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Asolo Rep Continues Its 60Th Season with NOISES OFF Directed By
NOISES OFF Page 1 of 7 **FOR IMMEDIATE RELEASE** February 25, 2019 Asolo Rep Continues its 60th Season with NOISES OFF Directed by Comedic Broadway Veteran Don Stephenson March 20 - April 20 (SARASOTA, February 25, 2019) — Asolo Rep continues its celebration of 60 years on stage with Tony Award®-winner Michael Frayn's rip-roaringly hilarious play NOISES OFF, one of the most celebrated farces of all time. Directed by comedic Broadway veteran Don Stephenson, NOISES OFF previews March 20 and 21, opens March 22 and runs through April 20 in rotating repertory in the Mertz Theatre, located in the FSU Center for the Performing Arts. A comedy of epic proportions, NOISES OFF has been the laugh-until-you-cry guilty pleasure of audiences for decades. With opening night just hours away, a motley company of actors stumbles through a frantic, final rehearsal of the British sex farce Nothing On, and things could not be going worse. Lines are forgotten, love triangles are unraveling, sardines are flying everywhere, and complete pandemonium ensues. Will the cast pull their act together on stage even if they can't behind the scenes? “With Don Stephenson, an extraordinary comedic actor and director at the helm, this production of NOISES OFF is bound to be one of the funniest theatrical experiences we have ever presented,” said Asolo Rep Producing Artistic Director Michael Donald Edwards. “I urge the Sarasota community to take a break and escape to NOISES OFF, a joyous celebration of the magic of live theatre.” Don Stephenson's directing work includes Titanic (Lincoln Center, MUNY), Broadway Classics (Carnegie Hall),Of Mice and Manhattan (Kennedy Center), A Comedy of Tenors (Paper Mill Playhouse) and more. -
Efficacy and Meaning in Ancient and Modern Political Satire: Aristophanes, Lenny Bruce, and Jon Stewart." Social Research 79.1 (Spring 2012): 1-32
University of Pennsylvania ScholarlyCommons Departmental Papers (Classical Studies) Classical Studies at Penn 2012 Efficacy and Meaning in Ancient and Modernolitical P Satire: Aristophanes, Lenny Bruce, and Jon Stewart Ralph M. Rosen University of Pennsylvania, [email protected] Follow this and additional works at: https://repository.upenn.edu/classics_papers Part of the Classics Commons Recommended Citation Rosen, R. M. (2012). Efficacy and Meaning in Ancient and Modernolitical P Satire: Aristophanes, Lenny Bruce, and Jon Stewart. Retrieved from https://repository.upenn.edu/classics_papers/33 Rosen, Ralph M. "Efficacy and Meaning in Ancient and Modern Political Satire: Aristophanes, Lenny Bruce, and Jon Stewart." Social Research 79.1 (Spring 2012): 1-32. http://muse.jhu.edu/journals/social_research/summary/v079/ 79.1.rosen.html Copyright © 2012 The Johns Hopkins University Press. This article first appeared in Social Research: An International Quarterly, Volume 79, Issue 1, Spring, 2012, pages 1-32. Reprinted with permission by The Johns Hopkins University Press. This paper is posted at ScholarlyCommons. https://repository.upenn.edu/classics_papers/33 For more information, please contact [email protected]. Efficacy and Meaning in Ancient and Modernolitical P Satire: Aristophanes, Lenny Bruce, and Jon Stewart Keywords Satire, Aristophanes, Lenny Bruce, Jon Stewart Disciplines Arts and Humanities | Classics Comments Rosen, Ralph M. "Efficacy and Meaning in Ancient and Modern Political Satire: Aristophanes, Lenny Bruce, and Jon Stewart." Social Research 79.1 (Spring 2012): 1-32. http://muse.jhu.edu/journals/ social_research/summary/v079/79.1.rosen.html Copyright © 2012 The Johns Hopkins University Press. This article first appeared in Social Research: An International Quarterly, Volume 79, Issue 1, Spring, 2012, pages 1-32. -
53 Feature Photography by Jerry Metellus
FEATURE PHOTOGRAPHY BY JERRY METELLUS In this, Luxury's first ever “Power Influencer” issue, we present to you an impressive array of individuals who’ve been integral in enriching our community in the areas of gaming, education, arts and culture, hospitality, philanthropy and development. APRIL 2016 | LUXURYLV.COM 53 FEATURE | POWER INFLUENCER STRATEGIC THINKING PROCESS Donald Snyder’s success is a result of taking tough jobs, solving problems and building consensus BY MATT KELEMEN Donald Snyder left his position as acting president In a city where mavericks traditionally played with of the University of Nevada, Las Vegas at the end of their cards close to their chests, Snyder made it a 2015 to make way for incoming president, Len Jessup, point always to lay his on the table face up. Although but he continues to serve as presidential adviser for he arrived in Vegas with his family via Reno, Nev., as strategic initiatives. president of First Interstate Bank—which later was consolidated into Wells Fargo—his experience coming The co-founder of Bank of Nevada and prime mover into an unfamiliar situation and building consensus to behind the development of The Smith Center for the tackle tough problems worked to his benefit in the still- Performing Arts has been active with the university young city. since shortly after arriving in Las Vegas in 1987, but that initial involvement only would be the beginning of what “A lot of what I’ve done over the years I categorize would become a wide spectrum of community service more as community building,” he says, crediting his and philanthropic endeavors. -
Legendary Bonkerz Comedy Club to Open at the Plaza Hotel & Casino
FOR IMMEDIATE RELEASE: April 11, 2013 MEDIA CONTACTS: Amy E. S. Maier, B&P PR, 702-372-9919, [email protected] Legendary Bonkerz Comedy Club to open at the Plaza Hotel & Casino on April 18 Tweet it: Get ready to laugh as @BonkerzComedy Club brings its hilarious comedians to entertain audiences @Plazalasvegas starting April 18 LAS VEGAS – The Plaza Hotel & Casino will be the new home of the historic Bonkerz comedy club and its cadre of comedy acts beginning April 18. Bonkerz Comedy Productions opened its doors in 1984 and has more than two dozen locations nationwide. As one of the nation’s longest-running comedy clubs, Bonkerz has been the site for national TV specials on Showtime, Comedy Central, MTV, Fox and “America´s Funniest People.” Many of today’s hottest comedians have taken their turn on the Bonkerz Comedy Club stage, including Larry The Cable Guy, Carrot Top, SNL co-star Darrell Hammond and Billy Gardell, star of the CBS hit sitcom “Mike and Molly.” Bonkerz owner Joe Sanfelippo has a long history of successful comic casting and currently consults with NBC’s “America’s Got Talent.” “Bonkerz has always had an outstanding reputation for attracting top-tier comedians and entertaining audiences,” said Michael Pergolini, general manager of the Plaza Hotel and Casino. “As we continue to expand our entertainment offerings, we are proud to welcome Bonkerz to the comedy club at the Zbar and know its acts will keep our guests laughing out loud.” “I am extremely excited to bring the Bonkerz brand to an iconic location like the Plaza,” added Bonkerz owner Joe Sanfelippo. -
CHICAGO to Tour Australia in 2009 with a Stellar Cast
MEDIA RELEASE Embargoed until 6pm November 12, 2008 We had it coming…CHICAGO to tour Australia in 2009 with a stellar cast Australia, prepare yourself for the razzle-dazzle of the hit musical Chicago, set to tour nationally throughout 2009 following a Gala Opening at Brisbane‟s Lyric Theatre, QPAC. Winner of six Tony Awards®, two Olivier Awards, a Grammy® and thousands of standing ovations, Chicago is Broadway‟s longest-running Musical Revival and the longest running American Musical every to play the West End. It is nearly a decade since the “story of murder, greed, corruption, violence, exploitation, adultery and treachery” played in Australia. Known for its sizzling score and sensational choreography, Chicago is the story of a nightclub dancer, a smooth talking lawyer and a cell block of sin and merry murderesses. Producer John Frost today announced his stellar cast: Caroline O’Connor as Velma Kelly, Sharon Millerchip as Roxie Hart, Craig McLachlan as Billy Flynn, and Gina Riley as Matron “Mama” Morton. “I‟m thrilled to bring back to the Australian stage this wonderful musical, especially with the extraordinary cast we have assembled. Velma Kelly is the role which took Caroline O‟Connor to Broadway for the first time, and her legion of fans will, I‟m sure, be overjoyed to see her perform it once again. Sharon Millerchip has previously played Velma in Chicago ten years ago, and since has won awards for her many musical theatre roles. She will be an astonishing Roxie. Craig McLachlan blew us all away with his incredible audition, and he‟s going to astound people with his talent as a musical theatre performer. -
TEXAS IMPROV COMEDY CLUBS by Hannah Kaitlyn Chura, BA Sport
Chura 1 DIGITAL BRAND MANAGEMENT STRATEGY: TEXAS IMPROV COMEDY CLUBS by Hannah Kaitlyn Chura, B.A. Sport Management, B.A. Fine Arts Submitted to the Graduate Faculty of Department of Strategic Communication Bob Schieffer School of Communication Texas Christian University in partial fulfillment of the requirements for the degree of Master’s of Science May 2016 Chura 2 Project Advisors: Jong-Hyuok Jung, Ph.D. Assistant Professor of Strategic Communication Wendy Macias, Ph.D. Associate Professor of Strategic Communication Catherine Coleman, Associate Professor of Strategic Communication Chura 3 TABLE OF CONTENTS 1. Introduction……………………………………………………………………………p.4 2. Situation Analysis……………………………………………………………………...p.6 3. Literature Review………………………………………………………….…………p.10 4. Method…………………………………………………………………….…………..p.16 5. Results…………………………………………………………...…………………….p.20 6. Implications…………………………………………………...………………………p.29 7. Limitations and Future Research……………………………………………………p.33 8. Reference……………………………………………………………………….……..p.35 9. Appendix………………………………………………………………………………p.37 Chura 4 INTRODUCTION Digital media threatens the profits of the entrainment industry. The variety of options offered by digital platforms such as Netflix, Hulu, and YouTube introduces new competitors to physical entertainment venues, such as comedy clubs. IBIS World Report suggests that the comedy club industry generates $315.1 million annually in the United States. However, while the industry itself is growing, digital entertainment venues (e.g., Netflix, Hulu, Vimeo, and YouTube) threaten the future of physical stand-up clubs (Edwards, 2015). This potential substitute has left stand-up comedy clubs, like the Texas Improv Comedy Clubs, questioning if they can maintain their brand identity, while potentially leveraging new media to their advantage. Overview In 1963, the Improvisation Comedy Club, or Improv, started in New York City by Budd Friedman as a venue for Broadway performers to relax after their shows. -
Chapter 5. Process As Improv
CHAPTER 5 PROCESS AS IMPROV . we may know all there is to know about how texts work and how readers read, and we still may create documents that fail to communicate effectively. – Thomas Kent (“Paralogic” 149) Joke-writing is my thing, it’s like a passion. What it is, is basically: you have an idea, you write it as hard as you can, but at the end of the day, it’s like you gotta get it on stage. And it’s not a joke until a crowd laughs at it. – Dave Attell (“Friday,” Bumping Mics with Jeff Ross and Dave Attell) If you’ve ever been in the room when a seasoned stand-up is trying out new jokes, you have viscerally felt the composing processes by which stand up is forged. I once saw comedian Rob Delaney perform at Cincinnati’s Taft Theatre. I thought he was supposed to be in the main theatre—the regal, expansive, theatrical stage—but he wasn’t. Instead, he performed in the theatre’s basement. I was never clear on why the change was made—perhaps it had to do with the number of seats sold, perhaps Delaney himself chose the closer quarters of the basement with its lowered ceilings and rows of ragged chairs to get the feel of an intimate dingy comedy club. Regardless, the ad-hoc nature of this performance space seemed to encourage him to do what he did at the end of his well-crafted, essentially scripted show. He tried new jokes. And they didn’t really work—ba- sically, they bombed. -
THIS ISSUE: Comedy
2014-2015 September ISSUE 1 scene. THE JOURNAL OF THE INTERNATIONAL SCHOOLS THEATRE ASSOCIATION THIS ISSUE: Comedy www.ista.co.uk WHO’S WHO @ ISTA… CONTENTS Patron 2 Connections Professor Jonothan Neelands, by Rebecca Kohler National Teaching Fellow, Chair of Drama and Theatre Education in the Institute of Education 3 Comedy d’un jour and Chair of Creative Education in the Warwick Business School (WBS) at the University of by Francois Zanini Warwick. 4 Learning through humour Board of trustees by Mike Pasternak Iain Stirling (chair), Scotland Formerly Superintendent, Advanced Learning Schools, Riyadh. Recently retired. 8 Desperately seeking the laughs Jen Tickle (vice chair), Jamaica by Peter Michael Marino Head of Visual & Performing Arts and Theory of Knowledge at The Hillel Academy, Jamaica. 9 “Chou” – the comic actor in Chinese opera Dinos Aristidou, UK by Chris Ng Freelance writer, director, consultant. 11 Directing comedy Alan Hayes, Belgium by Sacha Kyle Theatre teacher International School Brussels. Sherri Sutton, Switzerland 12 Videotape everything, change and be Comic, director and chief examiner for IB DP Theatre. Theatre teacher at La Chataigneraie. grateful Jess Thorpe, Scotland by Dorothy Bishop Co Artistic Director of Glas(s) Performance and award winning young people’s company 13 Seriously funny Junction 25. Visiting. Lecturer in the Arts in Social Justice at the Royal Conservatoire of Scotland. by Stephen Finegold Honorary life members 15 How I got the best job in the world! Dinos Aristidou, UK Being a clown, being a -
Max Hawksford Sag-Aftra
MAX HAWKSFORD SAG-AFTRA Eyes: Blue Hair: Brown Suit: 38L Shoe: 10.5 Height: 6'3” Pant: 30 x 33 TELEVISION The Laura Show Guest-Star The Bold and The Beautiful Amazon Prime Co-Star CBS FILM Catching Faith Supporting Netflix (starring Bill Engvall) Festival Circuit: multiple wins GAME Supporting (starring Rick Fox) Post Production Lead King Of The Court INTERNET/NEW MEDIA Jake and Amir: Lonely and Horny Guest Star College Humor/Vimeo Survival Jobs Series Reg Post Production SKETCH/THEATRE Upright Citizens Brigade Solo Performance Best of Not Too Shabby Upright Citizens Brigade Solo Performance Best of The Inner Sanctum Upright Citizens Brigade Solo Performance One Man Show: Sketch Slam Winner (2 x’s) The Nerdist Solo Performance Clowns, Idiots, Characters The Pack Solo Performance The Scramble UW-Whitewater Lead A Student Affair COMMERCIALS Conflicts available upon request. TRAINING The Groundlings Theatre (performance track) Writing Lab Deanna Oliver The Groundlings Theatre Basic, Intermediate, Advanced Holly Mandel, Jay Lay, Cathy Shambley Upright Citizens Brigade Improv: 101-401 Deb Tarica, Jessica Eason, others. Upright Citizens Brigade Sketch: 101, 201, 301 Rachael Mason, Eric Scott Upright Citizens Brigade Character: 101, 201 Hal Rudnick, Christine Bullen Lesly Kahn Triage, Intensive, Clinic,On-Going Lesly Kahn, Angelique Cabral, others. Anthony Meindl Foundations, On-Going Anthony Meindl, Nina Rausch Scott Sedita (acting for sitcoms) Intensive, Sitcom Tech, On-Going Tony Rago, Scott Sedita Wet The Hippo (clowning, physical comedy) -
Contentious Comedy
1 Contentious Comedy: Negotiating Issues of Form, Content, and Representation in American Sitcoms of the Post-Network Era Thesis by Lisa E. Williamson Submitted for the Degree of Doctor of Philosophy The University of Glasgow Department of Theatre, Film and Television Studies 2008 (Submitted May 2008) © Lisa E. Williamson 2008 2 Abstract Contentious Comedy: Negotiating Issues of Form, Content, and Representation in American Sitcoms of the Post-Network Era This thesis explores the way in which the institutional changes that have occurred within the post-network era of American television have impacted on the situation comedy in terms of form, content, and representation. This thesis argues that as one of television’s most durable genres, the sitcom must be understood as a dynamic form that develops over time in response to changing social, cultural, and institutional circumstances. By providing detailed case studies of the sitcom output of competing broadcast, pay-cable, and niche networks, this research provides an examination of the form that takes into account both the historical context in which it is situated as well as the processes and practices that are unique to television. In addition to drawing on existing academic theory, the primary sources utilised within this thesis include journalistic articles, interviews, and critical reviews, as well as supplementary materials such as DVD commentaries and programme websites. This is presented in conjunction with a comprehensive analysis of the textual features of a number of individual programmes. By providing an examination of the various production and scheduling strategies that have been implemented within the post-network era, this research considers how differentiation has become key within the multichannel marketplace. -
Sundayiournal
STANDING STRONG FOR 1,459 DAYS — THE FIGHT'S NOT OVER YET JULY 11-17, 1999 THE DETROIT VOL. 4 NO. 34 75 CENTS S u n d a yIo u r n a l PUBLISHED BY LOCKED-OUT DETROIT NEWSPAPER WORKERS ©TDSJ JIM WEST/Special to the Journal Nicholle Murphy’s support for her grandmother, Teamster Meka Murphy, has been unflagging. Marching fourward Come Tuesday, it will be four yearsstrong and determined. In this editionOwens’ editorial points out the facthave shown up. We hope that we will since the day in July of 1995 that ofour the Sunday Journal, co-editor Susanthat the workers are in this strugglehave contracts before we have to put Detroit newspaper unions were forcedWatson muses on the times of happiuntil the end and we are not goingtogether any another anniversary edition. to go on strike. Although the companess and joy, in her Strike Diarywhere. on On Pages 19-22 we show offBut four years or 40, with your help, nies tried mightily, they never Pagedid 3. Starting on Page 4, we putmembers the in our annual Family Albumsolidarity and support, we will be here, break us. Four years after pickingevents up of the struggle on the record.and also give you a glimpse of somestanding of strong. our first picket signs, we remainOn Page 10, locked-out worker Keiththe far-flung places where lawn signs— Sunday Journal staff PAGE 10 JULY 11 1999 Co-editors:Susan Watson, Jim McFarlin --------------------- Managing Editor: Emily Everett General Manager: Tom Schram Published by Detroit Sunday Journal Inc. -
The Batman Adventures Comic!
Celebrating Batman: The Animated Series’ 25th Anniversary! September 2017 No.99 $8.95 Harley Quinn history! The Batman Adventures comic! The animated DC Universe in comics! And a tribute to the late, great Mike Parobeck! featuring Altieri • Burchett • Conroy • Dini • Pasko • Sorkin • Strong • Timm & more! 1 82658 00102 5 g y g Volume 1, Number 99 September 2017 EDITOR-IN-CHIEF Michael Eury PUBLISHER John Morrow Comics’ Bronze Age and Beyond! DESIGNER Rich Fowlks COVER ARTIST Bruce Timm (Harley Quinn commission from the collection of John Hicks.) COVER DESIGNER Michael Kronenberg PROOFREADER Rob Smentek SPECIAL THANKS Kevin Altieri Paul Levitz Brian Augustyn Judi Lewinson Brooke Barnett/DPN Elliot S. Maggin Talent Agency Tifiney McCullough Mike W. Barr Dennis O’Neil Norm Breyfogle Mike Parobeck Laren Bright Appreciation Society Rick Burchett Martin Pasko Alan Burnett Scott Peterson KC Carlson Mike Pigott Kevin Conroy Dr. Harleen Quinzell Gerry Conway Dan Riba Karen Crary Randy Rogel DC Comics Andrea Romano Sean Catherine Derek Nino Santiago Paul Dini Arleen Sorkin PRO2PRO ROUNDTABLE: Batman: The Animated Series: An Oral History . 2 Chuck Dixon Len Strazewski Animators, writers, and voice talent discuss the evolution of the classic Batman TV show Mark Evanier Tara Strong Lance Falk Rick Taylor EPISODE GUIDE: Batman: The Animated Series. 23 Jordan B. Gorfinkel Steven Thompson Grand Comics Bruce Timm BACKSTAGE PASS: Bob Hastings, the Voice of Commissioner Gordon . 30 Database John Trumbull This actor/voice actor was no stranger to comics-related roles Heritage Comics Steve Vance Auctions Warner Bros. Animation John Hicks Glenn Whitmore TOY BOX: The Animated Batmobile . 32 Christopher Jones Marv Wolfman Collectibles of the coolest cartoon car ever Karl Kesel Walden Wong Charlie Kochman World’s Finest Online FLASHBACK: The Batman Adventures: An Enduring Legacy .