Stargate Universe: Season 2 Checklist

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Stargate Universe: Season 2 Checklist Base Cards # Card Title [ ] 01 Intervention [ ] 02 Aftermath [ ] 03 Awakening [ ] 04 Pathogen [ ] 05 Cloverdale [ ] 06 Trial and Error [ ] 07 The Greater Good [ ] 08 Malice [ ] 09 Visitation [ ] 10 Resurgence [ ] 11 Deliverance [ ] 12 Twin Destinies [ ] 13 Alliances [ ] 14 Hope [ ] 15 Seizure [ ] 16 The Hunt [ ] 17 Common Descent [ ] 18 Epilogue [ ] 19 Blockade [ ] 20 Gauntlet Destiny (1 per pack) # Card Title [ ] D1 Destiny / Shuttle [ ] D2 Bridge [ ] D3 Gateroom [ ] D4 Corridor [ ] D5 Control Interface Panel / Overhead Display [ ] D6 Observation Deck / Messhall [ ] D7 Medical Scanner / Air Scrubber [ ] D8 Rush's blackboard / Apple Core [ ] D9 Interface Chair / Defense Turrets Secrets (1 per pack) # Card Title [ ] S1 Murder [ ] S2 Adultery [ ] S3 Infatuation [ ] S4 Deceit [ ] S5 Subterfuge [ ] S6 Subversion [ ] S7 Despair [ ] S8 Forsaken [ ] S9 Hopefulness Autograph Cards (2 per pack) # Card Title [ ] xxx-00 Richard Dean Anderson as General O'Neill (Extremely Limited) [ ] xxx-01 Richard Dean Anderson as General O'Neill (SGU Version)(Extremely Limited) [ ] xxx-02 David Blue as Eli Wallace (Very Limited) [ ] xxx-03 Lou Diamond Phillips as Colonel David Telford (Very Limited) [ ] xxx-04 Brian J. Smith as Matthew Scott (Very Limited) [ ] xxx-05 Elyse Levesque as Chloe Armstrong (Very Limited) [ ] xxx-06 Jamil Walker Smith as Ronald Greer (Very Limited) [ ] xxx-07 Alaina Huffman as Tamara Johansen (Very Limited) [ ] xxx-08 Louis Ferrera as Colonel Everett Young (Very Limited) [ ] xxx-09 Ming-Na as Camille Wray (Very Limited) [ ] xxx-10 Ming-Na as Camille Wray (Very Limited) [ ] xxx-11 Julie McNiven as Ginn (Limited) [ ] xxx-12 Mike Dopud as Varro (Limited) [ ] xxx-13 Glynis Davies as Marian Wallace (Limited) [ ] xxx-14 Ryan Kennedy as Dr. Williams (Limited) [ ] xxx-15 Zak Santiago as Rivers (Limited) [ ] xxx-16 Sarah Mutch as Celina (Limited) [ ] xxx-17 Patrick Gilmore as Dr. Dale Volker (Limited) Promo Cards # Card Title [ ] P1 General Distribution [ ] P2 Philly Non-sport show - Spring 2011.

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Copyright 2013 Shawn Patrick Gilmore
Copyright 2013 Shawn Patrick Gilmore THE INVENTION OF THE GRAPHIC NOVEL: UNDERGROUND COMIX AND CORPORATE AESTHETICS BY SHAWN PATRICK GILMORE DISSERTATION Submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy in English in the Graduate College of the University of Illinois at Urbana-Champaign, 2013 Urbana, Illinois Doctoral Committee: Professor Michael Rothberg, Chair Professor Cary Nelson Associate Professor James Hansen Associate Professor Stephanie Foote ii Abstract This dissertation explores what I term the invention of the graphic novel, or more specifically, the process by which stories told in comics (or graphic narratives) form became longer, more complex, concerned with deeper themes and symbolism, and formally more coherent, ultimately requiring a new publication format, which came to be known as the graphic novel. This format was invented in fits and starts throughout the twentieth century, and I argue throughout this dissertation that only by examining the nuances of the publishing history of twentieth-century comics can we fully understand the process by which the graphic novel emerged. In particular, I show that previous studies of the history of comics tend to focus on one of two broad genealogies: 1) corporate, commercially-oriented, typically superhero-focused comic books, produced by teams of artists; 2) individually-produced, counter-cultural, typically autobiographical underground comix and their subsequent progeny. In this dissertation, I bring these two genealogies together, demonstrating that we can only truly understand the evolution of comics toward the graphic novel format by considering the movement of artists between these two camps and the works that they produced along the way.
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Dragon Con Progress Report 2021 | Published by Dragon Con All Material, Unless Otherwise Noted, Is © 2021 Dragon Con, Inc
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Welcome to worship at Alamo Heights United Sunday Morning Worship Methodist Church. in the Sanctuary Welcome at 8:30, 9:30 & 11:00 a.m. Rev. David McNitzky, Lead Pastor Rev. Donna Strieb, Worship Pastor to Worship I t is our hope that this information will an- In the Christian Life Center Alamo Heights United Methodist Church swer questions about the acts of worship. at 9:30 & 11:00 a.m. As God’s people, we are called to practice Rev. Dinah Shelly, Lead Pastor weekly worship with the community. At the Rev. Darrell Smith heart of worship is adoration of God the Fa- Rev. Ryan Jacobson Rev. Matthew Scott ther, Son and Holy Spirit. Taizé Service First Wednesday of each month at In worship: 6:30 p.m. in the Garden Chapel • we are given words of praise Rev. Donna Strieb, Lead Pastor and gratitude; • we bring the needs of our lives, OUR MISSION: our church and our world before God; to partner with God in bringing • we hear the Story of God, God’s deliver- the kingdom of heaven to earth ance of God’s people, and the great and by making disciples of Jesus Christ unending love that God has for all the world; OUR VALUES: (STARS) Sonship, Text, Action, Relationship & Spirit • we remember who we are, God’s beloved sons and daughters; • we speak the text that guides our lives and hear it proclaimed; • we hear that our actions help bring in the Kingdom; • we remember that we are called to rela- tionship with God, with each other and with our neighbor; • we remember that Holy Spirit continually leads, guides and surrounds us.
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Street Art Gets Buckwild in Venice
July 14-27, 2010 \ Volume 20 \ Issue 27 \ Always Free Film | Music | Culture Street Art Gets Buckwild in Venice ©2010 CAMPUS CIRCLE • (323) 939-8477 • 5042 WILSHIRE BLVD., #600 LOS ANGELES, CA 90036 • WWW.CAMPUSCIRCLE.COM • ONE FREE COPY PER PERSON Join CAMPUS CIRCLE www.campuscircle.com CALLING ALL INTERNS Are you looking to break into… Journalism? Photography? Advertising & Marketing? CAMPUS CIRCLE is seeking a few enthusiastic, creative journalists, photographers and aspiring sales people to join our team. Intern Perks Include: Free Movie Screenings, Free Music and an opportunity to explore L.A. like never before! Take the next step in your career: [email protected] 2 Campus Circle 7.14.10 - 7.27.10 YOUNG FRANKENSTEIN • PANTAGES • 4.870” X 5.900” CAMPUS CIRCLE • PUB DATE: 7.25.2010 Join CAMPUS CIRCLE www.campuscircle.com campus circle INSIDE campus CIRCLE July 14 - July 27, 2010 Vol. 20 Issue 27 Editor-in-Chief 8 Jessica Koslow [email protected] Managing Editor Yuri Shimoda 6 16 [email protected] 04 FILM ROSENCRANTZ AND Film Editor GUILDENSTERN ARE UNDEAD Jessica Koslow Dark comedy sinks its teeth into the [email protected] vampire genre. Cover Designer 04 FILM SCREEN SHOTS Sean Michael 06 FILM INCEPTION Editorial Interns Christopher Nolan directs Leonardo Lynda Correa, Christine Hernandez, DiCaprio in this enigmatic thriller. Arit John, Marvin Vasquez 06 FILM DVD DISH 08 FILM THE SORCERER’S APPRENTICE Contributing Writers Jay Baruchel makes magic with Christopher Agutos, Geoffrey Altrocchi, Hollywood powerhouses. Jonathan Bautts, Scott Bedno, Scott Bell, Zach Bourque, Erica Carter, Richard Castañeda, 08 FILM PROJECTIONS Joshua Chilton, Cesar Cruz, Nick Day, Natasha Desianto, Rebecca Elias, Denise Guerra, James 09 FILM MOVIE REVIEWS Famera, Mari Fong, Stephanie Forshee, A.J.
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Copyright © 2012 Matthew Scott Wireman All Rights Reserved. the Southern Baptist Theological Seminary Has Permission to Reprodu
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Caveat Lector
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Autobiography of Matthew Scott, Jumbo's Keeper ... : Also Jumbo's
}tm v.> (IL^o^.fcj^ J '5. r & 3 Digitized by the Internet Archive in 2013 http://archive.org/details/autobiographyofmOOscot ) MEDAL PRESENTED BY THE ZOOLOGICAL SOCIETY OF LON- DON "TO MATTHEW SCOTT, FOR HIS SUCCESS IX BREED- ING FOREIGN ANIMALS IN THE SOCIETY'S GARDENS, 1866." {Side representing Kingdom of Beasts. representing Kingdom of Birds.) AUTOBIOGRAPHY MATTHEW SCOTT JUMBOS KEEPER FORMERLY OF THE ZOOLOGICAL SOCIETY'S GABDENS, LONDON, AND RECEIVER OF SIR EDWIN LANDSEER MEDAL IN 1866 ALSO JUMBO'S BIOGRAPHY By the Same Author BRIDGEPORT, CONN. TROWS PRINTING AND BOOKBINDING CO., NEW YORK 1885 Q,Un< COPYRIGHT, 1885, BY MATTHEW SCOTT AND THOMAS E. LOWE Bridgeport, Conn. DEDICATION. I take great pleasure in dedicating this book, containing my autobiography and the biography of Junibo, to the people of the United States of America and Great Britain. I have travelled through the United States, North, East, South, and West, and have received in my travels the greatest kindness. If " Jumbo " could but speak, I know he would endorse what I say here. I have had the same experience in Great Britain, and the spirit of gratitude impels me to acknowledge my appreciation of the good will of the people of both countries, b DEDICATION. by dedicating my humble efforts to them, hoping that this attempt may be received with the same kindness that has been always extended to me in person. Respectfully, Matthew Scott. Bridgeport, Conn., January 14, 1885. MY AUTOBIOGRAPHY. CHAPTER I MY BIRTH-PLACE AND START IN LIFE. I purpose giving to the world, for the benefit of my fellow-men, my humble and truthful history.
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Stargate Universe
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Copyright by Matthew Scott Archer 2004
Copyright by Matthew Scott Archer 2004 The Dissertation Committee for Matthew Scott Archer certifies that this is the approved version of the following dissertation: Living the Master Plan Committee: ____________________________ Kathleen Stewart, Supervisor ____________________________ Pauline Strong ____________________________ John Hartigan ____________________________ Kamran Ali ____________________________ Ronald Greene Living the Master Plan by Matthew Scott Archer, M.A., B.A. Dissertation Presented to the Faculty of the Graduate School of the University of Texas at Austin in partial fulfillment of the requirements for the Degree of Doctor of Philosophy University of Texas at Austin May 2004 Living the Master Plan Publication No.________ Matthew Scott Archer, Ph.D. The University of Texas at Austin, 2004 Supervisor: Kathleen Stewart I think of Living the Master Plan as an experimental ethnography. It might be better to say, in the words of Deleuze and Guattari, that it is a cartography. Whichever you prefer to call it, it is certainly an attempt to write critically about contemporary trends in American culture. I use multiple sites and subjects, including myself, to chart out the lines and machines which give shape to our lives. My map will take us into emerging forms of belonging, where community and corporatism converge and capitalist modes of valorization become our ethical foundation. Besides simply describing these emerging entities, I hope to provide a new context in which to evaluate them. Homeowners’ Associations, Master Planned Communities, and the property management firms specializing in their management are my privileged sites throughout. I map them out not only as new versions of community, but also as expressions of State desire.
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