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DM2000VCM Data Sheet
Digital Mixing Console DM2000VCM Overview This powerful digital production console offers DAW control, 6.1 channel surround mixing capability, and a range of top-quality effects, including many employing renowned Yamaha VCM technology. The DM2000VCM Digital Production Console is a first-class platform for stereo or surround audio production. Rear Panel Features • Precise 24-bit/96-kHz audio and high-performance head amps. • 96 inputs and 22 buses (8 group buses, 12 auxiliary buses, and a stereo bus) mix capacity at 96kHz. • Eight advanced multi-effect processors plus six 31-band GEQs. • Scene memory and auto-mix functions for efficient workflow. • Versatile channel pairing and grouping functions enhance mixing efficiency. • Comprehensive interface with touch-sensitive 100-mm motor faders. • Six Mini-YGDAI expansion slots for easy I/O expansion in a variety of formats. • Compatible with Windows and Macintosh versions of Studio Manager version2 Software for seamless PC and Console interoperability. • Easy integration with computer-based DAWs (Digital Audio Workstations) or digital recorders to create an advanced digital production environment. • A comprehensive range of features for surround production, including an enhanced surround monitoring environment with bass management. • A variety of Yamaha VCM effects and high-resolution REV-X reverbs. • Included in the THX pm3™ Studio Certification Program Approved Equipment List. Technical Data Sheet 1 / 6 Digital Mixing Console DM2000VCM Specifications 1/2 Functional Specifications Input Mixing -
Commercial Audio
Commercial Audio AUTO DEALERSHIP This 26000 sq ft facility is comprised of four program zones. The showroom zone has background music and paging functionality with EQ for the JBL control 40 sub/sat system providing a frequency response from 32Hz to 20kHz with maximum continuous average SPL of 84.4 dB. The outdoor zone also has background music and paging functionality where most pages will come from the reception microphone. The offices and bathrooms are one zone with music and paging. Each room has its own wall-mounted volume controller. Finally the service area is a paging only zone where most pages come from the service microphone. EQ and paging priorities are set from the DBX ZonePro 641 while power is provided by the Crown CT8150 multichannel amplifier. 120’ 25’ CEILING 80’ S3 S3 S3 S3 SERVICE S102 SERVICE RECEPTION 75W M2 ZC1 ZC3 S102 101W 10’ CEILING S1 S2 S2 S104 S2 ZC3 WOMENS MENS 14’ CEILING OFFICE S105 S2 S1 S1 OFFICE ZC3 AVR M1 S106 S2 ZC1 ZC3 OFFICE ZC3 S1 S1 S107 S2 S103 75W OFFICE ZC3 ZC1 110’ S3 S3 180’ RACK DESCRIPTION Media Source Source Components Dealerships can have many sources, but the primary media source will be to provide background music for the showroom and lot areas. Paging microphones are dbx Zone Pro 641 M commonly used in the showroom reception area and service reception area. Phone systems can also output pages and integrate similarly as a paging mic would ZC1, ZC3 Signal Processing & Routing Crown CT8150 The DBX ZonePro 641 provides both input processing and output processing and signal routing functionality. -
Education Contents
TECHNOLOGY Audio Case Studies & Product Guide Education Contents About HARMAN About Sound Technology Ltd Case Studies • Exeter University • Manchester Metropolitan Business School • University of Leicester • MMU Students’ Union • Oxford Union Debating Chamber • Athlone Institute of Technology • Springfield Community Centre Product Guides • Loudspeakers • Signal Processing and Distribution • Amplificiation • Mixing • Microphones About HARMAN HARMAN Professional Solutions is the world’s largest professional audio, video, lighting, and control products and systems company. It serves the entertainment and enterprise markets with comprehensive systems, including enterprise automation and complete IT solutions for a broad range of applications. HARMAN Professional Solutions brands comprise AKG Acoustics®, AMX®, BSS Audio®, Crown International®, dbx Professional®, DigiTech®, JBL Professional®, Lexicon®, Martin®, Soundcraft® and Studer®. These best- in-class products are designed, manufactured and delivered to a variety of customers, including tour, cinema, retail, corporate, government, education, large venue and hospitality. In addition, HARMAN’s world-class product development team continues to innovate and deliver groundbreaking technologies to meet its customers’ growing needs. For scalable, high-impact communication and entertainment systems, HARMAN Professional Solutions is your single point of contact. About Sound Technology Ltd Sound Technology Ltd is the specialist audio distributor of HARMAN Professional Solutions in the UK and Republic of Ireland. We provide system design, demonstration facilities and servicing of all HARMAN audio products. In this document you’ll find some relevant case studies. For any further information, to speak to our system designers, or to arrange a demo, please call us on 01462 480000. Exeter University The University of Exeter’s stunning multi-million pound Forum project has transformed the heart of the Streatham Campus and provided it with a vi- brant new centrepiece. -
5. Overview of ARM's Cortex-A Series
5. Overview of ARM’s Cortex-A series 5. Overview of ARM’s Cortex-A series (1) 5. Overview of ARM’s Cortex-A series According to the general scope of this Lecture Notes, subsequently we will be concerned only with the Cortex-A series. Key features of ARM’s Cortex-A series Multiprocessor capability Performance classes Word length of the Cortex-A series of the Cortex-A series of the Cortex-A series 5. Overview of ARM’s Cortex-A series (2) Multiprocessor capability of the Cortex-A series Multiprocessor capability of the Cortex-A series Single processor designs, Dual designs with two options A-priory no multiprocessor • a single processor option and multiprocessor designs capability • a multiprocesor capable option Cortex-A8 (2005) Cortex-A9/Cortex-A9 MPCore (2007) Cortex-A7 MPCore (2011) Cortex-A12/Cortex-A12 MPCore (2013) Cortex-A35 (2015) Cortex-A15/Cortex-A15 MPCore (2010) Cortex-A53 (2012) Cortex-A17/Cortex-A17 MPCore (2014) Cortex-A57 (2012) Cortex-A72 (2015) Here we note that in figures or tables we often omit the MPCore tag for the sake of brevity. 5. Overview of ARM’s Cortex-A series (3) Remarks on the interpretation of the term MPCore by ARM • ARM introduced the term MPCore in connection with the announcement of the ARM11 MPCore in 2004 and interpreted it as multicore implementation (actually including up to 4 cores). • Along with the ARM Cortex-A9 MPCore ARM re-interpreted this term such that it indicates now the multiprocessor capability of the processor. 5. Overview of ARM’s Cortex-A series (4) Performance classes of the Cortex-A series -1 [12] Performance classes of the Cortex-A models High-performance models Mainstream models Low-power models Cortex-A15 Cortex-A8 Cortex-A5 Cortex-A57 Cortex-A9 Cortex-A7 Cortex-A72 (Cortex-A12) Cortex-A35 Cortex-A17 Cortex-A53 5. -
Introduction to the Digital Snake
TABLE OF CONTENTS What’s an Audio Snake ........................................4 The Benefits of the Digital Snake .........................5 Digital Snake Components ..................................6 Improved Intelligibility ...........................................8 Immunity from Hums & Buzzes .............................9 Lightweight & Portable .......................................10 Low Installation Cost ...........................................11 Additional Benefits ..............................................12 Digital Snake Comparison Chart .......................14 Conclusion ...........................................................15 All rights reserved. No part of this publication may be reproduced in any form without the written permission of Roland System Solutions. All trade- marks are the property of their respective owners. Roland System Solutions © 2005 Introduction Digital is the technology of our world today. It’s all around us in the form of CDs, DVDs, MP3 players, digital cameras, and computers. Digital offers great benefits to all of us, and makes our lives easier and better. Such benefits would have been impossible using analog technology. Who would go back to the world of cassette tapes, for example, after experiencing the ease of access and clean sound quality of a CD? Until recently, analog sound systems have been the standard for sound reinforcement and PA applications. However, recent technological advances have brought the benefits of digital audio to the live sound arena. Digital audio is superior -
The Audio Mixing Console First Course, Fourth Grading Period, Week One
How To Run A Board: The Audio Mixing Console First course, Fourth grading period, Week one The mixing console at a radio station or production/recording studio can be an intimidating sight. Some have even looked at it and said, “Gosh, you must be able to fl y the Space Shuttle if you can work that!” In truth, a mixing console is a very basic piece of equipment. When broken down to its component parts, it is quite an easy beast to tame. What we will do in this lesson is start from the ground up, working with one element of the mixing desk, and then move on to put together the rest of the puzzle with the other elements. Soon after, we will move towards a more hands-on approach, allowing students to use the console in ways that are important and necessary to the industry. Whether they decide to pursue a career in broadcasting, journalism or engineering, students will discover just how vital a piece of equipment this is in any of the above professions. This lesson is provided by Brian Jarbow, NPR engineer. Enduring Understanding The ability to understand how a mixing console is used is essential in broadcasting, journalism or engineering. Essential Questions How does a mixing console work? How does the signal pass through it? How is it useful in mixing pieces for broadcast? Objectives and Outcomes • Students will be able to route a signal through the console. • Students will be able to route multiple sources to mix and control several signals happening at one time. -
XENYX X2442USB/X2222USB/X1832USB/X1622USB User Manual Table of Contents Thank You
User Manual X2442 /X2222 / X1832 /X1622 Premium 24/22/18/16-Input 4/2, 3/2 and 2/2-Bus Mixer with XENYX Mic Preamps & Compressors, British EQs, 24-Bit Multi-FX Processor and USB/Audio Interface 2 XENYX X2442USB/X2222USB/X1832USB/X1622USB User Manual Table of Contents Thank you ....................................................................... 2 Important Safety Instructions ...................................... 3 Legal Disclaimer ............................................................. 3 Limited warranty ............................................................ 3 1. Introduction ............................................................... 4 1.1 General mixing console functions ................................ 4 1.2 The user’s manual ............................................................... 5 1.3 Before you get started ...................................................... 5 2. Control Elements and Connectors .......................... 5 2.1 Mono channels .................................................................... 5 2.2 Stereo channels ................................................................... 7 2.3 Interface panel and main section ................................. 8 3. Graphic 9-Band Equalizer (X1832USB only) .......... 12 4. Digital Effects Processor ......................................... 13 5. Rear Panel Connectors ............................................ 13 5.1 Main mix outputs, insert points and control room outputs.............................................................. 13 5.2 -
Bars & Restaurants
CASE STUDY BARS & RESTAURANTS OPPORTUNITY WONDERS BAR AND GRILL, TEXAS, USA Create a user-friendly system that can E2I Design installed a complete audio solution by HARMAN Professional Solutions at play a wide range of audio sources and Wonders Bar & Grill, a newly opened pub, restaurant, sports bar and live music venue manage volume levels in different areas in downtown Corpus Christi. Owners Dayyan and Darren Wonders hired David Rotter, of the bar with ease. a Systems Integrator at E2I Design, to create a user-friendly system that would enable them to play a wide range of audio sources and manage volume levels in different areas SOLUTION of the bar. After careful consideration, E2I selected a complete HARMAN audio solution E2I selected a complete audio solution made up of dbx controllers, Crown amplification and JBL speakers for their seamless by HARMAN Professional Solutions made integration, intuitive operation and exceptional sound quality. up of dbx controllers, Crown amplification “The owners wanted a state-of-the-art audio system that was very user-friendly, with and JBL speakers for their seamless auto-switching capabilities and independent volume control for different zones in the integration, intuitive operation and bar,” said Rotter. “By partnering with HARMAN, we were able to cover all of our bases for exceptional sound quality. the system—including controllers, amplification and speakers—all from one integrated provider. All of the solutions work together seamlessly, and the HARMAN team was extremely helpful in making sure that the system we created met all of the customer’s needs.” The system E2I Design installed at Wonders Bar & Grill includes a dbx ZonePRO 1260m “With the HARMAN system, digital zone processor, 4 dbx ZC2 wall-mounted zone controllers, 1 dbx ZC3 wall- everyone at the bar can mounted zone controller, 1 Crown DCi 4|600 power amplifier, 8 JBL AWC82 loudspeakers and 1 JBL SRX828SP dual self-powered subwoofer system. -
Powermate 600 Power Mixer
Technische Informationen Architects and engineers specifications PowerMate 600 Power Mixer BESCHREIBUNG DESCRIPTION Die Integration von Mischpult, Leistungsverstärker und The integration of mixing console, power amplifier and effects Effektgeräten in ein kompaktes und modernes Gehäuse erlebt devices in a compact and modern unit reaches a new high with beim PowerMate 600 einen Höhepunkt. Mit 6 Mic/Line- sowie the PowerMate 600. zwei Stereo/Line Kanälen, zwei mischbaren 24 bit Effektgeräten, With 6 Mic/Line as well as two Stereo/Line channels, two mixable 7 Band Master Equalizer und integriertem Power-Amplifier 24-bit effects devices, a 7 band master equalizer and integrated mit 2 x 300 Watt Leistung ist der PowerMate 600 die absolute 2 x 300 W power amplifier, the PowerMate 600 is the absolute Allroundlösung für viele Anwendungen. allround solution for a multitude of applications, ideally suited to Bestens geeignet als Komplettlösung sowohl für Alleinunterhalter the needs of both single entertainers and small bands. als auch kleinere Bands. Für Schulen, Vereine oder ähnliche For schools, clubs or similar institutions, the PowerMate is the Institutionen ist dieser PowerMate der ideale Problemlöser für perfect tool for a wide range of sound reinforcement tasks. unterschiedlichste Beschallungsaufgaben. Sicher und kompakt Safe and easy to carry, fast and simple to set up, intuitive and zu transportieren, schnell und einfach aufzubauen sowie eine uncomplicated to operate, the smallest member of the PowerMate unkomplizierte Bedienung sind die Hauptmerkmale des kleinsten family delivers Dynacord quality in a compact, elegant frame. Mitglieds in der PowerMate Family. Pro-Mixing Pro-Mixing All the features of a professional mixing console but without the Professionelle Mischpult-Features auf engstem Raum. -
Contacting Dbx Technical Support
v1.0 25-Aug-21 My dbx product has developed a fault or I have a question about a product which I have purchased or perhaps intend to purchase. Who do I contact? The information below is applicable to products from dbx. Support for Harman Consumer products can be found at https://harmanaudio.com. Support for Harman Luxury products can be found at https://harmanluxuryaudio.com. USA Customers who have purchased a product in the USA or have a question about a product which they perhaps intend to purchase in the USA are supported directly by Harman Professional. Support contact information can be found at https://dbxpro.com/support/tech_support. This page contains a web-form where you can enter your contact details and query. Outside the USA Support outside of the USA is provided by Harman Professional distribution partners. These partners are responsible for sales, spare parts, repairs, technical support and general product queries. They will be able to provide assistance within local time-zone working hours for the territory. Distribution partner contact information can be obtained from https://dbxpro.com/support/tech_support after selecting your country from the drop-down selection box found at the top of the webpage. If a product develops a fault during the warranty period then please contact the point of sale (retailer or web-store). Warranty information can be found at https://dbxpro.com/warranty. About HARMAN Professional Solutions HARMAN Professional Solutions is the world’s largest professional audio, video, lighting, and control products and systems company. Our brands comprise AKG Acoustics®, AMX®, BSS Audio®, Crown International®, dbx Professional®, DigiTech®, JBL Professional®, Lexicon Pro®, Martin®, and Soundcraft®. -
Digital Mixing System D-2000 Series
Digital Mixing System D-2000 Series Integrating high-performance mixing, matrixing and processing functions to meet a wide scope of sound reinforcement applications Expandable all-in-one designs ideal offering easy operation, advanced functions and system control capabilities Expandable to a massive 128 input/output configuration, the D-2000 Series includes various modules and peripherals that can be combined to create the best possible sound in small to medium-size venues of all types, including hotel banquet and function rooms, indoor sports facilities, multipurpose halls and places of worship and many others. Creating the ideal sound environment » Auto-mixing advantages » Highly effective feedback suppression NOM (Number of Open Microphones) - automatically adjusts The D-2000 Series provides feedback elimination for up output level based on the total number of open microphones. to 4 channels. In addition, each channel can control 12 Ducker function (Auto-Mute function) - automatically works to problem frequencies. This makes it convenient for feedback attenuate outputs of channels with low priority. suppression in different areas of the same hall. 2 versatile suppression modes Either presettable Auto Mode or realtime Dynamic Mode can be selected to suit the situation and eliminate feedback. » Essential audio processing Delay, High-, Low-Pass and Notch Filters, Parametric Equalizers, Compressor/Auto Leveller, Gate, Crossovers and Crosspoint Gain. User-friendly design facilitates operation by any user » 32 preset memories for user convenience. Up to 32 different routing and parameter configurations can be stored in memory and called up to handle venues such as multi-purpose halls and conference rooms that require frequent changes in staging, seating and speaker arrangements. -
Automation: from Consoles to Daws
California State University, Monterey Bay Digital Commons @ CSUMB Capstone Projects and Master's Theses Capstone Projects and Master's Theses 12-2016 Automation: From Consoles to DAWs Christian Ekeke California State University, Monterey Bay Follow this and additional works at: https://digitalcommons.csumb.edu/caps_thes_all Part of the Music Education Commons Recommended Citation Ekeke, Christian, "Automation: From Consoles to DAWs" (2016). Capstone Projects and Master's Theses. 41. https://digitalcommons.csumb.edu/caps_thes_all/41 This Capstone Project (Open Access) is brought to you for free and open access by the Capstone Projects and Master's Theses at Digital Commons @ CSUMB. It has been accepted for inclusion in Capstone Projects and Master's Theses by an authorized administrator of Digital Commons @ CSUMB. For more information, please contact [email protected]. Christian Ekeke 12/19/16 Capstone 2 Dr. Lanier Sammons Automation: From Consoles to DAWs Since the beginning of modern music there has always been a need to implement movement into a mix. Whether it is bringing down dynamics for a classic fade out or a filter sweep slowly building into a chorus, dynamic activity in a song has always been pleasing to the average music listeners. The process that makes these mixing techniques possible is automation. Before I get into details about automation in regards to mixing I will explain common ways automation is used. Automation in a nutshell is the use of various techniques, method, and system of operating or controlling a process by highly automatic means generally through electronic devices. In music however, automation is simply the use of a combination of multiple control devices to alter parameters in real time while a mix is being played.