Lyst.Com 1 2020 Was No Ordinary Year in Fashion
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A Guide to Selling Fashion Around the World Online
CheckOut 4 FASHION A guide to selling fashion around the world online The CheckOut2TheWorld alliance is brought to you by: INFINITYBLUE driving marketplace performance A GUIDE TO SELLING FASHION AROUND THE WORLD ONLINE CONTENTS Introduction ........................................................................................................ 3 Fashion by numbers ....................................................................................... 4 How do consumers buy online? ............................................................... 7 Being discovered in new markets ......................................................... 14 Getting your clothes to international customers ........................ 19 Looking after your international customers .................................. 21 Focus on China ................................................................................................ 25 Interview with Lei ......................................................................................... 27 A GUIDE TO SELLING FASHION AROUND THE WORLD ONLINE INTRODUCTION The opportunities available to retailers within the fashion industry are enormous. As the world becomes increasingly connected, it also becomes easier and cheaper to sell clothes, footwear and accessories to consumers in new countries. At the same time, as more people buy products online, the more sophisticated, streamlined and cost-effective the associated logistics become, making it faster and cheaper for sellers to reach their customers, wherever they may be. -
A Blitz on Bugs in the Bedding
THE MAGAZINE OF THE INSTITUTE OF CONSERVATION • SEPTEMBER 2011 • ISSUE 36 A blitz on bugs in the bedding Also in this issue PACR news and the new Conservation Register Showcasing intern work in Ireland A 16th century clock WILLARD CONSERVATION EQUIPMENT visit us online at www.willard.co.uk Willard Conservation manufactures and supplies a unique range of conservation tools and equipment, specifically designed for use in the conservation and preservation of works of art and historic cultural media. Our product range provides a premier equipment and technology choice at an affordable price. Visit our website at www.willard.co.uk to see our wide range of conservation equipment and tools and to find out how we may be able to help you with your specific conservation needs. Willard Conservation Limited By Appointment To Her Majesty Queen Elizabeth II Leigh Road, Terminus Industrial Estate, Chichester, West Sussex PO19 8TS Conservation Equipment Engineers Willard Conservation Ltd, T: +44 (0)1243 776928 E: [email protected] W: www.willard.co.uk Chichester 2 inside SEPTEMBER 2011 Issue 36 It is an autumn of welcomes. 2 NEWS First, welcome to the new version of the Conservation Interesting blogs and Register which went live at the end of August. Do take a look websites , research projects, at it at www.conservationregister.com and help with putting uses for a municipal sculpture right any last minute glitches by filling in the feedback survey and a new bus shelter form. 7 Welcome, too, to the latest batch of Accredited members. 4 PROFESSIONAL UPDATE Becoming accredited and then sustaining your professional Notice of Board Elections and credentials is no walk in the park, so congratulations for the next AGM, PACR updates, completing the first stage and good luck in your future role as training and library news the profession’s exemplars and ambassadors. -
ENGLISH Booklet Accompanying the Exhibition Robes Politiques — Women Power Fashion 19.3.2021– 6.2.2022
ROBES POLITIQUES WOMEN POWER FASHION ENGLISH booklet accompanying the exhibition robes politiques — women power fashion 19.3.2021– 6.2.2022 ern-oriented countries, and in the first half of the 20th century, women fought FEMALE POWER for voting and representation rights in AND POWERLESSNESS many states. A HISTORICAL In the 19th century, Switzerland was con- PERSPECTIVE sidered one of the most progressive de- mocracies. Nonetheless, in 1971, it was one of the last European states to intro- duce voting and representation rights for In the past, the ruling thrones of Eu- women. Up to this point, Swiss women rope were almost exclusively occupied had been denied political office. Swit- by men. Women who ruled in their own zerland is still a long way from gender right were the exception. In many coun- equality in terms of numbers, both in par- tries, female family members were ex- liament and the Federal Council. cluded from succession to the throne by law. However, even in countries which did not recognize a female line of suc- cession, it was not unusual for female regents to be able to reign for a limited period as a substitute for a male ruler. In the subordinate role of mother or wife to the king, too, women were far from powerless and were able to pull strings politically. With the French Revolution of 1789, the absolutist form of government was abol- ished and new political relations estab- lished. These were based on the prin- ciple that the people, not a single ruler, were holders of state power. -
Scottish Fashion Influencers: Constructing a Style Identity on Instagram
MARCELLA-HOOD, M. 2020. Scottish fashion influencers: constructing a style identity on Instagram. International journal of fashion studies [online], 7(1), pages 73-96. Available from: https://doi.org/10.1386/infs_00017_1 Scottish fashion influencers: constructing a style identity on Instagram. MARCELLA-HOOD, M. 2020 This document was downloaded from https://openair.rgu.ac.uk Abstract This article builds on existing theories of self presentation and identity through a study into the behaviour of fashion influencers who position themselves as Scottish on Instagram. Fourteen interviews were carried out with Scottish fashion influencers who were asked to reflect on their online identity. The interaction between the offline and online self is explored, where national identity and a sense of place are recognised as important attributes of self identity in an offline setting and participants were sampled on the basis that they were projecting this as a key component of their online self. All were found to be seeking to convey an ideal identity on Instagram; this involved curating particular aspects of their offline style and showcasing these online. The issue of authenticity was complex and a spectrum of identity evolution on Instagram is observed and reflected on. The most career-minded participants tended to portray themselves in a more one-sided manner and were most strongly influenced by a sense of their audience. In contrast, the participants who were less career minded tended to explore more freely with their online self and were influenced most strongly by internal factors. Scottish fashion influencers: constructing a style identity on Instagram The popularity of personal fashion blogs and their influence is explored quite extensively in the literature (e.g. -
Fashion with a Purpose: Sustainability, Empowerment, Inclusivity
Fashion With A Purpose: Sustainability, Empowerment, Inclusivity While the majority of fashion still revolves around trendy, outlandish apparel intended to make a statement, create a sense of exclusivity and incite superficial gossip, it has evolved to become something far more meaningful. Now a vehicle for female empowerment, diversity and to champion environmental issues (a large portion of which admittedly stem from the industry itself), fashion as a tool to unite people and create positive change has never been more worth celebrating. Environmental devastation throughout the history of the fashion industry has been rampant. Trends come and go at the click of a button and many fast fashion brands have turnover rates of less than a day. But consumers have become increasingly aware of the unethical and unsustainable practices and their purchasing choices have begun to shift - buyers no longer desire flashy and erratic outfits that succumb to fleeting trends. The growing awareness and widespread sharing on social media of the absurd levels of textile waste, water pollution and greenhouse gas emissions caused by the industry have resulted in fast- fashion brands taking a huge hit - H&M closed down 160 stores last year, announcing in March 2018 that it had US$4.3billion worth of unsold inventory. A majority of consumers, particularly from the younger generations, have become eco-conscious, opting instead for sustainably produced apparel which they are willing to pay a premium for. According to a Nielsen poll surveying 30,000 consumers across 60 countries, 73% of Millennials have demonstrated a willingness to pay more for products that are sustainable. -
Augusta Auction Company Historic Fashion & Textile
AUGUSTA AUCTION COMPANY HISTORIC FASHION & TEXTILE AUCTION MAY 9, 2017 STURBRIDGE, MASSACHUSETTS 1 TRAINED CHARMEUSE EVENING GOWN, c. 1912 Cream silk charmeuse w/ vine & blossom pattern, empire bodice w/ silk lace & sequin overlay, B to 38", W 28", L 53"-67", (small holes to lace, minor thread pulls) very good. MCNY 2 DECO LAME EVENING GOWN, LATE 1920s Black silk satin, pewter lame in Deco pattern, B to 36", Low W to 38", L 44"-51", excellent. MCNY 3 TWO EMBELLISHED EVENING GOWNS, 1930s 1 purple silk chiffon, attached lace trimmed cape, rhinestone bands to back & on belt, B to 38", W to 31", L 58", (small stains to F, few holes on tiers) fair; 1 rose taffeta underdress overlaid w/ copper tulle & green silk flounce, CB tulle drape, silk ribbon floral trim, B to 38", W 28", L 60", NY label "Blanche Yovin", (holes to net, long light hem stains) fair- good. MCNY 4 RHINESTONE & VELVET EVENING DRESS, c. 1924 Sapphire velvet studded w/ rhinestones, lame under bodice, B 32", H 36", L 50"-53", (missing stones, lame pulls, pink lining added & stained, shoulder straps pinned to shorten for photo) very good. MCNY 5 MOLYNEUX COUTURE & GUGGENHEIM GOWNS, 1930-1950s Both black silk & labeled: 1 late 30s ribbed crepe, "Molyneux", couture tape "11415", surplice bodice & button back, B to 40", W to 34", H to 38", L 58", yellow & black ikat sash included, (1 missing button) excellent; "Mingolini Guggenheim Roma", strapless multi-layered sheath, B 34", W 23", H 35", CL 46"-50", (CF seam unprofessionally taken in by hand, zipper needs replacing) very good. -
A Selection of Details from My Graduate Portfolio - Created to Display My Year Process As an ‘Exhibition’
AMELIA WANG a selection of details from my graduate portfolio - created to display my year process as an ‘exhibition’ instagram: @ameliawang.design email: [email protected] AMELIA WANG exhibition, curation, display. I hope for my graduate collection to be viewed as an exhibition. It is a halt in time, to capture and re-tell memories that are held within clothing. I have specifically placed focus on personal family stories since the Chinese Cultural Revolution (1966-1976). The collection objectifies and presents the experiences of three generations within my family: from my Popo (paternal Chinese grandmother) to my Baba (father), and also me. I have designed garments which cross classical fashion boundaries, steering from what usual connotations of ‘fashion’ are, and instead functioning across both commercial and non-commercial contexts. The collection should be appreciated as a build-up of memories and experiences coming together with the present in both wearable and scultpural ways; to be appreciated whether it is on a living and moving body or not. AMELIA WANG Developing new dimensions for my portfolio. ROOM 4 ROOM 5 ROOM 6 textile select react and and and craft refine adjust ROOM 3 respond and develop ROOM 7 Making a 2D illustrations exhibition space that can be CENTRAL SPACE navigated by the INTRODUCTION viewer. ROOM 2 COLLECTION PLACEMENT curate, hang, MY GRANDMA AS MY MUSE display Project stages ROOM 8 technical drawings divided into rooms. ROOM 1 ROOM 9 research accessories and communicate Taking a walk through my graduate collection. exhibition map AMELIA WANG room plan to imagine my 2D work in a 3D setting. -
2019 Proceedings Las Vegas, Nevada
Las Vegas, Nevada 201 9 Proceedings Art is the Flower, Life is the Green Leaf Erin French, Iowa State University, USA Keywords: Quilt, art, Mackintosh, Scotland Contextual Review and Concept Submission context. Charles Rennie Mackintosh (1868-1928) was a Scottish architect, interior designer, and artist who designed the Glasgow School of Art (GSA) building (Macaulay, 2010). The GSA as an institution of higher education and as a building made a major contribution to a unique visual movement known as the Glasgow Style, which was characterized by forms found in nature such as roses, seeds, and leaves as well as by its emphasis on linearity through vertical lines, elongated forms, and repeated squares (Euler, 2008; Wood, 2004). Nearly a century after Mackintosh’s death, his design, buildings, and artwork continue to inspire fashion designers, fabric designers, and fiber artists. Within the past 10 years, collections by Giorgio Armani, Christopher Kane, and Issey Miyake have featured garments influenced by Mackintosh and the Glasgow Style (Blank, 2010; Blank, 2015; Mower, 2018). Campbell (2008) created a kimono from digitally printed fabric that was inspired by Mackintosh’s fabric designs and the GSA building. In terms of fiber arts, Wood (2004) demonstrated how the major motifs of Mackintosh’s work could serve as inspiration for embroidery designs. I studied, lived, and worked in the Glasgow area for five years and was granted library privileges at the GSA as I studied for my master’s degree. These experiences led me to form an intellectual and emotional bond with the GSA building that moving back to the United States did not break. -
Influencer Impact on Brand Awareness: a Mixed Method
INFLUENCER IMPACT ON BRAND AWARENESS: A MIXED METHOD SURVEY IN THE GERMAN FASHION SEGMENT Kai Dominik Renchen1;2 1SRH Hochschule Heidelberg, Germany 2Mendel University in Brno, Czech Republic Volume 6 Issue 2 ISSN 2694-7161 www.ejobsat.com ABSTRACT This study evaluates the impact of influencer marketing on consumers. Although online influencers are long established in German B2C markets, research in the field is scarce. Marketing managers are unsure how influencer marketing strategies should be drafted and which influencers shouldbe recruited in order to maximize their marketing efforts at the consumer level. Based on a review of previous theoretical and empirical literature, a mixed method empirical study comprising semi- structured interviews with three German fashion influencers and a consumer survey (N = 385) among the followers of these influencers are conducted to evaluate the impact of influencer activity on consumer followership, brand awareness and purchase intention. Results indicate that the intensity of influencer network involvement, intrinsic influencer motivation, authenticity of communication style and the real-life character of influencer posts increase the dependent variables. Hence, the empirical study has contributed to identify the most important determiners for the German B2C fashion influencer segment. Marketing managers are strongly advised to select influencers adequately and organize their marketing strategy in correspondence withtheir company and products. KEY WORDS influencer, marketing, B2C, fashion JEL CODES M3, M31, M37 1 INTRODUCTION The use of the internet as an information and more, buyers use virtual channels to find shopping medium by consumers has increased out about consumption options and products. rapidly in recent years (Franklin, 2008). Ever Among others, social media are very popular. -
Iv Social Butterflies: How Social Media Influencers Are the New Celebrity
iv Social Butterflies: How Social Media Influencers are the New Celebrity Endorsement Kayleigh E. Burke Thesis submitted to the faculty of the Virginia Polytechnic Institute and State University in partial fulfillment of the requirements for the degree of Master of Arts In Communication James D. Ivory, Chair John C. Tedesco M. Cayce Myers May 10, 2017 Blacksburg, VA Keywords: Social Media Influencer; Influencer Marketing; Experiment; Instagram Copyright, 2017 Kayleigh Burke v Social Butterflies- How Social Media Influencers are the New Celebrity Endorsement Kayleigh Burke ABSTRACT The rapid growth of visual microblogging platforms, such as Instagram, has created new opportunities for brands to communicate with stakeholders. As these platforms evolve, brands have had to adapt in order to use the available social media platforms to gain visibility in the millennial audience. Recently brands have turned to online “celebrities” known as a social media influencer (SMI) to distribute information and influence consumers’ product perceptions. This specifically has become a common tactic in communication and marketing efforts with the fashion and beauty industry. Ample research is available on the effects of celebrity endorsements but currently there is a gap in research pertaining to the consumer’s perspective towards SMIs and SMIs effects on consumers. The online experiment completed in this thesis addressed how promotion of a product by a SMI affects perceptions of consumers on Instagram by measuring social comparison and self-congruity. This is accomplished by comparing participant’s product perception to promotional posts on Instagram by a SMI, brand, and unbranded retail source. A three-condition experiment (SMI, Brand, Control) compared effects of product perception, social comparison, and self-congruity. -
View Supporting Document (PDF)
“UpsiteTown” a dystopian film by Sara Balestrieri Chapter One: From an italian legend to political crisis CHAPTER TWO: THE UPSIDE chapter three: the court and politicians - characters’ development CHAPTER FOUR: THE PERFORMERS chapter FIVE: the invisibles of the upside - BEHIND THE SCENES INDEX chapter six: the downside chapter seven: From the page it comes to life cHAPTER EIGHT: the final designs of upsidetown CHAPTER ONE from an italian legend to political crisis ONCE UPON A TIME: THE BEGINNING This story was inspired by an Italian legend relating to a beauti- that isn’t, however, the reality. To protect her feelings and emo- ful palace in Vicenza: Villa Valmarana ai Nani. tions, her parents keep the little princess in a bubble of lies. The legend talks about a dwarf small girl, Princess Layana, I analyzed this theme, focusing on the passage between the daughter of one of the noble owners of the villa. Because of childhood and adult age, and its loss of innocence as her deformity, the parents ordered that the young woman lived consequence. I built this character grew in a world detached confined within the high walls of the mansion and, to avoid from reality, which makes her develop a distorted vision of life, hurting the girl’s feelings, all the servants and custodians of the embellishing it and enriching it with wonders. This doesn’t let villa were chosen exclusively among the dwarves. her know to see the truth: she grows up in a world of injustice and pain, provoked by her father who is the head of the gov- The myth of the princess never seen before and confined in the ernment and he wants to maintain this situation of disparity for villa started to circulate amongst the folks of the village, until personal advantages. -
FALL / WINTER 2017/2018 2017. Is It Fall and Winter?
THE FASHION GROUP FOUNDATION PRESENTS FALL / WINTER 2017/2018 TREND OVERVIEW BY MARYLOU LUTHER N E W Y O R K • LONDON • MILAN • PARIS DOLCE & GABBANA 2017. Is it Fall and Winter? Now and Next? Or a fluid season of see it/buy it and see it/wait for it? The key word is fluid, as in… Gender Fluid. As more women lead the same business lives as men, the more the clothes for those shared needs become less sex-specific. Raf Simons of Calvin Klein and Anna Sui showed men and women in identical outfits. For the first time, significant numbers of male models shared the runways with female models. Some designers showed menswear separately from women’s wear but sequentially at the same site. Transgender Fluid. Marc Jacobs and Proenza Schouler hired transgender models. Transsexuals also modeled in London, Milan and Paris. On the runways, diversity is the meme of the season. Model selections are more inclusive—not only gender fluid, but also age fluid, race fluid, size fluid, religion fluid. And Location Fluid. Philipp Plein leaves Milan for New York. Rodarte’s Kate and Laura Mulleavy leave New York for Paris. Tommy Hilfiger, Rebecca Minkoff and Rachel Comey leave New York for Los Angeles. Tom Ford returns to New York from London and Los Angeles. Given all this fluidity, you could say: This is Fashion’s Watershed Moment. The moment of Woman as Warrior—armed and ready for the battlefield. Woman in Control of Her Body—to reveal, as in the peekaboobs by Anthony Vaccarello for Yves Saint Laurent.