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FINE PAINTINGS Thursday, October 22, 2020 DOYLE.COM FINE PAINTINGS AUCTION Thursday, October 22, 2020 at 10am Eastern EXHIBITION Saturday, October 17, Noon – 5pm Sunday, October 18, Noon – 5pm Monday, October 19, Noon – 5pm Safety protocols will be in place with limited capacity. Please maintain social distance during your visit. LOCATION Doyle Auctioneers & Appraisers 175 East 87th Street New York, NY 10128 212-427-2730 DOYLE.COM Sale Info View Lots and Place Bids Doyle New York 1001 1002 Henri Joseph Harpignies Jules Dupre French, 1819-1916 French, 1811-1889 View to a Watermill Toward Calmer Waters Signed h. harpignies (ll); with the Lorenzo Pellerano Signed Jules Dupre (ll); with various inscribed Collection, Buenos Aires stamp on the reverse numbers and indistinct red wax seal on the reverse Oil on canvas Oil on panel 17 1/2 x 12 inches (44.5 x 30.5 cm) 11 1/4 x 10 5/8 inches (28.5 x 27 cm) $800-1,200 Provenance: Collection of Lorenzo Pellerano, Buenos Aires Sale, Guerrico & Williams, Venta de la Galeria de Cuadros de D. Lorenzo Pellerano, Buenos Aires, Oct. 1933, lot 263 Ambassador Lucio Del Solar, Buenos Aires $2,000-4,000 1003 1004 Frank Dillon Elihu Vedder British, 1823-1909 American, 1836-1923 Arabs at Prayer on the Banks of the Nile, 1898 Landscape by the Sea, 1865 Signed and dated F. Dillon 1898 (lr) Initialed and dated V 1865 (ll) Oil on canvas Oil on canvas 31 1/4 x 53 3/8 inches (79.4 x 135.5 cm) 7 3/4 x 17 1/4 inches (19.6 x 43.8 cm) $1,500-2,500 Provenance: Sale, Sotheby's, London, Sep. 17, 2002, lot 167 Property of a Philadelphia Collector $4,000-7,000 1005 1006 Elihu Vedder Federico Pastoris di Casalrosso American, 1836-1923 Italian, 1837-1884 Woman's Head The Royal Match, 1876 Oil on canvas Signed and dated Pastoris 1876 (lr) 13 x 10 inches (33 x 25.4 cm) Oil on canvas 13 7/8 x 18 7/8 inches (35.3 x 48 cm) Exhibited: New York, Questroyal Fine Art, Inc., Myth and Provenance: Reality: Elihu Vedder and American Painters in Italy, Sale, Hotel Drouot, Paris, The Collection of Alfred May 10-31, 2012 Hartmann, Apr. 15, 1899, lot 68 $1,500-2,500 Sale, Sotheby's Arcade, New York, Oct. 27, 1999, lot 68 Property of a Philadelphia Collector $3,000-5,000 1007 1008 Louise J. Rayner Edwin Lord Weeks British, 1832-1924 American, 1849-1903 Bishop Lloyd's House, Watergate Street, Chester Courtyard in Granada, 1897 Signed Louise Rayner (ll) Signed and dated E. L. WEEKS 97 (lr) Watercolor and gouache with touches of white on Watercolor and pencil on heavy paper paper 17 1/8 x 12 3/4 inches (43.5 x 32.5 cm) 10 1/2 x 4 7/8 inches (26.7 x 12.4 cm) Provenance: Provenance: Sale, Christie's, New York, Jan. 7, 1981, lot 188 The Fine Art Society, London, circa 1965 $2,000-4,000 $1,000-3,000 Sale Date - 10/22/2020 Page 1 Doyle New York 1009 1010 Santiago Rusinol Paul Emile Lecomte Spanish, 1861-1931 French, 1877-1950 In a Sunlit Courtyard Village Market, Spain Signed S. Rusinol (ll) Signed Paul Emile Lecomte (ll) Oil on canvas Oil on canvas 9 3/4 x 12 1/4 inches (24.8 x 31.1 cm) 15 x 18 1/8 inches (38.1 x 46 cm) $4,000-6,000 $800-1,200 1011 1012 Constantin Emile Meunier Leon Jean Basile Perrault Belgian, 1831-1905 French, 1832-1908 Faraway Thoughts The Young Musician, Paris, 1890 Signed C Meunier (lr) Signed and dated L. Perrault 1890 (ll) Oil on panel Oil on canvas 15 7/8 x 12 1/2 inches (40.3 x 31.7 cm) 33 1/8 x 18 7/8 inches (84.1 x 48 cm) $2,000-3,000 $3,000-5,000 1013 1014 Maurice Bompard Attributed to Antoine Bouvard French, 1857-1936 Gondolier on a Venetian Backwater Venice Signed Bouvard (lr) Signed Maurice Bompard (ll) Oil on canvas Oil on panel 19 3/4 x 25 3/4 inches (50.2 x 65.5 cm) 13 3/4 x 10 5/8 inches (35 x 27 cm) $3,000-5,000 $500-700 1015 1016 Edmund Adler Pierre Dumond German, 1876-1965 French, 1884-1936 Guess Who? La Tour Lanterne, Rouen Signed Edmund Adler (lr) Signed Pierre Dumond (ll); indistinctly inscribed La Oil on canvas laid to plaster board Tour... Rouen and M. Piaggi on the top stretcher bar 21 3/4 x 26 3/4 inches (55.3 x 68 cm) Oil on canvas $2,500-3,500 32 x 23 5/8 inches (81.3 x 61 cm) Provenance: Sale, Christie's East, New York, May 30, 1980, lot 602 Exhibited: Paris, Galerie G. Denis, Exposition Retrospective Des Cathedrales et Eglises par Pierre Dumont, Mar. 14 - Apr. 5, 1947 $1,200-1,800 1017 1018 Francois Flameng Gabriel Spat French, 1856-1923 French/American, 1890-1967 Aux Courses At the Races, Auteuil, circa 1947 Signed Francois Flameng (lr) Signed Gabriel Spat (lr) Oil on canvas Gouache on paper (racing program) 21 7/8 x 18 1/8 inches (55.5 x 46 cm) 12 3/4 x 9 15/16 inches (32.4 x 25.3 cm) $400-600 Provenance: Frost & Reed Ltd., London Private collection, acquired from the above Sale, Christie's, New York, Jun. 1, 2001, lot 79 $1,500-2,500 Sale Date - 10/22/2020 Page 2 Doyle New York 1019 1020 Paul Lucien Maze Eugene Galien-Laloue French, 1887-1979 French, 1854-1941 Trooping the Colours Place de la Republique Signed Paul Maze (lr); inscribed 13 on the reverse Signed E. Galien-Laloue (ll) Oil on board Watercolor and gouache on paper 9 7/16 x 16 1/8 inches (24 x 41 cm) 7 5/8 x 12 1/2 inches (19.4 x 31.7 cm) $800-1,200 Provenance: Phillips Gallery, Palm Beach, FL $4,000-6,000 1021 1022 Paul-Michel Dupuy Eduardo Sivori French, 1869-1949 Argentinian, 1847-1918 By the Sea Paisaje Estate stamped on the reverse and on the stretcher Signed with monogramed first initials ESivori (ll) Oil on canvas Oil on board 28 3/4 x 23 1/2 inches (73 x 59.7 cm) 7 7/8 x 10 1/8 inches (20 x 25.7 cm) Provenance: Exhibited: Sale, M. L. Dapsens, Reims, 1989, Atelier Paul- Buenos Aires, Proar Gallery, circa 1966, no. 31 Michel Dupuy $500-800 $1,500-2,500 1023 1024 Jose Cuneo Pernetti Feodor Zakharov Uruguayan, 1887-1977 Russian/American, 1882-1967 Pass Through the Village, 1910 Glittering Sea Signed and dated J. Cuneo 1910 (lr) Signed Feodor Zakharov (lr) Oil on canvas Oil on Masonite 26 3/4 x 29 inches (68 x 73.6 cm) 25 x 42 inches (63.5 x 106.7 cm) $3,000-6,000 $4,000-6,000 1025 1026 Montague Dawson American School British, 1890-1973 19th/20th Century The China Cutter A Coastal Path Signed Montague Dawson (ll); titled on the reverse Faint remnants of an inscription and initialed H on the Gouache on board reverse 16 7/8 x 26 3/4 inches (42.9 x 68 cm) Oil on panel 7 1/4 x 10 inches (18.4 x 25.4 cm) Provenance: $1,200-1,800 Private collection, thence by descent in the family to the present owner $4,000-6,000 Sale Date - 10/22/2020 Page 3 Doyle New York 1027 1028 Frank Weston Benson Jean (McLane) MacLane American, 1862-1951 American, 1878-1964 In the Deep Woods, circa 1919 Portrait of the Brewster Family (Margaret Fitch Signed and indistinctly dated F. W. Benson (lr); Brewster with Her Children, John Brewster and inscribed by the artist and Edmund Tarbell on the Elmina Sewall), 1917 original backing Benny - We like this watercolor/it's Signed and dated M-JEAN McLANE 1917, (lr) not as commercial as your other watercolor efforts of Oil on canvas laid to Masonite birds & the like. Ned Tarbell and Neddy, a gift for 59 x 48 inches (149.9 x 122 cm) you/a noncommercial friend. (But my birds are $5,000-8,000 wonderful/like my ducks, Neddy. Affectionately, Benny Watercolor and gouache on paper laid down on board 21 x 14 3/4 inches (53.3 x 37.5 cm) Provenance: The artist Edmund Tarbell, gift from the artist Pierce Collection Berry-Hill Galleries, New York Exhibited: Philadelphia, PA, Sesqui-Centennial International Exposition,1926 Kennesaw, GA, Kennesaw College, 1974 Jacksonville, FL, The Cummer Gallery of Art, American Paintings from the Bentley-Sellars Collection, Mar. 12-Apr. 27, 1975, no 60, illus. p. 68 of the exhibition catalog New York, Berry Hill Galleries, Inc., Frank W. Benson: A Retrospective, May 17-Jun. 24, 1989, no. 58 $5,000-7,000 1029 1030 Martha Walter William James American, 1875-1976 American, 1882-1961 Pink Cheeks Portrait of a Lady Signed Martha Walter (ll) Signed William James (lr) Oil on canvas Oil on canvas 26 x 21 inches (66 x 53.3 cm) 26 x 21 1/4 inches (66 x 54 cm) Provenance: Provenance: Hammer Galleries, New York Schweitzer Gallery, New York $5,000-7,000 Acquired from the above, private collection, Long Island $800-1,200 1031 1032 Jane Peterson Jane Peterson American, 1876-1965 American, 1876-1965 Hauling in the Nets, Venice Old Palace of the Sultana, Constantinople Gouache and charcoal on light brown paper Signed JANE PETERSON (ll); inscribed as titled 18 x 24 inches (45.7 x 61 cm) along the top verso edge $1,500-2,500 Gouache and charcoal on light gray paper 17 7/8 x 24 inches (45.4 x 61 cm) $6,000-8,000 1033 1034 Jane Peterson Jane Peterson American, 1876-1965 American, 1876-1965 A Gathering in Constantinople Cattleyas Gouache and charcoal on light gray paper Signed JANE PETERSON (ll) 24 x 17 7/8 inches (61 x 45.4 cm) Oil on canvas $4,000-6,000 30 x 25 inches (76.2 x 63.5 cm) Provenance: The Marbella Gallery, New York, acquired Dec.
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  • The Engagement of Carel Fabritius's Goldfinch of 1654 with the Dutch

    The Engagement of Carel Fabritius's Goldfinch of 1654 with the Dutch

    Journal of Historians of Netherlandish Art Volume 8, Issue 1 (Winter 2016) The Engagement of Carel Fabritius’s Goldfinch of 1654 with the Dutch Window, a Significant Site of Neighborhood Social Exchange Linda Stone-Ferrier [email protected] Recommended Citation: Linda Stone-Ferrier, “The Engagement of Carel Fabritius’ Goldfinch of 1654 with the Dutch Window, a Significant Site of Neighborhood Social Exchange,” JHNA 8:1 (Winter 2016), DOI: 10.5092/jhna.2016.8.1.5 Available at http://www.jhna.org/index.php/vol-8-1-2016/325-stone-ferrier Published by Historians of Netherlandish Art: http://www.hnanews.org/ Terms of Use: http://www.jhna.org/index.php/terms-of-use Notes: This PDF is provided for reference purposes only and may not contain all the functionality or features of the original, online publication. This PDF provides paragraph numbers as well as page numbers for citation purposes. ISSN: 1949-9833 JHNA 7:2 (Summer 2015) 1 THE ENGAGEMENT OF CAREL FABRITIUS’S GOLDFINCH OF 1654 WITH THE DUTCH WINDOW, A SIGNIFICANT SITE OF NEIGHBORHOOD SOCIAL EXCHANGE Linda Stone-Ferrier This article posits that Carel Fabritius’s illusionistic painting The Goldfinch, 1654, cleverly traded on the experience of a passerby standing on an actual neighborhood street before a household window. In daily discourse, the window func- tioned as a significant site of neighborhood social exchange and social control, which official neighborhood regulations mandated. I suggest that Fabritius’s panel engaged the window’s prominent role in two possible ways. First, the trompe l’oeil painting may have been affixed to the inner jamb of an actual street-side window, where goldfinches frequently perched in both paintings and in contemporary households.