Rebooting Youtube | Fast Company | Business + Innovation 8/4/14, 6:01 PM
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
INFLUENCE Music Marketing Meets Social Influencers COVERFEATURE
06-07 Tools Kombie 08-09 Campaigns YACHT, Radiohead, James Blake 10-14 Behind The Campaign Aurora MAY 18 2016 sandboxMUSIC MARKETING FOR THE DIGITAL ERA ISSUE 157 UNDER THE INFLUENCE music marketing meets social influencers COVERFEATURE In the old days, there were a handful of gatekeepers – press, TV and radio – and getting music in front of them was hard, UNDER THE INFLUENCE but not impossible. Today, traditional media still holds significant power, but the number of influencers out there has shot up exponentially with the explosion of social media in general and YouTube in particular. While the world’s largest video service might be under fire over its (low) royalty rates, the music industry is well aware that its biggest stars offer a direct route to the exact audiences they want their music to reach. We look at who these influencers are, how they can be worked with and the things that will make them back or blank you. etting your act heard used to be, if not exactly easy, then at least relatively Gstraightforward for the music business: you’d schmooze the radio playlist heads, take journalists out to a gig and pray for some TV coverage, all while splashing out on magazine and billboard advertising. The digital era – and especially social media – have shaken this all up. Yes, traditional media is still important; but to this you can add a sometimes bewildering list of “social influencers”, famous faces on platforms like YouTube, Snapchat and Instagram, plus vloggers, Viners and the music marketing meets rest, all of whom (for now) wield an uncanny power over youthful audiences. -
Youtube Comments As Media Heritage
YouTube comments as media heritage Acquisition, preservation and use cases for YouTube comments as media heritage records at The Netherlands Institute for Sound and Vision Archival studies (UvA) internship report by Jack O’Carroll YOUTUBE COMMENTS AS MEDIA HERITAGE Contents Introduction 4 Overview 4 Research question 4 Methods 4 Approach 5 Scope 5 Significance of this project 6 Chapter 1: Background 7 The Netherlands Institute for Sound and Vision 7 Web video collection at Sound and Vision 8 YouTube 9 YouTube comments 9 Comments as archival records 10 Chapter 2: Comments as audience reception 12 Audience reception theory 12 Literature review: Audience reception and social media 13 Conclusion 15 Chapter 3: Acquisition of comments via the YouTube API 16 YouTube’s Data API 16 Acquisition of comments via the YouTube API 17 YouTube API quotas 17 Calculating quota for full web video collection 18 Updating comments collection 19 Distributed archiving with YouTube API case study 19 Collecting 1.4 billion YouTube annotations 19 Conclusions 20 Chapter 4: YouTube comments within FRBR-style Sound and Vision information model 21 FRBR at Sound and Vision 21 YouTube comments 25 YouTube comments as derivative and aggregate works 25 Alternative approaches 26 Option 1: Collect comments and treat them as analogue for the time being 26 Option 2: CLARIAH Media Suite 27 Option 3: Host using an open third party 28 Chapter 5: Discussion 29 Conclusions summary 29 Discussion: Issue of use cases 29 Possible use cases 30 Audience reception use case 30 2 YOUTUBE -
Touchstones of Popular Culture Among Contemporary College Students in the United States
Minnesota State University Moorhead RED: a Repository of Digital Collections Dissertations, Theses, and Projects Graduate Studies Spring 5-17-2019 Touchstones of Popular Culture Among Contemporary College Students in the United States Margaret Thoemke [email protected] Follow this and additional works at: https://red.mnstate.edu/thesis Part of the Higher Education and Teaching Commons Recommended Citation Thoemke, Margaret, "Touchstones of Popular Culture Among Contemporary College Students in the United States" (2019). Dissertations, Theses, and Projects. 167. https://red.mnstate.edu/thesis/167 This Thesis (699 registration) is brought to you for free and open access by the Graduate Studies at RED: a Repository of Digital Collections. It has been accepted for inclusion in Dissertations, Theses, and Projects by an authorized administrator of RED: a Repository of Digital Collections. For more information, please contact [email protected]. Touchstones of Popular Culture Among Contemporary College Students in the United States A Thesis Presented to The Graduate Faculty of Minnesota State University Moorhead By Margaret Elizabeth Thoemke In Partial Fulfillment of the Requirements for the Degree of Master of Arts in Teaching English as a Second Language May 2019 Moorhead, Minnesota iii Copyright 2019 Margaret Elizabeth Thoemke iv Dedication I would like to dedicate this thesis to my three most favorite people in the world. To my mother, Heather Flaherty, for always supporting me and guiding me to where I am today. To my husband, Jake Thoemke, for pushing me to be the best I can be and reminding me that I’m okay. Lastly, to my son, Liam, who is my biggest fan and my reason to be the best person I can be. -
Google Apps Premier Edition: Easy, Collaborative Workgroup Communication with Gmail and Google Calendar
Google Apps Premier Edition: easy, collaborative workgroup communication with Gmail and Google Calendar Messaging overview Google Apps Premier Edition messaging tools include email, calendar and instant messaging solutions that help employees communicate and stay connected, wherever and whenever they work. These web-based services can be securely accessed from any browser, work on mobile devices like BlackBerry and iPhone, and integrate with other popular email systems like Microsoft Outlook, Apple Mail, and more. What’s more, Google Apps’ SAML-based Single Sign-On (SSO) capability integrates seamlessly with existing enterprise security and authentication services. Google Apps deliver productivity and reduce IT workload with a hosted, 99.9% uptime solution that gets teams working together fast. Gmail Get control of spam Advanced filters keep spam from employees’ inboxes so they can focus on messages that matter, and IT admins can focus on other initiatives. Keep all your email 25 GB of storage per user means that inbox quotas and deletion schedules are a thing of the past. Integrated instant messaging Connect with contacts instantly without launching a separate application or leaving your inbox. No software required. Built-in voice and video chat Voice and video conversations, integrated into Gmail, make it easy to connect face-to-face with co-workers around the world. Find messages instantly Powerful Google search technology is built into Gmail, turning your inbox into your own private and secure Google search engine for email. Protect and secure sensitive information Additional spam filtering from Postini provides employees with an additional layer of protection and policy-enforced encryption between domains using standard TLS protocols. -
Uila Supported Apps
Uila Supported Applications and Protocols updated Oct 2020 Application/Protocol Name Full Description 01net.com 01net website, a French high-tech news site. 050 plus is a Japanese embedded smartphone application dedicated to 050 plus audio-conferencing. 0zz0.com 0zz0 is an online solution to store, send and share files 10050.net China Railcom group web portal. This protocol plug-in classifies the http traffic to the host 10086.cn. It also 10086.cn classifies the ssl traffic to the Common Name 10086.cn. 104.com Web site dedicated to job research. 1111.com.tw Website dedicated to job research in Taiwan. 114la.com Chinese web portal operated by YLMF Computer Technology Co. Chinese cloud storing system of the 115 website. It is operated by YLMF 115.com Computer Technology Co. 118114.cn Chinese booking and reservation portal. 11st.co.kr Korean shopping website 11st. It is operated by SK Planet Co. 1337x.org Bittorrent tracker search engine 139mail 139mail is a chinese webmail powered by China Mobile. 15min.lt Lithuanian news portal Chinese web portal 163. It is operated by NetEase, a company which 163.com pioneered the development of Internet in China. 17173.com Website distributing Chinese games. 17u.com Chinese online travel booking website. 20 minutes is a free, daily newspaper available in France, Spain and 20minutes Switzerland. This plugin classifies websites. 24h.com.vn Vietnamese news portal 24ora.com Aruban news portal 24sata.hr Croatian news portal 24SevenOffice 24SevenOffice is a web-based Enterprise resource planning (ERP) systems. 24ur.com Slovenian news portal 2ch.net Japanese adult videos web site 2Shared 2shared is an online space for sharing and storage. -
Google Ad Tech
Yaletap University Thurman Arnold Project Digital Platform Theories of Harm Paper Series: 4 Report on Google’s Conduct in Advertising Technology May 2020 Lissa Kryska Patrick Monaghan I. Introduction Traditional advertisements appear in newspapers and magazines, on television and the radio, and on daily commutes through highway billboards and public transportation signage. Digital ads, while similar, are powerful because they are tailored to suit individual interests and go with us everywhere: the bookshelf you thought about buying two days ago can follow you through your favorite newspaper, social media feed, and your cousin’s recipe blog. Digital ads also display in internet search results, email inboxes, and video content, making them truly ubiquitous. Just as with a full-page magazine ad, publishers rely on the revenues generated by selling this ad space, and the advertiser relies on a portion of prospective customers clicking through to finally buy that bookshelf. Like any market, digital advertising requires the matching of buyers (advertisers) and sellers (publishers), and the intermediaries facilitating such matches have more to gain every year: A PwC report estimated that revenues for internet advertising totaled $57.9 billion for 2019 Q1 and Q2, up 17% over the same half-year period in 2018.1 Google is the dominant player among these intermediaries, estimated to have netted 73% of US search ad spending2 and 37% of total US digital ad spending3 in 2019. Such market concentration prompts reasonable questions about whether customers are losing out on some combination of price, quality, and innovation. This report will review the significant 1 PricewaterhouseCoopers for IAB (October 2019), Internet Advertising Revenue Report: 2019 First Six Months Results, p.2. -
Privacy Policy Interpretation and Definitions
Privacy Policy This Privacy Policy describes Our policies and procedures on the collection, use and disclosure of Your information when You use the Service and tells You about Your privacy rights and how the law protects You. We use Your Personal data to provide and improve the Service. By using the Service, You agree to the collection and use of information in accordance with this Privacy Policy. Interpretation and Definitions Interpretation The words of which the initial letter is capitalized have meanings defined under the following conditions. The following definitions shall have the same meaning regardless of whether they appear in singular or in plural. Definitions For the purposes of this Privacy Policy: • You means the individual accessing or using the Service, or the company, or other legal entity on behalf of which such individual is accessing or using the Service, as applicable. Under GDPR (General Data Protection Regulation), You can be referred to as the Data Subject or as the User as you are the individual using the Service. • Company (referred to as either "the Company", "We", "Us" or "Our" in this Agreement) refers to Adventure City Inc., 1238 S. BEACH BLVD., SUITE E. For the purpose of the GDPR, the Company is the Data Controller. • Affiliate means an entity that controls, is controlled by or is under common control with a party, where "control" means ownership of 50% or more of the shares, equity interest or other securities entitled to vote for election of directors or other managing authority. • Account means a unique account created for You to access our Service or parts of our Service. -
Youtube 1 Youtube
YouTube 1 YouTube YouTube, LLC Type Subsidiary, limited liability company Founded February 2005 Founder Steve Chen Chad Hurley Jawed Karim Headquarters 901 Cherry Ave, San Bruno, California, United States Area served Worldwide Key people Salar Kamangar, CEO Chad Hurley, Advisor Owner Independent (2005–2006) Google Inc. (2006–present) Slogan Broadcast Yourself Website [youtube.com youtube.com] (see list of localized domain names) [1] Alexa rank 3 (February 2011) Type of site video hosting service Advertising Google AdSense Registration Optional (Only required for certain tasks such as viewing flagged videos, viewing flagged comments and uploading videos) [2] Available in 34 languages available through user interface Launched February 14, 2005 Current status Active YouTube is a video-sharing website on which users can upload, share, and view videos, created by three former PayPal employees in February 2005.[3] The company is based in San Bruno, California, and uses Adobe Flash Video and HTML5[4] technology to display a wide variety of user-generated video content, including movie clips, TV clips, and music videos, as well as amateur content such as video blogging and short original videos. Most of the content on YouTube has been uploaded by individuals, although media corporations including CBS, BBC, Vevo, Hulu and other organizations offer some of their material via the site, as part of the YouTube partnership program.[5] Unregistered users may watch videos, and registered users may upload an unlimited number of videos. Videos that are considered to contain potentially offensive content are available only to registered users 18 years old and older. In November 2006, YouTube, LLC was bought by Google Inc. -
Requirements for Using Hangouts Meet
Requirements for using Hangouts Meet • Hangouts Meet access requirements • Video meeting requirements Hangouts Meet access requirements • A G Suite administrator needs to turn on Meet for your organization. If you cannot open Meet, contact your admin for help. • To create a video meeting, you need to be signed in to a G Suite account. • To join a video meeting, you need the Meet mobile app or a supported web browser. You do not need a G Suite account. For details, see Supported web browsers. • Anyone inside or outside of your organization can join by selecting the link or entering the meeting ID. Uninvited guests outside of your organization must be approved by a meeting participant in your organization, including users who aren’t signed in to a G Suite account. Video meeting requirements Before you start a video meeting, be sure you're using equipment that supports Hangouts Meet. Open all | Close all Use a supported operating system Meet supports the current version and the 2 previous major releases of these operating systems: • Apple® macOS® • Microsoft® Windows® • Chrome OS • Ubuntu® and other Debian-based Linux® distributions Use a supported web browser Meet works with the current version of the browsers listed below: • Chrome Browser. Download the latest version • Mozilla® Firefox®. Download the latest version • Microsoft® Edge®. Download the latest version • Apple® Safari®. Meet has limited support in Microsoft Internet Explorer® 11, Microsoft Edge provides a better Meet experience. If you want to use Internet Explorer for Hangouts, you need to install a plugin for Meet. Download and install the latest version of the Google Video Support plugin. -
Whitepaper Revised
Why Integrating Brand Safety In Your Video Advertising Strategy Is A Must The state of brand safety in video advertising, and how AI and computer vision can power the next-gen tech. ADS ADS ADS ADS Redefining the limits of contextual targeting with AI 1 Importance of brand safety Definition of brand safety Brand safety in the age of user generated content What creates an ‘unsafe’ environment Brand control is key State of brand safety on social video 2 platforms The rise and rise of YouTube’s brand safety crisis Facebook, Twitter and Tik Tok face similar issues 3 Why brand safety in video is elusive Keyword blacklists are killing reach and monetization Whitelisted channels lack authenticity The problematic programmatic pipes Human vetting will only go so far Advertisers choose reach over safety 4 A successful brand safety strategy Is artificial intelligence the answer? Context is important, in-video context is everything Redefining the limits of contextual targeting with AI The brand safety crisis Where it all began March 2017 marked the first major brand safety catastrophe in the video advertising world. Guardian, the British daily newspaper, blacklisted YouTube when it found its ads running alongside hate speech and extremist content. Subsequently, household brands like Toyota, Proctor & Gamble, AT&T, Verizon pulled out millions of dollars’ worth of ad spend from YouTube. For the first time, YouTube was dealing not only with reputation damage but also revenue damage. And it wouldn’t be the last time - YouTube continued to be blamed for hurtful brand exposure, despite introducing corrective measures throughout 2017, 2018 and 2019. -
Private Equity
Private Equity Our Private Equity lawyers work with the financial sponsor and fund community to structure, negotiate, and consummate acquisitions and financings of private and public companies, exit transactions, going-private transactions, stock-for-stock acquisitions, spinoff transactions, and acquisitions of minority interests. In addition, we advise management teams and sponsors in connection with rollover investments and management incentive plans. Drawing on the full resources of our Investment Management Group, our private equity lawyers also handle fund structuring and formation. We work regularly with large, middle-market, and growth equity financial sponsors and their portfolio companies across a wide range of industries, including asset management and financial services, business services, consumer and retail, energy services, food and restaurant, life sciences and pharmaceutical, manufacturing, professional and other services, publishing and media, software and technology, and telecommunications. Our clients collaborate directly with our partners, who are passionate about their work and their clients' goals, and who have significant experience in a wide range of transactions, including large and complex deals. Our private equity lawyers anticipate potential issues and develop creative approaches to meet both buyer and seller goals. We become deeply rooted in our clients' investment strategies, earning their trust so that we can adeptly and efficiently negotiate on their behalf to reach commercially viable and reasonable outcomes. Our straightforward negotiating style with potential investment targets helps set the stage for a highly productive relationship. We often are asked to act as counsel for newly acquired portfolio companies and to assist them with a wide range of strategic and commercial needs across their investment life cycle. -
Here Are So Many People, Decisions and Steps in Between That Are Rarely Discussed
** SCHEDULE OF SPECIAL EVENTS AND INDUSTRY PANELS BELOW BY DATE** (***Additions to Be Announced asap***) THURSDAY, JUNE 24 EPSTEIN’S SHADOW: GHISLAINE MAXWELL (Peacock; June 24)-OPENING NIGHT EVENT In Attendance: Barbara Shearer (Director & Executive Producer), Jennifer Harkness, Nina Burleigh and Emma Cooper (Executive Producers) The documentary series will investigate the powerful, connected, and mysterious Ghislaine Maxwell, who was once the heiress to the Maxwell fortune but whose life takes a sordid downturn when she meets Jeffrey Epstein, the serial sex offender. This investigative series will reveal a complicated story of power, sex, and money, which leads to Ghislaine Maxwell’s arrest awaiting trial in November 2021. The series, titled “Ghislaine Maxwell: Epstein’s Shadow,” will also premiere on Sky Documentaries and streaming service NOW in the UK on June 28. Deadline INSIDE LOOK: THE DAILY SHOW WITH TREVOR NOAH (Comedy Central; Weeknights)- PANEL In Attendance: Desi Lydic and Dulcé Sloan (Correspondents), Jen Flanz (Executive Producer and Showrunner), Zhubin Parang (Supervising Producer and Writer), and Dan Amira (Head Writer and Producer) Between a global pandemic and countless social justice crises this past year, The Daily Show with Trevor Noah offered both levity and crucial commentary on some of today’s most uncomfortable truths. Sit down with The Daily Show’s creative team to discuss how the show works behind the scenes to tackle tough conversations, elevate underrepresented voices and navigate the unforeseen challenges of 2020—all while making the audience laugh. Veteran creatives and correspondents share their insight on what it takes to make a successful show and keep audiences engaged 24/7 with not just the program, but also more broadly with the world around them.