Dave Hollister Ghetto Hymns Mp3, Flac, Wma
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UNIVERSAL MUSIC • Rihanna – Rihanna 777 Tour… 7Countires7days7shows DVD • Jay Sean – Neon • Jessica Sanchez
Rihanna – Rihanna 777 Tour… 7countires7days7shows DVD Jay Sean – Neon Jessica Sanchez – Me, You & The Music New Releases From Classics And Jazz Inside!!! And more… UNI13-20 “Our assets on-line” UNIVERSAL MUSIC 2450 Victoria Park Ave., Suite 1, Willowdale, Ontario M2J 5H3 Phone: (416) 718.4000 Artwork shown may not be final The Following titles will move to I Code effective FRIDAY, APRIL 12, 2013 Artist Title Catalog UPC Price Code New Number (Current) Price Code GN'R LIES GEFMD24198 720642419823 N I GAYE MARVIN WHAT'S GOING 4400640222 044006402222 N I ON(REMASTERED URIAH HEEP DEMONS & WIZARDS 8122972 042281229725 N I SOUNDTRACK A NIGHT AT THE DRSSD50033 600445003323 SP I ROXBURY ROTH, ASHER ASLEEP IN THE BREAD B001281202 602527018355 SP I AISLE MELLENCAMP AMERICAN FOOL B000418902 602498801376 N I JOHN (COUGAR) MANOWAR LOUDER THAN HELL GEFSD24925 720642492529 SP I MALMSTEEN TRILOGY 8310732 042283107328 N I YNGWIE CRAZY FROG PRESENTS MORE CRAZY B000714902 602517018839 N I HITS ONYX BACDAFUCUP 3145234472 731452344724 N I MALMSTEEN RISING FORCE 8253242 042282532428 N I YNGWIE YOUNG NEIL OLD WAYS 0694907052 606949070526 N I MELLENCAMP SCARECROW B000451202 602498812396 N I JOHN (COUGAR) REDMAN DARE IZ A DARKSIDE 3145238462 731452384621 N I 3 DOORS DOWN ANOTHER 700 MILES B000160302 602498612477 AW I (LIVE) BON JOVI JON BLAZE OF GLORY 8464732 042284647328 N I MENDES GREATEST HITS CD3258 075021325821 N I SERGIO RICHIE LIONEL DANCING ON THE 4400383002 044003830028 N I CEILING (RE BIRDMAN FAST MONEY B000422002 602498801918 SP I SOUNDTRACK XANADU‐REMASTERED -
Who's Who in Pop Record Production (1995)
WHO'S WHO IN POP RECORD PRODUCTION (1995) The following is a list of PRODUCERS credited on at least one album or one single in the Top Pop 100 Charts or that has been picked in our "Next On The Charts" section so far this year. (Please note that due to computer restraints, PRODUCERS are NOT credited on records that have more than 5 PRODUCERS listed) This listing includes the PRODUCER'S NAME (S= # singles) (LP= # Albums) - "Record Title"- ARTIST-/ and OTHER PRODUCERS on the record. 20 Fingers(S = 3)- "Fat Boy"- Max-A-MillionV 'Mr. Personality"- Gillette-/ "Lick It"- Ftoula-/ Cyrus EstebanfS = 1)- "I'll Be Around"- Rappin' 4-Tay & The SpinnersVFranky J Bryan Adams(S = 1)- "Have You Ever Really Loved A Woman?"-Bryan Adams-/Robert John 'Mutt' Lange Emilto EstefanfS = 2)- "Everlasting Love'-Gloria Estefan-/ Jorge Casas Lawrence Dermer "It's Too Walter Afanasieff (S = 4)- "Always And Forever'-Luther Vandross-/ Luther Vandross "All I Want ForLate'-Gloria Estefan-/ Jorge Casas Clay Ostwald Christmas'-Mariah Carey-/ Mariah Carey "Going In Circles'-Luther Vandross-/ "Wherever Would iMeliasa Etheridge(S= 1)- "If I Wanted To/Like The Way I Do'-Melissa EtheridgeVHugh Padgham Be"-Dusty Springfield & Daryl Hall-/ Tom Sh Face To Face(S = 1)- "Disconnected"- Face To Face-/Thom Wilson Matt Aitken(S = 1)- "Total Eclipse Of The Heart"-Nicki FrenchVJohn Springate Mike Stock (|_P= 1)- "Big Choice"- Face To FaceVThom Wilson Derek Allen(S = 1)- "Let's Do It Again"- Blackgirt-/ Bruce Fairbairn(S = 2)- "Don't Tell Me What Love Can Do"- Van Halen-/ "Can't Stop -
Kandidatarbete Andidatarbete Andidatarbete
KKKandidatarbeteKandidatarbete --- 2007 Institutionen för Jazz tradition. Kungl. Musikhögskolan i Stockholm Janne Manninen – Elbas Inspelning, mixning och producering av egen skiva. Kungl. Musikhögskolan i Stockholm. 1 INNEHÅLINNEHÅLLSFÖRTECKNING:LSFÖRTECKNING: SIDA: INLEDNING 333 MUSIKALISK BAKGRUND 444 ARBETETS SYFTE 555 VIKTIGA PERSONER 666 LÅTARNA OCH MIXNINGEN 161616 SLUTORD 282828 MIN UTRUSTNING & KÄLLOR 292929 ORDLISTA 303030 BILAGA 1 333333 BILAGA 2 343434 2 INLEDNING: Examenskonsert är något som länge har funnits i mina tankar. Det var prioritet#1 i min hjärna under lång, lång tid. Jag hade till och med satt ihop ett band, repat in hälften av låtarna och dessutom skrivit fem sidor på denna skriftliga del. Så sprack det… Anledningarna var många men det började med det faktum att boka lokal i Stockholm inte var det lättaste. Jag försökte förgäves att få tag i Conrad på mosebacke och Ulf på Fasching men inget svar från någon. Jag visste att jag inte ville ha den på skolan så hur skulle jag göra? Tiden rann iväg, de inrepade låtarna började kännas mer och mer passé. Det var liksom inte lika aktuellt och fräscht längre. Det var ett så kallat moment 22. Skulle jag repa in nya låtar som senare blev för gamla för att jag inte hade något konsertdatum eller skulle jag fixa konsertdatum först för att sedan se allt haverera när inte någon av de 17 personerna inblandade i konserten inte kunde… Jag satt fast. Då kom jag på idén med att göra en inspelning. En hyllning till de musiker och artister jag finner mest givande i dagens läge. Jag har arbetat extremt mycket hemma med min dator inför denna skiva men det känns enbart glädjande då en färdig produkt är mer relevant för min framtid än en konsert på Kungliga musikhögskolan… Sagt och gjort, saker och ting planerades. -
Cultures Urbaines, Territoire Et Action Publique
Programme interministériel « Culture et territoires en Île-de-France » CULTURES URBAINES, TERRITOIRE ET ACTION PUBLIQUE Rapport final pour le ministère de la Culture et de la Communication Loïc Lafargue de Grangeneuve Isabelle Kauffmann Roberta Shapiro avec la collaboration de Marisa Liebaut octobre 2008 SOMMAIRE Introduction PREMIERE PARTIE : UNE HISTOIRE TERRITORIALISÉE DU HIP-HOP EN ÎLE-DE-FRANCE I. Les débuts du hip-hop en Île-de-France : boîtes de nuit, médias, espaces publics II. La décennie 1990 : le temps des équipements III. Institutionnalisation et gentrification (2000-2008) DEUXIÈME PARTIE : DES LIEUX ET DES HOMMES. ANCRAGES ET DÉPLACEMENTS I. Le rôle des différents types de lieux II. Le hip-hop, une culture de la mobilité III. Le hip-hop francilien, du local à l’international TROISIÈME PARTIE : POLITIQUES MUNICIPALES : LE HIP-HOP, RESSOURCE TERRITORIALE OU STIGMATE ? I. Saint-Denis, capitale historique du hip-hop II. Cergy : le hip-hop en grande banlieue III. Suresnes : l’establishment se saisit du hip-hop Conclusion 1 INTRODUCTION Région fortement urbanisée, l’Île-de-France se présente par définition comme un territoire privilégié d’expansion des cultures urbaines. Précisons d’emblée ce que recouvre cette expression : dans son acception anthropologique, l’idée d’une culture spécifique à la ville, c’est-à-dire d’une culture que produirait la ville sur ses habitants, n’est en effet pas nouvelle1. Même si les deux sens de l’expression ne sont pas sans lien, les cultures urbaines qui sont l’objet de notre recherche ont une acception bien plus stricte, puisqu’il s’agit de la culture hip-hop et de ses différentes composantes (rap et DJing, danse hip-hop, graffiti, slam,…). -
Chapter 1—Introduction
NOTES CHAPTER 1—INTRODUCTION 1. See Juan Flores, “Rappin’, Writin’ & Breakin,’” Centro, no. 3 (1988): 34–41; Nelson George, Hip Hop America (New York: Viking, 1998); Steve Hager, Hip Hop: The Illustrated History of Breakdancing, Rapping and Graffiti (New York: St. Martin’s Press, 1984); Tricia Rose, Black Noise: Rap Music and Black Culture in Contemporary America (Hanover, NH: Wesleyan University Press, 1994); David Toop, The Rap Attack 2: African Rap to Global Hip Hop (London: Serpent’s Tail, 1991). 2. Edward Rodríguez, “Sunset Style,” The Ticker, March 6, 1996. 3. Carlito Rodríguez, “The Young Guns of Hip-Hop,” The Source 105 ( June 1998): 146–149. 4. Clyde Valentín, “Big Pun: Puerto Rock Style with a Twist of Black and I’m Proud,” Stress, issue 23 (2000): 48. 5. See Juan Flores, Divided Borders: Essays on Puerto Rican Identity (Hous- ton: Arte Público Press, 1993); Bonnie Urciuoli, Exposing Prejudice: Puerto Rican Experiences of Language, Race and Class (Boulder, CO: West- view Press, 1996). 6. See Manuel Alvarez Nazario, El elemento afronegroide en el español de Puerto Rico (San Juan: Instituto de Cultura Puertorriqueña,1974); Paul Gilroy, The Black Atlantic: Modernity and Double Consciousness (Cam- bridge, MA: Harvard University Press, 1993); Marshall Stearns, The Story of Jazz (Oxford: Oxford University Press, 1958); Robert Farris Thompson, “Hip Hop 101,” in William Eric Perkins, ed., Droppin’ Sci- ence: Critical Essays on Rap Music and Hip Hop Culture (Philadelphia: Temple University Press, 1996), pp. 211–219; Carlos “Tato” Torres and Ti-Jan Francisco Mbumba Loango, “Cuando la bomba ñama...!:Reli- gious Elements of Afro-Puerto Rican Music,” manuscript 2001. -
Music 96676 Songs, 259:07:12:12 Total Time, 549.09 GB
Music 96676 songs, 259:07:12:12 total time, 549.09 GB Artist Album # Items Total Time A.R. Rahman slumdog millionaire 13 51:30 ABBA the best of ABBA 11 43:42 ABBA Gold 9 36:57 Abbey Lincoln, Stan Getz you gotta pay the band 10 58:27 Abd al Malik Gibraltar 15 54:19 Dante 13 50:54 Abecedarians Smiling Monarchs 2 11:59 Eureka 6 35:21 Resin 8 38:26 Abel Ferreira Conjunto Chorando Baixinho 12 31:00 Ace of Base The Sign 12 45:49 Achim Reichel Volxlieder 15 47:57 Acid House Kings Sing Along With 12 35:40 The Acorn glory hope mountain 12 48:22 Acoustic Alchemy Early Alchemy 14 45:42 arcanum 12 54:00 the very best of (Acoustic Alchemy) 16 1:16:10 Active Force active force 9 42:17 Ad Vielle Que Pourra Ad Vielle Que Pourra 13 52:14 Adam Clayton Mission Impossible 1 3:27 Adam Green Gemstones 15 31:46 Adele 19 12 43:40 Adele Sebastan Desert Fairy Princess 6 38:19 Adem Homesongs 10 44:54 Adult. Entertainment 4 18:32 the Adventures Theodore And Friends 16 1:09:12 The Sea Of Love 9 41:14 trading secrets with the moon 11 48:40 Lions And Tigers And Bears 13 55:45 Aerosmith Aerosmith's Greatest Hits 10 37:30 The African Brothers Band Me Poma 5 37:32 Afro Celt Sound System Sound Magic 3 13:00 Release 8 45:52 Further In Time 12 1:10:44 Afro Celt Sound System, Sinéad O'Connor Stigmata 1 4:14 After Life 'Cauchemar' 11 45:41 Afterglow Afterglow 11 25:58 Agincourt Fly Away 13 40:17 The Agnostic Mountain Gospel Choir Saint Hubert 11 38:26 Ahmad El-Sherif Ben Ennas 9 37:02 Ahmed Abdul-Malik East Meets West 8 34:06 Aim Cold Water Music 12 50:03 Aimee Mann The Forgotten Arm 12 47:11 Air Moon Safari 10 43:47 Premiers Symptomes 7 33:51 Talkie Walkie 10 43:41 Air Bureau Fool My Heart 6 33:57 Air Supply Greatest Hits (Air Supply) 9 38:10 Airto Moreira Fingers 7 35:28 Airto Moreira, Flora Purim, Joe Farrell Three-Way Mirror 8 52:52 Akira Ifukube Godzilla 26 45:33 Akosh S. -
CB-1995-03-18.Pdf
* 82791 19359 8 ^ VOL. LVill, NO. 27 MARCH 18, 1995 STAFF NUMBER ONES GEORGE ALBERT POP SINGLE President and Publisher KEITH ALBERT Take A Bow Exec. V.PJOeneraS Manager Madonna THE ENTERTAINMENT TRADE MAGAZINE RICH NIECIECKI (Maverick) Managing Editor EDITORIAL Los Angeles R&B SINGLE MICHAEL MARTINEZ JOHN GOFF Baby STEVE BALTIN Brandy RICHARD McVEY, Nashville Edior Cover Story HECTOR RESENDEZ, Latin Edtcr (Atlantic) New York TED WILLIAMS Everything's Bush CHART RESEARCH RAP SINGLE Los Angdes NICK! RAE RONCQ Big Pappa/Warning Trauma/Interscope band Bush, who hail from England, have taken the U.S. BRIAN PARMELLY ZIV The Notorious B.I.G. like wildfire first—an unusual occurrence considering most British groups Nashville (Bad Boy/Arista) are often immensely popular in their homeland before they make a dent on GAIL FRANCESCHI MARKETINO/A OVERTiSINO the Stateside charts, if at all. But Bush’s debut Sixteen Stone has been steadily New York COUNTRY SINGLE rising up the Cash Box Top 100 Album charts (this week at #41) since its STAN LEWS East Coast As Any Foo! Can See U.S. release, which preceded its U.K. bow. Writer Karen Sidlow digs up NOEL ALBERT (800) 580-6948 Tracy Lawrence dirt around Bush’s Nigel Pulsford and Gavin Rossdale. some Los Angeles (Atlantic) —see page 5 GARY YOUNGER Nashville TED RANDALL Latin POP ALBUM Latin EDDIE RODRIGUEZ Greatest Hits (213) 845-9770 Cash Box is proud to provide four Latin charts —Mexican Regional, Conte- Bruce Springsteen CIRCULATION porary Pop, Texan/Tejanos and Tropical —as compiled courtesy of the NINA TREGUB, Manager (Columbia) PASHA SANTOSO Spanish music trade weekly Radio & Musica. -
Łukasz Ojdana Naturalnie Albo Wcale N R Fot
MARZEC 2020 Miesięcznik internetowy poświęcony jazzowi i muzyce improwizowanej ISSN 2084-3143 Ewa Uryga Mahalia Jackson in Memoriam TOP NOTE High Definition Quartet Dziady Tatvamasi Jorgos i Antonis Skoliasowie 100 Łukasz Ojdana Naturalnie albo wcale N r fot. Kuba Majerczyk Od Redakcji redaktor naczelny Piotr Wickowski [email protected] „Przez improwizację w jakimś stopniu muzycy starają się wrócić do pierwotnego, powiedziałbym nawet dziecięcego stanu zafascynowania dźwiękiem. Często zagrali już tak zwane «wszystko» i przez to utracili zainteresowanie dźwiękiem w jego ukła- dach formalnych, a następnie dźwiękiem jako takim w ogóle” – mówi Łukasz Dow- nar z zespołu Tatvamasi. Jeśli ktoś poszukuje jakiegoś leitmotivu wszystkich stu dotychczasowych elektro- nicznych wydań JazzPRESSu, to podpowiadam - jednym z najważniejszych jest z im- prowizacja. Bo jest też improwizacja jednym z kluczowych pojęć jazzu. Chociaż bez improwizacji jazz jest możliwy, podobnie jak improwizacja bez jazzu dobrze sobie radzi. A skoro mowa o poszukiwaniu stanu zafascynowania dźwiękiem, radę ma Łukasz Ojdana: „Muzyka jako sztuka kontrastów potrzebuje różnych bodźców, dzięki róż- norodności jest pełna. Te kontrasty można uzyskać tylko i wyłącznie poprzez stu- diowanie i osłuchanie się z różnorodną muzyką. Wtedy ma się szerszą perspektywę, a w połączeniu z uniwersalnym językiem jazzu, własnym poczuciem estetyki i cha- ryzmy można realizować tę pełną muzykę”. Różnorodność – to cecha charakterystyczna naszego magazynu, począwszy od do- boru muzyków, z którymi rozmawialiśmy (ze szczególnym uwzględnieniem tych, którzy znaleźli się na naszych okładkach), poprzez zrecenzowane płyty, zrelacjono- wane koncerty, aż po opisane kanoniczne dzieła i ważne postaci z historii, przywo- ływane najczęściej w dziale Słowo na jazzowo. Dochodzi do tego mnogość punk- tów widzenia prezentowanych przez naszych autorów, których łączy jednak przede wszystkim jedno - pasja do muzyki. -
22341490.Pdf
Editor-in-ChiEf Tdd Mrhad Contents [email protected] noVemBer 5, 2009 Volume 5 issue 5 ArtS Editor my sweet misery: the Birth of cinematic suicide p. 6 Judit Trunks [email protected] ColAthEAtEr.Com News.Politics.Commentary S.M. Balm, Garrtt Kllrhalss editorial demint on dope? 33 dESign regional Briefs priest Blesses dogs 33 Rsca Glassr letters to the reader dear autumn leaf 44 statehouse report Boeing stresses need for education 44 muSiC the good fight what do repuBlicans really want? 88 Shlby Sachs, Kingsly Waring editorial oBama’s real death panels 1616 ted rall stop the drones 1818 PubliShEr pg. 6 Paul Blak [email protected] ACCount ExECutivES Arts.Entertainment.Etc Brandy Dby, Jams Wallac 44 Bacardi soundBoard punk/indie/emo/ska/hardcore/metal/rock 66 ContributorS Vocal Booth hip-hop reView and eVents 1010 S.M. Balm, Andy Brack, Garrtt Kllrhals, Ismail arts golden symBols 1111 Lagardin, WR Marshall, Will Mrdck, Td Rall, saVage loVe sex with zomBies 1515 Dan Savag, Kingsly Waring, Baynard Wds rock and roll crosswords 1515 ask a mexican 1717 ColumbiA City PAPEr 1818 2965 Nrth Main Strt jonesin crosswords Clumbia, SC 29201 pg. 15 803.218.9455 (DIAL AReA CoDe) Advertisers in Columbia City Paper assume responsibility for the entire content of the advertisements. The first copy of Columbia City Paper is free. Additional copies are $1 and two-bits each. Views expressed do not necessarily represent the opinions of Columbia City Paper or its publisher. (C) Columbia City Paper, LLC dEmint on doPE? BByy BBaynard WWoods decisions. As a senator (part of the Federal government, by the way), Jim DeMint thinks he knows better than the local voters how they should be allowed to administer to their sick citizens. -
55954 Songs, 137.5 Days, 339.51 GB Page 1 of 96 Artist Album
Page 1 of 96 Music 55954 songs, 137.5 days, 339.51 GB Artist Album # Items Total Time A-1 Mash Confusion 18 1:11:30 A-Team Haiku D'Etat - Coup De Theatre 13 55:37 A-Team Haiku D'Etat - Haiku D'Etat 13 1:12:37 A-Team Who Reframed The A-Team? 15 1:07:35 A$AP Rocky Goldie 11 37:47 A$AP Rocky Live.Love.A$AP 16 53:49 A$AP Rocky Long.Live.A$AP 16 1:05:02 A.B.N. A.B.N. (Assholes By Nature) 30 1:32:14 A.B.N. It Is What It Is 18 1:12:37 A.D.O.R. Animal 2000 12 34:18 A.D.O.R. Classic Bangers Volume 1 16 59:53 A.D.O.R. The Concrete 17 55:25 A.D.O.R. Shock Frequency 16 44:28 A.D.O.R. Signature of The Ill 12 41:27 AB-Soul Control System 17 1:11:52 AB-Soul Longterm Mentality 13 55:01 Above The Law Black Mafia Life 15 1:11:24 Above The Law Legends 16 1:04:39 Above The Law Livin' Like Hustlers 10 45:59 Above The Law Time Will Reveal 15 1:06:38 Above The Law Uncle Sam's Curse 12 1:00:19 Above The Law Vocally Pimpin 9 38:50 Abstract Rude Code Name Scorpion 13 51:55 Abstract Rude Making More Tracks 15 1:01:28 Abstract Rude Making Tracks 21 1:12:11 Abstract Rude Rejuvenation 14 52:15 Abstract Rude & Tribe Unique P.A.I.N.T. -
CB-1995-03-25.Pdf
1 m 5) o 82791 19359 8 VOL. LVIII, NO. 28 MARCH 25, 1995 STAFF NUMBER ONES GEORGE ALBERT President and Publisher POP SINGLE KEITH ALBERT Take A Bow Exec. V.PJGeneral Manager Madonna RICH NIECIECKI (Maverick) Managing Editor EDITORIAL Los Angeles SINGLE MICHAEL MARTINEZ R&B JOHN GOFF Baby STEVE BALTIN RICHARD McVEY, Nashville Edtor Brandy Cover Story HECTOR RESENDEZ, Latin Edtor (Atlantic) New York TED WILLIAMS Adam Ant's Wonderful Return CHART RESEARCH RAP SINGLE Los Angeles N1CKJ RAE RONCO sight” certainly doesn’t to fans, as Big PappaAAfcirning “Out of mean “out of mind” Adam Ant BRIAN PARMELLY ZIV The Notorious B.I.G. hundreds gathered at an L. A. record store to welcome back the pop star most Nashville (Bad Boy/Arista) known for his early ’80s MTV videos and quirky Ant music. He returns with GAIL FRANCESCH! his first Capitol album, Wonderful, having recuperated from health and label MARKETING/ADVERTISING New York COUNTRY SINGLE problems with a renewed sense of purpose and obvious fan support. Cash STAN LEWS East Coast Box' s Steve Baltin managed his way through the adoring and caught This Woman & This Man masses NOEL ALBERT 580-6946 Clay Walker up with Ant to get his perspective on his own career and others, such as new (800) Los Angeles (Giant) acquaintance Trent Reznor of Nine Inch Nails. GARY YOUNGER Nashville —see page 5 TED RANDALL Latin POP ALBUM EDDIE RODRIGUEZ 845-9770 Greatest Hits 'The Rhythm" & "The Rhyme" (213) CIRCULATION Bruce Springsteen Of The Soul Train Awards NINA TREGUB, Manager (Columbia) PASHA SANTOS O Barry White, Anita Baker, Boyz II Men, Aaron Hall, Brandy Norwood, PRODUCTION Diana Ross, R. -
Subkultura Hip-Hop
MASARYKOVA UNIVERZITA Pedagogická fakulta Katedra občanské výchovy Subkultura Hip-Hop Diplomová práce Vedoucí diplomové práce: Vypracoval: Mgr. Zdeněk Hons Bc. David Kupka Brno, 2016 Prohlášení Prohlašuji, že jsem diplomovou práci vypracoval samostatně, s využitím pouze citovaných literárních pramenů, dalších informací a zdrojů v souladu s Disciplinárním řádem pro studenty Pedagogické fakulty Masarykovy univerzity a se zákonem č. 121/2000 Sb., o právu autorském, o právech souvisejících s právem autorským a o změně některých zákonů (autorský zákon), ve znění pozdějších předpisů. Souhlasím, aby práce byla uložena na Masarykově univerzitě v knihovně Pedagogické fakulty a byla zpřístupněna ke studijním účelům. V Brně dne 14. 03. 2016 . Bc. David Kupka Poděkování V následujících řádcích bych rád poděkoval vedoucímu práce Mgr. Zdeňkovi Honsovi, který mi během tvorby této diplomové práce poskytl odborné rady, informace, zkušenosti a konzultace, které pro mne a zejména moji práci byly velice přínosné. Dále bych chtěl poděkovat jednotlivým respondentům za umožnění shromáždění dat a informací potřebných pro mou diplomovou práci. Bibliografický záznam KUPKA, David. Subkultura Hip-Hop: diplomová práce. Brno: Masarykova univerzita, Pedagogická fakulta, Katedra občanské výchovy, 2016 Anotace Diplomová práce „Subkultura Hip-Hop“ je rozdělena na teoretickou a praktickou část a zabývá se hiphopovou subkulturou. Teoretická část diplomové práce obsahuje vysvětlení pojmu kultura a její stručný historický vývoj. Dále obsahuje definice pojmu subkultura a jednotlivé teorie subkultur, které popisují subkultury z historického hlediska, přes moderní pojetí, až po dnešní postmoderní koncepce. Součástí je také historie, vývoj, charakteristika a definice hiphopové subkultury. Praktická část diplomové práce obsahuje kvantitativní sociologický výzkum, který je proveden technikou dotazníku a výsledky tohoto výzkumu odhalí strukturu, koncepci, názory a vztahy ke společnosti hiphopové subkultury.