Rhythm Spirits Curated by Zakir Hussain

Total Page:16

File Type:pdf, Size:1020Kb

Rhythm Spirits Curated by Zakir Hussain RHYTHM SPIRITS CURATED BY ZAKIR HUSSAIN 1 2 Esa-Pekka Salonen SAN FRANCISCO SYMPHONY MUSIC DIRECTOR San Francisco Symphony Music Director Esa-Pekka Salonen has, through his many high-profile conducting roles and work as a leading composer, shaped a unique vision for the present and future of the contemporary symphony orchestra. Salonen is currently the Principal Conductor & Artistic Advisor for London’s Philharmonia Orchestra and is Artist in Association at the Finnish National Opera and Ballet. He is a member of the faculty of the Colburn School in Los Angeles, where he developed and directs the pre-professional Negaunee Conducting Program. Salonen is the Conductor Laureate for both the Swedish Radio Symphony Orchestra and the Los Angeles Philharmonic, where he was Music Director from 1992 until 2009. Salonen co-founded— and from 2003 until 2018 served as the Artistic Director for—the annual Baltic Sea Festival. 3 The Orchestra Esa-Pekka Salonen, Music Director SECOND VIOLINS CELLOS Michael Tilson Thomas, Music Director Laureate Dan Carlson, Principal Vacant, Principal Herbert Blomstedt, Conductor Laureate Dinner & Swig Families Chair Philip S. Boone Chair Daniel Stewart, San Francisco Symphony Youth Helen Kim, Associate Principal Peter Wyrick, Associate Principal Orchestra Wattis Foundation Music Director Audrey Avis Aasen-Hull Chair Peter & Jacqueline Hoefer Chair Ragnar Bohlin, Chorus Director Jessie Fellows, Assistant Principal Amos Yang, Assistant Principal Vance George, Chorus Director Emeritus Vacant Vacant The Eucalyptus Foundation Second Century Chair Lyman & Carol Casey Second Century Chair FIRST VIOLINS Raushan Akhmedyarova Barbara Andres Alexander Barantschik, Concertmaster David Chernyavsky The Stanley S. Langendorf Foundation Naoum Blinder Chair John Chisholm Second Century Chair Nadya Tichman, Associate Concertmaster Cathryn Down Barbara Bogatin San Francisco Symphony Foundation Chair Darlene Gray Phylis Blair Cello Chair Wyatt Underhill, Assistant Concertmaster Stan & Lenora Davis Chair Jill Rachuy Brindel 75th Anniversary Chair Amy Hiraga Gary & Kathleen Heidenreich Second Century Chair Jeremy Constant, Assistant Concertmaster Kum Mo Kim Sébastien Gingras Mariko Smiley Kelly Leon-Pearce Penelope Clark Second Century Chair Paula & John Gambs Second Century Chair Eliot Lev* David Goldblatt Melissa Kleinbart Isaac Stern Chair Christine & Pierre Lamond Second Century Chair Katharine Hanrahan Chair Chunming Mo Carolyn McIntosh Yun Chu Polina Sedukh Elizabeth C. Peters Cello Chair Naomi Kazama Hull Chen Zhao Anne Pinsker In Sun Jang Yukiko Kurakata VIOLAS BASSES Catherine A. Mueller Chair Jonathan Vinocour, Principal Scott Pingel, Principal Suzanne Leon Yun Jie Liu, Associate Principal Daniel G. Smith, Associate Principal Leor Maltinski Katie Kadarauch, Assistant Principal Stephen Tramontozzi, Assistant Principal Sarn Oliver Vacant Richard & Rhoda Goldman Chair Florin Parvulescu Joanne E. Harrington & Lorry I. Lokey S. Mark Wright Victor Romasevich Second Century Chair Lawrence Metcalf Second Century Chair Catherine Van Hoesen Gina Cooper Charles Chandler David Gaudry Chris Gilbert David Kim Brian Marcus Christina King Wayne Roden Nanci Severance Adam Smyla Matthew Young 4 FLUTES TRUMPETS LIBRARIANS Tim Day, Principal Mark Inouye, Principal Margo Kieser, Principal Caroline H. Hume Chair William G. Irwin Charity Foundation Chair Nancy & Charles Geschke Chair Robin McKee, Associate Principal Aaron Schuman, Associate Principal John Campbell, Assistant Catherine & Russell Clark Chair Peter Pastreich Chair Matt Gray, Assistant Linda Lukas Guy Piddington Alfred S. & Dede Wilsey Chair Ann L. & Charles B. Johnson Chair * On leave Catherine Payne, Piccolo Jeff Biancalana † Acting member of the SFS Rainbow Piccolo Chair TROMBONES OBOES Timothy Higgins, Principal Eugene Izotov, Principal Robert L. Samter Chair Edo de Waart Chair Nicholas Platoff, Associate Principal James Button, Associate Principal Paul Welcomer Pamela Smith Vacant, Bass Trombone Dr. William D. Clinite Chair Russ deLuna, English Horn TUBA Joseph & Pauline Scafidi Chair Jeffrey Anderson, Principal James Irvine Chair CLARINETS Carey Bell, Principal HARP William R. & Gretchen B. Kimball Chair Douglas Rioth, Principal The San Francisco Symphony string Vacant, Associate Principal & E-flat Clarinet section utilizes revolving seating on a Vacant TIMPANI systematic basis. Players listed in Jerome Simas, Bass Clarinet Edward Stephan, Principal alphabetical order change seats Marcia & John Goldman Chair periodically. BASSOONS Bryce Leafman, Assistant Principal Second Century Chairs are supported in Stephen Paulson, Principal part by the Richard and Rhoda Goldman Steven Dibner, Associate Principal PERCUSSION Foundation, ensuring the ongoing artistic Vacant Jacob Nissly, Principal excellence of the San Francisco Steven Braunstein, Contrabassoon Bryce Leafman Symphony’s string sections. James Lee Wyatt III HORNS Stan Muncy† Alexander Barantschik plays the 1742 Robert Ward, Principal Guarnerius del Gesù violin, on loan from Mark Almond, Associate Principal the Fine Arts Museums of San Francisco. Bruce Roberts, Assistant Principal Daniel Stewart’s appointment as Music Jonathan Ring Director of the San Francisco Symphony Jessica Valeri Youth Orchestra is generously supported Daniel Hawkins by the Paul L. and Phyllis Wattis Endowment Fund. 5 Zakir Hussain on Rhythm Spirits “When you’re listening to the music, any music, listen to it with open ears, open mind, open heart, and it will eventually talk to you and present a picture of where it comes from, what it represents. And so that’s what you should do with this music or any other music.” 6 currents: rhythm spirits Zakir Hussain curator and tabla Heard in this program: USTAD ALLARAKHA QURESHI (arr. Chris Votek and Neelamjit Dhillon) Bichhua Zakir Hussain tabla Kala Ramnath Indian classical violin Barbara Bogatin cello Scott Pingel double bass Douglas Rioth harp ZAKIR HUSSAIN (arr. Zakir Hussain and Neelamjit Dhillon) Laya-Jam Zakir Hussain tabla Jacob Nissly · Bryce Leafman · James Lee Wyatt III · Stan Muncy percussion TRADITIONAL (arr. Neelamjit Dhillon and Chris Votek) Sands of Time Zakir Hussain tabla Kala Ramnath Indian classical violin In Sun Jang · Raushan Akhmedyarova violins Katie Kadarauch · Christina King violas Amos Yang cello Daniel G. Smith double bass Frank Zamacona director Luke Kritzeck director of lighting Daniel Anderson • Kara Lancaster editors CURRENTS is sponsored by Chevron. CURRENTS is supported in part by Dolby Laboratories. 7 Thank You to Our Concert Sponsors CURRENTS IS SPONSORED BY CURRENTS IS SUPPORTED IN PART BY 8 artists The pre-eminent classical tabla Indian classical violinist KALA virtuoso of our time, ZAKIR RAMNATH has been featured HUSSAIN is appreciated as one on the Grammy-nominated of the world’s most esteemed Miles from India project, and and influential musicians, one her compositions have whose mastery of his appeared on Hilary Hahn’s percussion instrument has Grammy-winning album In 27 taken it to a new level, transcending cultures and Pieces and Kronos Quartet’s 50 for the Future. In May national borders. A child prodigy who began his 2017 she was awarded the Sangeet Natak Academy international touring career by the age of eighteen, Puraskar for her contributions to the violin in Mr. Hussain has been at the helm of many genre- Hindustani Classical Music. Born into a musical defying collaborations including Shakti, Remember dynasty, Ms. Ramnath became a disciple of vocalist Shakti, Masters of Percussion, Planet Drum, Tabla Pandit Jasraj and began revolutionizing approaches to Beat Science, and Sangam. His first album as a leader, vocalized Hindustani violin technique. She has since Making Music, was released in 1987. appeared on world stages including the Sydney Opera As a composer, he has scored music for numerous House, Paris’ Théâtre de la Ville, London’s Queen feature films. He has composed three concertos, Elizabeth Hall, Royal Festival Hall, San Francisco’s including the first-ever for tabla and orchestra. He is Palace of Fine Arts, Singapore’s Esplanade, New the recipient of countless awards, including two York’s Carnegie Hall, the Rudolstadt Festival in Grammys, the titles of Padma Bhushan and Padma Germany, and the Edinburgh Music Festival in Shri from the Indian government, and he has been Scotland. She comfortably forges musical alliances named an Officier in the French Ordre des Arts et des with renowned artists from different genres around Lettres. Voted Best Percussionist by both the the globe, incorporating elements of Western Classical, Downbeat Critics’ Poll and Modern Drummer’s Jazz, Flamenco, and traditional African music into her Reader’s Poll over several years, Mr. Hussain was rich and varied repertoire. Ms. Ramnath is also a honored with SFJazz’s Lifetime Achievement Award sought-after teacher and she continues to teach, at their 2017 Gala. lecture, and conduct workshops all around the world. She has also sought to enrich the lives of children He is the founder and president of Moment through music with her Kalashree Music Foundation. Records, an independent record label presenting rare live concert recordings of Indian classical music and world music. 9 BARBARA BOGATIN joined DOUGLAS RIOTH joined the the San Francisco Symphony in San Francisco Symphony as 1994. Previously she was Principal Harp in 1981. Born in principal cello with the Missouri, he studied with Alice Milwaukee and New Jersey Chalifoux and Elisa Smith symphonies and played as a Dickon,
Recommended publications
  • Brain Master (Teacher’S Manual) BRAIN MASTER-1 Pg 29 : 1
    Brain Master (Teacher’s Manual) BRAIN MASTER-1 Pg 29 : 1. (c) 2. (b) 3. (e) 4. (d) 5. (f) 6. (h) 7. (g) 8. (a) Pg 3 : Do yourself Pg 30 : 1. Temple 2. Mosque 3. Gurudwara 4. Church. Pg 4 : 1. Good morning 2. Sorry 3. Please take it Pg 31 : Kiran Bedi, Kalpana Chawla, Bachhendri 4. Excuse me 5. Thank you 6. May I help you. Pal, Indira Gandhi, Sania Mirza. Pg 5 : 1. Eyes 2. Ears 3. Hands 4. Legs. Pg 32 : 1. Spring 2. Rainy 3. Winter 4. Summer. Pg 6 : Bedroom 2. Kitchen 3. Drawing room Pg 33 : Crossword Left to Right-Guava, Elephant, 4. Dining room 5. Study room 6. Bathroom. Orange, Lion. Up to Down- Apple, Tomato, Onion. Pg 7 : 1. Television 2. Air conditioner 3. Settee Pg 34 : Eating, Running, Swimming, Drinking, 4. Room heater 5. Music system 6. Telephone Skiing, Clapping, Jumping, skipping, Sitting. 7. Computer 8. Video game 9. Tube-light. Pg 35 : 1. Comb 2. Egg 3. Potato 4. Chair 5. Freezer Pg 8 : 1. Spice-case 2. Micro-oven 3. Lighter 6. Bird. 4. Pressure cooker 5. Refrigerator 6. Mixer-grinder Pg 36 : 1. Sunil Pal 2. Raju Shrivastav 3. Bharti 7. Gas-stove 8. Electric kettle 9. Toaster. Singh 4. Ahesan Qurashi 5. Sugandha Mishra Pg 9 : 1. (d) 2. (c) 3. (h) 4. (a) 5. (f) 6. (e) 7. (b) 8. (g). 6. Kapil Sharma 7. Shrikant Maski 8. Khayali. Pg 10 : 1. Mango 2. Papaya 3. Apple 4. Grapes 5. Pg 37 : 1. (e) 2.
    [Show full text]
  • 2016-17 B.Com. First Year
    UNIVERSITY COLLEGE OF COMMERCE & MANAGEMENT STUDIES MOHANLAL SUKHADIA UNIVERSITY, UDAIPUR. ELECTORAL LIST- 2016-17 B.COM. FIRST YEAR S. No. Name of Applicant Father Name ADDRESS 1 AAFREEN ARA ASHFAQ AHMED 113 nag marg outside chandpol 2 AAFREEN SHEIKH SHAFIQ AHMED SHEIKH 51 RAJA NAGAR SEC 12 SAVINA 3 AAISHA SIDDIKA MR.ABDUL HAMEED NAYA BAJAR KANORE THE-VALLABHNAGER DIS-UDAIPUR 4 AAKANKSHA KOTHARI PRAVEEN KUMAR KOTHARI 5, KANJI KA HATTA, GALI NO.1, OPP. SH DIG JAIN SCHOOL 5 AAKASH RATHOR ROSHAN LAL RATHOR 17 RAMDAWARA CHOWK BHUPALWARI UDAIPUR 6 AANCHAL ASHOK JAIN 61, A - BLOCK, HIRAN MAGRI SEC-14, UDAIPUR 7 AASHISH PATIDAR KAILASH PATIDAR VILL- DABOK 8 AASHRI KHATOD ANIL KHATOD 340,BASANT VIHAR,HIRAN MAGRI,SEC-5 9 AAYUSHI BANSAL UMESH BANSAL 4/543 RHB COLONY GOVERDHAN VILAS SEC. 14 UDAIPUR 10 AAYUSHI SINGH KACHAWA SHAKTI SINGH KACHAWA 1935/07 NEW RAMPURA COLONY SISARMA ROAD 11 ABHAY JAIN PRADEEP JAIN 18, GANESH GHATI, 12 ABHAY MEWARA SUBHASH CHANDRA MEWARA 874, MANDAKINIMARG BIJOLIYA 13 ABHISHEK DHABAI HEMANT DHABAI 209 OPP D E O SECOND GOVERDHAN VILLAS UDAIPUR 14 ABHISHEK JAIN PADAM JAIN HOUSE NO 632 SINGLE STORIE SEC 9 SAVINA 15 ABHISHEK KUMAR SINGH KHOOB SINGH 1/26 R.H.B. colony,Goverdhan Vilas,Udaipur(Raj.) 16 ABHISHEK PALIWAL KISHOR KALALI MOHALLA, CHHOTI SADRI 17 ABHISHEK SANADHYA DHAREMENDRA SANADHYA 47 ANAND VIHAR ROAD NO 2 TEKRI 18 ABHISHEK SETHIYA GOPAL LAL SETHIYA SADAR BAZAR RAILMAGRA 19 ABHISHEK SINGH RAO NARSINGH RAO 32-VIJAY SINGH PATHIK NAGAR SAVINA Page 1 of 187 20 ADITYA SINGH SISODIA BHARAT SINGH SISODIA 39, CHINTA MANI
    [Show full text]
  • Kirtan Leelaarth Amrutdhaara
    KIRTAN LEELAARTH AMRUTDHAARA INSPIRERS Param Pujya Dharma Dhurandhar 1008 Acharya Shree Koshalendraprasadji Maharaj Ahmedabad Diocese Aksharnivasi Param Pujya Mahant Sadguru Purani Swami Hariswaroopdasji Shree Swaminarayan Mandir Bhuj (Kutch) Param Pujya Mahant Sadguru Purani Swami Dharmanandandasji Shree Swaminarayan Mandir Bhuj (Kutch) PUBLISHER Shree Kutch Satsang Swaminarayan Temple (Kenton-Harrow) (Affiliated to Shree Swaminarayan Mandir Bhuj – Kutch) PUBLISHED 4th May 2008 (Chaitra Vad 14, Samvat 2064) Produced by: Shree Kutch Satsang Swaminarayan Temple - Kenton Harrow All rights reserved. No part of this book may be used or reproduced in any form or by any means without written permission from the publisher. © Copyright 2008 Artwork designed by: SKSS Temple I.T. Centre © Copyright 2008 Shree Kutch Satsang Swaminarayan Temple - Kenton, Harrow Shree Kutch Satsang Swaminarayan Temple Westfield Lane, Kenton, Harrow Middlesex, HA3 9EA, UK Tel: 020 8909 9899 Fax: 020 8909 9897 www.sksst.org [email protected] Registered Charity Number: 271034 i ii Forword Jay Shree Swaminarayan, The Swaminarayan Sampraday (faith) is supported by its four pillars; Mandir (Temple), Shastra (Holy Books), Acharya (Guru) and Santos (Holy Saints & Devotees). The growth, strength and inter- supportiveness of these four pillars are key to spreading of the Swaminarayan Faith. Lord Shree Swaminarayan has acknowledged these pillars and laid down the key responsibilities for each of the pillars. He instructed his Nand-Santos to write Shastras which helped the devotees to perform devotion (Bhakti), acquire true knowledge (Gnan), practice righteous living (Dharma) and develop non- attachment to every thing material except Supreme God, Lord Shree Swaminarayan (Vairagya). There are nine types of bhakti, of which, Lord Shree Swaminarayan has singled out Kirtan Bhakti as one of the most important and fundamental in our devotion to God.
    [Show full text]
  • Smt. Kala Ramnath Concert
    presents in association with UC Worldfest 2009 ART at its best Internationally Renowned Hindustani Violinis Smt. Kala Ramnath accompanied by Shri Prithwiraj Bhattacharjee on Tabla Date: 25 th April, 2009 (Saturday) Venue: 4400 Aronoff (DAAP Auditorium) Time: 6 :00 pm Parking: Langsam Garage Artiste Biography Maestro KALA RAMNATH , the contemporary torch bearer of the Mewati Gharana, stands today Prithwiraj Bhattacharjee another young and amongst the most outstanding instrumental musicians in the North Indian classical genre. Born upcoming artist began his initial training under into a family of prodigious musical talent, which his guru Dhiranjan Chakraborty at the tender has given Indian music such violin legends as Prof. age of seven. In the year 1994 his life long T.N. Krishnan and Dr. N. Rajam, Kala's genius with the violin manifested itself from childhood. She ambition of learning under the tabla maestro began playing the violin at the tender age of three Ustad Alla Rakha and Ustad Zakir Hussain came under the strict tutelage of her grandfather true. Blessed with highly cultivated fingers, Vidwan. Narayan Aiyar. Simultaneously she received training from her aunt Dr. Smt. N. Rajam. absorbing all the aspects of his guru’s style For fifteen years she put herself under the training through vigorous riyaz under the ever watchful of Mewati vocal maestro, Sangeet Martand Pandit eyes of his guru have made him progress into a Jasraj. This has brought a rare vocal emotionalism to her art. Kala's violin playing is characterized by very promising upcoming tabla player. Prithwi an immaculate bowing and fingering technique, has performed in many solo concerts and command over all aspects of laya, richness and travelled extensively all over India and abroad clarity in sur.
    [Show full text]
  • Current Review
    Current Review Isaac Stern plays Tchaikovsky: Violin Concerto, Op. 35 and Bartók: Violin Concerto No. 2, Sz. 112 aud 95.624 EAN: 4022143956248 4022143956248 Fanfare (Jerry Dubins - 2014.02.12) This release is of particular interest to me, for as one who was born, raised, and lived most of my life in San Francisco, I probably saw and heard Isaac Stern perform live in concert and recital more times than any other single artist. That, of course, was because of Stern’s close ties to the city in which he grew up and studied violin under Louis Persinger, one-time teacher of Menuhin, and with Naoum Blinder, the San Francisco Symphony’s then concertmaster. In 1936, Stern made his debut with the orchestra under the baton of Pierre Monteux, and though he would soon leave San Francisco to pursue a career as one of the world’s most recognized and sought-after violin virtuosos, he returned often to the city that had nurtured him to appear with the orchestra and in recital with his long-time accompanist, Alexander Zakin. In 1945, Stern signed a recording contract with Columbia, an association that lasted uninterrupted for 40 years, one of the longest such artist/record company alliances in history. And during those years, Stern joined forces with famous conductors, orchestras, and chamber musicians to record the entire mainstream violin concerto and chamber music repertoire, and beyond, often more than once. If you grew up in the 1950s and began collecting records in junior high and high school, as I did, the chances are you grew up with Isaac Stern spinning on your turntables.
    [Show full text]
  • Read Ebook {PDF EPUB} Sternenstaubkind by Isa Day Sternenmagie Bücher in Der Richtigen Reihenfolge
    Read Ebook {PDF EPUB} Sternenstaubkind by Isa Day Sternenmagie Bücher in der richtigen Reihenfolge. Die Sternenmagie -Serie schuf Isa Day im Jahre 2020. Entstanden sind seitdem fünf Teile der Reihenfolge. Der letzte bzw. neueste Band stammt auch aus diesem Jahr. 4.5 von 5 Sternen bei 2 Bewertungen. Chronologie aller Bände (1-5) Eingeleitet wird die Buchreihe mit dem Buch "Sternenstaubkind". Mit diesem Teil sollte zum Einstieg angefangen werden, wenn man alle Bände der Reihe nach lesen möchte. Direkt nach dem Einstieg 2020 ließ das nächste Buch nicht lange auf sich warten und folgte noch im selben Jahr unter dem Titel "Abschied". Ausgebaut wurde die Serie dann im Verlauf des Jahres mit drei neuen Bänden. Der aktuell letzte Teil heißt "Kollisionskurs". Start der Reihenfolge: 2020 (Aktuelles) Ende: 2020 ∅ Fortsetzungs-Rhythmus: 2,4 Monate. Buch 1 von 5 der Sternenmagie Reihe von Isa Day. Reihenfolge der Sternenmagie Bücher. Band 1 : Sternenstaubkind. Band 2 : Abschied. Band 3 : Verbannung. Verlag: Pongü Verlag. Bindung: Kindle Ausgabe. Band 4 : Wandelstern. Bindung: Kindle Ausgabe. Band 5 : Kollisionskurs. Bindung: Kindle Ausgabe. Wann erscheint ein neues Buch zur Sternenmagie Reihe? Fortsetzung der Sternenmagie Reihe von Isa Day. Ein Jahr lang wurde im Durchschnitt jede 2,4 Monate eine Fortsetzung der Reihenfolge publiziert. Ein Veröffentlichungstermin zum sechsten Teil hätte sich somit rechnerisch für 2020 ergeben müssen. Dies war jedoch nicht der Fall. Eine Bekanntmachung zu einem neuen Band erreichte uns bislang ebenfalls nicht. Wer nicht abwarten möchte, könnte mit Der Weg des Heilers eine weitere Reihe von Isa Day lesen. Unser Faktencheck klärt, ob eine Fortsetzung der Sternenmagie Bücher mit einem 6.
    [Show full text]
  • Lflpuston Friends of .Sic IJ.Epherd Lchool of Qlusic
    TWENTY -NINTH SEASON FIFTH CONCERT lflpuston Friends of .sic and IJ.epherd lchool of Qlusic Rice University • P. 0. Box 1892 • Houston, Texas 77251 PRESENT THE Percy Kalt - violin Barbara Williams - violin David Dalton - viola Gayle Smith - cello WEDNESDAY, JANUARY 18, 1989 .,.... Hamman Hall 8:00P.M. Rice University • PROGRAM WEDNESDAY, January 18, 1989 Quartet in A minor, D. 804 ••...•....••..•..••..• FRANZ SCHUBERT Allegro ma non troppo (1797-1818) Andante Menuetto. Allegretto Allegro moderato Quartet No. 1, "Kreutzer Sonata" ••••..•••.••..••... LEOS JANACEK Con moto (1854-1928) Con moto-meno mosso Con moto-vivace-adagio Con moto-adagio-piu mosso INTERMISSION Quartet No. 2, Op. 92 •••.•..••......••....•... SERGEY PROKOFIEV Allegro sostenuto (1891-1953) Adagio Allegro The Quartet in A Minor was last heard January 7, 1986 by The Emerson Quartet. The Quartet No. 1, "Kreutzer Sonata" was last heard March 20, 1986 by The Tokyo Quartet. The Quartet No. 2, Op. 92 was last heard January 14, 1977 by The Cleveland Quartet. The Deseret String Quartet is represented by Pietro Menci International Artists. 8 Houston Friends of Music express gratitude for the support of Channel 8 HOUSTON PUBLIC YELEVISION Photographing and sound recording are prohibited. We further request that audible paging devices not be used during performances. Paging arrangements may be made with ushers. If it is anticipated that tickets will not be used, subscribers are encouraged to turn them in for resale. This is a tax-deductible donation. Call 527-4933. 2 HOUSTON FRIENDS OF MUSIC is a non-profit organization dedicated to the presentation of chamber ensembles with national and international reputations and to the development of new audiences.
    [Show full text]
  • Metamorphoses Curated by Claire Chase Soundbox
    METAMORPHOSES CURATED BY CLAIRE CHASE SOUNDBOX 1 “Each of the pieces on this program explores, in different ways, the idea of metamorphosis, transformation, transfiguration—the ways that we take on new forms and ultimately transcend what we were before.” —Claire Chase 2 Esa-Pekka Salonen SAN FRANCISCO SYMPHONY MUSIC DIRECTOR San Francisco Symphony Music Director Esa-Pekka Salonen has, through his many high-profile conducting roles and work as a leading composer, shaped a unique vision for the present and future of the contemporary symphony orchestra. Salonen recently concluded his tenure as Principal Conductor & Artistic Advisor for London’s Philharmonia Orchestra and he is Artist in Association at the Finnish National Opera and Ballet. He is a member of the faculty of the Colburn School in Los Angeles, where he developed and directs the pre-professional Negaunee Conducting Program. Salonen is the Conductor Laureate for both the Swedish Radio Symphony Orchestra and the Los Angeles Philharmonic, where he was Music Director from 1992 until 2009. Salonen co-founded— and from 2003 until 2018 served as the Artistic Director for—the annual Baltic Sea Festival. 3 The Orchestra Esa-Pekka Salonen, Music Director SECOND VIOLINS CELLOS Michael Tilson Thomas, Music Director Laureate Dan Carlson, Principal Vacant, Principal Herbert Blomstedt, Conductor Laureate Dinner & Swig Families Chair Philip S. Boone Chair Daniel Stewart, San Francisco Symphony Youth Helen Kim, Associate Principal Peter Wyrick, Associate Principal Orchestra Wattis Foundation Music Director Audrey Avis Aasen-Hull Chair Peter & Jacqueline Hoefer Chair Ragnar Bohlin, Chorus Director Jessie Fellows, Assistant Principal Amos Yang, Assistant Principal Vance George, Chorus Director Emeritus Vacant Vacant The Eucalyptus Foundation Second Century Chair Lyman & Carol Casey Second Century Chair FIRST VIOLINS Raushan Akhmedyarova Barbara Andres Alexander Barantschik, Concertmaster David Chernyavsky The Stanley S.
    [Show full text]
  • Health Care Providers' Handbook on Hindu Patients
    Queensland Health Health care providers’ handbook on Hindu patients © State of Queensland (Queensland Health) 2011. This document is licensed under a Creative Commons Attribution, Non-Commercial, Share Alike 2.5 Australia licence. To view a copy of this licence, visit www.creativecommons.org/licenses/by-nc-sa/2.5/au/deed.en You are free to copy, communicate and adapt the work for non-commercial purposes, as long as you attribute Queensland Health and distribute the resulting work only under the same or similar license. For permissions beyond the scope of this licence contact: Intellectual Property Officer Queensland Health GPO Box 48 Brisbane Queensland 4001 Email: [email protected] Phone +61 7 3234 1479 For further information contact: Queensland Health Multicultural Services Division of the Chief Health Officer Queensland Health PO Box 2368 Fortitude Valley BC Queensland 4006 Email: [email protected] Suggested citation: Queensland Health. Health Care Providers’ Handbook on Hindu Patients. Division of the Chief Health Officer, Queensland Health. Brisbane 2011. Photography: Nadine Shaw of Nadine Shaw Photography Health care providers’ handbook on Hindu patients Table of contents Preface .................................................... 4 Introduction ................................................ 5 Section one: Guidelines for health services . 6 1 Communication issues .................................... 7 2 Interpreter services ....................................... 7 3 Patient rights ...........................................
    [Show full text]
  • Region 10 Student Branches
    Student Branches in R10 with Counselor & Chair contact August 2015 Par SPO SPO Name SPO ID Officers Full Name Officers Email Address Name Position Start Date Desc Australian Australian Natl Univ STB08001 Chair Miranda Zhang 01/01/2015 [email protected] Capital Terr Counselor LIAM E WALDRON 02/19/2013 [email protected] Section Univ Of New South Wales STB09141 Chair Meng Xu 01/01/2015 [email protected] SB Counselor Craig R Benson 08/19/2011 [email protected] Bangalore Acharya Institute of STB12671 Chair Lachhmi Prasad Sah 02/19/2013 [email protected] Section Technology SB Counselor MAHESHAPPA HARAVE 02/19/2013 [email protected] DEVANNA Adichunchanagiri Institute STB98331 Counselor Anil Kumar 05/06/2011 [email protected] of Technology SB Amrita School of STB63931 Chair Siddharth Gupta 05/03/2005 [email protected] Engineering Bangalore Counselor chaitanya kumar 05/03/2005 [email protected] SB Amrutha Institute of Eng STB08291 Chair Darshan Virupaksha 06/13/2011 [email protected] and Mgmt Sciences SB Counselor Rajagopal Ramdas Coorg 06/13/2011 [email protected] B V B College of Eng & STB62711 Chair SUHAIL N 01/01/2013 [email protected] Tech, Vidyanagar Counselor Rajeshwari M Banakar 03/09/2011 [email protected] B. M. Sreenivasalah STB04431 Chair Yashunandan Sureka 04/11/2015 [email protected] College of Engineering Counselor Meena Parathodiyil Menon 03/01/2014 [email protected] SB BMS Institute of STB14611 Chair Aranya Khinvasara 11/11/2013 [email protected]
    [Show full text]
  • Darbhanga Dhrupad Tradition Sumeet Anand Pandey
    Darbhanga Dhrupad Tradition Sumeet Anand Pandey Dhrupad Dhrupad is the oldest surviving genre of Hindustāni (North Indian) classical music, and has its initial origins in the ancient tradition of Vedic chanting1 (2000 BCE). By 1200 CE the styles of Vedic chanting called Chhanda and Prabandha had developed with the introduction of verse and metre. It is from these two styles that Dhrupad emerged. Practitioners of dhrupad, also referred to as Dhrupadiya, treat it as a contemplative and meditative form, sustained for centuries by traditions of classical and devotional music. While its soul remains unchanged, it is thought that dhrupad has adapted its character and temperament over the last fi ve to six centuries. This is possibly due to its vast travels from temples, to royal courts and fi nally into the public performance arena. Dhrupad recital typically begins with an extended alāp,2 sung with tānpura in four stages. It uses the syllables derived from the mantra ‘Om Anant Hari Nārāyana’ to sing its melody. 1 Vedic chanting: a form of religious chanting, where the vocalisation of hymns from the Vedas (ancient scriptures of Hinduism) are repeated in three notes - Udātt, Anudātt and Swarit. 2 Alāp: an introductory melodic improvisation that introduces and develops the rāga. There is no rhythm or percussion. A full alāp has three parts, anibaddha (slow, no meter), j odd or madhya laya (mid-tempo) and Jhāla or drut laya (fast tempo). 2 The Pakhāwaj is a double-headed, barrel-shaped drum used for accompanying the composition. The composition has four parts, namely sthāye, antara, sanchāri and ābhog.
    [Show full text]
  • Boston Symphony Orchestra Concert Programs, Summer, 1965-1966
    & ANGLEWOOD THIRD WEEK July 16, 17, 18, 1965 ERKSHIRE FESTIVAL The Boston Symphony under Leinsdorf With the release of this new recording of Brahms' Second Symphony, the Bostonians under Leinsdorf add new luster to their reputation as interpreters of Romantic music—a reputation so notably advanced with their earlier recording of Brahms' First. Called "consistently melodious . thoroughly engaging" Brahms' Second as heard here is not only a musical triumph but also a tribute to the art (and science) of recording. The spacious warmth of tone so characteristic of the Bostonians is captured here in flawless fidelity and balance — in vivid Dynagroove sound. Hear both these albums soon! MS SYMPHONY No. )NSYM LEINSDORF Brahms Symphony No. 2^ Boston Symphony Orchestra Erich Leinsdorf RCA Victory (ROB The most trusted name in sound ^ftt*^ Boston Symphony Orchestra ERICH LEINSDORF, Music Director RICHARD BURGIN, Associate Conductor Berkshire Festival, Season 1965 TWENTY-EIGHTH SEASON MUSIC SHED AT TANGLEWOOD, LENOX, MASSACHUSETTS THIRD WEEK Concert Bulletin, with historical and descriptive notes by John N. Burk Copyright, 1965 by Boston Symphony Orchestra, Inc. The Trustees of The BOSTON SYMPHONY ORCHESTRA, Inc. President Vice-President Treasurer Henry B. Cabot Talcott M. Banks Richard C. Paine Abram Bekkowitz Andrew Heiskell Edward G. Murray Theodore P. Ferris Harold D. Hodgkinson John T. Noonan Robert H. Gardiner E. Morton Jennings, Jr. Mrs. James H. Perkins I Francis W. Hatch Henry A. Laughlin Sidney R. Rabb John L. Thorndike Raymond S. Wilkins Trustees Emeritus Palfrey Perkins Lewis Perry Edward A. Taft Oliver Wolcott Tanglewood Advisory Committee Alan J. Blau Lawrence K. Miller Jesse L.
    [Show full text]