DOCSLIB.ORG

Fermilab Floods

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Fermilab Floods Volume 19 Friday, August 2, 1996 Number 15 f INSIDE Fermilab 2 University Close-Up: South Alabama 6 Better and Better: Floods Fermilab Upgrades 8 Painless Physics by Judy Jackson, Office of Public Affairs 9 Profiles in Record-setting rainfall on July 17 and 18 f Particle Physics: shut down Fermilab’s Tevatron accelerator, Reidar Hahn turned site roadways into rivers, and sent employees exploring unfamiliar highways to find ways to get to work. “I saw parts of the state of Illinois where Accelerator Division Staf I thought I might y continued on page 4 Photo b Water poured through a cable tray at B3 in the accelerator ring. Main Ring Road at midday on July 18. f A quick working sketch Accelerator Division Staf of the Main Ring showed y flooded areas of the accel- erator tunnel. Inner circle Photo b ndicates Main Injector South Alabama and Sweet Home Fermilab Research by the University of South Alabama high-energy physics group combines two professors, undergrad- uates, high school students and a strong feeling of unity. by Donald Sena, Office of Public Affairs Sitting in a cramped trailer–office and talking about science research at Fermilab, Merrill Jenkins and Kent Clark, professors who constitute the entire particle physics group at South Alabama University, make an impressive, albeit small, team. As Jenkins sits on the edge of his seat, enthusiastically explaining South Alabama’s involvement in an experiment, Clark amplifies his partner’s words with a nod, a well-placed “yes,” or even the end of a sentence when Jenkins pauses briefly to find the perfect description. Later, the two professors walk through their dank beam hall crowded with experimental equipment amid components still physics. The two professors received their first South Alabama professors Merrill Jenkins (left) and in boxes, alternately explaining how their con- funding in 1990. tribution to a study will fit in with overall Kent Clark install the “We think we may be unique in the trigger hodoscopes in the physics goals. country in that we’re the only physics program E871 experimental hall. Theirs is an intimacy that can get lost at funded by [the Department of Energy] that has universities with larger programs, and a unity no graduate program,” said Clark. that Jenkins and Clark hope to carry over as Jenkins and Clark hope to change that, but they attempt to expand their program. said it will take some time and work. They “I have the highest regard for them,” said must prove to the state commission on higher “ I have the highest Craig Dukes of the University of Virginia and education there is a need for a graduate pro- regard for them. cospokesman for E871. “They are very much a gram and students will find jobs when they team, and they get an amazing amount done leave. The professors admit they must first They are very considering they don’t have graduate students.” increase the number of undergraduates with The Program physics majors. much a team, and The physics department at South Alabama A Fermilab History they get an has seven faculty members and produces about While a graduate student at Florida State, two physics graduates each year. Although it is Clark performed his Ph.D. experiment at the amazing amount a small department compared with some of the Stanford Linear Accelerator in California. Later, done considering other institutions working at Fermilab, Jenkins as a postdoc at Rice University, he performed said it contains forward-thinking professors. his first Fermilab study, E609. He said collabo- they don’t have “Every faculty member...is actively involved rators were looking for jet production in in research of one type or another,” said p–nucleus interactions. graduate Jenkins. “It’s something that we take pride in “It’s ancient history because we were in our department.” looking for jets,” said Clark. students.” The university, in Mobile, started the high- Jets are streams of secondary particles energy group when Jenkins arrived in 1988. At spraying out from the collision of two sub- ~ Craig Dukes that time, Clark was engaged in other types of atomic particles, they are now considered com- cospokesman research but wanted to get back to particle monplace to observe. for E871. Jenkins performed his dissertation experi- physicists joined this experiment in the early ment at Brookhaven National Laboratory, planning stages. studying cascade hyperon resonances. In 1983, “There were a lot of attractive features to he was hired as a postdoc by Fermilab to work this experiment,” said Jenkins. “First of all, it’s in the Physics Section. At the Lab he collabo- a very clever experiment. Secondly, it’s a small rated on two experiments, including E705, the collaboration—so small that a group like us hadronic production of charmonium and direct can contribute heavily...,” he said, gesturing photon production. to Clark. Just after Jenkins’ Clark nodded and added, “It’s been fun arrival in Mobile in 1988, because everyone is easy to work with. It’s a he and Clark began South fairly tight-knit collaboration.” Alabama’s first–ever partici- The two professors accepted the responsi- pation in a high-energy bility of building the trigger hodoscopes for physics experiment. The E871. The purpose of the hodoscopes is to study at Fermilab, E771, capture all of the cascade decays, while rejecting included B hadron produc- some beam interactions that occur between the tion. Some of the primary collimator and the downstream spectrometer. physics goals of the experi- ment included the observa- Student Involvement tion of B production in The two professors spent a year designing fixed-target collisions. The and building the hodoscopes, but they had South Alabama team help. In keeping with their philosophy of worked on the photon achieving a balance between teaching and calorimeter—a huge array of experimenting, Jenkins and Clark involved scintillating glass sur- undergraduates from their institution, as well as Merrill Jenkins of the rounded by lead glass. The physics tool mea- Alabama high school students, in the construc- University of South sured photon energies and positions to recon- tion of the hodoscopes, Three undergraduates Alabama installing E871 struct decay modes. E771 collaborators are still equipment for the CP and three students from the Alabama Academy analyzing data from the study. violation experiment. of Mathematics and Science spent many weeks testing the photomultiplier tubes attached to Searching for CP Violation the end of every paddle. In all, students tested about 115 tubes for CP violation—the observed difference the experiment. Two undergraduates even between matter and antimatter in the uni- drove to Fermilab with the professors to install verse—outside the kaon world now occupies the hodoscope stands and visit the high-energy the South Alabama duo. CP violation has been physics lab. observed only in kaon decays. KTeV, a fixed- “These are students, including high school target experiment in the present Fermilab run, students, who want to be scientists, and so it is will continue the long line of kaon studies. a wonderful way to broaden their education However, another fixed- and get them involved in research, even if it is target experiment, E871, or something as elementary as finding the oper- the HyperCP experiment, ating voltage of a tube,” said Clark. “Anything will attempt to observe CP we can do to get them involved in research at violation in other types of any level is going to help their education and decays. Jenkins, Clark and show them what it’s all about.” the other collaborators will The drive to involve undergraduates in study the decay of the cas- research permeates the small physics faculty, cade particle and lambda according to Jenkins. Everyone in the depart- hyperon and their anti- ment tries to get students interested in experi- matter counterparts; any mentation, and working in a small program observed difference in the makes it easier. decays would be evidence “It’s a good component of their overall for CP violation. Dukes said education...to be exposed to this, no matter the Standard Model predicts what they do when they get out, whether it’s in that CP violation is present, industry, teaching in high schools or going on but the magnitude of the Kent Clark, professor at to graduate school,” said Jenkins. “And the fac- phenomenon is uncertain. He said if CP viola- the University of South ulty is very much committed to see that every tion is present but unexpectedly small, experi- Alabama, getting his student has that opportunity.” ■ part of the experiment menters may not be able to see it. Hoping to ready. build upon their expertise, the South Alabama Fermilab have to pull out my passport,” said Facilities into rushing waterfalls, and water poured into Engineering Services Section Head David the accelerator tunnel. As waters rose on Floods Nevin, describing his trip to the Laboratory Thursday morning, so did concerns about the early Thursday morning. electrical feeder that powers sump pumps for continued from page 1 Fermilab does not measure rainfall levels at the accelerator tunnel. Lab officials feared the Laboratory, but weather centers in neigh- floodwaters might overwhelm a sandbag barrier boring communities recorded up to 18 inches and engulf the feeder, cutting off power to the of rain during the storm. The flood’s most pumps laboring to cope with incoming water. serious effects on Fermilab operations stemmed The decision to breach a dike early Thursday from the flooding of vital pumps in the water afternoon allowed staff to drain the water into cooling system at Casey’s Pond, near the Main Ring Lake and removed the threat to the Water covers Main northern site boundary.
Load more

Recommended publications
  • For More Than Four Decades, This Award-Winning Radio Producer and Musician Has Been “Driving the Blues Bus Down Blue Avenue” for Iowa Listeners
    IOWAN ICON BOB DORRFor more than four decades, this award-winning radio producer and musician has been “driving the blues bus down Blue Avenue” for Iowa listeners. Here’s the man behind the music. by AVERY GREGURICH | photography by KATHRYN GAMBLE Bob Dorr in his garage studio, surrounded by the combination of vintage and state-of-the-art gear he uses to produce his three radio shows Backtracks, Beatles Medley, and Blue Avenue. 46 iowan.com July/August 2015 THE IOWAN 47 EVERYBODY NEEDS THE BLUES Dorr is a blues historian and practitioner who prefers “traditional ’50s and ’60s Chicago-style blues.” As a member of a listening project put together by the Blues Foundation (blues.org), a Memphis nonprofit that calls itself “the international home of blues music,” Dorr has been “inundated with blues releases.” Here are four Iowa blues artists that Dorr says you should be listening to right now. JOE AND VICKI PRICE joepriceblue.com To Dorr, Joe and Vicki Price epitomize “the real deal.” “Joe Price has been a hero of mine since the mid-’70s, when he was part of the Mother Blues Band in Iowa City,” he says. The husband and wife duo have been playing and touring together since 1982 and have shared the stage with the likes of Willie Dixon, John Lee Hooker, and fellow Iowan Greg Brown. Their album Rain or Shine won the Independent Music Award for Best Blues CD of 2010. They call Decorah home but are rarely there long. They tour nationally and perform often at Buddy Guy’s Legends in Chicago.
    [Show full text]
  • Luther Johnson – Telarc.Com Luther “Guitar Junior” Johnson Is One of the Premier Blues Artists to Emerge from Chicago's
    Luther Johnson – telarc.com Luther “Guitar Junior” Johnson is one of the premier blues artists to emerge from Chicago’s music scene. Hailing from Itta Bena, Mississippi, Johnson arrived in Chicago in the mid-fifties a young man. At around the same time, the West Side guitar style, a way of playing alternating stinging single-note leads with powerful distorted chords, was being created mostly by Magic Sam and Otis Rush. Originally developed because their small bands could not afford both lead and rhythm guitar players, this style grew into an important contribution to modern blues and rock, influencing such notables as Eric Clapton and Mark Knopfler. Johnson served a long sideman apprenticeship with both Magic Sam and Muddy Waters, while developing into a strong performer in his own right. Today, Luther is widely considered the foremost proponent of the West Side guitar style and the heir apparent to the late Magic Sam’s West Side throne. Luther Johnson first gained an international reputation as a guitarist and vocalist with Muddy Waters’ band, touring the U.S., Europe, Japan and Australia from 1973-79. Given the opportunity to front the band on his featured tunes in each show, Johnson’s super-charged performances consistently thrilled audiences in the world’s leading concert halls, including Carnegie Hall, Kennedy Center and Radio City Music Hall as well as at music festivals in Newport, Antibes, New Orleans and countless others. During his association with Muddy Waters, Johnson also shared the stage with The Rolling Stones, Eric Clapton, The Allman Brothers and Johnny Winter.
    [Show full text]
  • Wherever They Play, Boney Fields and the Bone's Project Leave Behind Them a Lasting Impression. Like a High Energy Gunpowder T
    © Matthieu FAURE – Brenda TURNNIDGE Wherever they play, Boney Fields and The Bone’s Project leave behind them a lasting impression. Like a high energy gunpowder trail, dispensing a cross of blues and funk which unites and rallies the masses in a heavenly musical communion. Fronted by the dynamic, trumpet player, singer/songwriter Boney Fields, the combo has gained a bigger and bigger following. The bowler-hatted musician has come a long way since founding his own band, ten years ago. If he comes from Chicago Blues, he has expanded the contours with an iron willed determination. A lover of soul, groove, jazz, Boney Fields knows, as do certain other musicians of his generation, that the life of blues exists through constant evolution and rejuvenation. With humility and conviction, he follows his own path finding his own originality on the way. A man resolutely of his time, yet also immersed in the heritage of his musical forefathers, Boney Fields proves that the blues still has some great days ahead of it. Romain GROSMAN (Vibrations – Jazz News – Les Inrocks …) CHANGING FOR THE FUTURE BIOGRAPHY Boney Fields hails from the Chicago ghetto, where he was born at the end of the fifties. In his family, some played blues, others gospel. He studied jazz at In 1999 he produced « Hard Work » his college choosing the trumpet, « cause I first self produced album. An loved Louis Armstrong » he recalls. atmosphere « Blaxploitation » soul-blues Amongst his favourite artists : James horns : the musician wrote most of the Brown, Tina Turner and Otis Redding. tracks. Soon after, he started hanging out in the On 2003’s « Red Wolf » released under blues clubs in the « Windy City ».
    [Show full text]
  • Letter Reso 1..3
    *LRB10107037ALS56100r* SR0243 LRB101 07037 ALS 56100 r 1 SENATE RESOLUTION 2 WHEREAS, The members of the Illinois Senate are saddened to 3 learn of the death of Eddie C. Campbell, who passed away on 4 November 20, 2018 at the age of 79; and 5 WHEREAS, Eddie Campbell was born in Duncan, Mississippi on 6 May 6, 1939 to parents who were sharecroppers; when he was six, 7 he moved with his family to Chicago, where his mother bought 8 him his first guitar and took him to the old 1125 Club on West 9 Madison Street; shortly after, she introduced him to her 10 friend, Muddy Waters, and by the age of 12, he was sitting in 11 with Waters's band; and 12 WHEREAS, As a teenager, Eddie Campbell played in a band 13 with his neighbor, Luther Allison, and later with Little 14 Walter, who was known for revolutionizing the harmonica; he 15 also played sideman with Howlin' Wolf and Little Johnny Taylor; 16 he had a knack for boxing and won 16 heavyweight fights in a 17 row and was once booked to fight a Golden Gloves match against 18 a young Cassius Clay, later known as heavyweight champion 19 Muhammad Ali; his professional boxing career came to an end 20 when he broke his leg in a motorcycle accident; and 21 WHEREAS, In 1963, Eddie Campbell became the bandleader for 22 Jimmy Reed and adopted Reed's minimalist guitar playing and SR0243 -2- LRB101 07037 ALS 56100 r 1 slurred singing style; he also played with Willie Dixon's 2 Chicago Blues All Stars and Koko Taylor; during this time, he 3 was known to dress, drive, and perform flamboyantly; he rode a 4 purple
    [Show full text]
  • Finding Aid for the Blues Archive Poster Collection (MUM01783)
    University of Mississippi eGrove Archives & Special Collections: Finding Aids Library April 2020 Finding Aid for the Blues Archive Poster Collection (MUM01783) Follow this and additional works at: https://egrove.olemiss.edu/finding_aids Part of the African American Studies Commons, American Material Culture Commons, American Popular Culture Commons, and the Other Music Commons Recommended Citation Blues Archive Poster Collection (MUM01783), Archives and Special Collections, J.D. Williams Library, The University of Mississippi This Finding Aid is brought to you for free and open access by the Library at eGrove. It has been accepted for inclusion in Archives & Special Collections: Finding Aids by an authorized administrator of eGrove. For more information, please contact [email protected]. University of Mississippi Libraries Finding Aid for the Blues Archive Poster Collection MUM01783 TABLE OF CONTENTS SUMMARY INFORMATION Summary Information Repository University of Mississippi Libraries Scope and Content Creator - Collector Arrangement Cole, Dick "Cane"; King, B. B.; Living Blues Administrative Information (Magazine); Malaco Records; University of Mississippi; Miller, Betty V. Related Materials Controlled Access Headings Title Blues Archive Poster Collection Collection Inventory ID Series 1: General Posters MUM01783 Series 2: B. B. King Posters Date [inclusive] 1926-2012 Series 3: Malaco Records Posters Date [bulk] Series 4: Living Blues Bulk, 1970-2012 Posters Extent Series 5: Dick “Cane” 3.0 Poster cases (16 drawers) Cole Collection Location Series 6: Betty V. Miller Blues Archive Collection Series 7: Southern Language of Materials Ontario Blues Association English Broadsides Abstract Series 8: Oversize These blues posters, broadsides, and oversize Periodicals printings, collected by various individuals and Series 9: Blues Bank institutions, document the world of blues advertising.
    [Show full text]
  • Luther Allison Live in Paris Mp3, Flac, Wma
    Luther Allison Live In Paris mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Blues Album: Live In Paris Country: Germany Released: 1982 Style: Chicago Blues MP3 version RAR size: 1498 mb FLAC version RAR size: 1751 mb WMA version RAR size: 1745 mb Rating: 4.4 Votes: 934 Other Formats: MP1 MPC RA VQF AA TTA APE Tracklist Hide Credits Crazy Jealous A1 5:10 Written-By – Luther Allison Sweet Little Angel A2 9:09 Written-By – B.B. King My Babe A3 4:17 Written-By – Frank Store, Willie Dixon Thrill Is Gone B1 8:51 Written-By – B.B. King Early In The Morning B2 6:00 Written-By – Leroy Carr Tribute To Hound Dog B3 10:37 Written-By – Luther Allison Companies, etc. Recorded At – Chapelle Des Lombards Credits Bass – Kenny Berdoll Coordinator [Recording] – Jean-Pierre Bajot Drums – Danny Schmidt Engineer [Mastering] – Christian Orsini Engineer [Re-mix] – Christian Gence Engineer [Recording] – Michael Saulnier Lead Guitar – Luther Allison Piano – Sid Wingfield Producer – Larry Martin Producer [Assistant] – Paul Pechenaert Producer [Exclusive] – Jean-Paul Barriolade, Jean-Philippe Martin-Payre Rhythm Guitar – James Solberg Notes Recorded in Paris, at La Chapelle des Lombards, 1979 Other versions Category Artist Title (Format) Label Category Country Year Live In Paris (LP, FLY 06 Luther Allison Free Bird FLY 06 France 1979 Album) Live In Paris (LP, C 3301 Luther Allison Paris Album C 3301 France Unknown Album, RP) Live In Paris (CD, 51416 1354 Luther Allison Ruf Records 51416 1354 US 1995 Album) Live In Paris (CD, RUF 1059 Luther Allison Ruf Records RUF 1059 Germany 2001 Album) Live In Paris (LP, PLB 2 28501 Luther Allison Paris Album PLB 2 28501 France 1979 Album) Related Music albums to Live In Paris by Luther Allison Transwaggon - Copy Of Martin Luther King, Jr.
    [Show full text]
  • Wayne Baker Brooks EPK 2020
    Wayne Baker Brooks 2020 Press Kit G U I T A R I S T • S I N G E R • S O N G W R I T E R • B P R O D U C E R • A U T H O R LISTEN NOW ON SPOTIFY PANDORA APPLE MUSIC AMAZON MUSIC YOUTUBE DEEZER TIDAL SOUNDCLOUD B I O G R A P H Y AWARDS & CAREER HIGHLIGHTS Wayne Baker Brooks is considered one of todays top guitarists who's signature style combines powerful vocals with liquid fire Chicago Blues Hall of Fame guitar playing that honors his rich blues heritage yet effortlessly expands the boundaries of the genre. Born and raised in Canada’s Blues Hall of Fame Chicago, IL amongst the most prolific blues legends and blues Chicago Blues Festival 50th masters in the world, Wayne Baker Brook's blues roots may Anniversy Tour Headliner run deeper and wider than the Great Lakes themselves. Induction into The History Makers: Chicago Blues laid the foundation to Wayne's innovative style. Music Maker Success Growing up Brooks was a regular visitor to such historic places as Chess Studios, Checkerboard Lounge, Wisefools, and many Poconos Blues Fest Lifetime other blues landmarks at which he witnessed many live Achievement Award performances by blues masters like Buddy Guy, Jr. Wells, Carry The Torch Award Luther Allison, KoKo Taylor, the great Muddy Waters, & his father. The youngest son of blues master Lonnie Brooks. Top Blues Stars of the Future Wayne was literally born into the blues! Leaving no way around Best Chicago Blues Guitar the fate appointed him he soon joined his father's (Lonnie Brooks) band as his guitarist.
    [Show full text]
  • A Historical Analysis of Living Blues Magazine
    University of Mississippi eGrove Electronic Theses and Dissertations Graduate School 2012 A Historical Analysis of Living Blues Magazine Melanie Young Follow this and additional works at: https://egrove.olemiss.edu/etd Part of the Music Commons Recommended Citation Young, Melanie, "A Historical Analysis of Living Blues Magazine" (2012). Electronic Theses and Dissertations. 324. https://egrove.olemiss.edu/etd/324 This Thesis is brought to you for free and open access by the Graduate School at eGrove. It has been accepted for inclusion in Electronic Theses and Dissertations by an authorized administrator of eGrove. For more information, please contact [email protected]. A HISTORICAL ANALYSIS OF LIVING BLUES MAGAZINE A Thesis Presented for the Master of Arts Degree The University of Mississippi Melanie Young December 2012 Copyright Melanie Young 2012 ALL RIGHTS RESERVED ! ABSTRACT This thesis examines Living Blues magazine and its history through its stated cultural focus on African American music. ! ""! ! DEDICATION This thesis is dedicated to the founders of Living Blues; to the editors, staff, writers, and photographers past, present, and future; and to all of the blues artists who have been—and will be—represented within its pages. ! """! ! ACKNOWLEDGEMENTS I express my deepest appreciation to my committee chair, Dr. David Wharton, and committee members, Dr. Ted Ownby and Dr. Adam Gussow. In addition, I thank graduate advisor Dr. Kathryn McKee for her kind assistance throughout my career as a student at the University of Mississippi. My assistantship as circulation manager in the Living Blues office, awarded by the Center for the Study of Southern Culture and supervised by publications manager Mark Camarigg, provided necessary financial assistance for my studies in Oxford.
    [Show full text]
  • Muziek Voor Volwassenen / Johan Derksen
    BUMALIJST RTV RIJNMOND Programma: Muziek voor volwassenen / Johan Derksen Uitzending: 9.00-12.00 uur DATUM: 4 maart 2017 TIJD TITEL ARTIEST ALBUM TITEL COMPONIST LABEL LABELNR 09.00-10.00 uur 1 7:00 Got me accused Bobby Rush Porcupine meat Rush/Billington Rounder Records 1166100065 2 4:21 Cherry red wine Luther Allison Blue streak Allison Alligator Records ALCD 4834 3 3:25 Nearer to you Samantha Fish Chills & fever Toussaint Ruf Records 1241 4 4:30 Little red rooster Luther Allison Love me mama Dixon Delmark Records DE-625 5 3:14 This ain't New York Mercy John This ain't New York John Butler Records BUR2016025 6 4:19 Five long years Luther Allison Love me mama Boyd Delmark Records DE-625 7 4:25 Rita is gone The Marcus King Band The Marcus King Band King Fantasy FAN00047 8 5:38 The sky is crying Luther Allison Love me mama Robinson/James/Lewis Delmark Records DE-625 9 3:31 I don't mind River Zydeco Band Down the line Balogh Silvox Records 8715777003490 10 6:21 Luther's blues Luther Allison The Motown years 1972 - 1976 Allison Motown Record Company 530 612-2 10.00-11.00 uur 11 2:19 Don't turn me loose Wesley Stace Wesley Stace's John Wesley Harding Greenfield/Cook Yep Roc Records YEP-2491 12 7:05 Let's have a little talk Luther Allison The Motown years 1972 - 1976 Allison Motown Record Company 530 612-2 13 2:50 Impossible love Ad Vanderveen Worlds within Vanderveen Songsense Music 3481574993009 14 5:59 Love me papa Luther Allison Love me papa Allison Black & Blue 233524 15 4:03 Foolish heart Nikki Lane Highway Queen Lane New*West Records
    [Show full text]
  • Detroit Blues Society Who’S Who of Detroit Blues
    Detroit Blues Society Who’s Who of Detroit Blues A Adams, Alberta (a.k.a.: Roberta Louise Osborne): vocalist. She was born circa July 1920 Indiana and moved to Detroit at age three. Toured with T-Bone Walker, Louie Jordan, Eddie “Cleanhead” Vinson, Duke Ellington, Tiny Bradshaw, RJ’s Rhythm Rockers and others. Recorded on Detroit label United Sound Systems and on Cannonball Records. She is known as “Detroit’s Queen of the Blues” and was awarded Detroit Blues Society Lifetime Achievement Award in 1977. Tracks released by Chess Records include the song Remember. Recordings include contributions to (CD) Alberta Adams-Say Baby Say, Blues Across America-The Detroit Scene, Alberta Adams and RJ’s Blues Crew-Uncut Detroit II, Alberta Adams-Born With The Blues, VA-Chess Blues. Reference: Detroit Blues, Vol. 2, No. 3, pp.11-17; R. J. Spangler, Big City Blues, Oct.-Nov. 2000; Living Blues, #160, December 2001, pp. 22-29. Adams, Dwight: trumpet/flugelhorn. Played with the Blues Insurgents, Dwight Adams Combo. Recordings include contributions to (CD) Bill Heid & The Detroit Blues Masters-We Play The Blues, Alberta Adams-Say Baby Say, Blues Across America-The Detroit Scene, Johnnie Bassett and The Blues Insurgents-Cadillac Blues, Johnnie Bassett & The Blues Insurgents-I Gave My Life to the Blues Ahada: vocalist. She performed in Detroit with the Sudden Impact Band. AJ: percussion. He played with the Howling Diablos. Recordings include contributions to (CD) Howling Diablos-It’s My Party Allan, Barnard: bass. Recordings include contributions to (CD) Joce’lyn B-Bitch a da Blues Allen, “Little Sonny”: Hammond B-3.
    [Show full text]
  • Concerts Free
    Bring your blanket, lawn chairs and free appetite to the Villa Park Summer Concerts. Great family entertainment and good Summerconcerts eats will make for a fun night! Kiwanis Summer Concerts August Summer Concerts RUGAARD GAZEBO ON THE PRAIRIE PATH. CORTESI VETERANS MEMORIAL PARK (318 E. KENILWORTH) THE WEDNESDAY CONCERTS THE THURSDAY CONCERTS BEGIN AT 6:30 PM BEGIN AT 6:30 PM The concession stand opens at 6 pm. The concession stand opens at 6 pm selling hamburgers, hot dogs, brats, AUGUST 5 PETTY CASH Entertaining crowds of all sizes in Chicago for over popcorn, soft drinks and more. Alcohol 10 years, Petty Cash is a high-octane stage show is prohibited on the Prairie Path. appropriate for old rockers, baby rockers and everything in between. As Chicagoland’s ultimate Tom Celebrating Petty / Johnny Cash cover band this group is sure to JULY 7 41 years ETHAN BELL BAND get you up and dancing in the aisles with classic tunes of music! you’ve enjoyed for years. Who doesn’t like the music The Ethan Bell Band, a Nashville of Tom Petty or Johnny Cash, right? Petty Cash is based group of musicians keeps the product of five musicians with combined years of audiences captivated with their mashups musical experience of roughly...1,000! Don’t miss their of pop, hip hop and country songs. stop in Villa Park! Their performances include flashy stage move dancing and storytelling through their romantic AUGUST 12 CLASSICAL BLAST ballads of well-known songs. Classical Blast’s Bach to Rock show takes you on a thrill ride through time.
    [Show full text]
  • Dave Lambert
    Despite his failing health, Howlin’ Wolf stoically continued to record and perform. Wolf’s last performance was in November 1975 at the Chicago Amphitheater. On a bill with B.B. King, Albert King, O. V. Wright, Luther Allison, and Shows begin at 6:30 unless noted many other great bluesmen, Wolf gave a heroic In case of inclement weather, shows will be held just down the street at the Grand Theater, 102 West Grand Avenue. performance, rising almost literally from his deathbed to June 1 Left Wing Bourbon recreate many of his old songs and performing some of MySpace.com/LeftWingBourbon his old antics such as crawling across the stage during June 8 The Pumps the song “Crawling King Snake.” ThePumpsBand.com MySpace.com/ThePumpsBand June 15 The Blues Dogs July 13, 2010 at Owen Park MySpace.com/SteveMeyerAndTheBluesDogs June 22 Pete Neuman and the Real Deal PeteNeuman.com June 29 Code Blue with Catya & Sue Dave Lambert Band Catya.net July 6 Mojo Lemon MojoLemon.com MySpace.com/MojoLemonBluesBand July 13 Dave Lambert DaveLambertBand.com The crowd went wild and gave him a five-minute July 20 Deep Water Reunion standing ovation. When he got offstage, a team of MySpace.com/DWReunion paramedics where called in to revive him. Two months July 27 The Nitecaps later he was dead, after his heart gave out during an MySpace.com/TheNitecapsBand operation. He was buried in Hines, IL. Wolf was inducted Aug 3 *Young Blues Night with The Love Buzzards into the Blues Foundation’s Hall of Fame in 1980 and the (show begins at 7:00pm) Rock & Roll Hall of Fame in 1991.
    [Show full text]