare oil paintings. The trim size is 10.75 by 8.5 inches and the book includes 30 illustrations. Published by Byrdcliffe at Woodstock in 2014. $20.00. Rediscovering Wendell Jones Wendell Jones (1899—1956) was a prominent figure in the Woodstock art colony of the 1930s, 40s and 50s. He had a brief but accomplished career that was cut short by his death at the age of 56. His work was particularly admired by Philip Guston, among his artist peers. This catalog has a foreword by Josephine Bloodgood, Executive Director and Curator of the Permanent Collection, Woodstock Artists Association and Museum (WAAM), and an essay and comprehensive chronol- ogy by Peter R. Jones, Professor Emeritus of Art at Louisiana Tech University and the artist’s son. This publication accompa- nies the first major retrospective of the artist’s work since 1958 (June 14 to October 5, 2014). The page count is 60 and the trim size is 9.5 by 10 inches. 2014. $17.50. 4 Additional Titles Available from WoodstockArts Embracing the New: Modernism’s Impact on Woodstock Artists WAAM show curator and essayist Josephine Bloodgood dis- cusses the Armory Show of February 15 to March 15, 1913, and explores its impact on established Woodstock artists such as George Bellows, Eugene Speicher and John F. Carlson, and on emerging ones like Konrad Cramer, Henry Lee McFee, Andrew Dasburg, Charles Rosen and Yasuo Kuniyoshi, among others. The softcover catalog is 92 pages and features 49 color and 25 black-and-white images of representative artist works and photos of the artists. Trim size is 8.5 by 10 inches. Published by Woodstock Artists Association and Museum in 2013. $25.00. Woodstock’s Art Heritage: The Permanent Collection of the Woodstock Artists Association Including an historical survey written by Tom Wolf, Professor of Art History at Bard College, this publication is illustrated with 16 color and 173 black-and-white illustrations. Soft- cover, the page count is 176 and the trim size is 8.5 by 11 inches. 1987 and soon to be out of print. $45.00. George Ault: The Woodstock Years Essay by Eila M. Kokkinen. With 8 color and 17 black-and-white images (a photo each of George and Louise Ault; the rest are paintings and drawings). Softcover, 44 pages, trim size 8 by 10 inches. Includes a chronology of the artist’s life. Also an essay (“George Ault’s Disquieting Vision”) by Susan Lubowsky Talbott, Director, Des Moines Art Center. Published by the Woodstock Artists Association in 2001. $10.00. 5 Additional Titles Available from WoodstockArts The Founders of the Woodstock Artists Association Presents the work of John F. Carlson, Frank Swift Chase, An- drew Dasburg, Carl Eric Lindin and Henry Lee McFee. Essay (“The Lion and the Lamb Living Happily Side by Side”) by Tom Wolf, Professor of Art History, Bard College, Annandale-on-Hudson, NY. With 5 color and 18 black-and-white images (1 photo each of the artists, 3 each of their paintings and 3 period photos of the Wood- stock Artists Association). Softcover, 36 pages, trim size 8.5 by 11 inches. Includes an essay about each of the artists, along with rep- resentative paintings. Published by the Woodstock Artists Asso- ciation in 2000. $15.00. At Woodstock: Kuniyoshi Written by show curator and essayist Josephine Bloodgood, this is the catalog prepared for a 2003 retrospective on the work of Ya- suo Kuniyoshi. It is softcover and includes 10 color and 60 black- and-white images. The page count is 56 and the trim size is 8.5 by 11 inches. Published by the Woodstock Artists Association in 2003.
Load more

Recommended publications
  • The Founders of the Woodstock Artists Association a Portfolio
    The Founders of the Woodstock Artists Association A Portfolio Woodstock Artists Association Gallery, c. 1920s. Courtesy W.A.A. Archives. Photo: Stowall Studio. Carl Eric Lindin (1869-1942), In the Ojai, 1916. Oil on Board, 73/4 x 93/4. From the Collection of the Woodstock Library Association, gift of Judy Lund and Theodore Wassmer. Photo: Benson Caswell. Henry Lee McFee (1886- 1953), Glass Jar with Summer Squash, 1919. Oil on Canvas, 24 x 20. Woodstock Artists Association Permanent Collection, gift of Susan Braun. Photo: John Kleinhans. Andrew Dasburg (1827-1979), Adobe Village, c. 1926. Oil on Canvas, 19 ~ x 23 ~ . Private Collection. Photo: Benson Caswell. John F. Carlson (1875-1945), Autumn in the Hills, 1927. Oil on Canvas, 30 x 60. 'Geenwich Art Gallery, Greenwich, Connecticut. Photo: John Kleinhans. Frank Swift Chase (1886-1958), Catskills at Woodstock, c. 1928. Oil on Canvas, 22 ~ x 28. Morgan Anderson Consulting, N.Y.C. Photo: Benson Caswell. The Founders of the Woodstock Artists Association Tom Wolf The Woodstock Artists Association has been showing the work of artists from the Woodstock area for eighty years. At its inception, many people helped in the work involved: creating a corporation, erecting a building, and develop­ ing an exhibition program. But traditionally five painters are given credit for the actual founding of the organization: John Carlson, Frank Swift Chase, Andrew Dasburg, Carl Eric Lindin, and Henry Lee McFee. The practice of singling out these five from all who participated reflects their extensive activity on behalf of the project, and it descends from the writer Richard Le Gallienne.
    [Show full text]
  • A Lasting Impression
    1 A Lasting Impression An Introduction to Pennsylvania Impressionism James A. Michener Art Museum’s Traveling Trunk James A. Michener Art Museum • 138 South Pine Street • Doylestown, PA 18901 MichenerArtMuseum.org • 215-340-9800 2 A Lasting Impression James A. Michener Art Museum’s Traveling Trunk Table of Contents Lessons Lesson 1: First Impressions pages 3-4 Lesson 2: Improvisational Theater pages 5-6 Lesson 3: Journals and Boxes page 7 Lesson 4: Contemporary Connections pages 8-9 Lesson 5: The Arts and Media pages 10 Lesson 6: Painting Impressions page 11 Lesson 7: Michener Museum Impressions pages 12-13 Lesson 8: Women in the Arts pages 14-15 Lesson 9: Impressionism and the Environment page 16 Lesson 10: Your Last Impression page 17 Appendix 1: Vocabulary pages 18-24 Appendix 2: Standards pages 25-40 Appendix 3: Biographies and Visuals pages 41-102 Appendix 4: Bibliography pages 103-104 James A. Michener Art Museum • 138 South Pine Street • Doylestown, PA 18901 MichenerArtMuseum.org • 215-340-9800 3 A Lasting Impression James A. Michener Art Museum’s Traveling Trunk Lesson 1: First Impressions Social Studies, Studio Art, Language Arts, Art History Connections Objectives: Students will be introduced to the themes and materials in the James A. Michener Art Museum Culture Kit, A Lasting Impression. Students will demonstrate an understanding of the vocabulary presented in the Lasting Impressions Culture Kit Students will become familiar with the distinctive style in Pennsylvania Impressionist paintings, through the works of Lathrop, Redfield, and Sotter Students will use original documentation to learn about the history of Pennsylvania Impressionism Students will understand the importance of Bucks County heritage as it relates to Pennsylvania, American, and French Impressionism Lesson Ideas Explore the Culture Kit Display the contents of the Culture Kit in your classroom or school library.
    [Show full text]
  • The Finding Aid to the Alf Evers Archive
    FINDING AID TO THE ALF EVERS’ ARCHIVE A Account books & Ledgers Ledger, dark brown with leather-bound spine, 13 ¼ x 8 ½”: in front, 15 pp. of minutes in pen & ink of meetings of officers of Oriental Manufacturing Co., Ltd., dating from 8/9/1898 to 9/15/1899, from its incorporation to the company’s sale; in back, 42 pp. in pencil, lists of proverbs; also 2 pages of proverbs in pencil following the minutes Notebook, 7 ½ x 6”, sold by C.W. & R.A. Chipp, Kingston, N.Y.: 20 pp. of charges & payments for goods, 1841-52 (fragile) 20 unbound pages, 6 x 4”, c. 1837, Bastion Place(?), listing of charges, payments by patrons (Jacob Bonesteel, William Britt, Andrew Britt, Nicolas Britt, George Eighmey, William H. Hendricks, Shultis mentioned) Ledger, tan leather- bound, 6 ¾ x 4”, labeled “Kingston Route”, c. 1866: misc. scattered notations Notebook with ledger entries, brown cardboard, 8 x 6 ¼”, missing back cover, names & charges throughout; page 1 has pasted illustration over entries, pp. 6-7 pasted paragraphs & poems, p. 6 from back, pasted prayer; p. 23 from back, pasted poems, pp. 34-35 from back, pasted story, “The Departed,” 1831-c.1842 Notebook, cat. no. 2004.001.0937/2036, 5 1/8 x 3 ¼”, inscr. back of front cover “March 13, 1885, Charles Hoyt’s book”(?) (only a few pages have entries; appear to be personal financial entries) Accounts – Shops & Stores – see file under Glass-making c. 1853 Adams, Arthur G., letter, 1973 Adirondack Mountains Advertisements Alderfer, Doug and Judy Alexander, William, 1726-1783 Altenau, H., see Saugerties, Population History files American Revolution Typescript by AE: list of Woodstock residents who served in armed forces during the Revolution & lived in Woodstock before and after the Revolution Photocopy, “Three Cemeteries of the Wynkoop Family,” N.Y.
    [Show full text]
  • Visit Saugerties
    Catskill Mountain Region JULY 2019 COMPLIMENTARY GUIDE catskillregionguide.com WITH A SPECIAL SECTION: VISIT SAUGERTIES July 2019 • GUIDE 1 2 • www.catskillregionguide.com www.catskillregionguide.com IN THIS ISSUE VOLUME 34, NUMBER 7 July 2019 PUBLISHERS Peter Finn, Chairman, Catskill Mountain Foundation Sarah Finn, President, Catskill Mountain Foundation EDITORIAL DIRECTOR, CATSKILL MOUNTAIN FOUNDATION Sarah Taft ADVERTISING SALES Barbara Cobb Steve Friedman CONTRIBUTING WRITERS Simona David, EA Murphy, Garan Santicola, Jeff Senterman, Laura Taylor, Margaret Donsbach Tomlinson, Robert Tomlinson ADMINISTRATION & FINANCE Candy McKee Justin McGowan & Isabel Cunha On the cover: The Saugerties Lighthouse. Photo courtesy iStock.com/Nancy Kennedy PRINTING Catskill Mountain Printing Services 4 THE ARTS DISTRIBUTION Catskill Mountain Foundation 10 ARTS LEADER: Nancy Barton, Prattsville Arts Center By Robert Tomlinson EDITORIAL DEADLINE FOR NEXT ISSUE: July 10 12 TRI-COUNTY BEAUTY AT THE GILBOA MUSEUM The Catskill Mountain Region Guide is published 12 times a year by the Catskill Mountain Foundation, Inc., Main Street, PO Box By Garan Santicola 924, Hunter, NY 12442. If you have events or programs that you would like to have covered, please send them by e-mail to tafts@ catskillmtn.org. Please be sure to furnish a contact name and in- 16 SPECIAL SECTION: VISIT SAUGERTIES clude your address, telephone, fax, and e-mail information on all correspondence. For editorial and photo submission guidelines send a request via e-mail to [email protected]. The liability of the publisher for any error for which it may be 26 ART IS AT HOME IN THE CATSKILL MOUNTAINS held legally responsible will not exceed the cost of space ordered By Simona David or occupied by the error.
    [Show full text]
  • Encyklopédia Kresťanského Umenia
    Marie Žúborová - Němcová: Encyklopédia kresťanského umenia americká architektúra - pozri chicagská škola, prériová škola, organická architektúra, Queen Anne style v Spojených štátoch, Usonia americká ilustrácia - pozri zlatý vek americkej ilustrácie americká retuš - retuš americká americká ruleta/americké zrnidlo - oceľové ozubené koliesko na zahnutej ose, užívané na zazrnenie plochy kovového štočku; plocha spracovaná do čiarok, pravidelných aj nepravidelných zŕn nedosahuje kvality plochy spracovanej kolískou americká scéna - american scene americké architektky - pozri americkí architekti http://en.wikipedia.org/wiki/Category:American_women_architects americké sklo - secesné výrobky z krištáľového skla od Luisa Comforta Tiffaniho, ktoré silno ovplyvnili európsku sklársku produkciu; vyznačujú sa jemnou farebnou škálou a novými tvarmi americké litografky - pozri americkí litografi http://en.wikipedia.org/wiki/Category:American_women_printmakers A Anne Appleby Dotty Atti Alicia Austin B Peggy Bacon Belle Baranceanu Santa Barraza Jennifer Bartlett Virginia Berresford Camille Billops Isabel Bishop Lee Bontec Kate Borcherding Hilary Brace C Allie máj "AM" Carpenter Mary Cassatt Vija Celminš Irene Chan Amelia R. Coats Susan Crile D Janet Doubí Erickson Dale DeArmond Margaret Dobson E Ronnie Elliott Maria Epes F Frances Foy Juliette mája Fraser Edith Frohock G Wanda Gag Esther Gentle Heslo AMERICKÁ - AMES Strana 1 z 152 Marie Žúborová - Němcová: Encyklopédia kresťanského umenia Charlotte Gilbertson Anne Goldthwaite Blanche Grambs H Ellen Day
    [Show full text]
  • Catalogue of the ... Annual Exhibition
    Established 1846 M. Knoedler & Co. Publishers and Dealers in WORKS OF ART PAINTINGS ENGRAVINGS ETCHINGS, ETC 556 Fifth Avenue New Yorfc Paris London J7 Place Vendome J5 Old Bond Street The One Hundred and Fifteenth Annual Exhibition of the Academy will be open to the public from Sunday, February 8, to Sunday, March 28, 1920, inclusive. ' Sundays, from i to 5 P. M. Week-days, from 9 A. M. to 5 P. M. MAN Y OF THE WORKS IN THIS EXHIBI- TION ARE FOR SALE AT STUDIO PRICES. INFORMATION IN REGARD THERETO MAY BE HAD FROM THE SALES- MAN OR FROM ANY ATTENDANT IN THE GALLERIES OR AT THE OFFICE THERE AREIN THE EXHIBITION 360 PAINTINGS AND 158 EXHIBITS OF SCULP- TURE. 333 ARTISTS ARE REPRESENTED The Schools of The Pennsylvania Academy of the Fine Arts train students in painting, sculpture and Ulustration. The success achieved by the schools is testified to by the number of artists of great reputation who received their training in them. The present instructors are; Hugh H. Breckenridge, Charles Grafly, Henry McCarter, Joseph T. Pearson, Jr., Daniel Garber, Philip L. Hale, Robert Vonnoh, Arthur B. Carles, John F. Harbeson and Charles de Geer, Detailed information in regard to the Schools will gladly be furnished to any one interested in the subject. The second term of the present school year begins February 2, 1920, but students may enter at any time. Summer School at Chester Springs, Chester County, Pennsylvania. THE PENNSYLVANIA academy of the fine arts FOUNDED 1805 CATALOGUE OF THE ll^TH ANNUAL EX- HIBITION, FEBRUARY 8 TO MARCH 28, 1920 SECOND EDITION PHILADtLPHlA 1920 MANAGEMENT OF THE PENNSYLVANIA ACADEMY OF THE FINE ARTS PRESIDENT, JOHN FREDERICK LEWIS.
    [Show full text]
  • KINDRED SPIRITS: George Bellows and Friends in Woodstock
    GALLERY GUIDE KINDRED SPIRITS: George Bellows and Friends in Woodstock June 26 – August 8 August 25 – September 12, 2004 SAMUEL DORSKY MUSEUM OF ART KINDRED SPIRITS: George Bellows and Friends in Woodstock The quest for an idyllic setting where one might pursue one’s creative passions, surrounded by natural beauty and unfettered by the day-to-day distractions of conventional life, emerged as a phenomenon in the United States during the latter part of 19th century and early part of the 20th century. By the mid-1920s it had reached its apex, and significant art colonies existed in Rockport and Provincetown, Massachusetts; Taos, New Mexico; Old Lyme, Connecticut; New Hope, Pennsylvania; and locally in Cragsmoor and Woodstock, New York. The art colony in Woodstock evolved from an experiment championed and funded by the utopian Englishman, Ralph Whitehead. He and “kindred spirits” Hervey White of Chicago and Bolton Brown, a native New Yorker, then teaching art at Stanford University, founded the Byrdcliffe Art Colony on Overlook Mountain in 1902. Byrdcliffe was an arts-and-crafts-based colony designed to foster individual creativity through self-sufficiency. During its brief existence, it was a center for fine furniture-making, ceramics, metalwork, and painting. The community attracted creative people who traveled to Woodstock from locations near and far, and it was indeed Byrdcliffe that served as the magnet. Here the seeds were planted that spawned the enduring Woodstock art colony that survives to this day. Kindred Spirits: George Bellows and his Friends in Woodstock, takes us back to Woodstock in the early 1920s and examines the work of a small circle of friends (in essence a microcosm of the creative life found in the colony).
    [Show full text]
  • READ ME FIRST Here Are Some Tips on How to Best Navigate, find and Read the Articles You Want in This Issue
    READ ME FIRST Here are some tips on how to best navigate, find and read the articles you want in this issue. Down the side of your screen you will see thumbnails of all the pages in this issue. Click on any of the pages and you’ll see a full-size enlargement of the double page spread. Contents Page The Table of Contents has the links to the opening pages of all the articles in this issue. Click on any of the articles listed on the Contents Page and it will take you directly to the opening spread of that article. Click on the ‘down’ arrow on the bottom right of your screen to see all the following spreads. You can return to the Contents Page by clicking on the link at the bottom of the left hand page of each spread. Direct links to the websites you want All the websites mentioned in the magazine are linked. Roll over and click any website address and it will take you directly to the gallery’s website. Keep and fi le the issues on your desktop All the issue downloads are labeled with the issue number and current date. Once you have downloaded the issue you’ll be able to keep it and refer back to all the articles. Print out any article or Advertisement Print out any part of the magazine but only in low resolution. Subscriber Security We value your business and understand you have paid money to receive the virtual magazine as part of your subscription. Consequently only you can access the content of any issue.
    [Show full text]
  • Annual Year Dates Theme Painting Acquired Artists Exhbited Curator Location Media Used Misc
    Annual Year Dates Theme Painting acquired Artists Exhbited Curator Location Media Used Misc. Notes 1st 1911 Paintings by French and American Artists Loaned by Robert C Ogden of New York 2nd 1912 (1913 by LS) Paintings by French and American Artists Loaned by Robert C Ogden of New York 3rd 1913 (1914 by LS) 1914/ (1915 from Lake Bennet, Alaska, Louise Jordan 4th Alaskan Landscapes by Leonard Davis Leonard Davis Purchase made possible by the admission fees to 4th annual LS) M1915.1 Smith Fifth Exhbition Oil Paintings at Randolph-Macon Groge Bellows, Louis Betts, Irving E. Couse, Bruce Crane, Frank V. DuMonds, Ben Foster, Daniel Garber, Lillian Woman's College: Paintings by Contemporary Matilde Genth, Edmund Greacen, Haley Lever, Robert Henri, Clara MacChesney, William Ritschel, Walter Elmer March 9- 5th 1916 American Artists, Loaned by the National Art Club Schofield, Henry B. Snell, Gardner Symons, Douglas Folk, Guy C. Wiggins, Frederick J. Waugh, Frederick Ballard Loaned by the National Arts Club of New York from their permanent collection by Life Members. April 8 of New York from Their Permanent Collection by Williams Life Members Exhibition by:Jules Guerin, Childe Hassam, Robert Louise Jordan From catalogue: "Randolph-Macon feels that its annual Exhibition forms a valuable part of the cultural opportunities of college 6th 1917 March 2-28 Jules Guerin, Childe Hassam, Robert Henri, J. Alden Weir Henri, J. Alden Weir Smith life." Juliu Paul Junghanns, Sir Alfred East, Henri Martin, Jacques Emile Blanche, Emond Aman-Jean, Ludwig Dill, Louise Jordan 7th 1918 International Exhbition George Sauter, George Spencer Watson, Charles Cottet, Gaston LaTouche, S.J.
    [Show full text]
  • Saturday Night Live
    return to updates Saturday Night “Jive” by “Kevin” Since its inception in 1975, “SNL” has launched the careers of many of the brightest comedy performers of their generation. As the New York Times noted on the occasion of the show’s Emmy-winning 25th anniversary special in 1999, “in defiance of both time and show business convention, ‘SNL’ is still the most pervasive influence on the art of comedy in contemporary culture” This paper is an attempt to discover the players behind this “pervasive influence”. This is an opinion piece compiled with information readily available from an array of internet sources. In the beginning, there was… (wikipedia) In 1974, NBC Tonight Show host Johnny Carson requested that the weekend broadcasts of “Best of Carson” come to an end. To fill in the gap, the network brought in Dick Ebersol – a protege of legendary ABC Sports president Roone Arledge – to develop a 90-minute late-night variety show. Ebersol’s first order of business was hiring a young Canadian producer named Lorne Michaels. There’s the starting gun. Let the search for red flags begin. (wikipedia) Duncan “Dick” Ebersol (born July 28, 1947) was born in Torrington, Connecticut. The son of Mary (nee) Duncan and Charles Roberts Ebersol, a former chairman of the American Cancer Society. He and Josiah Bunting III are half-brothers. In 1975, Ebersol and Lorne Michaels conceived of and developed Saturday Night Live. Named as Vice President of Late Night Programming at age 28... NBC’s first-ever vice president under the age of 30. Editor: In 1983, Ebersol formed No Sleep Productions, an independent production company that created Emmy Award-winning NBC shows Friday Night Videos and Later with Bob Costas.
    [Show full text]
  • 29383 Bellows Catalogue
    With My Profound Reverence for the Victims GEORGE BELLOWS With My Profound Reverence for the Victims GEORGE BELLOWS August 13 - September 23 2001 SAMUEL DORSKY MUSEUM OF ART STATE UNIVERSITY OF NEW YORK NEW PALTZ Preface A FORTUITOUS CONFLUENCE OF EVENTS T he lithographer’s art dates back to the late 18th earliest lithographs, but it was Bolton Coit Brown, collection of work by artists associated with the historic century with the invention of a printing process by Aloys one of the founders of the Byrdcliffe arts and crafts Woodstock Art Colony, developed at Morgan Anderson Senefelder in 1796, based on the transfer of a drawing colony in Woodstock, New York (1902), and a seminal Consulting in New York City. It was there that I first on stone to paper. Although it was originally developed figure in the history of American lithography, who met Arthur A. Anderson, a passionate and informed as a commercial reproductive process, from its inception, became Bellows’ preferred printer.2 Brown, a master collector whose incisive vision has guided and shaped artists in Europe immediately employed the technique technician and draftsman, dedicated his life as an artist that collection in a pointed and personal way. A center- for expressive and creative purposes. In 1917 a group to using and promoting lithography as an expressive piece of the collection is a comprehensive selection of of artists in the United States founded an organization medium. Together, Bellows and Brown developed a works on paper by George Bellows, including the called the Painter-Gravers of America. The organization unique working relationship and a strong friendship.
    [Show full text]
  • Bolton Brown, Lithographer Bolto B Own, Lithographer
    Syracuse University Art Galleries BOLTON BROWN, LITHOGRAPHER BOLTO B OWN, LITHOGRAPHER April 19-June 20, 1981 Joe and Emily Lowe Art Gallery School of Art College of Visual and Performing Arts Syracuse University Zena Mill The Zena Mill, located about four miles east of Woodstock, was not far from Brown's home. The structure predates 1750 and oper­ ated until the 1940s, first as a saw mill and then as a grist mill. It has since been adapted for use as a private residence and although somewhat altered in appearance it remains picturesque. Brown's Zena Mill has a vibrancy not often seen in his other lithographs. A complex design and sharply contrasting qual­ Syracuseities of light and line provide University an undercurrent Art Galleries of intense energy to this scene of quietude. M.J.P. PREFACE In honor of the 1981 American Print Con­ Nurik, Michele J. Pavone, Sharon A. Robin­ ference, the Joe and Emily Lowe Art Gallery son, Jan-Marie A. Spanard, Lora S. Urbanelli, and the Syracuse University Art Collections and Fine Arts student Kimberly McKenna for are pleased to present the exhibition and their contribution in researching the illus­ catalog entitled Bolton Brown, Lifhogrnpher. trated prints and preparing, the exemplary The lithographs in the exhibition were captions. created and printed by American artist and I also wish to acknowledge the following Syracuse University alumnus Bolton Brown. staff members for their dedicated participa­ Two other works in the show, one by George tion: Leonard Eichler, Preparator; Paula Bucci, Bellows and the other by Troy Kinney, were Office Coordinator; Carol Allen, Graduate printed by Brown.
    [Show full text]