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Hollywood and Film Critics
Hollywood and film critics: Is journalistic criticism about cinema now a part of the culture industry helping economy more than art? Argo: a case study of the movie and film reviews published in the printed media in United States student: Seyedjavad Rasooli Tutor: Jaume Soriano Coordinator: María Dolores Montero Sánchez DEPARTAMENTO DE MEDIOS, COMUNICACIÓN Y CULTURA Barcelona, September de 2015 Table of Contents Abstract ...................................................................................................................4 Introduction ............................................................................................................. 5 Theoretical Framework ............................................................................................. 6 Frankfurt School and Critical theory ......................................................................................... 6 The concept of culture industry................................................................................................ 8 The Culture Industry and Film................................................................................................. 11 About Hollywood .................................................................................................................... 12 Hollywood and Ideology.......................................................................................................... 15 About Film Critic Genre.......................................................................................................... -
68Th EMMY® AWARDS NOMINATIONS for Programs Airing June 1, 2015 – May 31, 2016
EMBARGOED UNTIL 8:40AM PT ON JULY 14, 2016 68th EMMY® AWARDS NOMINATIONS For Programs Airing June 1, 2015 – May 31, 2016 Los Angeles, CA, July 14, 2016– Nominations for the 68th Emmy® Awards were announced today by the Television Academy in a ceremony hosted by Television Academy Chairman and CEO Bruce Rosenblum along with Anthony Anderson from the ABC series black-ish and Lauren Graham from Parenthood and the upcoming Netflix revival, Gilmore Girls. "Television dominates the entertainment conversation and is enjoying the most spectacular run in its history with breakthrough creativity, emerging platforms and dynamic new opportunities for our industry's storytellers," said Rosenblum. “From favorites like Game of Thrones, Veep, and House of Cards to nominations newcomers like black-ish, Master of None, The Americans and Mr. Robot, television has never been more impactful in its storytelling, sheer breadth of series and quality of performances by an incredibly diverse array of talented performers. “The Television Academy is thrilled to once again honor the very best that television has to offer.” This year’s Drama and Comedy Series nominees include first-timers as well as returning programs to the Emmy competition: black-ish and Master of None are new in the Outstanding Comedy Series category, and Mr. Robot and The Americans in the Outstanding Drama Series competition. Additionally, both Veep and Game of Thrones return to vie for their second Emmy in Outstanding Comedy Series and Outstanding Drama Series respectively. While Game of Thrones again tallied the most nominations (23), limited series The People v. O.J. Simpson: American Crime Story and Fargo received 22 nominations and 18 nominations respectively. -
P. Diddy with Usher I Need a Girl Pablo Cruise Love Will
P Diddy Bad Boys For Life P Diddy feat Ginuwine I Need A Girl (Part 2) P. Diddy with Usher I Need A Girl Pablo Cruise Love Will Find A Way Paladins Going Down To Big Mary's Palmer Rissi No Air Paloma Faith Only Love Can Hurt Like This Pam Tillis After A Kiss Pam Tillis All The Good Ones Are Gone Pam Tillis Betty's Got A Bass Boat Pam Tillis Blue Rose Is Pam Tillis Cleopatra, Queen Of Denial Pam Tillis Don't Tell Me What To Do Pam Tillis Every Time Pam Tillis I Said A Prayer For You Pam Tillis I Was Blown Away Pam Tillis In Between Dances Pam Tillis Land Of The Living, The Pam Tillis Let That Pony Run Pam Tillis Maybe It Was Memphis Pam Tillis Mi Vida Loca Pam Tillis One Of Those Things Pam Tillis Please Pam Tillis River And The Highway, The Pam Tillis Shake The Sugar Tree Panic at the Disco High Hopes Panic at the Disco Say Amen Panic at the Disco Victorious Panic At The Disco Into The Unknown Panic! At The Disco Lying Is The Most Fun A Girl Can Have Panic! At The Disco Ready To Go Pantera Cemetery Gates Pantera Cowboys From Hell Pantera I'm Broken Pantera This Love Pantera Walk Paolo Nutini Jenny Don't Be Hasty Paolo Nutini Last Request Paolo Nutini New Shoes Paolo Nutini These Streets Papa Roach Broken Home Papa Roach Last Resort Papa Roach Scars Papa Roach She Loves Me Not Paper Kites Bloom Paper Lace Night Chicago Died, The Paramore Ain't It Fun Paramore Crush Crush Crush Paramore Misery Business Paramore Still Into You Paramore The Only Exception Paris Hilton Stars Are Bliind Paris Sisters I Love How You Love Me Parody (Doo Wop) That -
Californication Biography Song List What We Play
Californication Biography about us Established in early 2004, Californication the all new Red Hot Chili Peppers Show, aims to deliver Australia’s tribute to one of the world’s most popular and distinguishable bands: the Red Hot Chili Peppers. Californication recreates an authentic and live experience that is, the Red Hot Chili Peppers. The Chili Peppers themselves first came to prominence 20 years ago by fusing funk, rock and rap music styles through their many groundbreaking albums. A typical 90 minute show performed by Californication includes all the big hits and smash anthems that have made the Chili Peppers such an enduring global act. From their breakthrough cover of Stevie Wonder’s Higher Ground to the multiplatinum singles Give it Away, Under the Bridge and Breaking the Girl; as well as Aeroplane, Scar Tissue, Otherside and Californication; fans of the Chili Peppers’ music will never walk away disappointed. Fronted by Johnny, the vocalist of the Red Hot Chili Peppers Show captures all the stage antics and high energy required to emulate Anthony Kiedis, while the rest of the band carry out the very essence of the Red Hot Chili Peppers through the attention of musical detail and a stunning visual performance worthy of the famous LAbased quartet. And now, exclusively supported by the exciting, upcoming party band Big Way Out, you can be guaranteed an enjoyable night’s worth of entertainment. Be prepared to experience Californication the Red Hot Chili Peppers Show. Coming soon to a venue near you! Song List what we play Mothers -
Wmc Investigation: 10-Year Analysis of Gender & Oscar
WMC INVESTIGATION: 10-YEAR ANALYSIS OF GENDER & OSCAR NOMINATIONS womensmediacenter.com @womensmediacntr WOMEN’S MEDIA CENTER ABOUT THE WOMEN’S MEDIA CENTER In 2005, Jane Fonda, Robin Morgan, and Gloria Steinem founded the Women’s Media Center (WMC), a progressive, nonpartisan, nonproft organization endeav- oring to raise the visibility, viability, and decision-making power of women and girls in media and thereby ensuring that their stories get told and their voices are heard. To reach those necessary goals, we strategically use an array of interconnected channels and platforms to transform not only the media landscape but also a cul- ture in which women’s and girls’ voices, stories, experiences, and images are nei- ther suffciently amplifed nor placed on par with the voices, stories, experiences, and images of men and boys. Our strategic tools include monitoring the media; commissioning and conducting research; and undertaking other special initiatives to spotlight gender and racial bias in news coverage, entertainment flm and television, social media, and other key sectors. Our publications include the book “Unspinning the Spin: The Women’s Media Center Guide to Fair and Accurate Language”; “The Women’s Media Center’s Media Guide to Gender Neutral Coverage of Women Candidates + Politicians”; “The Women’s Media Center Media Guide to Covering Reproductive Issues”; “WMC Media Watch: The Gender Gap in Coverage of Reproductive Issues”; “Writing Rape: How U.S. Media Cover Campus Rape and Sexual Assault”; “WMC Investigation: 10-Year Review of Gender & Emmy Nominations”; and the Women’s Media Center’s annual WMC Status of Women in the U.S. -
Evidence from Movie Reviews
Does Media Concentration Lead to Biased Coverage? Evidence from Movie Reviews∗ Stefano DellaVigna Alec Kennedy UC Berkeley and NBER San Francisco Federal Reserve Bank [email protected] [email protected] September 14, 2011 Abstract Fueled by the need to cut costs in a competitive industry, media companies have be- come increasingly concentrated. But is this consolidation without costs for the quality of information? Concentrated media companies generate a conflict of interest: a media outlet can bias its coverage to benefit companies in the same group. We test empirically for bias by examining movie reviews by media outlets owned by News Corp.–such as the Wall Street Journal–and by Time Warner–such as Time.Wefind a statistically significant, if small, bias in the review score for 20th Century Fox movies in the News Corp. outlets. We detect no bias for Warner Bros. movies in the reviews of the Time Warner outlets, but find instead some evidence of bias by omission: the media in this group are more likely to review highly-rated movies by affiliated studios. Using the wealth of detail in the data, we present evidence regarding bias by individual reviewer, and also biases in the editorial assignment of review tasks. We conclude that reputation limits the extent of bias due to conflict of interest, but that nonetheless powerful biasing forces are at work due to consolidation in the media industry. ∗PRELIMINARY AND INCOMPLETE, DO NOT CITE WITHOUT PERMISSION. Ivan Balbuzanov and Xiaoyu Xia provided excellent research assistance. We thank audiences at UC Berkeley for very helpful com- ments. -
New Hollywood As Political Discourse
CAPTURING TURMOIL: NEW HOLLYWOOD AS POLITICAL DISCOURSE by DANA ALSTON A THESIS Presented to the Department of Cinema Studies and the Robert D. Clark Honors College in partial fulfillment of the requirements for the degree of Bachelor of Arts June 2018 An Abstract of the Thesis of Dana Alston for the degree of Bachelor of Arts in the Department of Cinema Studies to be taken June 2018 Title: Capturing Turmoil: New Hollywood as Political Discourse Approved: _______________________________________ Dr. Erin Hanna This thesis is an argumentative close analysis of themes, aesthetics, and political meanings within three New Hollywood films. It emerged out of an interest in the films of the 1960s and 70s and the changes within that era’s film industry. Those changes granted young, educated filmmaker opportunities to helm studio-driven projects, weaving material into their narratives that would have been impossible in a system ruled by the Hollywood Production Code. The era also included significant social and political unrest, and the films therein reflect that reality. In this project, I perform content analyses for three films within the New Hollywood movement — Bonnie and Clyde (1967), Dog Day Afternoon (1975), and Nashville (1975) — in order to understand how films in the movement used themes of celebrity, violence, and oppression to act as a form of discourse. All three films employ on-screen violence to complicate the audience’s initial assumptions of characters, and each film critiques the social and political issues of its time through this violence. For each analysis, I discuss several sequences’ mise-en-scène — the arrangement of elements within the entire frame — and connect them to broad socio-political ideas. -
Critical Acclaim for ‘THE LOOK of SILENCE’ by Joshua Oppenheimer
Critical Acclaim For ‘THE LOOK OF SILENCE’ By Joshua Oppenheimer “A painful, profoundly empathetic work of moral reckoning.” —A.O. Scott, The New York Times “A shocking and significant film, a further illumination of one of recent history's great horrors, a documentary that will make a difference in the world.” —Kenneth Turan, Los Angeles Times “In a way, I wish I'd never seen The Look of Silence, because now I won’t be able to forget it. But that’s the point.” —Joe Morgenstern, The Wall Street Journal “Profoundly shattering.” —Stephanie Merry, The Washington Post “Painful and unforgettable.” —Michael Phillips, Chicago Tribune “Piercingly and authentically horrifying. a must see. arresting and important filmmaking.” —Peter Bradshaw, The Guardian “Powerful.” —Newsday “Over and over in The Look of Silence, we hear people tell the filmmakers, ‘The past is past.’ The wound is healed, they say, and if you don’t want trouble, don’t reopen it. The movie itself proves otherwise.” —Ty Burr, The Boston Globe “Stunning. a highwire achievement. [with] crushing emotional impact. The film reveals Oppenheimer to be a documentary stylist of evolving grace and sophistication.” —Guy Lodge, Variety “Every scene weighs on the audience. But Oppenheimer and [subject] Adi manage to locate a lightness as well that lessens the burden.” —Lenika Cruz, The Atlantic “The Look of Silence is perhaps even more riveting for focusing on one man’s personal search for answers as he bravely confronts his brother’s killers. In the end, the real value of [The Act of Killing and The Look of Silence] is the anguishing new light they cast on the darkest reaches of human evil.” —Deborah Young, The Hollywood Reporter “Manages to burrow deep into your soul . -
THE Permanent Crisis of FILM Criticism
mattias FILM THEORY FILM THEORY the PermaNENT Crisis of IN MEDIA HISTORY IN MEDIA HISTORY film CritiCism frey the ANXiety of AUthority mattias frey Film criticism is in crisis. Dwelling on the Kingdom, and the United States to dem the many film journalists made redundant at onstrate that film criticism has, since its P newspapers, magazines, and other “old origins, always found itself in crisis. The erma media” in past years, commentators need to assert critical authority and have voiced existential questions about anxieties over challenges to that author N E the purpose and worth of the profession ity are longstanding concerns; indeed, N T in the age of WordPress blogospheres these issues have animated and choreo C and proclaimed the “death of the critic.” graphed the trajectory of international risis Bemoaning the current anarchy of inter film criticism since its origins. net amateurs and the lack of authorita of tive critics, many journalists and acade Mattias Frey is Senior Lecturer in Film at film mics claim that in the digital age, cultural the University of Kent, author of Postwall commentary has become dumbed down German Cinema: History, Film History, C and fragmented into niche markets. and Cinephilia, coeditor of Cine-Ethics: riti Arguing against these claims, this book Ethical Dimensions of Film Theory, Prac- C examines the history of film critical dis tice, and Spectatorship, and editor of the ism course in France, Germany, the United journal Film Studies. AUP.nl 9789089647177 9789089648167 The Permanent Crisis of Film Criticism Film Theory in Media History explores the epistemological and theoretical founda- tions of the study of film through texts by classical authors as well as anthologies and monographs on key issues and developments in film theory. -
Infiltrate Hate
“THE MOST IMPORTANT FILM OF THE YEAR” EMPIRE ++++ ++++ ++++ ++++ EMPIRE THE TIMES TIME OUT THE TELEGRAPH ++++ +++++ ++++ TOTAL FILM THE INDEPENDENT LITTLE WHITE LIES “RIOTOUSLY “MAGNIFICENT & ENTERTAINING” CONTROVERSIAL” ESQUIRE THE INDEPENDENT INFILTRATE HATE. Based on a true story. JOHN DAVID ADAM WASHINGTON DRIVER A SPIKE LEE JOINT FROM PRODUCER JORDAN PEELE IN CINEMAS AUGUST 24 ALITA: BATTLE ANGEL INSIDE JAMES CAMERON’S LONG-AWAITED SCI-FI HAN SOLO SEPTEMBER 2018 £4.99 $10.99 USD $11.99 CAN THE NUN ABOUT TO SCARE YOU SENSELESS BUMBLEBEE THEGAGS! THE BUZZ ON THE THEACTION! ’80S-SET SPIN-OFF THE BEAVER! CREED II FIRST LOOK AT THE RETURN OF DRAGO Old favouritestakeonnewhopesin the ultimatevote HEATHERS REVISITING THE DARK-HEARTED TEEN COMEDY THE HUNT HAS EVOLVED IN CINEMAS & IN 3D SEPT 12 THIS MONTH ATEMPIRE WHENW CHOOSING YOUR favourite Star Wars character, there are several things to take into consideration. They include (but are not limited to): your age when you first encountered them, how good their outfit is, how quick they are with a quip, where they place on the spectrum of saint to scoundrel (and your feelings about that position). Behind the scenes with photographer Art Streiber and Ethan Hawke joins Ben Travis for a chat aboutPodcast. It’s far from an easy decision but, when Samuel L. Jackson at Smashbox Studios in Los Angeles. for the Empire First Reformed we asked you to make that call for our poll, you rose to the task admirably. AndA this month, we’re excited to reveal the results. Who’s the top twin: Luke or Leia? Who’s master of the Jedi: Yoda or Obi-Wan (or Mace Windu)? And can Rey and the new crop challenge the Original Trilogy’s icons? The answers to all these questions (and others — how high is Jar Jar?) are inside. -
This Is a Sample List Only, and Is Constantly Being Updated
THIS IS A SAMPLE LIST ONLY, AND IS CONSTANTLY BEING UPDATED TITLE: ARTIST: TITLE: ARTIST: 1979 Smashing Pumpkins Easy Faith No More 3am Matchbox 20 Endlessly Muse A Team, The Ed Sheeran Everlong Foo Fighters About A Girl Nirvana Every Little Thing She Does Is Magic Police Accidentally In Love Counting Crows Every You, Every Me Placebo Across The Universe The Beatles Everything You Want Vertical Horizon Aeroplane Red Hot Chili Peppers Faith George Michael After Midnight J. J. Cale Fake Plastic Trees Radiohead All I Want Is You U2 Fall At Your Feet Crowded House All Over You Live Father & Son Cat Stevens All The Small Things Blink 182 Feeler Pete Murray Amazing Alex Lloyd Fifteen Feet Of Snow Diesel American Idiot Green Day Flagpole Sitta Harvey Danger Angel Of Harlem U2 Flame Trees Cold Chisel Angels Robbie Williams Flame, The Cheap Trick Another Round Foo Fighters Fly Away Lenny Kravitz Are You Old Enough Dragon Follow You Down Gin Blossoms Babylon David Grey Forever Now Cold Chisel Back To You John Mayer Forget You Cee-Lo Green Beautiful Day U2 Forgiven Not Forgotten The Corrs Bed Of Roses Bon Jovi Foxy Lady Jimi Hendrix Beer Reel Big Fish Glycerine Bush Before You Accuse Me Eric Clapton Go Your Own Way Fleetwood Mac Better Be Home Soon Crowded House Good Riddence (Time Of Your Life) Green Day Better Man Pearl Jam Goodbye Yellow Brick Road Elton John Better Man Robbie Williams Grace Jeff Buckley Better Than John Butler Trio Great Southern Land Icehouse Betterman John Butler Trio Green Limousine Badloves Black And Gold Sam Sparro Hallelujah -
This Year's Emmy Awards Noms Here
FOR IMMEDIATE RELEASE 2017 EMMY® AWARDS NOMINATIONS FOR PROGRAMS AIRING JUNE 1, 2016 – MAY 31, 2017 Los Angeles, CA, July 13, 2017– Nominations for the 69th Emmy® Awards were announced today by the Television Academy in a ceremony hosted by Television Academy Chairman and CEO Hayma Washington along with Anna Chlumsky from the HBO series Veep and Shemar Moore from CBS’ S.W.A.T. "It’s been a record-breaking year for television, continuing its explosive growth,” said Washington. “The Emmy Awards competition experienced a 15 percent increase in submissions for this year’s initial nomination round of online voting. The creativity and excellence in presenting great storytelling and characters across a multitude of ever-expanding entertainment platforms is staggering. “This sweeping array of television shows ranges from familiar favorites like black- ish and House of Cards to nominations newcomers like Westworld, This Is Us and Atlanta. The power of television and its talented performers – in front of and behind the camera – enthrall a worldwide audience. We are thrilled to once again honor the very best that television has to offer.” This year’s seven Drama Series nomInees include five first-timers dIstrIbuted across broadcast,Deadline cable and dIgItal Platforms: Better Call Saul, The Crown, The Handmaid’s Tale, House of Cards, Stranger Things, This Is Us and Westworld. NomInations were also sPread over dIstrIbution Platforms In the OutstandIng Comedy Series category, with newcomer Atlanta joined by the acclaimed black-ish, Master of None, Modern Family, Silicon Valley, Unbreakable Kimmy Schmidt and Veep. Saturday Night Live and Westworld led the tally for the most nomInations (22) In all categories, followed by Stranger Things and FEUD: Bette and Joan (18) and Veep (17).