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Diciembre 2018 Isaki Lacuesta & Isa Campo Lo real y lo fabulado [Festival Márgenes] Todo Scorsese (3) La cámara historicista Los años del cambio (12) 40 años de la Constitución Navidad, oscura Navidad diciembre Ecos de Bergman (2) 2018 1 sábado 2 domingo 17:30 - Sala 1 • Filmoteca Junior / Todo Scorsese. La 17:30 - Sala 1 • Todo Scorsese. La cámara historicista cámara historicista / Juego de espejos Las sesiones anunciadas pueden sufrir cam- La invención de Hugo (Hugo, Martin Scor- Juego sucio (Mou gaan dou, Wai-Keung Lau bios debido a la diversidad de la procedencia sese, 2011). Int.: Ben Kingsley, Asa Butterfield, y Alan Mak, 2002). Int.: Andy Lau, Tony Leung, de las películas programadas. Chloë Grace Moretz. EEUU. 35 mm. VOSE. 126’ Anthony Wong. Hong Kong. B-R. VOSE. 101’ «Visual y tecnológicamente abrumadora, La invención Las copias que se exhiben son las de mejor de Hugo se las arregla para envolver una historia emocional sobre un niño huérfano en el París de calidad disponibles. Las duraciones que figu- 1930 en un apasionado alegato por la preservación ran en el programa son aproximadas. del cine, una causa cercana al corazón de Scorsese». (Marjorie Baumgarten) Los títulos originales de las películas y los de Segunda proyección día 15. su distribución en España figuran en negrita. 20:00 - Sala 1 • Ecos de Bergman Vania en la calle 42 VOSE Versión original subtitulada en (Vanya on 42nd Street, Louis Malle, 1994). Int.: Phoebe Brand, Lynn Co- es pañol hen, Julianne Moore. EEUU. 35 mm. VOSE. 119’ VOSE* Versión original subtitulada en «Teje su red con aplomo, generando más y más dupli- Segunda proyección y texto día 12. español electrónico cidades y giros vertiginosos con cada set piece cargada VOSF/E* Versión original subtitulada en 20:30 - Sala 2 • Los años del cambio de sudor». (Dennis Lim) francés y español electrónico Sonámbulos (Manuel Gutiérrez Aragón, 20:00 - Sala 1 • Todo Scorsese. La cámara historicista VOSI/E* Versión original subtitulada en 1978). Int.: Ana Belén, Norman Briski, María / Juego de espejos La leyenda del tiempo (Isaki Lacuesta, 2006) Rosa Salgado. España. 35 mm. 96’ inglés y español electrónico Infiltrados (The Departed, Martin Scorsese, «El franquismo fue una larga pesadilla, una pesadilla MRI/E Muda con rótulos en inglés 2006). Int.: Leonardo DiCaprio, Matt Damon, en la que despertarse significa la muerte. […] Sabes subtitulada en español electrónico Jack Nicholson. EEUU. 35 mm. VOSE. 151’ que todo es cierto -la crueldad, el miedo, la humilla- MRS/E* Muda con rótulos en sueco ción-, pero también sabes que todo es mentira porque «Scorsese no necesitaba rehacer Juego sucio, pero subtitulada en español electrónico se trata de una realidad falsa». (Manuel Gutiérrez lo que ha conseguido es un elogio en lugar de una MRA/E* Muda con rótulos en alemán Aragón) afrenta al original: Infiltrados reimagina su material de subtitulada en español electrónico partida en lugar de alimentarse de él, preservando la 22:30 - Sala 1 • Isaki Lacuesta & Isa Campo. Lo real y MRF/E* Muda con rótulos en francés estructura de la primera película y encontrando nuevas lo fabulado curvas en ella». (Stephanie Zacharek) subtitulada en español electrónico Rouch, un noir Segunda proyección día 7. VE Versión en español (Sergi Dies e Isaki Lacuesta, 2004). España. AD. 5’. Dos cuentos en la 35 mm Proyección en 35 mm 20:30 - Sala 2 • Isaki Lacuesta & Isa Campo. Lo real y palma de la mano (Isaki Lacuesta, 2007). lo fabulado 16 mm Proyección en 16 mm Int.: Sergi Dies. España. AD. 10’. Los pasos do- DCP Proyección en DCP bles (Isaki Lacuesta, 2011). Int.: Bokar Dembele, La matanza del cerdo (La matança del BSP Proyección en Betacam SP Miquel Barceló, Alou Cisse. España. 35 mm. 87’. porc, Isaki Lacuesta, 2012). España, EEUU. AD. Total programa: 102’ VOSE. 10’. Murieron por encima de sus BDG Proyección en Betacam Digital posibilidades (Isaki Lacuesta, 2014). Int.: «Aventurado cruce de historias, sensaciones, mani- HDCam Proyección en HDCam Raúl Arévalo, Imanol Arias, Bruno Bergonzini. fiestos e imágenes. […] Juega a levantar fantasmas B-R Proyección en Blu-Ray España. DCP. 100’. Total programa: 110’ DVD Proyección en DVD delante de los ojos del espectador hasta hacerle du- dar de la propia naturaleza de sus retinas. Suena mis- «Pocas veces (y más en nuestro cine) se ha criticado El lobo de Wall Street (Martin Scorsese, 2013) Imagen promocional de Entre dos aguas (Isaki Lacuesta, 2018) AD Proyección en archivo digital terioso y, en realidad, es fascinante». (Luis Martínez) la sociedad actual y su hoguera de las vanidades con mayor acierto». (Pere Vall) 4 martes 5 miércoles 6 jueves 7 viernes 8 sábado 9 domingo 17:30 - Sala 1 • Jornadas de cine estonio 17:30 - Sala 1 • Isaki Lacuesta & Isa Campo. Lo real y No hay sesiones. 17:30 · Sala 1 • Todo Scorsese. La cámara historicista No hay sesiones. 17:30 - Sala 1 • Todo Scorsese. La cámara historicista lo fabulado The Little Comrade (Seltsimees laps, George Harrison: Living in the Material El aviador (The Aviator, Martin Scorsese, Moonika Siimets, 2018). Int.: Yuliya Aug, Ma- Microscopías (Isaki Lacuesta, 2003). Es- World (Martin Scorsese, 2011). EEUU. B-R. 2004). Int.: Leonardo DiCaprio, Cate Blanchett, ria Avdjushko, Maksim Demidov. Estonia. paña. AD. VOSE. 23’. Ressonàncies mag- VOSE. 208’ Kate Beckinsale. EEUU. 35 mm. VOSE. 170’ DCP. VOSI/E*. 100’ nètiques (Isaki Lacuesta, 2003). España. AD. «Living in the Material World está divida en dos, con la «Adaptando dos novelas autobiográficas de Leelo VOSE*. 10’. Teoría de los cuerpos (Isaki primera mitad dedicada a la etapa de Harrison con The Tunga, uno de los escritores más queridos en Esto- Lacuesta, 2004). Int.: Amit Pery, Gemma Fer- Beatles, y la segunda documentando el fin de la banda nia, Moonika Siimets consigue capturar la perpleji- nández, Wolf Sauter. España. AD. 5’. Lunaby y los esfuerzos del músico por dejar una huella como dad de la mirada de una niña de 6 años traumatiza- (Isaki Lacuesta, 2015). España. AD. 4’. Las va- artista en solitario. Pero ambas partes forman una mis- da tras ver cómo su madre es arrestada a punta de riaciones Marker (Sergi Dies e Isaki Lacues- ma historia: la de un hombre que se esforzaba por ser pistola». (Alissa Simon) ta, 2007). España. AD. 34’. Total programa: 76’ humilde, pero al mismo tiempo sufría por no sentirse suficientemente valorado». (Noel Murray) Presentación a cargo de la directora, Moonika Siimets. 19:30 - Sala 1 • Los años del cambio 18:00 - Sala 2 • Todo Scorsese. La cámara historicista 18:00 - Sala 2 • Los años del cambio Vestigios en Super-8: una crónica Infiltrados (The Departed, Martin Scorsese, Informe general sobre unas cuestio- amateur de los años del cambio (Ele- The Little Comrade (Moonika Siimets, 2018) 2006). Int.: Leonardo DiCaprio, Matt Damon, nes de interés para una proyección na Oroz y Xosé Prieto, 2018). España. DCP. 60’ Jack Nicholson. EEUU. 35 mm. VOSE. 151’ «Martin Scorsese parece sugerir, en una de las más ¡Qué bello es vivir! (Frank Capra, 1946) poderosas escenas de esta película excesiva y des- pública Estreno de esta producción de Filmoteca Española, (Pere Portabella, 1976). España. lumbrante, que la vida de Howard Hughes podría construida a base de filmaciones en Super-8 regis- 22:00 - Sala 1 • Cinéditos DCP. VOSE. 146’ resumirse en una imagen cargada de perturbadora tradas entre 1976 y 1979. Presentación a cargo de After life (Wandafuru raifu, Hirokazu Kore- “Transformación y adaptación. ¿Cambió el cine poesía: una alfombra roja cubierta de cristales rotos». Elena Oroz y Xose Prieto, comisarios de la sesión. eda, 1998). Int.: Arata Iura, Erika Oda, Susumu español a finales de los 70?”: mesa redonda previa (Jordi Costa) Terajima. Japón. 35 mm. VOSI/E*. 118’ a la proyección con la presencia de Santos Zunzu- negui, Carmen Arocena, Pere Portabella y Manuel Entrada libre hasta completar aforo. «Utilizando casi nada de música y rodando en un 18:00 · Sala 2 • Todo Scorsese. La cámara historicista Gutiérrez Aragón. estilo que varía entre composiciones encuadradas No Direction Home: Bob Dylan (Martin de forma inmaculada y un estilo más relajado, casi Scorsese, 2005). Reino Unido, EEUU, Japón. DCP. 20:30 - Sala 2 • Jornadas de cine estonio Entrada libre hasta completar aforo. documental, Kore-eda construye una película cuya VOSE*. 208’ Mother (Ema, Kadri Kõusaar, 2016). Int.: textura crece lentamente, como capas de pintura». «El documental de Scorsese arranca en el principio de Tiina Mälberg, Andres Tabun, Andres Noor- (Derek Elley) 20:00 - Sala 1 • Isaki Lacuesta & Isa Campo. Lo real y Bob Dylan y termina en 1966. Si algo demuestra No mets. Estonia. DCP. VOSI/E*. 89’ Segunda proyección día 21. lo fabulado Los amos de la noche (Walter Hill, 1979) Direction Home es que el Dylan “real” probablemente Intriga detectivesca con regusto de humor amargo “El cine entre dos aguas”: una mas- Al límite (Martin Scorsese, 1999) nunca saldrá a la superficie o que, realmente, ni si- sobre la vida en una pequeña ciudad que se ve con- quiera existe». (Jeffrey M. Anderson) terclass de Isaki Lacuesta. mocionada por un desconcertante tiroteo. 21:00 · Sala 1 • Todo Scorsese. La cámara historicista Duración aproximada: 90 minutos. Entrada libre Presentación a cargo del director, Kadri Kõusaar. hasta completar aforo. Feel Like Going Home (Martin Scorsese, 2003). Alemania, Reino Unido. AD. VOSE*. 110’ 22:00 - Sala 1 • Todo Scorsese. La cámara historicista Un documental, primera parte de la serie Martin Scor- 22:00 - Sala 1 • Isaki Lacuesta & Isa Campo. Lo real y sese presenta: The Blues, que investiga sobre los oríge- lo fabulado Al límite (Bringing Out the Dead, Martin Scor- sese, 1999). Int.: Nicolas Cage, Patricia Arquette, nes africanos del blues. La leyenda del tiempo (Isaki Lacuesta, John Goodman. EEUU. 35 mm.
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