Digital Mixing System D-2000 Series
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Tools for Digital Audio Recording in Qualitative Research
Sociology at Surrey University of Surrey social researchUPDATE • The technology needed to make digital recordings of interviews and meetings for the purpose of qualitative research is described. • The advantages of using digital audio technology are outlined. • The technical background needed to make an informed choice of technology is summarised. • The Update concludes with brief evaluations of the types of audio recorder currently available. Tools for Digital Audio Recording in Qualitative Research Alan Stockdale In a recent book Michael Patton writes, “As a naïveté, can heighten the sense of “being Dr. Stockdaleʼs training is in good hammer is essential to fine carpentry, there”. For discussion of the naturalization cultural anthropology. He is a a good tape recorder is indispensable to of audio recordings in qualitative research, senior research associate at fine fieldwork” (Patton 2002: 380). He see Ashmore and Reed (2000). Education Development Center goes on to cite an example of transcribers in Boston, Massachusetts, at one university who estimated that 20% Why digital? of the tapes given to them “were so badly where he currently serves Audio Quality as an investigator on several recorded as to be impossible to transcribe The recording process used to make genetics education research accurately – or at all.” Surprisingly there analogue recordings using cassette tape is remarkably little discussion of tools and introduces noise, particularly tape hiss. projects funded by the U.S. techniques for recording interviews in the Noise can drown out softly spoken words National Institutes of Health. qualitative research literature (but see, for and makes transcription of normal speech example, Modaff and Modaff 2000). -
How to Tape-Record Primate Vocalisations Version June 2001
How To Tape-Record Primate Vocalisations Version June 2001 Thomas Geissmann Institute of Zoology, Tierärztliche Hochschule Hannover, D-30559 Hannover, Germany E-mail: [email protected] Key Words: Sound, vocalisation, song, call, tape-recorder, microphone Clarence R. Carpenter at Doi Dao (north of Chiengmai, Thailand) in 1937, with the parabolic reflector which was used for making the first sound- recordings of wild gibbons (from Carpenter, 1940, p. 26). Introduction Ornithologists have been exploring the possibilities and the methodology of tape- recording and archiving animal sounds for many decades. Primatologists, however, have only recently become aware that tape-recordings of primate sound may be just as valuable as traditional scientific specimens such as skins or skeletons, and should be preserved for posterity. Audio recordings should be fully documented, archived and curated to ensure proper care and accessibility. As natural populations disappear, sound archives will become increasingly important. This is an introductory text on how to tape-record primate vocalisations. It provides some information on the advantages and disadvantages of various types of equipment, and gives some tips for better recordings of primate vocalizations, both in the field and in the zoo. Ornithologists studying bird sound have to deal with very similar problems, and their introductory texts are recommended for further study (e.g. Budney & Grotke 1997; © Thomas Geissmann Geissmann: How to Tape-Record Primate Vocalisations 2 Kroodsman et al. 1996). For further information see also the websites listed at the end of this article. As a rule, prices for sound equipment go up over the years. Prices for equipment discussed below are in US$ and should only be used as very rough estimates. -
DM2000VCM Data Sheet
Digital Mixing Console DM2000VCM Overview This powerful digital production console offers DAW control, 6.1 channel surround mixing capability, and a range of top-quality effects, including many employing renowned Yamaha VCM technology. The DM2000VCM Digital Production Console is a first-class platform for stereo or surround audio production. Rear Panel Features • Precise 24-bit/96-kHz audio and high-performance head amps. • 96 inputs and 22 buses (8 group buses, 12 auxiliary buses, and a stereo bus) mix capacity at 96kHz. • Eight advanced multi-effect processors plus six 31-band GEQs. • Scene memory and auto-mix functions for efficient workflow. • Versatile channel pairing and grouping functions enhance mixing efficiency. • Comprehensive interface with touch-sensitive 100-mm motor faders. • Six Mini-YGDAI expansion slots for easy I/O expansion in a variety of formats. • Compatible with Windows and Macintosh versions of Studio Manager version2 Software for seamless PC and Console interoperability. • Easy integration with computer-based DAWs (Digital Audio Workstations) or digital recorders to create an advanced digital production environment. • A comprehensive range of features for surround production, including an enhanced surround monitoring environment with bass management. • A variety of Yamaha VCM effects and high-resolution REV-X reverbs. • Included in the THX pm3™ Studio Certification Program Approved Equipment List. Technical Data Sheet 1 / 6 Digital Mixing Console DM2000VCM Specifications 1/2 Functional Specifications Input Mixing -
USB Recording Microphone
FEATURES USING YOUR MICROPHONE Adjusting your microphone’s angle Front Position yourself 1.5 ft. (0.46 m) in front of the microphone with the Insignia Loosen the adjustment knobs to move the microphone to the position you Microphone: want, then retighten the knobs to secure. Captures audio. logo and mute button facing you. Mute button/Status LED: QUICK SETUP GUIDE Lights blue when connected to power. Lights red when muted. Adjustment knob USB Recording 1.5 ft. (0.46 m) Micro USB port: Tilt adjustment knobs: Attaching to a microphone stand Microphone Connect your USB cable (included) Adjust your microphone’s tilt angle. Your microphone’s cardioid recording pattern captures audio primarily from the 1 Unscrew the desk stand’s adjustment knob to remove the microphone. from this port to your computer. front of the microphone. This is ideal for recording podcasts, livestreams, NS-CBM19 Desk stand: voiceovers, or a single instrument or voice. Desk stand Holds your microphone. adjustment knob PACKAGE CONTENTS Side • Microphone • Desk stand Microphone 2 Screw the microphone onto a stand that has a 1/4" threaded adapter. • USB cable • Quick Setup Guide Desk stand adjustment knob Mounting hole: SYSTEM REQUIREMENTS Attaches the microphone Remove the desktop stand to screw Cardioid Windows 10®, Windows 8®, Windows 7®, or Mac OS X 10.4.11 or later to the stand. onto any ¼" threaded stand. recording pattern Mounting hole Before using your new product, please read these instructions to prevent any damage. SETTING UP YOUR MICROPHONE SETTING THE VOLUME The microphone is picking up background noise determined by turning the equipment off and on, the user is encouraged to try to correct the interference by Connecting to your computer Use your computer’s system settings or recording software to adjust the • This cardioid microphone picks up audio from the front and minimizes noise one or more of the following measures: Connect the USB cable (included) from your microphone to your computer. -
Introduction to the Digital Snake
TABLE OF CONTENTS What’s an Audio Snake ........................................4 The Benefits of the Digital Snake .........................5 Digital Snake Components ..................................6 Improved Intelligibility ...........................................8 Immunity from Hums & Buzzes .............................9 Lightweight & Portable .......................................10 Low Installation Cost ...........................................11 Additional Benefits ..............................................12 Digital Snake Comparison Chart .......................14 Conclusion ...........................................................15 All rights reserved. No part of this publication may be reproduced in any form without the written permission of Roland System Solutions. All trade- marks are the property of their respective owners. Roland System Solutions © 2005 Introduction Digital is the technology of our world today. It’s all around us in the form of CDs, DVDs, MP3 players, digital cameras, and computers. Digital offers great benefits to all of us, and makes our lives easier and better. Such benefits would have been impossible using analog technology. Who would go back to the world of cassette tapes, for example, after experiencing the ease of access and clean sound quality of a CD? Until recently, analog sound systems have been the standard for sound reinforcement and PA applications. However, recent technological advances have brought the benefits of digital audio to the live sound arena. Digital audio is superior -
ACCESS for Ells 2.0 Headset Specifications
ACCESS for ELLs 2.0 Headset Specifications The table below outlines features for headsets and recording devices and WIDA’s rationale in recommending those features. Please note that WIDA does not endorse specific brands or devices. Recommended Reason for Recommendation Alternatives not Features Recommended Device: Allows for recording and playback using Separate headphones and Headset the same device. microphone increase the need to ensure proper connection and setup on the computer and thus complicate the testing site set-up. Headset Design: Comfortable when worn for a longer In ear headphones (ear buds) that Over Ear period of time by students of different are placed directly in the ear canal Headphones ages. Weight and size of headphones are more difficult to clean between can be selected based on students’ age. uses by different students. They are Portable headphones are smaller and also not suitable for younger lighter and hence may be suitable for students. Many ear buds come with younger students. Deluxe headphones the microphone attached to the are larger and heavier but have the cord, making capturing the advantage of canceling out more noise. students’ voice more of a challenge. Play Back Mode: The sound files of the assessment are Stereo recorded and played back in stereo. Noise Cancellation Noise cancellation often does not Many headsets with a noise Feature: cancel out the sound of human voices. cancellation feature require a power source (e.g. batteries or USB None connection) and hence complicate the testing site set-up. Type of Connector Some computers have two ports for Many USB-connected headsets Plug: connecting audio-out and audio-in require driver installation, but • Single 3.5 mm separately, while others have one port perform adequately for audio plug (TRRS) for both. -
The Audio Mixing Console First Course, Fourth Grading Period, Week One
How To Run A Board: The Audio Mixing Console First course, Fourth grading period, Week one The mixing console at a radio station or production/recording studio can be an intimidating sight. Some have even looked at it and said, “Gosh, you must be able to fl y the Space Shuttle if you can work that!” In truth, a mixing console is a very basic piece of equipment. When broken down to its component parts, it is quite an easy beast to tame. What we will do in this lesson is start from the ground up, working with one element of the mixing desk, and then move on to put together the rest of the puzzle with the other elements. Soon after, we will move towards a more hands-on approach, allowing students to use the console in ways that are important and necessary to the industry. Whether they decide to pursue a career in broadcasting, journalism or engineering, students will discover just how vital a piece of equipment this is in any of the above professions. This lesson is provided by Brian Jarbow, NPR engineer. Enduring Understanding The ability to understand how a mixing console is used is essential in broadcasting, journalism or engineering. Essential Questions How does a mixing console work? How does the signal pass through it? How is it useful in mixing pieces for broadcast? Objectives and Outcomes • Students will be able to route a signal through the console. • Students will be able to route multiple sources to mix and control several signals happening at one time. -
XENYX X2442USB/X2222USB/X1832USB/X1622USB User Manual Table of Contents Thank You
User Manual X2442 /X2222 / X1832 /X1622 Premium 24/22/18/16-Input 4/2, 3/2 and 2/2-Bus Mixer with XENYX Mic Preamps & Compressors, British EQs, 24-Bit Multi-FX Processor and USB/Audio Interface 2 XENYX X2442USB/X2222USB/X1832USB/X1622USB User Manual Table of Contents Thank you ....................................................................... 2 Important Safety Instructions ...................................... 3 Legal Disclaimer ............................................................. 3 Limited warranty ............................................................ 3 1. Introduction ............................................................... 4 1.1 General mixing console functions ................................ 4 1.2 The user’s manual ............................................................... 5 1.3 Before you get started ...................................................... 5 2. Control Elements and Connectors .......................... 5 2.1 Mono channels .................................................................... 5 2.2 Stereo channels ................................................................... 7 2.3 Interface panel and main section ................................. 8 3. Graphic 9-Band Equalizer (X1832USB only) .......... 12 4. Digital Effects Processor ......................................... 13 5. Rear Panel Connectors ............................................ 13 5.1 Main mix outputs, insert points and control room outputs.............................................................. 13 5.2 -
Si Impact Brochure
Also available MADI-USB USB MADI USB COMBO OPTICAL MADI CAT 5 MADI 32X32 (CAT 5) 32X32 (USB) 64X64 64X64 A complete range of powerful I/O expansion cards Featuring a 32x32 expansion card slot on the rear panel, Si Impact can Optical MADI Dual Cat5 MADI be used in the widest range of applications and integrated seamlessly with existing systems and hardware. MULTIDIGITAL AES CARD (XLR) AES CARD (D-SUB) 32X32 4X4 8X8 A full range of ViSi Connect expansion cards is available for multiple TM ® I/O formats, including MADI and industry standard protocols such as CobraNet Aviom A-Net Rocknet®, CobraNetTM and DanteTM. Soundcraft is committed to the continued development of the ViSi AVIOM A-NET COBRANET BLU LINK 16X16 32X32 16X16 Connect expansion card range, developing new cards as new network AES/EBU AES/EBU D-Type protocols become available. 32-Channel USB Recording included BLU link RockNet®ROCKNET DANTE 64X64 64X64 Stagebox Ready Multi Digital Card DanteTM Remote mixing with your iPad® Available on the App Store, the Soundcraft Si Impact remote iPad® app gives instant hands-on control over all important mixer functions direct from your iPad®. Application examples - • Optimise the front of house mix from anywhere in the room • Set mic gains and 48V from the stage • Adjust monitor levels while standing next to the artist • Adjust channel strip settings remote from the console • Use to extend the fader count of an existing control surface • Allow multiple users on the same console to control their own mixes Laptop not included Soundcraft, Harman International Industries Ltd., Cranborne House, Cranborne Road, Potters Bar, Hertfordshire EN6 3JN, UK T: +44 (0)1707 665000 F: +44 (0)1707 660742 E: [email protected] 40-input Digital Mixing Console Soundcraft USA, 8500 Balboa Boulevard, Northridge, CA 91329, USA T: +1-818-893-8411 F: +1-818-920-3208 E: [email protected] and 32-in/32-out USB Interface www.soundcraft.com ® Part No: 5058401 E & OE 04/2015 with iPad Control #41450 - Si_Impact_Brochure_V5_US_LAUNCH.indd 1-2 20/04/2015 13:17 Walk up. -
Application Notes
Measurement of Loudspeaker and Microphone Performance using Dual Channel FFT-Analysis by Henrik Biering M.Sc, Briiel&Kjcer Introduction In general, the components of an audio system have well-defined — mostly electrical — inputs and out puts. This is a great advantage when it comes to objective measurements of the performance of such devices. Loudspeakers and microphones, how ever, being electro-acoustic transduc ers, are the major exceptions to the rule and present us with two impor tant problems to be considered before meaningful evaluation of these devices is possible. Firstly, since measuring instru ments are based on the processing of electrical signals, any measurement of acoustical performance involves the Fig. 1. General set-up for loudspeaker measurements. The Digital Cassette Recorder Type use of both a transmitter and a receiv- 7400 is used for storage of the measurement set-ups in addition to storage of the If we intend to measure the re- measured data. Graphics Recorder Type 2313 is used for reformatting data and for ., „ J, ,, „ plotting results sponse of one of these, the response ol the other must have a "flat" frequency response, or at least one that is known in advance. Secondly, neither the output of a loudspeaker nor the input to a micro phone are well-defined under practical circumstances where the interaction between the transducer and the room cannot be neglected if meaningful re sults — i.e. results correlating with subjective evaluations — are to be ob tained. See Fig. 2. For this reason a single specific measurement type for the character ization of a transducer cannot be de- r.- n T ,-,,-,■ -. -
Powermate 600 Power Mixer
Technische Informationen Architects and engineers specifications PowerMate 600 Power Mixer BESCHREIBUNG DESCRIPTION Die Integration von Mischpult, Leistungsverstärker und The integration of mixing console, power amplifier and effects Effektgeräten in ein kompaktes und modernes Gehäuse erlebt devices in a compact and modern unit reaches a new high with beim PowerMate 600 einen Höhepunkt. Mit 6 Mic/Line- sowie the PowerMate 600. zwei Stereo/Line Kanälen, zwei mischbaren 24 bit Effektgeräten, With 6 Mic/Line as well as two Stereo/Line channels, two mixable 7 Band Master Equalizer und integriertem Power-Amplifier 24-bit effects devices, a 7 band master equalizer and integrated mit 2 x 300 Watt Leistung ist der PowerMate 600 die absolute 2 x 300 W power amplifier, the PowerMate 600 is the absolute Allroundlösung für viele Anwendungen. allround solution for a multitude of applications, ideally suited to Bestens geeignet als Komplettlösung sowohl für Alleinunterhalter the needs of both single entertainers and small bands. als auch kleinere Bands. Für Schulen, Vereine oder ähnliche For schools, clubs or similar institutions, the PowerMate is the Institutionen ist dieser PowerMate der ideale Problemlöser für perfect tool for a wide range of sound reinforcement tasks. unterschiedlichste Beschallungsaufgaben. Sicher und kompakt Safe and easy to carry, fast and simple to set up, intuitive and zu transportieren, schnell und einfach aufzubauen sowie eine uncomplicated to operate, the smallest member of the PowerMate unkomplizierte Bedienung sind die Hauptmerkmale des kleinsten family delivers Dynacord quality in a compact, elegant frame. Mitglieds in der PowerMate Family. Pro-Mixing Pro-Mixing All the features of a professional mixing console but without the Professionelle Mischpult-Features auf engstem Raum. -
Microkorg Owner's Manual
E 2 ii Precautions Data handling Location THE FCC REGULATION WARNING (for U.S.A.) Unexpected malfunctions can result in the loss of memory Using the unit in the following locations can result in a This equipment has been tested and found to comply with the contents. Please be sure to save important data on an external malfunction. limits for a Class B digital device, pursuant to Part 15 of the data filer (storage device). Korg cannot accept any responsibility • In direct sunlight FCC Rules. These limits are designed to provide reasonable for any loss or damage which you may incur as a result of data • Locations of extreme temperature or humidity protection against harmful interference in a residential loss. • Excessively dusty or dirty locations installation. This equipment generates, uses, and can radiate • Locations of excessive vibration radio frequency energy and, if not installed and used in • Close to magnetic fields accordance with the instructions, may cause harmful interference to radio communications. However, there is no Printing conventions in this manual Power supply guarantee that interference will not occur in a particular Please connect the designated AC adapter to an AC outlet of installation. If this equipment does cause harmful interference Knobs and keys printed in BOLD TYPE. the correct voltage. Do not connect it to an AC outlet of to radio or television reception, which can be determined by Knobs and keys on the panel of the microKORG are printed in voltage other than that for which your unit is intended. turning the equipment off and on, the user is encouraged to BOLD TYPE.