181-Hintergründe

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Apache Hintergründe von S. Radic "The Shadows" waren eine britische Instrumental-Rockband, die nahezu 50 Jahre lang aktiv war und vor allem in den 1960ern Erfolge zu verzeichnen hatte. Der Solo- Gitarrist, Hank Marvin, kreierte einen ihm eigenen Sound mit der Fendergitarre des Modells "Stratocaster", welcher heute zum Standard-Bestand aller Orgeln und Key- boards fungiert. Die Bandgeschichte. 1958 wurde die Band in London unter dem Namen The Drifters als Begleitband für Cliff Richard gegründet. Aufgrund der Klange einer amerikanischen Band gleichen In den frühen 1970ern hatten die führenden Köpfe Namens nannten sie sich bald in The Shadows der Shadows ein zweites Bandprojekt unter dem um. Namen Marvin, Welch & Farrar, das später auf Bandmitglieder waren Hank Marvin (Solo-Gitarre), Marvin & Farrar schrumpfte. Bruce Welch (Rhythmus-Gitarre), Jet Harris (Bass- Gitarre) und Tony Meehan (Schlagzeug). Anfang 1990 verließ Marvin die Shadows. 2004 gab es der 1960er machten Harris und Meehan als Duo eine Farewell Tour und eine neue Aufnahme Life weiter und es übernahm Brian Bennett das Story, die zusammen mit den alten Erfolgstiteln Schlagzeug und am Bass spielten nacheinander auf den Markt gebracht wurde. Brian “Liquorice” Locking und John Rostill. Hier einige der bekanntesten Shadows-Titel, In den 1960ern spielten sie sowohl mit Cliff Richard welche sich ganz oben in den Charts platzieren als auch solo. 1960 hatten sie mit Apache einen konnten: Superhit, dem vier weitere Nummer-1-Hits folgten. • 1968 verließ Welch die Gruppe, die ohne ihn in 1960 Apache (#1) • Japan auf Tournee ging. 1960 Man Of Mystery • 1961 FBI • 1970 gab es eine Wiedervereinigung. Für Rostill, 1961 Kon Tiki (#1) • der unerwartet starb, kam der Australier John 1962 Guitar Tango • Farrar (Gitarre, Bass, Gesang) in die Band. 1975 1963 Foot Tapper (#1) • nahmen sie mit Let Me Be The One am Eurovision 1963 Atlantis • Song Contest teil und wurden Zweite hinter Teach 1963 Geronimo In mit Ding-A-Dong..

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The Primary Singles
Ivo Koers Instrumentation On Hank Marvin, Bruce Welch and John Rostill Recordings II: The Primary Singles Hank Marvin March 1969 Single, Columbia DB 8552 Mono A: Goodnight Dick / B: Wahine First stereo issue of both sides: November 1987 LP, See For Miles SEE 210 Stereo Would You Believe It...Plus! Title: Goodnight Dick Duration: 2:47 Recording date: February 17th, 1969 Location: Abbey Road Studios, London, England Musician Instrument Position Far left Left of centre Centre Right of centre Far right in stereo image: Hank Marvin Electric lead X guitar Multi-tracked X electric lead guitar Vic Flick or Acoustic X Alan Parker rhythm guitar Herbie Electric bass X Flowers or guitar Dave Richmond Rex Bennett Drums X Norrie Orchestra X X Paramor Title: Wahine Duration: 2:27 Recording date: January 15th, 1969 Location: Abbey Road Studios, London, England Musician Instrument Position Far left Left of centre Centre Right of centre Far right in stereo image: Hank Marvin Electric lead X guitar Vic Flick or Electric X Alan Parker rhythm guitar Herbie Electric bass X Flowers or guitar Dave Richmond Rex Bennett Drums X Maracas X Pete Willsher Pedal-steel X or B. J. Cole guitar Norrie Orchestra X Paramor Hank Marvin June 1969 Single, Columbia DB 8601 Mono A: Sacha / B: Sunday For Seven Days Single remark: For “Sacha”, see under “I: The Primary Albums”, album “Hank Marvin”. Title: Sunday For Seven Days [VA] Duration: 2:29 Recording date: January 15th, 1969 Location: Abbey Road Studios, London, England Musician Instrument Position Far left Left of centre Centre Right of centre Far right in stereo image: Hank Marvin Electric lead X guitar Multi-tracked X electric lead guitar Vic Flick or Acoustic X Alan Parker rhythm guitar Herbie Electric bass X Flowers or guitar Dave Richmond Rex Bennett Drums X Tambourine X Norrie Orchestra X Paramor Remarks: This single version was released in mono only.
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"A" - You're Adorable (The Alphabet Song) 1948 Buddy Kaye Fred Wise Sidney Lippman 1 Piano Solo | Twelfth 12Th Street Rag 1914 Euday L
Box Title Year Lyricist if known Composer if known Creator3 Notes # "A" - You're Adorable (The Alphabet Song) 1948 Buddy Kaye Fred Wise Sidney Lippman 1 piano solo | Twelfth 12th Street Rag 1914 Euday L. Bowman Street Rag 1 3rd Man Theme, The (The Harry Lime piano solo | The Theme) 1949 Anton Karas Third Man 1 A, E, I, O, U: The Dance Step Language Song 1937 Louis Vecchio 1 Aba Daba Honeymoon, The 1914 Arthur Fields Walter Donovan 1 Abide With Me 1901 John Wiegand 1 Abilene 1963 John D. Loudermilk Lester Brown 1 About a Quarter to Nine 1935 Al Dubin Harry Warren 1 About Face 1948 Sam Lerner Gerald Marks 1 Abraham 1931 Bob MacGimsey 1 Abraham 1942 Irving Berlin 1 Abraham, Martin and John 1968 Dick Holler 1 Absence Makes the Heart Grow Fonder (For Somebody Else) 1929 Lewis Harry Warren Young 1 Absent 1927 John W. Metcalf 1 Acabaste! (Bolero-Son) 1944 Al Stewart Anselmo Sacasas Castro Valencia Jose Pafumy 1 Ac-cent-tchu-ate the Positive 1944 Johnny Mercer Harold Arlen 1 Ac-cent-tchu-ate the Positive 1944 Johnny Mercer Harold Arlen 1 Accidents Will Happen 1950 Johnny Burke James Van Huesen 1 According to the Moonlight 1935 Jack Yellen Joseph Meyer Herb Magidson 1 Ace In the Hole, The 1909 James Dempsey George Mitchell 1 Acquaint Now Thyself With Him 1960 Michael Head 1 Acres of Diamonds 1959 Arthur Smith 1 Across the Alley From the Alamo 1947 Joe Greene 1 Across the Blue Aegean Sea 1935 Anna Moody Gena Branscombe 1 Across the Bridge of Dreams 1927 Gus Kahn Joe Burke 1 Across the Wide Missouri (A-Roll A-Roll A-Ree) 1951 Ervin Drake Jimmy Shirl 1 Adele 1913 Paul Herve Jean Briquet Edward Paulton Adolph Philipp 1 Adeste Fideles (Portuguese Hymn) 1901 Jas.
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'Talk of the Town', And, Later in the Year, in Cabaret Wi
1966 The group appeared with Cliff for a six-week spell at London’s ‘Talk Of The Town’, and, later in the year, in cabaret without Cliff at Bournemouth and South Shields. But they were with him for three further major projects, the films ‘Finders Keepers’ and (as puppets) ‘Thunderbirds Are Go’; and also (in the flesh) the pantomime ‘Cinderella’ which opened at the London Palladium on 10 December 1966. For all three, the first two especially, they penned a number of finely crafted vocal and instrumental pieces, which resulted in eponymous releases, an LP (which made No.6), an EP (No.6 again), and another LP put out in January 1967 (a mere No.30 for Cinderella , a very uneven set, the first Cliff Album not to make the Top 20). The high points for Cliff and The Shadows in the Singles department were the outstanding ‘Time Drags By’ (No.10) and ‘In The Country’ (yet another No.6), both group compositions. The Shadows fared less well with their own Singles, the first and third of which were vocals: [138] I MET A GIRL (No.22), [154] A PLACE IN THE SUN (No.24), [156] THE DREAMS I DREAM (No.42). [138] I MET A GIRL was eminently hummable, if not in the league of “a Rubber Soul outtake”, to which one reviewer likened it; nobody appears to have stopped to reflect that the elegant [154] A PLACE IN THE SUN, released in July, might have been wholly out of line with current market trends, as a glance at the Top 20 for the beginning of August, say, will reveal; as it happened though, Hank Marvin’s [156] THE DREAMS I DREAM, the most commercial-sounding by far and a composition that compares favourably with his later favourite [203] THE DAY I MET MARIE, was the one that gave them their lowest chart placing to date; it would be recorded by Cliff Richard without The Shadows on the 1968 Album Established 1958 .
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Rockstar.Pdf
Olivia Newton-John text Ann Morse illustrations John Keely design concept Mark Landkamer 2 Library of Congress Cataloging in Publication Data Morse, Ann. Olivia Newton-John 1. Newton-John, Olivia - Juvenile literature I. Keely, John. II.Title ML3930.N495M6 784’.092’4(B) 75-25849 ISBN 0-87191-475-1 3 Compiler’s note This is a close reproduction of a 1976 publication. As such it doesn’t mention many of Olivia’s major successes - starring in Grease and the Physical album both postdate this For current information on Olivia Newton-John’s work see the website http://www.onlyolivia.com 4 It was almost as though the moment were made for her singing a moment pure and simple like the song she was Pure and singing, “I Honestly Love You.” She stood poised and straight in a very green garden. Trees hung in clumps over her head. Simple Her light blue, pleated, chiffon dress cast an almost mystical aura about her. Though everything about her was simple and understated, the moment was charged with energy and release. “But this is pure and simple and you must realize that/It’s comin’ from my heart and not my head.” Without a gesture, Olivia Newton-John pushed her listeners over the edge, onto a plane of pure feeling. Olivia’s part in Paul Williams’ TV special, Listen, That’s Love, was a performance complete in itself; but it was more than that. It was part of a fuller experience Paul Williams offered TV audiences that evening in late spring, 1975. Paul and his guests Olivia, Helen Reddy, Rosalind Kind, and Seals & Crofts communicated a personal concept about the beauty of love a beauty that was tapped perhaps only through musical expression.
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Shadowsnyt 20 - Side 1 Shadowsnyt Er Medlemsblad for Den Danske Shadows Klub
SShhaaddoowwssNNyytt 2200 August 2005 Shadowstræf 2005 i Nyborg For 2. år i træk var det medborgerhuset i Nyborg der lagde lokaler til vores landstræf. Vi havde 3 bands på programmet i år, og der var over 70 fremmødte til træffet, det største antal i den tid jeg har været med. Det var også dejligt at se at der var en del der havde fulgt min opfordring og taget konen med. Det første band på scenen var Swingsters fra Esbjerg, med lead guitar Jens P. Hallum-Olesen, rytme guitar Keld Kring, keybord Finn Weber, trommer Erling Petersen og bas Jan Thykær. Man kan kun sige at de levede til fulde op til de- res navn for det swingede rigtigt godt. Jeg glemte desværre helt at få taget billeder af Swingsters optræden, og min efterlysning efter billeder hos andre deltagere har ikke givet noget resultat des- angående. (derfor må I nøjes med dette billede fra plakaten) Sound Of Shadows Poul Erik Christiansen(Sound Of Shadows) Det er ikke nemt at skulle optræde umiddelbart efter et så godt band som Swingsters, men Sound of Sha- dows , med lead guitar Poul Erik Christiansen, rytme guitar Bent Larsen, trommer Jan Åkesen og bas Kurt An- dersen, gjorde det fabelagtigt godt Derefter var der som sædvanlig en masse dygtige folk oppe og demonstrere deres evner til UB- Hank. I de tilstødende lokaler var ud- stilling af diverse gear og guita- rer, derudover var der salg af CD’er og DVD. ShadowsNyt 20 - Side 1 ShadowsNyt er medlemsblad for Den Danske Shadows Klub. INDHOLDSFORTEGNELSE: Shadowstræf i Nyborg 2005 Side 1-2 Indholdsfortegnelse Side 2 Referat fra generalforsamlingen Side 3-4 Bestyrelsen Side 4 Leder Side 4 The Shadows Final European Tour 2005 Side 5-6 Med Nicolai til koncert Side 7 John Farrar den glemte Shadows Side 7-8 Humøret var i top Min dag med Shadows Side 8 Tragisk dødsfald Side 8-9 Det sidste band Sound of The Shadows med Tre små enkle tips… Side 9 lead guitar Erling Hallstein, rytme guitar Tommy Ovesen, trommer Finn Hansen, bas Keld Jørgen- Kommende arrangementer Side 9-11 sen, sluttede eftermiddagen i bedste Shadowsstil.
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Shadowsnyt Nr 25
SShhaaddoowwssNNyytt 2255 December 2007 Gendannes Cliff & The Shadows i 2008 ? 1 Vi har også fået ny redaktør af vores blad, Velkommen til ShadowsNyt 25 dette er det første nummer under hans hånd. Kære venner…Dette er mit første blad som Vi har også fået afholdt et lokaltræf i Bag- redaktør. Håber at I tager godt i mod det. Har sværd med 2 bands på programmet og god du indlæg til bladet kan du sende dem på: deltagelse, så mon ikke det vil gentages til E-mail: næste år? [email protected] eller til: Sidst men ikke mindst har vi fået mange nye Palle Schou Hansen medlemmer i 2007, velkommen til jer alle- Kløvervej 29 sammen. 4700 Næstved Med alle de ting jeg lige har nævnt vil jeg m.v.h. mene der er rigtig god grobund for en god Redaktør fremtid for klubben, med mange træf med Palle masser af gode musikoplevelser. Det første træf vil være den 30. marts, hvor vi ShadowsNyt er medlemsblad for afholder vores årlige landstræf med general- Den Danske Shadows Klub forsamling, det foregår som sædvanlig i Bor- gerforeningens hus i Nyborg, det vil blive i den store teatersal, hvor der udover musikken INDHOLDSFORTEGNELSE også vil være udstilling af musikinstrumenter mv., husk at tilmelde jer til træffet, jo før jo Side 2: Velkommen til Shadowsnyt bedre. Side 2: Indholdsfortegnelse Side 2: Formanden har ordet Den 6. september afholder vi sammen med Side 3: Generalforsamling & træf Cliff Richard fan klubben ’Stronger’ et arran- Side 7: Bestyrelsen gement i anledning af Cliff & Shadows 50 års Side 8: Hvorfor lyder jeg ikke som Hank jubilæum, som vi kalder ’Cliff & Shadows- Side 10: Gendannes Cliff & Shadows i 2008 Dania 1958-2008’.
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Magic Sing Et19kv Tagalog Version 2600 Songs
Magic Sing Et19kV Tagalog Version 2600 Songs NO TITLE ARTIST COMPOSER 7992 AH DOO DOO DOO WILLIE REVILLAME L. CAMO 7993 BILOG ANG MUNDO MANNY PACQUIAO L. CAMO 7994 BOOM TARAT TARAT WILLIE REVILLAME L. CAMO 7995 CHAMPION SA KANTAHAN MANNY PACQUIAO L. CAMO HEPHEP HOORAY (HAPPY 7996 WILLIE REVILLAME L. CAMO BIRTHDAY) 7997 IKAW AT AKO MANNY PACQUIAO L. CAMO LABAN NATING LAHAT 7998 MANNY PACQUIAO L. CAMO ITO PANALO KA SA PUSO KO 7999 SARAH GERONIMO L. CAMO (EXTREME JINGLE) PARA SA 'YO ANG LABAN 8000 MANNY PACQUIAO L. CAMO NA 'TO 8001 A WHOLE NEW WORLD P. BRYSON & R. BELLE MENKEN/RICE MIKE RENO & ANN 8002 ALMOST PARADISE E. CARMEN/D. PITCHFORD WILSON DIANA ROSS & LIONEL 8003 ENDLESS LOVE L. RICHIE RICHIE 8004 FROM A DISTANCE BETTE MIDLER GOLD, JULIE 8005 HAND IN MY POCKET ALANIS MORISSETTE BALLARD/MORISSETTE 8006 HELLO LIONEL RICHIE L. RICHIE 8007 HERE I AM AIR SUPPLY N. SALLITT 8008 HERO MARIAH CAREY CAREY/AFANASIEFF I JUST CALLED TO SAY I 8009 STEVIE WONDER S. WONDER LOVE YOU I WANNA DANCE WITH 8010 WHITNEY HOUSTON G. MERRILL/S. RUBICAM SOMEBODY 8011 TEARS IN HEAVEN ERIC CLAPTON JENNINGS/CLAPTON TONIGHT I CELEBRATE MY 8012 P. BRYSON & R. FLACK G. GOFFIN/M. MASSER LOVE BAKIT LABIS KITANG 8013 LEA SALONGA A. MALLILLIN MAHAL 8014 BAKIT NGAYON KA LANG OGIE ALCASID O. ALCASID/A.P. DEL ROSARIO 8015 BE MY LADY MARTIN NIEVERA V. SATURNO 8016 FOREVER'S NOT ENOUGH SARAH GERONIMO D. SATURNO/V. SATURNO 8017 HIRAM ZSA ZSA PADILLA G. CANSECO KAHIT MAPUTI NA ANG 8018 SHARON CUNETA R.
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Our Songs Lagu Lagu Kita
our songs lagu lagu kita ..... THE All Rights Reserved, National Library Board, Singapore The Story of The Stylers During the early 60s, The Shadows were one of the most popular instrumental groups among Singapore teenagers. Anyone who was capable enough to pick up a guitar and strum some musical chords would like to emulate themselves as The Shadows. This was also a boom period for local music with The Crescendos leading the charge towards stardom, followed by The Quests and others. Among the thousands of enthusiastic young lads who chased the dream of The Shadows were four teenagers from the East Coast area – Rahman, Frankie Abdullah, Idros and Randy Lee Keng. They teamed up as a basic band with 3 guitarists and a drummer and named themselves as The Angels, managed by Randy’s Uncle. Rahman was on lead guitar, Frankie on bass, Randy on rhythm and Idros on drums. When Rahman left the group in 1962, John Teo was his replacement on lead guitar and when Idros left, Osman replaced him as the group’s drummer. By then the group’s name has changed to The Rhythm Strikers. Most of their early days’ practice sessions were held at Joo Chiat Terrace. While performing at one of the functions organized by The Cathay Organization, the establishment’s manager, a Caucasian, suggested that the group take on another name change to The Stylers, since they were performing with a lot of style, commitment and showmanship on stage. As the group gained more confidence over time with frequent practices and party gigs etc, they decided to participate in the Cliff Richard & The Shadows contest organized by Shaw Organization in late 1962.
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Top Pop Singles 1955-2015
CONTENTS Author’s Note .............................................................................................................................................................. 5 What’s New With This Edition ..................................................................................................................................... 6 Researching Billboard’s Pop Charts ........................................................................................................................... 7 Explanation of Artist And Song Awards .................................................................................................................... 10 User’s Guide ............................................................................................................................................................. 11 THE ARTIST SECTION .................................................................................................................................. 15 An alphabetical listing, by artist, of every song that charted on Billboard’s pop singles charts from 1/1/1955 through 12/26/2015. THE SONG TITLE SECTION .................................................................................................................... 979 An alphabetical listing, by song title, of every song that charted on Billboard’s pop singles charts from 1/1/1955 through 12/26/2015. THE BACK SECTIONS THE TOP ARTISTS: .......................................................................................................................................
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Columbia SEG 8384 Mono EP 47: March 1965 Cliff Richard and The
1965 CR 5: February 1965 • Why Don’t They Understand? , Columbia SEG 8384 Mono EP 47: March 1965 Cliff Richard and The Shadows • Hits From ‘Aladdin And His Wonderful Lamp’ , Columbia SEG 8395 Mono EP 48: March 1965 The Shadows • Themes From ‘Aladdin’, Columbia SEG 8396 Mono CR 6: May 1965 • Look In My Eyes Maria , Columbia SEG 8405 Mono EP 49: May 1965 The Shadows • Dance With The Shadows No. 3, Columbia SEG 8408 Mono CR 7: September 1965 • Angel , Columbia SEG 8444 Mono EP 50: September 1965 The Shadows • Alice In Sunderland, Columbia SEG 8445 Mono EP 51: October 1965 Cliff Richard and (2 tracks of 4) The Shadows • Take Four , Columbia SEG 8450 Mono EP 52: November 1965 The Shadows • The Sound Of The Shadows, Columbia SEG 8459 Mono EP 47 March 1965 Cliff Richard and The Shadows ‘Hits From ‘Aladdin And His Wonderful Lamp’’ Columbia SEG 8395 Mono Havin’ Fun / Evening Comes / Friends / I Could Easily Fall (In Love With You) The first of five Cliff EPs for 1965, but only this and ‘Take Four’ in October, both of which made the charts, and both of which received glowing notices from sleeve writer Derek Johnson, had input from The Shadows 1. I Could Easily Fall had been an A-single in November of the previous year, and would reappear on ‘Aladdin’ in December. Four of the five tracks on which The Shadows backed Cliff on this LP were included here; I’m In Love With You , which had served as the flipside of I Could Easily Fall , was not used.
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Appendix 1 Further Shadows Titles
APPENDIX 1 FURTHER SHADOWS TITLES The main body of this book is concerned with tracks issued between 1959 and 2004 and marketed through regular retail channels on vinyl and/ or compact disc. To provide a fuller picture of the range of music attempted by the group over the years, here is a list of other titles The Shadows are known to have performed on tour/ on stage, together with numbers from radio and TV. It includes vocal renditions of titles put out (whether before or after a given performance) as instrumentals. Indeed, nearly all of this ‘extra’ material is vocal, which by its very nature demands less precision and presumably significantly less in the way of rehearsal time, particularly for the lead guitarist, who can and usually does improvise in the solos assigned to him. Many of the items listed have been made available over the years on bootlegs of variable quality emanating chiefly from Holland, Italy, France and the UK. Sometimes, in an effort to play down the element of illegality, the dissemination of such material is represented as the (harmless, unselfish) activity of dedicated fans passing on privately taped music from one to another. Nonetheless, whether a given number is copied on to a cassette or a CD-R in a domestic setting, or finds its way into the hands of individuals or outfits with access to high-quality CD pressing plants, is in the last resort immaterial, especially as in the latter case, and certainly very commonly if not invariably in the former case too, money changes hands.
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Record-Mirror-1963-1
RecordTHE 'SHADOW' by BRIAN Mirror WHO QUIT BENNETT FULL STORY PAGE SIX Registered at the G.P.O. More No. 140 WEEK -ENDINGNOVEMBER 16, 1963 EVERY THURSDAY PRICE 6d. as a newspaper news about that film AS the Beatles' movie is,potentially,the biggest money -spinning attraction in years, script -writer Alun Owen is working specially closely withhisstars and with their manager, Brian Epstein. Before flying out to join the boys in Ireland, Liverpudlianwrit e r Owen said:"It's most importanttogetto know theBeatles,to findoutexactly what makes them tick. And also to ascertain which things cause those fan- tasticc r o w drecep- tions." The film, a 90 -minute first feature, starts pro- duction in February. It willbe based on the hectic lives led by the Beatles-butithasn't yetbeendecided whether it will be fact or fiction. BUSY TIME Meanwhile, John Len- non and Paul McCart- ney are having an extra - busy time working out possible song ideas for thefilm. Theywill handlethecomplete score - and this could runtoa dozen new compositions. RECORD And the latest The Colourful Beatles Beatlesensation,fol- MIRROR lowing hard on the in -THE Beatles are undoubtedly the big success ofheaped upon John, Paul, George and Ringo as incredible advanceor- 1963. We are very proud of the fact that thefar as the entertainment world goes. This year CHART ders for their new L.P. Record Mirror gave them their first write-up in ahas seen them gar on "Sunday Night At The "With The Beatles" and national record paper. London Palladium", shatter box office records SURVEY thesingle(dueout throughout the country, and take part in that November 29) "I Wan- It is therefore fitting that we choose this topshow of shows the "Royal Variety Performance".
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