Emperor Constantine I the Great Between Byzantion and Constantinople
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Negotiating Julio-Claudian Memory: the Vespasianic Building Program and the Representation of Imperial Power in Ancient Rome Joseph V
Macalester College DigitalCommons@Macalester College Classics Honors Projects Classics Department Spring 5-2-2014 Negotiating Julio-Claudian Memory: The Vespasianic Building Program and the Representation of Imperial Power in Ancient Rome Joseph V. Frankl Macalester College, [email protected] Follow this and additional works at: http://digitalcommons.macalester.edu/classics_honors Part of the Ancient, Medieval, Renaissance and Baroque Art and Architecture Commons, and the Classics Commons Recommended Citation Frankl, Joseph V., "Negotiating Julio-Claudian Memory: The eV spasianic Building Program and the Representation of Imperial Power in Ancient Rome" (2014). Classics Honors Projects. Paper 19. http://digitalcommons.macalester.edu/classics_honors/19 This Honors Project is brought to you for free and open access by the Classics Department at DigitalCommons@Macalester College. It has been accepted for inclusion in Classics Honors Projects by an authorized administrator of DigitalCommons@Macalester College. For more information, please contact [email protected]. Negotiating Julio-Claudian Memory: The Vespasianic Building Program and the Representation of Imperial Power in Ancient Rome By Joseph Frankl Advised by Professor Beth Severy-Hoven Macalester College Classics Department Submitted May 2, 2014 INTRODUCTION In 68 C.E., the Roman Emperor Nero died, marking the end of the Julio-Claudian imperial dynasty established by Augustus in 27 B.C.E (Suetonius, Nero 57.1). A year-long civil war ensued, concluding with the general Titus Flavius Vespasianus seizing power. Upon his succession, Vespasian faced several challenges to his legitimacy as emperor. Most importantly, Vespasian was not a member of the Julio-Claudian family, nor any noble Roman gens (Suetonius, Vespasian 1.1). -
Hadrian and the Greek East
HADRIAN AND THE GREEK EAST: IMPERIAL POLICY AND COMMUNICATION DISSERTATION Presented in Partial Fulfillment of the Requirements for the Degree Doctor of Philosophy in the Graduate School of the Ohio State University By Demetrios Kritsotakis, B.A, M.A. * * * * * The Ohio State University 2008 Dissertation Committee: Approved by Professor Fritz Graf, Adviser Professor Tom Hawkins ____________________________ Professor Anthony Kaldellis Adviser Greek and Latin Graduate Program Copyright by Demetrios Kritsotakis 2008 ABSTRACT The Roman Emperor Hadrian pursued a policy of unification of the vast Empire. After his accession, he abandoned the expansionist policy of his predecessor Trajan and focused on securing the frontiers of the empire and on maintaining its stability. Of the utmost importance was the further integration and participation in his program of the peoples of the Greek East, especially of the Greek mainland and Asia Minor. Hadrian now invited them to become active members of the empire. By his lengthy travels and benefactions to the people of the region and by the creation of the Panhellenion, Hadrian attempted to create a second center of the Empire. Rome, in the West, was the first center; now a second one, in the East, would draw together the Greek people on both sides of the Aegean Sea. Thus he could accelerate the unification of the empire by focusing on its two most important elements, Romans and Greeks. Hadrian channeled his intentions in a number of ways, including the use of specific iconographical types on the coinage of his reign and religious language and themes in his interactions with the Greeks. In both cases it becomes evident that the Greeks not only understood his messages, but they also reacted in a positive way. -
A Journey in Pictures Through Roman Religion
A Journey in Pictures through Roman Religion By Ursula Kampmann, © MoneyMuseum What is god? As far as the Romans are concerned we think we know that all too well from our unloved Latin lessons: Jupiter, Juno, Minerva, the Roman Triad as well as the usual gods of the ancient world, the same as the Greek gods in name and effect. In fact, however, the roots of Roman religion lie much earlier, much deeper, in dark, prehistoric times ... 1 von 20 www.sunflower.ch How is god experienced? – In the way nature works A bust of the goddess Flora (= flowering), behind it blossom. A denarius of the Roman mint master C. Clodius Vestalis, 41 BC Roman religion emerged from the magical world of the simple farmer, who was speechless when faced with the miracles of nature. Who gave the seemingly withered trees new blossom after the winter? Which power made the grain of corn in the earth grow up to produce new grain every year? Which god prevented the black rust and ensured that the weather was fine just in time for the harvest? Who guaranteed safe storage? And which power was responsible for making it possible to divide up the corn so that it sufficed until the following year? Each individual procedure in a farmer's life was broken down into many small constituent parts whose success was influenced by a divine power. This divine power had to be invoked by a magic ritual in order to grant its help for the action. Thus as late as the imperial period, i.e. -
Domitian's Arae Incendii Neroniani in New Flavian Rome
Rising from the Ashes: Domitian’s Arae Incendii Neroniani in New Flavian Rome Lea K. Cline In the August 1888 edition of the Notizie degli Scavi, profes- on a base of two steps; it is a long, solid rectangle, 6.25 m sors Guliermo Gatti and Rodolfo Lanciani announced the deep, 3.25 m wide, and 1.26 m high (lacking its crown). rediscovery of a Domitianic altar on the Quirinal hill during These dimensions make it the second largest public altar to the construction of the Casa Reale (Figures 1 and 2).1 This survive in the ancient capital. Built of travertine and revet- altar, found in situ on the southeast side of the Alta Semita ted in marble, this altar lacks sculptural decoration. Only its (an important northern thoroughfare) adjacent to the church inscription identifies it as an Ara Incendii Neroniani, an altar of San Andrea al Quirinale, was not unknown to scholars.2 erected in fulfillment of a vow made after the great fire of The site was discovered, but not excavated, in 1644 when Nero (A.D. 64).7 Pope Urban VIII (Maffeo Barberini) and Gianlorenzo Bernini Archaeological evidence attests to two other altars, laid the foundations of San Andrea al Quirinale; at that time, bearing identical inscriptions, excavated in the sixteenth the inscription was removed to the Vatican, and then the and seventeenth centuries; the Ara Incendii Neroniani found altar was essentially forgotten.3 Lanciani’s notes from May on the Quirinal was the last of the three to be discovered.8 22, 1889, describe a fairly intact structure—a travertine block Little is known of the two other altars; one, presumably altar with remnants of a marble base molding on two sides.4 found on the Vatican plain, was reportedly used as building Although the altar’s inscription was not in situ, Lanciani refers material for the basilica of St. -
Roman Cities
MIT Press Open Architecture and Urban Studies • Orthogonal Town Planning in Antiquity Chapter 6: Roman Cities Ferdinando Castagnoli Published on: Apr 22, 2021 License: Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International License (CC-BY-NC-ND 4.0) MIT Press Open Architecture and Urban Studies • Orthogonal Town Planning in Antiquity Chapter 6: Roman Cities Hippodamean Type The Romans used more than one type of city plan, and it is thus not possible to contrast a Greek plan with a Roman one. We will consider first the type characterized by a rectangular grid derived directly from the Hippodamean city, Norba is the most ancient example of this type. Norba At the turn of the century Norba was thoroughly studied by L. Savignoni and R. Mengarelli.1 Their excavations along the perimeter walls and among the temples established these as dating from the fourth century B.C. The plan of the city which arose from this work clearly shows the location of the acropolis and the walls but disregards the rest. The perfect orthogonality of the system can be seen from the aerial photograph (Fig. 37). Norba was built up of terraces buttressed by a system of walls that were almost always parallel and perpendicular to each other. The city is an interesting example of an urbanism that exploits the difficulties of the terrain to obtain striking results. From the lower portions of the city one viewed the rising terraces, culminating with the Great Acropolis at the central peak. This was a vast terrace perfectly incorporated in the general scheme. On the axis of this terrace, in the center of the city, is a larger, more recent building with a cistern. -
The Gallic Empire (260-274): Rome Breaks Apart
The Gallic Empire (260-274): Rome Breaks Apart Six Silver Coins Collection An empire fractures Roman chariots All coins in each set are protected in an archival capsule and beautifully displayed in a mahogany-like box. The box set is accompanied with a story card, certificate of authenticity, and a black gift box. By the middle of the third century, the Roman Empire began to show signs of collapse. A parade of emperors took the throne, mostly from the ranks of the military. Years of civil war and open revolt led to an erosion of territory. In the year 260, in a battle on the Eastern front, the emperor Valerian was taken prisoner by the hated Persians. He died in captivity, and his corpse was stuffed and hung on the wall of the palace of the Persian king. Valerian’s capture threw the already-fractured empire into complete disarray. His son and co-emperor, Gallienus, was unable to quell the unrest. Charismatic generals sought to consolidate their own power, but none was as powerful, or as ambitious, as Postumus. Born in an outpost of the Empire, of common stock, Postumus rose swiftly through the ranks, eventually commanding Roman forces “among the Celts”—a territory that included modern-day France, Belgium, Holland, and England. In the aftermath of Valerian’s abduction in 260, his soldiers proclaimed Postumus emperor. Thus was born the so-called Gallic Empire. After nine years of relative peace and prosperity, Postumus was murdered by his own troops, and the Gallic Empire, which had depended on the force of his personality, began to crumble. -
Civic Responses to the Rise and Fall of Sol Elagabal in the Roman Empire
EMPIRE OF THE SUN? CIVIC RESPONSES TO THE RISE AND FALL OF SOL ELAGABAL IN THE ROMAN EMPIRE Martijn Icks During its long and turbulent history, the city of Rome witnessed many changes in its religious institutions and traditions. For many centuries, these came to pass under the benevolent eye of Iupiter Optimus Maximus, the city‟s supreme deity since time immemorial. Not until the fourth century AD would Iupiter finally loose this position to the monotheistic, omnipotent God of Christianity. However, the power of the thunder god had been challenged before. The first deity who temporarily conquered his throne was Sol Invictus Elagabal, a local sun god from the Syrian town of Emesa. This unlikely usurper was the personal god of the emperor Marcus Aurelius Antoninus, whose short-lived reign lasted from 218 to 222 AD, and who has been nicknamed Elagabalus for his affiliation with Elagabal. Even before his rise to power, Elagabalus served as Elagabal‟s high priest. The deity was worshipped in the form of a conical black stone, a so-called baitylos or “house of god”, which resided in a big temple in Emesa. Elagabalus, at that time a fourteen-year-old boy, performed ritual dances in honour of his god. By doing so, he drew the attention of Roman soldiers who were stationed near the town. They proclaimed the boy emperor under the false pretense that he was a bastard son of emperor Caracalla (211-217 AD). Elagabalus won sufficient military support, defeated the reigning emperor and thus gained the throne. He installed himself in Rome and took his god with him. -
PDF Historical References on Coins of the Roman
Register Free To Download Files | File Name : Historical References On Coins Of The Roman Empire From Augustus To Gallienus PDF HISTORICAL REFERENCES ON COINS OF THE ROMAN EMPIRE FROM AUGUSTUS TO GALLIENUS Tapa blanda 6 febrero 2020 Author : Historical references on coins of the Roman Empire from Augustus to Gallienus Item Preview remove-circle Share or Embed This Item. Share to Twitter. ... Historical references on coins of the Roman Empire from Augustus to Gallienus by Sydenham, Edward Allen, 1873- 1948. Publication date 1917 Topics Coins, Roman Publisher Historical references on coins of the Roman Empire from Augustus to Gallienus by A. Sydenham, Edward The importance of the scientific study of ancient coins relative to that of history has long been recognised. In their historical aspect the coins of the Roman Empire present three phases of interest: 1.) As contemporary monuments the coins supply corroborative evidence of facts which are recorded by historians. 2.) In a number of instances the coins fill up gaps in the narrative and supply ... Historical references on coins of the Roman Empire from Augustus to Gallienus by Edward Allen Sydenham, 1968, Spink, Pegasus edition, in English - [1st ed. reprinted]. CONTENTS. Introduction. TheImperialCoinage. TheGrowthandDeclineofArt. TheBeginningoftheEmpire. B.C. 29 TheTriumphofOctavian. 28.OctavianandAgrippa. 27.Augustus . 27-24 ... Historical References on Coins of the Roman Empire: From Augustus to Gallienus (Classic Reprint) by Sydenham, Edward Allen Excerpt from Historical References on Coins of the Roman Empire: From Augustus to Gallienus The purpose of the following notes is obviously not new. But the writer ventures to state his experience as a collector and student of Roman coins to the effect that the interest which he derived from amassing varieties of types was as nothing compared with the reve lation of new interest which resulted .. -
The Concept of the Third Rome and Its Political Implications
THE CONCEPT OF THE THIRD ROME AND ITS POLITICAL IMPLICATIONS ALAR LAATS ■ In the first half of the sixteenth century an obscure Russian monk from Pskov wrote a number of letters in which he spoke about Moscow as the third Rome. The name of the monk was Filofei (Filotheos) and his letters were sent to the Pskov representative of the Moscow grand prince Vassilij III (1479–1533), to Vassilij himself and to Ivan IV the Terrible (1530–1584). In his letters Filofei explained that Rome had deviated from the true faith through the Apollinarian1 heresy. According to Filofei therefore Rome has been imprisoned by the devil. Constantinople, the second Rome has also fallen. The crucial passage is this: “I would like to say a few words about the existing Orthodox empire of our most illustrious, exalted ruler. He is the only emperor on all the earth over the Christians, the governor of the holy, divine throne of the holy, ecumenical, apostolic church which in place of the churches of Rome and Constantinople is in the city of Moscow, protected by God, in the holy and glorious Uspenskij Church of the most pure Mother of God. It alone shines over all the earth more radiantly than the sun. For know well, those who love Christ and those who love God, that all Christian empires will perish and give way to the one kingdom of our ruler, in accord with the books of the prophet, which is the Russian empire. For two Romes have 2 fallen, but the third stands, and there will never be a fourth.” The idea that Moscow is the third Rome did not come out of blue. -
Constantine the Great and Christian Imperial Theocracy Charles Matson Odahl Boise State University
Boise State University ScholarWorks History Faculty Publications and Presentations Department of History 1-1-2007 Constantine the Great and Christian Imperial Theocracy Charles Matson Odahl Boise State University Publication Information Odahl, Charles Matson. (2007). "Constantine the Great and Christian Imperial Theocracy". Connections: European Studies Annual Review, 3, 89-113. This document was originally published in Connections: European Studies Annual Review by Rocky Mountain European Scholars Consortium. Copyright restrictions may apply. Coda: Recovering Constantine's European Legacy 111111111111111111111111111111111111111111111111111111111111111111111111111111111111111111111111111111111111111111111111111111111111111111111111111111111111111111111111111111111111111111111111111111111111111111111111 Constantine the Great and Christian Imperial Theocracy Charles Matson Odahl, Boise State University1 rom his Christian conversion under the influence of cept of imperial theocracy was conveyed in contemporary art Frevelatory experiences outside Rome in A.D. 312 until (Illustration I). his burial as the thirteenth Apostle at Constantinople in Although Constantine had been raised as a tolerant 337, Constantine the Great, pagan polytheist and had the first Christian emperor propagated several Olympian of the Roman world, initiated divinities, particularly Jupiter, the role of and set the model Hercules, Mars, and Sol, as for Christian imperial theoc di vine patrons during the early racy. Through his relationship years of his reign as emperor -
The Developmentof Early Imperial Dress from the Tetrachs to The
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by University of Birmingham Research Archive, E-theses Repository University of Birmingham Research Archive e-theses repository This unpublished thesis/dissertation is copyright of the author and/or third parties. The intellectual property rights of the author or third parties in respect of this work are as defined by The Copyright Designs and Patents Act 1988 or as modified by any successor legislation. Any use made of information contained in this thesis/dissertation must be in accordance with that legislation and must be properly acknowledged. Further distribution or reproduction in any format is prohibited without the permission of the copyright holder. The Development of Early Imperial Dress from the Tetrarchs to the Herakleian Dynasty General Introduction The emperor, as head of state, was the most important and powerful individual in the land; his official portraits and to a lesser extent those of the empress were depicted throughout the realm. His image occurred most frequently on small items issued by government officials such as coins, market weights, seals, imperial standards, medallions displayed beside new consuls, and even on the inkwells of public officials. As a sign of their loyalty, his portrait sometimes appeared on the patches sown on his supporters’ garments, embossed on their shields and armour or even embellishing their jewelry. Among more expensive forms of art, the emperor’s portrait appeared in illuminated manuscripts, mosaics, and wall paintings such as murals and donor portraits. Several types of statues bore his likeness, including those worshiped as part of the imperial cult, examples erected by public 1 officials, and individual or family groupings placed in buildings, gardens and even harbours at the emperor’s personal expense. -
Pontifex Maximus
bs_bs_banner Journal of Religious History Vol. ••, No. ••, •• 2016 doi: 10.1111/1467-9809.12400 ROALD DIJKSTRA AND DORINE VAN ESPELO Anchoring Pontifical Authority: A Reconsideration of the Papal Employment of the Title Pontifex Maximus It is a common assumption that the title of supreme priesthood or pontifex maximus is included in the official papal titulature, and it has been supposed that the Roman bishop adopted it from the Roman emperor in late antiquity. In fact, however, it was probably not until the fifteenth century that the designation was first used by the papacy, and it has continued to be part of papal representation ever since. The title was deeply rooted in the Roman imperial past. At several stages in papal history the papal agency felt the need to draw back (again) on this ancient, traditional title and managed to successfully (re-)introduce the title by anchoring it in the cultural biogra- phy of the papacy. Introduction Since Antiquity, the interplay between the Roman bishops and secular rulers has been subject to continuous transformation and renegotiation, as both groups continually reverted to established traditions in order to sustain legiti- macy and pre-eminence.1 At the same time, however, modes of representation had to be innovative in order to appeal to contemporary tastes, needs, and ex- pectations. Anchoring these novelties in tradition was a convenient means of implementing, and reinforcing, the desired effect, and tracing these processes of embedding the new in the familiar offers us the possibility of understanding cultural, political, and religious transformation. An outstanding example of this kind of “anchoring innovation” is that of Roman episcopal titulature, as can be 1.