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Commercial Audio
Commercial Audio AUTO DEALERSHIP This 26000 sq ft facility is comprised of four program zones. The showroom zone has background music and paging functionality with EQ for the JBL control 40 sub/sat system providing a frequency response from 32Hz to 20kHz with maximum continuous average SPL of 84.4 dB. The outdoor zone also has background music and paging functionality where most pages will come from the reception microphone. The offices and bathrooms are one zone with music and paging. Each room has its own wall-mounted volume controller. Finally the service area is a paging only zone where most pages come from the service microphone. EQ and paging priorities are set from the DBX ZonePro 641 while power is provided by the Crown CT8150 multichannel amplifier. 120’ 25’ CEILING 80’ S3 S3 S3 S3 SERVICE S102 SERVICE RECEPTION 75W M2 ZC1 ZC3 S102 101W 10’ CEILING S1 S2 S2 S104 S2 ZC3 WOMENS MENS 14’ CEILING OFFICE S105 S2 S1 S1 OFFICE ZC3 AVR M1 S106 S2 ZC1 ZC3 OFFICE ZC3 S1 S1 S107 S2 S103 75W OFFICE ZC3 ZC1 110’ S3 S3 180’ RACK DESCRIPTION Media Source Source Components Dealerships can have many sources, but the primary media source will be to provide background music for the showroom and lot areas. Paging microphones are dbx Zone Pro 641 M commonly used in the showroom reception area and service reception area. Phone systems can also output pages and integrate similarly as a paging mic would ZC1, ZC3 Signal Processing & Routing Crown CT8150 The DBX ZonePro 641 provides both input processing and output processing and signal routing functionality. -
Si1+ Si+ Series Brochure
Soundcraft, Harman International Industries Ltd., Cranborne House, Cranborne Road, Potters Bar, Hertfordshire EN6 3JN, UK T: +44 (0)1707 665000 F: +44 (0)1707 660742 E: soundcraft.info@harmancom Soundcraft USA, 8500 Balboa Boulevard, Northridge, CA 91329, USA T: +1-818-920-3212 F: +1-818-920-3208 E: [email protected] www.soundcraft.com Part No: BD10.520301 04/12 Best new product Most innovative audio console for commercial installation When going digital is this easy, why stay analogue? When you need massive mixing power in a compact footprint, you need a Soundcraft Si Series console – the multi award-winning ‘one box’ digital mixing system that feels like an analogue mixer. • 80 inputs to mix (Si3+, Si2+) / 72 inputs to mix (Si1+) • 64 mono mic inputs as standard (Si3+, Si2+) / 48 mono mic inputs as standard (Si1+) • 4 stereo inputs and 4 dedicated FX returns, plus 8 assignable external inserts Maximum power, minimum footprint • Remote Stagebox options with MADI connection • 24 Group/Aux/FX outputs • 8 Matrix outputs with sends from all Group, Aux, FX and Main L/R/C busses • 12 VCA Groups and 8 independent Mute Groups • 4-band fully parametric EQ on every input and output, with HPF on every input • 35 full 30-band BSS Audio graphic equalisers • 4 independent stereo Lexicon FX processors • Compressor and gate on every input, compressor on every output • Delay adjustable on every input and output • Metering for every Group/Aux/FX, Masters and Monitors/Solo • Full DSP horsepower to handle all functions at any time. PAGE 4/5 Si2+ rear panel view With no external processing rack, an Si Series console For remote connections, an optional Compact Stagebox Just plug it in simply plugs in where your analogue console used to be, with 32 inputs and 8 outputs is available (configurable), immediately delivering the full power of a sophisticated which connects via MADI (optional MADI card required). -
5. Overview of ARM's Cortex-A Series
5. Overview of ARM’s Cortex-A series 5. Overview of ARM’s Cortex-A series (1) 5. Overview of ARM’s Cortex-A series According to the general scope of this Lecture Notes, subsequently we will be concerned only with the Cortex-A series. Key features of ARM’s Cortex-A series Multiprocessor capability Performance classes Word length of the Cortex-A series of the Cortex-A series of the Cortex-A series 5. Overview of ARM’s Cortex-A series (2) Multiprocessor capability of the Cortex-A series Multiprocessor capability of the Cortex-A series Single processor designs, Dual designs with two options A-priory no multiprocessor • a single processor option and multiprocessor designs capability • a multiprocesor capable option Cortex-A8 (2005) Cortex-A9/Cortex-A9 MPCore (2007) Cortex-A7 MPCore (2011) Cortex-A12/Cortex-A12 MPCore (2013) Cortex-A35 (2015) Cortex-A15/Cortex-A15 MPCore (2010) Cortex-A53 (2012) Cortex-A17/Cortex-A17 MPCore (2014) Cortex-A57 (2012) Cortex-A72 (2015) Here we note that in figures or tables we often omit the MPCore tag for the sake of brevity. 5. Overview of ARM’s Cortex-A series (3) Remarks on the interpretation of the term MPCore by ARM • ARM introduced the term MPCore in connection with the announcement of the ARM11 MPCore in 2004 and interpreted it as multicore implementation (actually including up to 4 cores). • Along with the ARM Cortex-A9 MPCore ARM re-interpreted this term such that it indicates now the multiprocessor capability of the processor. 5. Overview of ARM’s Cortex-A series (4) Performance classes of the Cortex-A series -1 [12] Performance classes of the Cortex-A models High-performance models Mainstream models Low-power models Cortex-A15 Cortex-A8 Cortex-A5 Cortex-A57 Cortex-A9 Cortex-A7 Cortex-A72 (Cortex-A12) Cortex-A35 Cortex-A17 Cortex-A53 5. -
The Role of the Network in Flipped Classrooms
WHITE PAPER PLUGGED IN: THE ROLE OF THE NETWORK IN FLIPPED CLASSROOMS How Networked AVTechnology Can Make Active Learning More Flexible EXECUTIVE SUMMARY The flipped classroom gets its name from the way it “flips” traditional lecturing in class from passively listening and taking notes to watching lecture videos online and coming to class to collaborate and study in groups. The education in a flipped classroom focuses on “active learning,” a group-based, interactive learning style that is centered on problem solving and learning by doing. To facilitate this, desks in the classroom are shifting from traditional static rows to movable workstation clusters called “pods,” where student groups work together on problems. Much of this collaborative learning involves students and teachers bringing in a variety of devices and sharing content as well as student and teacher presentations as part of the daily assignments. Technology in flipped classrooms provides this capability, ensuring flexible, scalable methods of distributing audio and video between the various student pods as well as the instructor’s station and the main display(s) in the room. By using networked AV that distributes, controls and manages audio and video over a standard IT network, educational institutions can provide the advanced collaborative capabilities these dynamic spaces need, while ensuring the spaces are able to shift and change easily as the needs of the classroom change. CONTENTS THE RISE OF ACTIVE LEARNING ………………………………………………………………………………………………… 3 WHY FLIPPED CLASSROOMS -
Bars & Restaurants
CASE STUDY BARS & RESTAURANTS OPPORTUNITY WONDERS BAR AND GRILL, TEXAS, USA Create a user-friendly system that can E2I Design installed a complete audio solution by HARMAN Professional Solutions at play a wide range of audio sources and Wonders Bar & Grill, a newly opened pub, restaurant, sports bar and live music venue manage volume levels in different areas in downtown Corpus Christi. Owners Dayyan and Darren Wonders hired David Rotter, of the bar with ease. a Systems Integrator at E2I Design, to create a user-friendly system that would enable them to play a wide range of audio sources and manage volume levels in different areas SOLUTION of the bar. After careful consideration, E2I selected a complete HARMAN audio solution E2I selected a complete audio solution made up of dbx controllers, Crown amplification and JBL speakers for their seamless by HARMAN Professional Solutions made integration, intuitive operation and exceptional sound quality. up of dbx controllers, Crown amplification “The owners wanted a state-of-the-art audio system that was very user-friendly, with and JBL speakers for their seamless auto-switching capabilities and independent volume control for different zones in the integration, intuitive operation and bar,” said Rotter. “By partnering with HARMAN, we were able to cover all of our bases for exceptional sound quality. the system—including controllers, amplification and speakers—all from one integrated provider. All of the solutions work together seamlessly, and the HARMAN team was extremely helpful in making sure that the system we created met all of the customer’s needs.” The system E2I Design installed at Wonders Bar & Grill includes a dbx ZonePRO 1260m “With the HARMAN system, digital zone processor, 4 dbx ZC2 wall-mounted zone controllers, 1 dbx ZC3 wall- everyone at the bar can mounted zone controller, 1 Crown DCi 4|600 power amplifier, 8 JBL AWC82 loudspeakers and 1 JBL SRX828SP dual self-powered subwoofer system. -
Si Impact Brochure
Also available MADI-USB USB MADI USB COMBO OPTICAL MADI CAT 5 MADI 32X32 (CAT 5) 32X32 (USB) 64X64 64X64 A complete range of powerful I/O expansion cards Featuring a 32x32 expansion card slot on the rear panel, Si Impact can Optical MADI Dual Cat5 MADI be used in the widest range of applications and integrated seamlessly with existing systems and hardware. MULTIDIGITAL AES CARD (XLR) AES CARD (D-SUB) 32X32 4X4 8X8 A full range of ViSi Connect expansion cards is available for multiple TM ® I/O formats, including MADI and industry standard protocols such as CobraNet Aviom A-Net Rocknet®, CobraNetTM and DanteTM. Soundcraft is committed to the continued development of the ViSi AVIOM A-NET COBRANET BLU LINK 16X16 32X32 16X16 Connect expansion card range, developing new cards as new network AES/EBU AES/EBU D-Type protocols become available. 32-Channel USB Recording included BLU link RockNet®ROCKNET DANTE 64X64 64X64 Stagebox Ready Multi Digital Card DanteTM Remote mixing with your iPad® Available on the App Store, the Soundcraft Si Impact remote iPad® app gives instant hands-on control over all important mixer functions direct from your iPad®. Application examples - • Optimise the front of house mix from anywhere in the room • Set mic gains and 48V from the stage • Adjust monitor levels while standing next to the artist • Adjust channel strip settings remote from the console • Use to extend the fader count of an existing control surface • Allow multiple users on the same console to control their own mixes Laptop not included Soundcraft, Harman International Industries Ltd., Cranborne House, Cranborne Road, Potters Bar, Hertfordshire EN6 3JN, UK T: +44 (0)1707 665000 F: +44 (0)1707 660742 E: [email protected] 40-input Digital Mixing Console Soundcraft USA, 8500 Balboa Boulevard, Northridge, CA 91329, USA T: +1-818-893-8411 F: +1-818-920-3208 E: [email protected] and 32-in/32-out USB Interface www.soundcraft.com ® Part No: 5058401 E & OE 04/2015 with iPad Control #41450 - Si_Impact_Brochure_V5_US_LAUNCH.indd 1-2 20/04/2015 13:17 Walk up. -
Soundcraft Extends World-Class Vi Series with Vi5000 and Vi7000 Digital Mixing Consoles
® TECH NOLOGY PROFESSIONAL AUDIO NEWS MAY 2015 Soundcraft extends world-class Vi Series with Vi5000 and Vi7000 digital mixing consoles Soundcraft has launched the Vi5000 and Vi7000 consoles, replacing the popular Vi4 and Vi6 consoles, and which offer ® 96kHz processing, upgraded channel counts and even more Native monitoring and control of reliable hardware. Shure digital wireless systems The consoles provide a choice of compact control surfaces with new local With the introduction of the new Vi rack and active breakout box hardware, delivering simultaneous mixing of consoles comes an extension to the up to 128 inputs and 32 mono/stereo busses with up to 384 inputs and VM2 radio microphone monitoring outputs in the I/O system. feature, with Shure’s digital wireless systems now recognised alongside Pristine sound quality is assured with ultra-low noise microphone amplifier AKG systems. designs and enhanced 96kHz 40-bit floating point digital audio processing, with the first ever digital implementation of the classic BSS DPR901ii VM2 enables automatic device Dynamic EQ adding to the channel processing armoury. Both consoles also discovery, identification, and feature an additional dedicated 64ch MADI interface for Realtime Rack; a mapping of each wireless system to collaboration with Universal Audio that gives users access to industry- the appropriate mixer channel. standard UA studio plugins. All essential wireless parameters The Vi5000 and 7000 consoles boast the most configurable local and are displayed including battery life Stagebox I/O hardware in their class, with extensive I/O expansion options status, RF and audio metering, with available plus a choice of Cat 5e or Optical fibre Stagebox connection to suit the ability to adjust receiver gain budget and cable length. -
Contacting Dbx Technical Support
v1.0 25-Aug-21 My dbx product has developed a fault or I have a question about a product which I have purchased or perhaps intend to purchase. Who do I contact? The information below is applicable to products from dbx. Support for Harman Consumer products can be found at https://harmanaudio.com. Support for Harman Luxury products can be found at https://harmanluxuryaudio.com. USA Customers who have purchased a product in the USA or have a question about a product which they perhaps intend to purchase in the USA are supported directly by Harman Professional. Support contact information can be found at https://dbxpro.com/support/tech_support. This page contains a web-form where you can enter your contact details and query. Outside the USA Support outside of the USA is provided by Harman Professional distribution partners. These partners are responsible for sales, spare parts, repairs, technical support and general product queries. They will be able to provide assistance within local time-zone working hours for the territory. Distribution partner contact information can be obtained from https://dbxpro.com/support/tech_support after selecting your country from the drop-down selection box found at the top of the webpage. If a product develops a fault during the warranty period then please contact the point of sale (retailer or web-store). Warranty information can be found at https://dbxpro.com/warranty. About HARMAN Professional Solutions HARMAN Professional Solutions is the world’s largest professional audio, video, lighting, and control products and systems company. Our brands comprise AKG Acoustics®, AMX®, BSS Audio®, Crown International®, dbx Professional®, DigiTech®, JBL Professional®, Lexicon Pro®, Martin®, and Soundcraft®. -
The High-Fidelity Era, 1945–1970 the Japanese Contribution the Tube
163 The High End Matures 271 The Switching Amplifier 165 Introduction and Historical Overview 273 Introduction and Historical Overview 167 Spectral Audio 274 TacT Audio Millennium Contents 175 Burmester Audiosysteme 275 John Ulrick: Infinity and Spectron 177 Bryston Ltd. 277 Bruno Putzeys 181 Goldmund 279 Devialet Electronics Milestones The High End Responds 183 Simaudio Ltd. 01 67 186 John Iverson: Electro Research and Electron from the Acoustic Era to 69 Introduction and Historical Overview Kinetics/Eagle 71 Robert W. (Bob) Carver: Phase Linear, Carver Corporation, 187 Dan D’Agostino: Krell Industries and Today’s Vanguard the Modern High End Sunfire, Bob Carver Corporation Dan D’Agostino Master Audio Systems 281 79 John Curl 195 Plinius Audio 283 Introduction and Historical Overview 83 NAD 196 Boulder Amplifiers 284 Vitus Audio 90 Bascom King 199 Madrigal Audio Laboratories 285 Balanced Audio Technology (BAT) The High-Fidelity Era, 1945–1970 93 James Bongiorno: Great American Sound, Sumo, Ampzilla 202 T+A 288 Odyssey Audio 13 2000 203 Classé Audio 289 Aesthetix 15 Introduction and Historical Overview 98 Electrocompaniet 205 Parasound 291 Hegel Music Systems 16 Fisher Radio 99 Mark Levinson: Mark Levinson Audio Systems, Cello, Red 207 Jeff Rowland 293 PrimaLuna 17 H.H. Scott Rose Music, Daniel Hertz 214 MBL 295 Viola Audio Laboratories 18 Crown International 107 PS Audio 215 Gryphon Audio Designs 297 Soulution 19 Williamson Amplifier 111 Nelson Pass: Threshold, Pass Labs, First Watt 216 Edge Electronics 301 Constellation Audio 21 Heath -
Speaker Model(S): SRX712M Northridge, CA Revision Date: 02/03/05 91325
Processor Setting Chart Processor: dbx DriveRack PA Speaker Model(s): SRX712M Northridge, CA Revision Date: 02/03/05 91325 Users of DriveRack PA processors with version 1.01 firmware or lower, will need to manually enter the tunings for SRX700 systems. The easiest way to do this is to begin by running the DriveRack PA Setup Wizard and selecting the SR4700X model most similar to your SRX700 model. The following table will include a recommended SR4700X model to use as a starting point. Once you have renamed and saved the tuning to one of the User Presets, edit the parameters according to this table. SRX712M Bi-Amp SRX712M Bi-Amp with Sub SRX712M Passive with Sub Run the Wizard and select: SR4702X BIAMP SR4702X Bi-Amp with Sub SR4702X Passive with Sub Output Name LOW MID HIGH LOW MID HIGH LOW MID HIGH SRX718S SRX728S SRX718S SRX728S COMP/LIMIT LIMITER DELAY & POLARITY DELAY 0.21 ms OFF OFF OFF 0.21 ms OFF OFF OFF OFF POLARITY* NORMAL INVERT NORMAL NORMAL NORMAL INVERT NORMAL NORMAL NORMAL XOVER HP FREQUENCY 60HZ 1.70KHz 31.5 Hz 31.5 Hz 90 Hz 1.70KHz 31.5 Hz 31.5 Hz 90 Hz HP FILTER/SLOPE BUT18 BUT6 BUT18 BUT18 LR24 BUT6 BUT18 BUT18 LR6 LEVEL 0dB -10 dB 0 dB -3 dB 0dB -10 dB 0 dB -3 dB 0 dB LP FREQUENCY 1.12KHZ OUT 80 Hz 80 Hz 1.0KHz OUT 80 Hz 80 Hz OUT LP FILTER/SLOPE BUT18 LR12 LR24 LR24 BUT18 LR12 LR24 LR24 BUT18 EQ F1 TYPE BELL BELL BELL BELL BELL BELL BELL BELL F1 FREQUENCY 400Hz 2.5KHz 67 Hz 75 Hz 400Hz 2.5KHz 67 Hz 75 Hz F1 GAIN -2.5 dB -2.5 dB 2 dB 1.5 dB -2.5 dB -2.5 dB 2 dB 1.5 dB 0 dB F1 Q 2.03 0.94 4.41 3.41 2 0.94 4.41 3.41 F2 TYPE BELL BELL BELL BELL F2 FREQUENCY 6.00KHz 42.5 Hz 6.00KHz 42.5 Hz F2 GAIN 0 dB -3.0 dB 1.5 dB 0 dB 0 dB -3.0 dB 1.5 dB 0 dB 0 dB F2 Q 0.94 4.41 0.94 4.41 F3 TYPE BELL BELL F3 FREQUENCY 15.0KHz 15.0KHz F3 GAIN 0 dB +12.0 dB 0 dB 0 dB 0 dB +12.0 dB 0 dB 0 dB 0 dB F3 Q 3.41 3.41 * The DriveRack PA does not have a polarity parameter. -
Aes 141St Convention Program September 29–October 2, 2016
AES 141ST CONVENTION PROGRAM SEPTEMBER 29–OCTOBER 2, 2016 LOS ANGELES CONVENTION CENTER, CA, USA The Winner of the 141st AES Convention Session P1 Thursday, September 29 Best Peer-Reviewed Paper Award is: 9:00 am – 10:30 am Room 403A The Relationship between the Bandlimited Step Method (BLEP), Gibbs Phenomenon, and Lanczos Sigma Correction— TRANSDUCERS—PART 1 Akhil Singh, Will Pirkle, University of Miami, Coral Gables, FL, USA Chair: Alex Voishvillo, JBL/Harman Professional, Northridge, CA, USA Convention Paper 9670 9:00 am To be presented on Saturday, October 1, P1-1 Holographic Nearfield Measurement of Loudspeaker in Session 22—Signal Processing—Part 3 Directivity—Wolfgang Klippel, Christian Bellmann, * * * * * Klippel GmbH, Dresden, Germany The AES has launched an opportunity to recognize student members who The acoustical output of loudspeaker systems is usual- author technical papers. The Student Paper Award Competition is based on ly measured in the far field under anechoic conditions the preprint manuscripts accepted for the AES convention. requiring a large measurement distance and special A number of student-authored papers were nominated. The treatment of the room (absorbing room boundaries, air excellent quality of the submissions has made the selection process condition). Also the measurements of directivity char- both challenging and exhilarating. acteristics at sufficient angular resolution are also very The award-winning student paper will be honored during the time consuming. The measurement in the near field of Convention, and the student-authored manuscript will be consid- the sound source provides significant benefits (dominant ered for publication in a timely manner for the Journal of the Audio direct sound, higher SNR, less climate impact) but Engineering Society. -
K92 High Performance Closed-Back Monitoring Headphones
K92 HIGH PERFORMANCE CLOSED-BACK MONITORING HEADPHONES HIGHLIGHTS Professional 40mm Drivers For reference monitor accuracy over a precisely balanced 16Hz–22kHz frequency response Lightweight Design and Self-Adjusting Headband For exceptional comfort over long periods of time Professional Build Quality Gold Hardware, metal construction and closed back design for excellent durability and sound isolation Flexibility Low impedence design and included gold adapter Mix and master your tracks with uninhibited clarity with the AKG K92 over-ear, closed back headphones. Professional-grade 40mm drivers reveal even the subtlest nuances, so you can be confident your mix will translate accurately on any system. Whether you’re fine-tuning track levels within the mix or mastering the final product, the self-adjusting headband and lightweight design will provide hours of comfort. Designed by the company whose mics and headphones have helped create some of the world’s most iconic recordings, the durable K92 is a serious headphone that delivers great sound in the studio and beyond. KEY MESSAGES PROFESSIONAL DRIVERS DESIGNED FOR COMFORT When it comes to audio quality, driver size and weight are critical, especially The exposed headband design keeps the K92 headphones comfortably light, in the lower frequencies. Generous 40mm drivers deliver high sensitivity for without compromising driver size. Breathable, lightweight ear pads encircle your powerful output, plus an extended, balanced frequency response that reveals ears, rather than putting pressure on them. And a single-sided cable gives you every detail of the mix without artifically coloring the sound. freedom to move. To sum it up, these high-performance headphones sound, feel and look great.