DOCSLIB.ORG

EFFECTUS EVENT 18:30 APERITIVO SUL TETTO/ ROOF TOP APERITIVE Programma Sabato • Saturday Schedule

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
EFFECTUS EVENT 18:30 APERITIVO SUL TETTO/ ROOF TOP APERITIVE Programma Sabato • Saturday Schedule EffectUsAssociazione Culturale Special Makeup Effects 2019 1 EFFECTUS EVENT Indice • Index Piano conferenze 2 • Conference floor Piano fiera e mostra 3 • Trade show & gallery floor Programma Sabato 4 • Saturday schedule Programma Domenica 8 • Sunday schedule EffectUs Short Movies 13 • EffectUs Short Movies Espositori 16 • Exhibitors Relatori 25 • Tutors Truccatori Demo Live 31 • Live Demo Makeup Artists 1 EFFECTUS EVENT Piano conferenze e Mostra • Conference and Gallery floor 2 EFFECTUS EVENT Piano Fiera • Trade show floor 11 01. Samas Cases 12 02. Macomoco 10 13 03. Miroballi 04. EffectUs - Baburka Production 05. Area Demo A 9 19 06. Contest Area 14 DEMO STAGE WORKSHOP AREA 07. Special Makeup Effects Department 8 18 08. Makinarium 09. GSG Bags 7 15 10. Studio Laboratorio 51 17 16 11. Fantastic Forge 12. Asylum Press area 1 Ferba demo 13. 20 14. Tilt Makeup 3 2 15. Lia parrucche 16. Titanic FX 4 STAGE 17. Puppeteer Tech 18. Workshop Area 6 19. Area Demo B 20. Area Demo C area 7,5mt demo CONTEST AREA 5 8mt 3 EFFECTUS EVENT Programma Sabato 10:20 BENVENUTO/ WELCOME • Saturday schedule 10:30 Sala CONFERENZE CONFERENCE Room OVERVIEW CARRIERA CAREER OVERVIEW 10:30 10:30 LORENZO TAMBURINI (Italia) LORENZO TAMBURINI: (Italy) 11:30 11:30 L'artista si racconta Interview with the artist CONFERENZA PANEL 11:45 11:45 IL LAVORO NON È UN TRUCCO: opportunità e prospettive per WORK IS NOT A TRICK 13:00 13:00 i lavoratori freelance del mondo del make up con Demetrio Opportunities and perspectives for freelance make-up artists. Chiappa, Presidente Doc Servizi With Demetrio Chiappa, President of Doc Servizi EFFECTUS SHORT MOVIES EFFECTUS SHORT MOVIES 13:45 13:45 Selezione di cortometraggi Short movie selection by FI-PI-LI HORROR FESTIVAL 15:15 15:15 a cura del FI-PI-LI HORROR FESTIVAL OVERVIEW CARRIERA CAREER OVERVIEW 15:30 15:30 DAVID WHITE (UK) DAVID WHITE: (UK) 16:30 16:30 L'artista racconta la sua esperienza Interview with the artist EFFECTUS NETWORK EFFECTUS NETWORK 16:40 16:40 EFFECTUS: il lavoro del 2018, la chiave del networking (o ASSOCIATES ASSEMBLY: The developments in EffectUs in the 17:40 17:40 simili), assemblea degli associati years 2018/2019, the importance of networking EFFECTUS AWARD EFFECTUS AWARD 17:50 17:50 Sfilata del contest studenti, premiazione e chiusura Student Contest’s parade and award ceremony, closing of the 18:30 18:30 day 4 EFFECTUS EVENT 18:30 APERITIVO SUL TETTO/ ROOF TOP APERITIVE Programma Sabato • Saturday schedule Sala WORKSHOPS WORKSHOP Room OVERVIEW - SCAN 3D FUNDAMENTALS OVERVIEW - 3D SCAN FUNDAMENTALS 10:00 10:00 con Javier Coronilla with Javier Coronilla 11:00 11:00 OVERVIEW - LA CONTINUITÀ E I REPARTI OVERVIEW - CINEMA DEPARTMENTS AND THE CONTINUITY ON 11:10 11:10 con Annamaria Liguori SET 12:10 12:10 with Annamaria Liguori DEMO CLASS - APPLICAZIONE DI PROTESI SILICONE E DEMO CLASS - SILICONE AND BONDO PROSTHETICS 12:20 12:20 BONDO APPLICATION 13:20 13:20 con Valentina Visintin with Valentina Visintin OVERVIEW - ANTROPOLOGO FORENSE RACCONTA LA OVERVIEW - CLASS ON FORENSIC ANTHROPOLOGY 13:30 13:30 REALTÀ DEGLI EFFETTI with Davide Porta 14:30 14:30 con Davide Porta DEMO CLASS - I KUKA ROBOT E GLI EFFETTI DI SCENA DEMO CLASS - KUKA ROBOTS AND SPECIAL EFFECTS 14:40 14:40 con Maurizio Corridori with Maurizio Corridori 15:50 15:50 ANTEPRIMA - CORSO DI HAIR PUNCHING PREVIEW - HAIR PUNCHING MASTERCLASS 16:00 16:00 con Lisa Carracedo with Lisa Carracedo 17:00 17:00 5 EFFECTUS EVENT Programma Sabato • Saturday schedule Area MAKEUP CONTEST MAKEUP CONTEST Area Contest STUDENTI STUDENT Competition 11:00 11:00 17:00 17:00 DIMOSTRAZIONI MAKEUP LIVE LIVE MAKEUP DEMONSTRATIONS Demo Stage Demo Stage Applicazione prostetica di SENDY KUMALAKANTA Prosthetic makeup application by 10:00 10:00 LENARDIC SENDY KUMALAKANTA LENARDIC Demo Stage Demo Stage TBC TBC 14:00 14:00 6 EFFECTUS EVENT 7 EFFECTUS EVENT Programma Domenica • Sunday schedule Sala CONFERENZE CONFERENCE Room EFFECTUS network: tavola rotonda EFFECTUS network: round table 10:20 10:20 vfx-sfx-msfx networking e tecnologie integrate debate vfx-sfx-msfx networking and integrated technologies 11:20 11:20 OVERVIEW CARRIERA CAREER OVERVIEW 11:30 11:30 ALAHOUZOS FX (Grecia) ALAHOUZOS FX (Greece) 12:30 12:30 Gli artisti George e Roulius Alahouzos raccontano la loro The artists George and Roulius Alahouzos tell us their story esperienzas EFFECTUS network EFFECTUS network 12:50 12:50 Il Contratto Nazionale Fidac e Sindacati raccontano lo stato The national contract FIDAC and Trade Unions talk about the 13:20 13:20 della lotta situation of the political struggle - with EMANUELE FOGLIETTI Con EMANUELE FOGLIETTI EFFECTUS network EFFECTUS network 14:30 14:30 presentazione dell'EFFECTUS JOURNAL VOL.2 e dei suoi presentation of the EFFECTUS JOURNAL VOL.2 and its authors: 15:30 15:30 autori: la prima pubblicazione Italiana di settore the first Italian themed publication OVERVIEW CARRIERA CAREER OVERVIEW 15:40 15:40 LISA CARRACEDO (UK) LISA CARRACEDO (UK) 16:40 16:40 L'artista racconta cos'e' l'art finishing The artist talks about her journey into art finishing EFFECTUS AWARD EFFECTUS AWARD 17:00 17:00 Sfilata CONTEST di BODYPAINTING con premiazione e BODY PAINTING CONTEST parade, SCULPTURE CONTEST 18:00 18:00 premiazione del CONTEST DI SCULTURA award ceremony and show and event closing chiusura dell'evento 8 EFFECTUS EVENT 19:00 APERITIVO SUL TETTO/ ROOF TOP APERITIVE Programma Domenica • Sunday schedule Sala WORKSHOPS WORKSHOP Room DEMO CLASS - NOZIONI DI AEROGRAFIA DEMO CLASS - AIRBRUSH TECHNIQUES 09:00 09:00 Con Valentina Visintin With Valentina Visintin 11:00 10:00 ANTEPRIMA - CORSO DI MOULD MAKING PREVIEW - MOULD MAKING MASTERCLASS 11:05 11:05 Con Domenico Matera With Domenico Matera 12:00 12:00 PANORAMICA - LAVORATORI IN SICUREZZA OVERVIEW - SAFETY AT WORK 12:10 12:10 Leggi, regolamenti e tutele a servizio dei lavoratori del Laws, regulations and safe guards at the service of the 13:00 13:00 settore, con FABIO FILA, presidente di STEA industry workers - With Fabio Fila, president of STEA PANORAMICA - DALLA SCUOLA AL LAVORO - DIBATTITO OVERVIEW - FROM THE SCHOOL TO THE LABOUR MARKET, 13:30 13:30 Con Giulia Giorgi, Valentina Visintin e Makinarium DEBATE 14:20 14:20 With Giulia Giorgi, Valentina Visintin and Makinarium ANTEPRIMA - PUPPETEER PREVIEW - PUPPETEER 14:20 14:20 Un nuovo modo di dare vita ai personaggi A new way to bring your characters to life (from animatronics 15:30 15:30 (dall'animatronica ai vfx) con Javier Coronilla e Jaime Parga to vfx) with Javier Coronilla e Jaime Parga ANTEPRIMA - I MATERIALI TERMOFORMABILI OVERVIEW - THERMOFORMING MATERIALS 15:50 15:50 Con Giulia Giorgi (Baburka Production Factory With Giulia Giorgi (Baburka Production Factory) 16:50 16:50 9 EFFECTUS EVENT Programma Domenica • Sunday schedule Area MAKEUP CONTEST MAKEUP CONTEST Area Contest BODY PAINTING FX BODY PAINTING FX contest 11:00 11:00 Contest SCULTURA SCULPTING contest 17:00 17:00 DIMOSTRAZIONI MAKEUP LIVE LIVE MAKEUP DEMONSTRATIONS Demo Stage Demo Stage Dimostrazione live di LANA RAKANOVIC Live makeup demonstration by LANA RAKANOVIC 10:00 10:00 Demo Stage Demo Stage TBC TBC 14:00 14:00 10 EFFECTUS EVENT 11 EFFECTUS EVENT Cortometraggi • Short movies The Doll's game Il primo messaggero Year: 2018 Year: 2018 Country: Italia Country: Italia Director: Simone Miccinilli Director: Tommaso Diaceri Runtime: 7’ Runtime: 9’ SFX Artist: Bianca Scandariato SFX Artist: Ambra Andriola Denise Boccacci Un ragazzo gioca a dama con • A Guy is playing checkers game Dopo quello che sembra essere • After what seems to be just a una bambola maledetta e ha with a cursed doll and He has just solo un incubo, un uomo si nightmare, a man wakes up, una sola possibilità: one chance: risveglia, in preda ad un dolore in the throes of a very strong vincere il gioco! win the game ! fortissimo alla testa: alcune pain in his head: few drops of gocce di antidolorifico, convinto painkiller, thinking that they che possano placare il male. can calm the pain. But he does Ma non immagina nemmeno not even remotely imagine di lontanamente di essere la that he's just the first victim of prima vittima di un disegno a chilling design, which has its agghiacciante, che affonda le roots centuries before and which proprie radici secoli prima e che will involve not only him but all coinvolgerà non solo lui, ma human beings. tutti gli esseri umani. 12 EFFECTUS EVENT Cortometraggi • Short movies Lucinda Atomic Ed Year: 2018 Year: 2018 Country: Italia Country: Francia Director: Alberto Bambini Director: Nicolas Hugon Runtime: 15’ Runtime: 20’ SFX Artist: Irene Tronci SFX Artist: David Scherer Lucinda è la figlia di un • Lucinda is the daughter of a Ed, un uomo introverso ed • Ed, an introverted and sacrestano e vive da sola con il sacristan and lives alone with appassionato del fai da te, è, passionate man of DIY, is, padre. Durante una messa avrà her father. During a mass she suo malgrado, vittima di Mark, il despite himself, a victim of Mark, delle visioni spaventose che la will have scaring visions that will suo vicino di casa leader di una his neighbour who is the leader porteranno a dubitare sia della lead her to doubt both her faith gang di motociclisti. Il suo unico of a gang of bikers. His friend, sua fede che dell'amore verso il and love for her father. amico, Gus, prova invano a farlo Gus, tries to make him rebel and padre. ribellare e a conquistare il cuore win the heart of the beautiful della bellissima Julia. Il corpo di Julia. The body of one of Mark's uno dei membri della banda di gang members is found terribly Mark viene trovato terribilmente mutilated, events fall, the gang mutilato, gli eventi precipitano, lashes out at Ed and has no la gang si scaglia su Ed e non ha choice but to become the weapon altra scelta che diventare l'arma he has always dreamed to be.
Load more

Recommended publications
  • 68Th EMMY® AWARDS NOMINATIONS for Programs Airing June 1, 2015 – May 31, 2016
    EMBARGOED UNTIL 8:40AM PT ON JULY 14, 2016 68th EMMY® AWARDS NOMINATIONS For Programs Airing June 1, 2015 – May 31, 2016 Los Angeles, CA, July 14, 2016– Nominations for the 68th Emmy® Awards were announced today by the Television Academy in a ceremony hosted by Television Academy Chairman and CEO Bruce Rosenblum along with Anthony Anderson from the ABC series black-ish and Lauren Graham from Parenthood and the upcoming Netflix revival, Gilmore Girls. "Television dominates the entertainment conversation and is enjoying the most spectacular run in its history with breakthrough creativity, emerging platforms and dynamic new opportunities for our industry's storytellers," said Rosenblum. “From favorites like Game of Thrones, Veep, and House of Cards to nominations newcomers like black-ish, Master of None, The Americans and Mr. Robot, television has never been more impactful in its storytelling, sheer breadth of series and quality of performances by an incredibly diverse array of talented performers. “The Television Academy is thrilled to once again honor the very best that television has to offer.” This year’s Drama and Comedy Series nominees include first-timers as well as returning programs to the Emmy competition: black-ish and Master of None are new in the Outstanding Comedy Series category, and Mr. Robot and The Americans in the Outstanding Drama Series competition. Additionally, both Veep and Game of Thrones return to vie for their second Emmy in Outstanding Comedy Series and Outstanding Drama Series respectively. While Game of Thrones again tallied the most nominations (23), limited series The People v. O.J. Simpson: American Crime Story and Fargo received 22 nominations and 18 nominations respectively.
    [Show full text]
  • Wmc Investigation: 10-Year Analysis of Gender & Oscar
    WMC INVESTIGATION: 10-YEAR ANALYSIS OF GENDER & OSCAR NOMINATIONS womensmediacenter.com @womensmediacntr WOMEN’S MEDIA CENTER ABOUT THE WOMEN’S MEDIA CENTER In 2005, Jane Fonda, Robin Morgan, and Gloria Steinem founded the Women’s Media Center (WMC), a progressive, nonpartisan, nonproft organization endeav- oring to raise the visibility, viability, and decision-making power of women and girls in media and thereby ensuring that their stories get told and their voices are heard. To reach those necessary goals, we strategically use an array of interconnected channels and platforms to transform not only the media landscape but also a cul- ture in which women’s and girls’ voices, stories, experiences, and images are nei- ther suffciently amplifed nor placed on par with the voices, stories, experiences, and images of men and boys. Our strategic tools include monitoring the media; commissioning and conducting research; and undertaking other special initiatives to spotlight gender and racial bias in news coverage, entertainment flm and television, social media, and other key sectors. Our publications include the book “Unspinning the Spin: The Women’s Media Center Guide to Fair and Accurate Language”; “The Women’s Media Center’s Media Guide to Gender Neutral Coverage of Women Candidates + Politicians”; “The Women’s Media Center Media Guide to Covering Reproductive Issues”; “WMC Media Watch: The Gender Gap in Coverage of Reproductive Issues”; “Writing Rape: How U.S. Media Cover Campus Rape and Sexual Assault”; “WMC Investigation: 10-Year Review of Gender & Emmy Nominations”; and the Women’s Media Center’s annual WMC Status of Women in the U.S.
    [Show full text]
  • Infiltrate Hate
    “THE MOST IMPORTANT FILM OF THE YEAR” EMPIRE ++++ ++++ ++++ ++++ EMPIRE THE TIMES TIME OUT THE TELEGRAPH ++++ +++++ ++++ TOTAL FILM THE INDEPENDENT LITTLE WHITE LIES “RIOTOUSLY “MAGNIFICENT & ENTERTAINING” CONTROVERSIAL” ESQUIRE THE INDEPENDENT INFILTRATE HATE. Based on a true story. JOHN DAVID ADAM WASHINGTON DRIVER A SPIKE LEE JOINT FROM PRODUCER JORDAN PEELE IN CINEMAS AUGUST 24 ALITA: BATTLE ANGEL INSIDE JAMES CAMERON’S LONG-AWAITED SCI-FI HAN SOLO SEPTEMBER 2018 £4.99 $10.99 USD $11.99 CAN THE NUN ABOUT TO SCARE YOU SENSELESS BUMBLEBEE THEGAGS! THE BUZZ ON THE THEACTION! ’80S-SET SPIN-OFF THE BEAVER! CREED II FIRST LOOK AT THE RETURN OF DRAGO Old favouritestakeonnewhopesin the ultimatevote HEATHERS REVISITING THE DARK-HEARTED TEEN COMEDY THE HUNT HAS EVOLVED IN CINEMAS & IN 3D SEPT 12 THIS MONTH ATEMPIRE WHENW CHOOSING YOUR favourite Star Wars character, there are several things to take into consideration. They include (but are not limited to): your age when you first encountered them, how good their outfit is, how quick they are with a quip, where they place on the spectrum of saint to scoundrel (and your feelings about that position). Behind the scenes with photographer Art Streiber and Ethan Hawke joins Ben Travis for a chat aboutPodcast. It’s far from an easy decision but, when Samuel L. Jackson at Smashbox Studios in Los Angeles. for the Empire First Reformed we asked you to make that call for our poll, you rose to the task admirably. AndA this month, we’re excited to reveal the results. Who’s the top twin: Luke or Leia? Who’s master of the Jedi: Yoda or Obi-Wan (or Mace Windu)? And can Rey and the new crop challenge the Original Trilogy’s icons? The answers to all these questions (and others — how high is Jar Jar?) are inside.
    [Show full text]
  • This Year's Emmy Awards Noms Here
    FOR IMMEDIATE RELEASE 2017 EMMY® AWARDS NOMINATIONS FOR PROGRAMS AIRING JUNE 1, 2016 – MAY 31, 2017 Los Angeles, CA, July 13, 2017– Nominations for the 69th Emmy® Awards were announced today by the Television Academy in a ceremony hosted by Television Academy Chairman and CEO Hayma Washington along with Anna Chlumsky from the HBO series Veep and Shemar Moore from CBS’ S.W.A.T. "It’s been a record-breaking year for television, continuing its explosive growth,” said Washington. “The Emmy Awards competition experienced a 15 percent increase in submissions for this year’s initial nomination round of online voting. The creativity and excellence in presenting great storytelling and characters across a multitude of ever-expanding entertainment platforms is staggering. “This sweeping array of television shows ranges from familiar favorites like black- ish and House of Cards to nominations newcomers like Westworld, This Is Us and Atlanta. The power of television and its talented performers – in front of and behind the camera – enthrall a worldwide audience. We are thrilled to once again honor the very best that television has to offer.” This year’s seven Drama Series nomInees include five first-timers dIstrIbuted across broadcast,Deadline cable and dIgItal Platforms: Better Call Saul, The Crown, The Handmaid’s Tale, House of Cards, Stranger Things, This Is Us and Westworld. NomInations were also sPread over dIstrIbution Platforms In the OutstandIng Comedy Series category, with newcomer Atlanta joined by the acclaimed black-ish, Master of None, Modern Family, Silicon Valley, Unbreakable Kimmy Schmidt and Veep. Saturday Night Live and Westworld led the tally for the most nomInations (22) In all categories, followed by Stranger Things and FEUD: Bette and Joan (18) and Veep (17).
    [Show full text]
  • Step Into the Forbidden Forest Warner Bros. Studio
    STEP INTO THE FORBIDDEN FOREST WARNER BROS. STUDIO TOUR LONDON – THE MAKING OF HARRY POTTER OPENS NEW EXPANSION On 31st March, Warner Bros. Studio Tour London – The Making of Harry Potter will unveil an exciting, permanent expansion dedicated to the Forbidden Forest. The Forbidden Forest may be strictly off-limits to Hogwarts students, but for the first time this March, visitors to Warner Bros. Studio Tour London – The Making of Harry Potter are invited to defy Professor Dumbledore’s orders and follow the footsteps of Harry, Ron and Hermione deep into the grounds of the Forbidden Forest. Home to an abundance of creatures, the Forbidden Forest offers shelter and protection to Hippogriffs and Acromantula among many others. It is also well known to beloved half-giant Hagrid in his role as Care of Magical Creatures professor. One of Rubeus Hagrid’s original costumes will be on display, lantern in hand, to welcome visitors through the Hogwarts gates deep into the forest. Filled with 19 trees each with a diameter of over 12 feet, visitors will walk beneath the giant entwined roots on their journey and will even be able to control the weather using the same techniques created by filmmakers. Amongst the imposing trees, visitors will encounter a full size model of Buckbeak, which is new to the tour, and have the opportunity to bow to the majestic creature. They will see up close the incredible detail and craftsmanship that went into creating the magnificent Hippogriff. Each feather had to be individually inserted and glued by the Creature Effects team who were busy adding feathers right up until the final moment Buckbeak was needed on set for Harry Potter and the Prisoner of Azkaban.
    [Show full text]
  • Full Members of the British Academy of Film and Television Arts (Updated 22 March 2011)
    Full Members of the British Academy of Film and Television Arts (updated 22 March 2011) Roberta Aarons Yavar Abbas Allison Abbate Jeff Abberley Peter Abbey Paul Abbott Steve Abbott Bassem Abdallah Brian Abel David Abraham Eric Abraham Georgina Abrahams Bruce Abrahams Joe Abrams Jenny Abramsky Farah Abushwesha Huda Abuzeid Juliet Ace Roy Ackerman Steve Ackhurst Joss Ackland Barry Ackroyd Ken Adam Richard Adams Ross Adams Mark Adams Gordon Adams Benetta Adamson Madeline Addy Henry Adeane David Adler Melanie Adorian Tony Ageh Phil Agland Joss Agnew Steen Agro Jenny Agutter Sanjiv Ahuja Pippa Ailion Lucy Ainsworth-Taylor Christopher Aird Dawn Airey Tony Aitken Eleanor Aitken Mike Aiton Abby Ajayi Jovan Ajder Niyi Akeju Zara Akester Colin Akester Nassreen Akhtar Odunayo Akinwolere John Akomfrah Basi Akpabio Timothy Alban Francesco Alberico Philip Alberstat Simon Albury Julian Alcantara Jane Aldous Nuala Alen-Buckley Tom Alexander John Alexander Eva Alexander Darrell Alexander Jon Alexander Arnna Alexander Adam Alexander Rob Alexander Michael Algar Rosie Alison Luke Alkin Foz Allan Shane Allen Joe Allen Ged Allen Tony Allen Kenton Allen James Allen Katherine Allen James Allen Belinda Allen Angela Allen Peter Allen Richard Allen-Turner Lynn Alleway Rebecca Alleway Anthony Alleyne Waheed Alli Christopher Allies Ron Allison Daisy Allsop Christine Allsopp Pedro Almodovar Agustin Almodovar David Alpin Tess Alps Caroline Alterskye-Knight John Altman Richard Alwyn Vanessa Amberleigh Chris Ambler David Ambrose Arash Amel Paul Amer Asitha Ameresekere
    [Show full text]
  • The Seventh and Final Chapter of the Harry Potter Story Begins As Harry
    “Harry Potter and the Deathly Hallows – Part 2,” is the final adventure in the Harry Potter film series. The much-anticipated motion picture event is the second of two full-length parts. In the epic finale, the battle between the good and evil forces of the wizarding world escalates into an all-out war. The stakes have never been higher and no one is safe. But it is Harry Potter who may be called upon to make the ultimate sacrifice as he draws closer to the climactic showdown with Lord Voldemort. It all ends here. “Harry Potter and the Deathly Hallows – Part 2” stars Daniel Radcliffe, Rupert Grint and Emma Watson, reprising their roles as Harry Potter, Ron Weasley and Hermione Granger. The film’s ensemble cast also includes Helena Bonham Carter, Robbie Coltrane, Warwick Davis, Tom Felton, Ralph Fiennes, Michael Gambon, Ciarán Hinds, John Hurt, Jason Isaacs, Matthew Lewis, Gary Oldman, Alan Rickman, Maggie Smith, David Thewlis, Julie Walters and Bonnie Wright. The film was directed by David Yates, who also helmed the blockbusters “Harry Potter and the Order of the Phoenix,” “Harry Potter and the Half-Blood Prince” and “Harry Potter and the Deathly Hallows – Part 1.” David Heyman, the producer of all of the Harry Potter films, produced the final film, together with David Barron and J.K. 1 Rowling. Screenwriter Steve Kloves adapted the screenplay, based on the book by J.K. Rowling. Lionel Wigram is the executive producer. Behind the scenes, the creative team included director of photography Eduardo Serra, production designer Stuart Craig, editor Mark Day, visual effects supervisor Tim Burke, special effects supervisor John Richardson, and costume designer Jany Temime.
    [Show full text]
  • Starwars Episode Vi Revenge of the Jedi
    S T A R W A R S EPISODE VI REVENGE OF THE JEDI BY LAWRENCE KASDAN AND GEORGE LUCAS FROM THE NOVEL BY GEORGE LUCAS SECOND DRAFT - DECEMBER 19, 1982 1 SPACE 1 The boundless heavens serve as a back-drop for the MAIN TITLE, followed by a ROLL-UP, which crawls into infinity. Episode VI: REVENGE OF THE JEDI... Luke Skywalker has returned to his home planet of Tatooine in an attempt to rescue his friend Han Solo from the clutches of the vile gangster Jabba the Hutt. Little does Luke know that the GALACTIC EMPIRE has secretly begun construction on a new armored space station even more powerful than the first dreaded Death Star. When completed, this ultimate weapon will spell certain doom for the small band of Rebels struggling to restore freedom to the galaxy... PAN DOWN to reveal a monstrous half-completed Death Star, its massive superstructure curling away from the completed section like the arms of a giant octopus. Beyond, in benevolent contrast, floats the small, green moon of ENDOR. An Imperial Star Destroyer moves overhead toward the massive armored space station, followed by two zipping TIE fighters. A small Imperial shuttle rockets from the main bay of the ship and hustles toward the Death Star. 2 INT IMPERIAL SHUTTLE - COCKPIT 2 The shuttle captain makes contact with the Death Star. SHUTTLE CAPTAIN Command station, this is ST 321. Code Clearance Blue. We're starting our approach. Deactivate the security shield. DEATH STAR CONTROLLER (filtered VO) The security deflector shield will be deactivated when we have confirmation of your code transmission.
    [Show full text]
  • London Instead Decided to Move Quite Literally out of Their Comfort Zone
    fter establishing itself over the A past six years as Europe’s pre- eminent industry event, the International Make-up Artist Trade Show could easily have rested on its well-deserved laurels, but for show number seven, organizers London instead decided to move quite literally out of their comfort zone. IMATS 2008, held Jan. 26- 27, was housed in London’s Alexandra Palace, one of the city’s most distinctive landmarks, from which the BBC made its first public TV transmissions back in 1936. And as palaces go, the venue felt oddly appropriate, thanks to the presence of make- 2008 up royalty—namely, six-time Oscar winner Rick Baker, who made his first-ever appearance at the London show. One of the biggest programming changes from previous U.K. events was to forgo the appearance of a keynote speaker on Saturday morning. With so many people making their way to a new venue for the first time, it made sense to start the day Students and off at a slightly slower pace, allowing attendees from around the world to spend a few hours finding their way around, as professionals from opposed to racing into the main hall to avoid missing a major presentation. That said, Saturday’s education component around the world kicked off at 10:30 a.m. with Neill Gorton’s silicone aging make-up application, at which he was assisted by Millennium converge on FX right-hand man Rob Mayer. Gorton has demonstrated to a packed house every year since 2002, and this time was no Alexandra Palace exception, with the main hall filling up nearly an hour before the scheduled start time.
    [Show full text]
  • The Lord of the Rings the Fellowship of the Ring
    NEW LINE CINEMA NEW LINE CINEMA PRESENTS A WINGNUT FILMS PRODUCTION THE LORD OF THE RINGS THE FELLOWSHIP OF THE RING Directed by PETER JACKSON Screenplay by FRAN WALSH PHILIPPA BOYENS PETER JACKSON Based on the book by J. R. R. TOLKIEN Producers BARRIE M. OSBORNE PETER JACKSON FRAN WALSH TIM SANDERS Executive Producers MARK ORDESKY BOB WEINSTEIN HARVEY WEINSTEIN ROBERT SHAYE MICHAEL LYNNE Director of Photography ANDREW LESNIE, A.C.S. Production Designer GRANT MAJOR Film Editor JOHN GILBERT Co-Producers RICK PORRAS JAMIE SELKIRK ELIJAH WOOD IAN McKELLEN LIV TYLER VIGGO MORTENSEN SEAN ASTIN CATE BLANCHETT JOHN RHYS-DAVIES BILLY BOYD DOMINIC MONAGHAN ORLANDO BLOOM CHRISTOPHER LEE HUGO WEAVING featuring SEAN BEAN and IAN HOLM with ANDY SERKIS as GOLLUM MARTON CSOKAS CRAIG PARKER LAWRENCE MAKOARE U.K. Casting by JOHN HUBBARD and AMY MacLEAN U.S. Casting by VICTORIA BURROWS New Zealand Casting by LIZ MULLANE Australian Casting by ANN ROBINSON Costume Designers NGILA DICKSON RICHARD TAYLOR Music Composed, Orchestrated & Conducted by HOWARD SHORE Associate Producer ELLEN M. SOMERS Special Make-Up, Creatures, Armour & Miniatures RICHARD TAYLOR Visual Effects Supervisor JIM RYGIEL Featuring the Songs "May It Be" and "Aníron" composed & performed by ENYA Unit Production Managers NIKOLAS KORDA ZANE WEINER First Assistant Director CAROLYNNE CUNNINGHAM Key Second Assistant Director GUY CAMPBELL Executive In Charge Of Production CARLA FRY Executive In Charge Of Post Production JODY LEVIN Executive In Charge Of Visual Effects LAUREN RITCHIE Conceptual Designers ALAN LEE JOHN HOWE Supervising Sound Editor / Co-Designer ETHAN VAN DER RYN Supervising Sound Editor MICHAEL HOPKINS Sound Designer DAVID FARMER Voice Of The Ring ALAN HOWARD Cast In Alphabetical Order Everard Proudfoot NOEL APPLEBY Sam SEAN ASTIN Sauron SALA BAKER Boromir SEAN BEAN Galadriel CATE BLANCHETT Legolas ORLANDO BLOOM Pippin BILLY BOYD Celeborn MARTON CSOKAS Mrs.
    [Show full text]
  • 2010 NOMINATIONS (Presented in 2011)
    2010 NOMINATIONS (presented in 2011) BEST FILM BLACK SWAN Mike Medavoy, Brian Oliver, Scott Franklin INCEPTION Emma Thomas, Christopher Nolan THE KING’S SPEECH Iain Canning, Emile Sherman, Gareth Unwin THE SOCIAL NETWORK Scott Rudin, Dana Brunetti, Michael De Luca, Céan Chaffin TRUE GRIT Scott Rudin, Ethan Coen, Joel Coen OUTSTANDING BRITISH FILM 127 HOURS Danny Boyle, Simon Beaufoy, Christian Colson, John Smithson ANOTHER YEAR Mike Leigh, Georgina Lowe FOUR LIONS Chris Morris, Jesse Armstrong, Sam Bain, Mark Herbert, Derrin Schlesinger THE KING’S SPEECH Tom Hooper, David Seidler, Iain Canning, Emile Sherman, Gareth Unwin MADE IN DAGENHAM Nigel Cole, William Ivory, Elizabeth Karlsen, Stephen Woolley OUTSTANDING DEBUT BY A BRITISH WRITER, DIRECTOR OR PRODUCER THE ARBOR Clio Barnard (Director), Tracy O’Riordan (Producer) EXIT THROUGH THE GIFT SHOP Banksy (Director), Jaimie D’Cruz (Producer) FOUR LIONS Chris Morris (Director/Writer) MONSTERS Gareth Edwards (Director/Writer) SKELETONS Nick Whitfield (Director/Writer) DIRECTOR 127 HOURS Danny Boyle BLACK SWAN Darren Aronofsky INCEPTION Christopher Nolan THE KING’S SPEECH Tom Hooper THE SOCIAL NETWORK David Fincher ORIGINAL SCREENPLAY BLACK SWAN Mark Heyman, Andrés Heinz, John McLaughlin THE FIGHTER Scott Silver, Paul Tamasy, Eric Johnson INCEPTION Christopher Nolan THE KIDS ARE ALL RIGHT Lisa Cholodenko, Stuart Blumberg THE KING’S SPEECH David Seidler ADAPTED SCREENPLAY 127 HOURS Danny Boyle, Simon Beaufoy THE GIRL WITH THE DRAGON TATTOO Rasmus Heisterberg, Nikolaj Arcel THE SOCIAL NETWORK
    [Show full text]
  • Return-Of-The-Jedi-Press-Kit2.Pdf
    www.knowitalljoe.com "THE STAR WARS SAGA ON LOCATION" Feature -2- British production designer Norman Reynolds, a double Oscar winner for STAR WARS ana RAIDERS OF THE LOST ARK, was given a million dollar budget to clear the valley of vegetation and construct a four acre stockade to house his 30,000 square foot platform which is topped by a sixty foot, fully-rigged, anti-gravity Sail Barge. The true significance of this set will remain a closely kept secret until RETURN OF THE JEDI opens on May 25, 1983. The JEDI crew was in the area for six months, employing more than fifty local residents ana pumping more than two million dollars into the local economy. Associate to the Producer Louis Friedman was relieved to discover that, almost without exception, "I could find anything we needed locally. I just had to look a bit longer ana harder." Assistant art director Chris Campbell concurs: "The merchants here really helped us a lot. They realized that with an operation of this size, when we ord~red a product, we needed it all-- not just a gallon or two." Some of the things they needed were two million gallons of water (drawn from the All American Canal) to continually dampen down and grade the only possible access road and sixteen thousand pounds of nails to keep the massiv~ Sail Barge structure steady. (More) "THE STAR WARS SAGA ON LOCATION" ... Featur e -3- The filming of the compl ex action and special effects sequence was completed in two weeks, exactly as planned despite daytime temper qtures of 120° and two days of intermittent sandstorms with sixty mile per hour winds which sent the one hundred twenty-five member cast and crew running for cover.
    [Show full text]