International Multidisciplinary e –Journal.Author:( Jayalekshmi N S, Dr. Babitha Justin )(07-16) The Householder : A Comedy within the Times of Nehruvian Nationalism Jayalekshmi N S. 1Research Scholar, Dept. of Humanities, Indian Institute of Space Science and Technology, Kerala Dr. Babitha Justin. 2Assistant Professor, Dept. of Humanities, Indian Institute of Space Science and Technology, Kerala Abstract: It is obvious that the Bollywood movies of the early postcolonial period had a poignant played up social angle as they served as excellent commentaries on the socio-political conditions of the new-born nation. In contrast to Bollywood movies of the time, James Ivory’s The Householder documents Nehruvian nationalism through a transnational lens. As the debut feature film of Merchant-Ivory Productions, it orientalises the ethos and class struggles through the middle class Prem, who later becomes the mouthpiece of Nehru, in his attitudes and achievements. This paper critically analyses the gendered portrayal of Indian middle class in an age of various socio-cultural transitions,with reference to the conflicts of tradition and modernity, Eastern and Western philosophy of life and nostalgia of the perplexed protagonists. Key words: Post-Independent India, Bollywood films, Nehruvian nationalism, nostalgia, class struggles. Introduction Bollywood films of the 1960s replicate various socio-political ethos and anxieties of the new born nation, India. Through irony and sarcasm, these films chronicle“a class angle, with the commonplace experience of the relatively powerless youth opposed with the obstacles of class, gender, caste, societal norms and time” (Marteinson, 2006). According to Mridula Mukherjee, the former Director of the Nehru Memorial Museum and Library (NMML) “the www.shreeprakashan.com Id:
[email protected], Vol-IV, Issue–XI,Nov,2015.Page 7 International Multidisciplinary e –Journal.Author:( Jayalekshmi N S, Dr.