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LGBTQ America: a Theme Study of Lesbian, Gay, Bisexual, Transgender, and Queer History Is a Publication of the National Park Foundation and the National Park Service
Published online 2016 www.nps.gov/subjects/tellingallamericansstories/lgbtqthemestudy.htm LGBTQ America: A Theme Study of Lesbian, Gay, Bisexual, Transgender, and Queer History is a publication of the National Park Foundation and the National Park Service. We are very grateful for the generous support of the Gill Foundation, which has made this publication possible. The views and conclusions contained in the essays are those of the authors and should not be interpreted as representing the opinions or policies of the U.S. Government. Mention of trade names or commercial products does not constitute their endorsement by the U.S. Government. © 2016 National Park Foundation Washington, DC All rights reserved. No part of this publication may be reprinted or reproduced without permission from the publishers. Links (URLs) to websites referenced in this document were accurate at the time of publication. THEMES The chapters in this section take themes as their starting points. They explore different aspects of LGBTQ history and heritage, tying them to specific places across the country. They include examinations of LGBTQ community, civil rights, the law, health, art and artists, commerce, the military, sports and leisure, and sex, love, and relationships. MAKING COMMUNITY: THE PLACES AND15 SPACES OF LGBTQ COLLECTIVE IDENTITY FORMATION Christina B. Hanhardt Introduction In the summer of 2012, posters reading "MORE GRINDR=FEWER GAY BARS” appeared taped to signposts in numerous gay neighborhoods in North America—from Greenwich Village in New York City to Davie Village in Vancouver, Canada.1 The signs expressed a brewing fear: that the popularity of online lesbian, gay, bisexual, transgender, and queer (LGBTQ) social media—like Grindr, which connects gay men based on proximate location—would soon replace the bricks-and-mortar institutions that had long facilitated LGBTQ community building. -
“Destroy Every Closet Door” -Harvey Milk
“Destroy Every Closet Door” -Harvey Milk Riya Kalra Junior Division Individual Exhibit Student-composed words: 499 Process paper: 500 Annotated Bibliography Primary Sources: Black, Jason E., and Charles E. Morris, compilers. An Archive of Hope: Harvey Milk's Speeches and Writings. University of California Press, 2013. This book is a compilation of Harvey Milk's speeches and interviews throughout his time in California. These interviews describe his views on the community and provide an idea as to what type of person he was. This book helped me because it gave me direct quotes from him and allowed me to clearly understand exactly what his perspective was on major issues. Board of Supervisors in January 8, 1978. City and County of San Francisco, sfbos.org/inauguration. Accessed 2 Jan. 2019. This image is of the San Francisco Board of Supervisors from the time Harvey Milk was a supervisor. This image shows the people who were on the board with him. This helped my project because it gave a visual of many of the key people in the story of Harvey Milk. Braley, Colin E. Sharice Davids at a Victory Party. NBC, 6 Nov. 2018, www.nbcnews.com/feature/nbc-out/sharice-davids-lesbian-native-american-makes- political-history-kansas-n933211. Accessed 2 May 2019. This is an image of Sharcie Davids at a victory party after she was elected to congress in Kansas. This image helped me because ti provided a face to go with he quote that I used on my impact section of board. California State, Legislature, Senate. Proposition 6. -
Star Wars: the Fascism Awakens Representation and Its Failure from the Weimar Republic to the Galactic Senate Chapman Rackaway University of West Georgia
STAR WARS: THE FASCISM AWAKENS 7 Star Wars: The Fascism Awakens Representation and its Failure from the Weimar Republic to the Galactic Senate Chapman Rackaway University of West Georgia Whether in science fiction or the establishment of an earthly democracy, constitutional design matters especially in the realm of representation. Democracies, no matter how strong or fragile, can fail under the influence of a poorly constructed representation plan. Two strong examples of representational failure emerge from the post-WWI Weimar Republic and the Galactic Republic’s Senate from the Star Wars saga. Both legislatures featured a combination of overbroad representation without minimum thresholds for minor parties to be elected to the legislature and multiple non- citizen constituencies represented in the body. As a result both the Weimar Reichstag and the Galactic Senate fell prey to a power-hungry manipulating zealot who used the divisions within their legislature to accumulate power. As a result, both democracies failed and became tyrannical governments under despotic leaders who eventually would be removed but only after wars of massive casualties. Representation matters, and both the Weimer legislature and Galactic Senate show the problems in designing democratic governments to fairly represent diverse populations while simultaneously limiting the ability of fringe groups to emerge. “The only thing necessary for the triumph of representative democracies. A poor evil is for good men to do nothing.” constitutional design can even lead to tyranny. – Edmund Burke (1848) Among the flaws most potentially damaging to a republic is a faulty representational “So this is how liberty dies … with structure. Republics can actually build too thunderous applause.” - Padme Amidala (Star much representation into their structures, the Wars: Episode III Revenge of the Sith, 2005) result of which is tyranny as a byproduct of democratic failure. -
Archiving Possibilities with the Victorian Freak Show a Dissertat
UNIVERSITY OF CALIFORNIA RIVERSIDE “Freaking” the Archive: Archiving Possibilities With the Victorian Freak Show A Dissertation submitted in partial satisfaction of the requirements for the degree of Doctor of Philosophy in English by Ann McKenzie Garascia September 2017 Dissertation Committee: Dr. Joseph Childers, Co-Chairperson Dr. Susan Zieger, Co-Chairperson Dr. Robb Hernández Copyright by Ann McKenzie Garascia 2017 The Dissertation of Ann McKenzie Garascia is approved: Committee Chairperson University of California, Riverside ACKNOWLEDGEMENTS This dissertation has received funding through University of California Riverside’s Dissertation Year Fellowship and the University of California’s Humanities Research Institute’s Dissertation Support Grant. Thank you to the following collections for use of their materials: the Wellcome Library (University College London), Special Collections and University Archives (University of California, Riverside), James C. Hormel LGBTQIA Center (San Francisco Public Library), National Portrait Gallery (London), Houghton Library (Harvard College Library), Montana Historical Society, and Evanion Collection (the British Library.) Thank you to all the members of my dissertation committee for your willingness to work on a project that initially described itself “freakish.” Dr. Hernández, thanks for your energy and sharp critical eye—and for working with a Victorianist! Dr. Zieger, thanks for your keen intellect, unflappable demeanor, and ready support every step of the process. Not least, thanks to my chair, Dr. Childers, for always pushing me to think and write creatively; if it weren’t for you and your Dickens seminar, this dissertation probably wouldn’t exist. Lastly, thank you to Bartola and Maximo, Flora and Martinus, Lalloo and Lala, and Eugen for being demanding and lively subjects. -
Ghost Signs Are More Than Paintings on Brick
Virginia Commonwealth University VCU Scholars Compass Theses and Dissertations Graduate School 2020 ghost signs are more than paintings on brick Eric Anthony Berdis Virginia Commonwealth University Follow this and additional works at: https://scholarscompass.vcu.edu/etd Part of the Art Practice Commons © Eric Anthony Berdis Downloaded from https://scholarscompass.vcu.edu/etd/6287 This Thesis is brought to you for free and open access by the Graduate School at VCU Scholars Compass. It has been accepted for inclusion in Theses and Dissertations by an authorized administrator of VCU Scholars Compass. For more information, please contact [email protected]. ©2020 All Rights Reserved ghost signs are more than paintings on brick A thesis submitted in partial fulfillment of the requirements for the degree of Master of Fine Arts at Virginia Commonwealth University Eric Anthony Berdis B.F.A. Slippery Rock University, 2013 Post-baccalaureate Tyler School of Art, 2016 M.F.A. Virginia Commonwealth University, 2020 Director: Hillary Waters Fayle Assistant Professor- Fiber and Area Head of Fiber Craft/ Material Studies Department Jack Wax Professor - Glass and Area Head of Glass Craft/ Material Studies Department Kelcy Chase Folsom Assistant Professor - Clay Craft/ Material Studies Department Dr. Tracy Stonestreet Graduate Faculty Craft/ Material Studies Department v Acknowledgments Thank you to my amazing studio mate Laura Boban for welcoming me into your life, dreams, and being a shoulder of support as we walk on this journey together. You have taught me so much and your strength, thoughtfulness, and empathy make me both grateful and proud to be your peer. Thank you to Hillary Fayle for the encouragement, your critical feedback has been imperative to my growth. -
The Caffe Cino
DESIGNATION REPORT The Caffe Cino Landmarks Preservation Designation Report Designation List 513 Commission The Caffe Cino LP-2635 June 18, 2019 DESIGNATION REPORT The Caffe Cino LOCATION Borough of Manhattan 31 Cornelia Street LANDMARK TYPE Individual SIGNIFICANCE No. 31 Cornelia Street in the Greenwich Village neighborhood of Manhattan is culturally significant for its association with the Caffe Cino, which occupied the building’s ground floor commercial space from 1958 to 1968. During those ten years, the coffee shop served as an experimental theater venue, becoming the birthplace of Off-Off-Broadway and New York City’s first gay theater. Landmarks Preservation Designation Report Designation List 513 Commission The Caffe Cino LP-2635 June 18, 2019 Former location of the Caffe Cino, 31 Cornelia Street 2019 LANDMARKS PRESERVATION COMMISSION COMMISSIONERS Lisa Kersavage, Executive Director Sarah Carroll, Chair Mark Silberman, Counsel Frederick Bland, Vice Chair Kate Lemos McHale, Director of Research Diana Chapin Cory Herrala, Director of Preservation Wellington Chen Michael Devonshire REPORT BY Michael Goldblum MaryNell Nolan-Wheatley, Research Department John Gustafsson Anne Holford-Smith Jeanne Lutfy EDITED BY Adi Shamir-Baron Kate Lemos McHale and Margaret Herman PHOTOGRAPHS BY LPC Staff Landmarks Preservation Designation Report Designation List 513 Commission The Caffe Cino LP-2635 June 18, 2019 3 of 24 The Caffe Cino the National Parks Conservation Association, Village 31 Cornelia Street, Manhattan Preservation, Save Chelsea, and the Bowery Alliance of Neighbors, and 19 individuals. No one spoke in opposition to the proposed designation. The Commission also received 124 written submissions in favor of the proposed designation, including from Bronx Borough President Reuben Diaz, New York Designation List 513 City Council Member Adrienne Adams, the LP-2635 Preservation League of New York State, and 121 individuals. -
LGBTQ America: a Theme Study of Lesbian, Gay, Bisexual, Transgender, and Queer History Is a Publication of the National Park Foundation and the National Park Service
Published online 2016 www.nps.gov/subjects/tellingallamericansstories/lgbtqthemestudy.htm LGBTQ America: A Theme Study of Lesbian, Gay, Bisexual, Transgender, and Queer History is a publication of the National Park Foundation and the National Park Service. We are very grateful for the generous support of the Gill Foundation, which has made this publication possible. The views and conclusions contained in the essays are those of the authors and should not be interpreted as representing the opinions or policies of the U.S. Government. Mention of trade names or commercial products does not constitute their endorsement by the U.S. Government. © 2016 National Park Foundation Washington, DC All rights reserved. No part of this publication may be reprinted or reproduced without permission from the publishers. Links (URLs) to websites referenced in this document were accurate at the time of publication. PLACES Unlike the Themes section of the theme study, this Places section looks at LGBTQ history and heritage at specific locations across the United States. While a broad LGBTQ American history is presented in the Introduction section, these chapters document the regional, and often quite different, histories across the country. In addition to New York City and San Francisco, often considered the epicenters of LGBTQ experience, the queer histories of Chicago, Miami, and Reno are also presented. QUEEREST28 LITTLE CITY IN THE WORLD: LGBTQ RENO John Jeffrey Auer IV Introduction Researchers of LGBTQ history in the United States have focused predominantly on major cities such as San Francisco and New York City. This focus has led researchers to overlook a rich tradition of LGBTQ communities and individuals in small to mid-sized American cities that date from at least the late nineteenth century and throughout the twentieth century. -
Toward the Queerest Insurrection
toward the queerest filth is our politics! filth is our life! insurrection let’s get decadent! Printed clandestinely by the Mary Nardini gang, criminal queers from Milwaukee, Wisconsin X To be clear: In 1970, Stonewall veterans, Marsha We’ve despaired that we could P. Johnson and Sylvia Rivera found- ed STAR - Street Transvestite Action never be as well-dressed or Revolutionaries. They opened the cultured as the Fab Five. We STAR house, a radical version of the “house” culture of black and latina found nothing in Brokeback queer communities. The house pro- Mountain. We’ve spent far too I vided a safe and free place for queer Some will read “queer” as synonymous with long shuffling through hall- and trans street kids to stay. Marsha “gay and lesbian” or “LGBT”. This reading falls and Sylvia as the “House Mothers” ways with heads-hung-low. hustled to pay rent so that the kids short. While those who would fit within the con- We don’t give a shit about would not be forced to. Their “chil- structions of “L”, “G”, “B” or “T” could fall with- dren” scavenged and stole food so marriage or the military. But that everyone in the house could in the discursive limits of queer, queer is not oh we’ve had the hottest sex eat. That’s what we call mutual aid! a stable area to inhabit. Queer is not merely - everywhere - in all the ways another identity that can be tacked onto a list we aren’t supposed to and the other boys at of neat social categories, nor the quantitative school definitely can’t know about it. -
The Grotesque in the Fiction of Joyce Carol Oates
Loyola University Chicago Loyola eCommons Master's Theses Theses and Dissertations 1979 The Grotesque in the Fiction of Joyce Carol Oates Kathleen Burke Bloom Loyola University Chicago Follow this and additional works at: https://ecommons.luc.edu/luc_theses Part of the English Language and Literature Commons Recommended Citation Bloom, Kathleen Burke, "The Grotesque in the Fiction of Joyce Carol Oates" (1979). Master's Theses. 3012. https://ecommons.luc.edu/luc_theses/3012 This Thesis is brought to you for free and open access by the Theses and Dissertations at Loyola eCommons. It has been accepted for inclusion in Master's Theses by an authorized administrator of Loyola eCommons. For more information, please contact [email protected]. This work is licensed under a Creative Commons Attribution-Noncommercial-No Derivative Works 3.0 License. Copyright © 1979 Kathleen Burke Bloom THE GROTESQUE IN THE FICTION OF JOYCE CAROL OATES by Kathleen Burke Bloom A Dissertation Submitted to the Faculty of the Graduate School of Loyola University of Chicago in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy March 1979 ACKNOWLEDGEMENTS I would like to thank Professors Thomas R. Gorman, James E. Rocks, and the late Stanley Clayes for their encouragement and advice. Special thanks go to Professor Bernard P. McElroy for so generously sharing his views on the grotesque, yet remaining open to my own. Without the safe harbors provided by my family, Professor Jean Hitzeman, O.P., and Father John F. Fahey, M.A., S.T.D., this voyage into the contemporary American nightmare would not have been possible. -
The National Coalition of Anti-Violence Programs
Hate Violence against Lesbian, Gay, Bisexual, and Transgender People in the United States 2 0 0 8 THE NATIONAL COALITION OF ANTI-VIOLENCE PROGRAMS 2009 Release Edition INTRODUCTION This report provides the most comprehensive data on anti-lesbian, gay, bisexual, and transgender (LGBT) violence in the United States. This report provides recommendations for ways to advance education and prevention of hate violence before it occurs and ways to hold public institutions more accountable to responding to violence when it occurs. It is written by a coalition of 35 LGBT anti-violence programs in 25 states across the country. This report is meant to draw attention to the incidents and trends it documents and to highlight the need for more comprehensive responses to bias violence. Three well documented anniversaries in 2009 frame the writing of this report on the 2008 data collected by the Na- tional Coalition of Anti Violence Programs (NCAVP): the 40th anniversary of the Stonewall Riots in New York City, the 30th anniversary of the White Night Riots in San Francisco, and the 10th anniversary of the nation-wide protests after the death of Matthew Shepard in Laramie, Wyoming. During these mass actions, protesters took to the streets, angry, frustrated and determined, with hundreds of LGBT people and their allies, to achieve equality dignity, respect and safety. Over the last thirty years, LGBT people have created anti-violence organizations with the goal of ending violence in all its forms against LGBT communities and ensuring that services are available and accessible to LGBT victims and survivors of hate violence, domestic violence, sexual assault, police misconduct, and other forms of violence experi- enced by LGBT people. -
Article Under Her Eye: Digital Drag As Obfuscation and Countersurveillance
Under Her Eye: Digital Drag as Obfuscation Article and Countersurveillance Harris Kornstein New York University, USA [email protected] Abstract Among drag queens, it is common to post screenshots comically highlighting moments in which Facebook incorrectly tags their photos as one another, suggesting that drag makeup offers a unique method for confusing facial recognition algorithms. Drawing on queer, trans, and new media theories, this article considers the ways in which drag serves as a form of informational obfuscation, by adding “noise” in the form of over-the-top makeup and social media profiles that feature semi-fictional names, histories, and personal information. Further, by performing identities that are highly visible, are constantly changing, and engage complex forms of authenticity through modes of camp and realness, drag queens disrupt many common understandings about the users and uses of popular technologies, assumptions of the integrity of data, and even approaches to ensuring privacy. In this way, drag offers both a culturally specific framework for conceptualizing queer and trans responses to surveillance and a potential toolkit for avoiding, thwarting, or mitigating digital observation. Introduction When particular surveillance technologies, in their development and design, leave out some subjects and communities for optimum usage, this leaves open the possibility of reproducing existing inequalities… [But] could there be some potential in going about unknown or unremarkable, and perhaps unbothered, where CCTV, camera-enabled devices, facial recognition, and other computer vision technologies are in use? —Simone Browne, Dark Matters: On the Surveillance of Blackness (2015: 162–63) Around late 2014, I began to take note of a curious social media phenomenon: drag queens were posting screenshots to Facebook to highlight instances in which the platform’s predictive facial recognition algorithms incorrectly tagged their photos as one another. -
Beyond the Gay Ghetto
chapter 1 Beyond the Gay Ghetto Founding Debates in Gay Liberation In October 1969, Gay Liberation Theater staged a street performance the group called “No Vietnamese Ever Called Me a Queer.” These activ- ists brought their claims to two distinct audiences: fellow students at the University of California, Berkeley’s Sproul Plaza and fellow gay men at a meeting of the San Francisco–based Society for Individual Rights (SIR). The student audience was anti-war but largely straight, while SIR backed gay inclusion in the military and exemplified the moderate center of the “homophile” movement—“homophile” being the name for an existing and older network of gay and lesbian activism. Gay Liberation Theater adapted Muhammad Ali’s statement when refusing the draft that “no Viet Cong ever called me nigger” and, through this, indicted a society that demanded men kill rather than desire one another. They opposed the Vietnam War and spoke to the self-interest of gay men by declaring: “We’re not going to fight in an army that discriminates against us. Nor are we going to fight for a country that will not hire us and fires us. We are going to fight for ourselves and our lovers in places like Berkeley where the Berkeley police last April murdered homosexual brother Frank Bartley (never heard of him?) while cruising in Aquatic Park.” Frank Bartley was a thirty-three-year-old white man who had recently been killed by a plainclothes officer who claimed that Bartley “resisted arrest” and “reached for his groin.”1 In highlighting Bartley’s case, Gay Liberation Theater pushed back against the demands of assim- ilation and respectability and linked opposition to the Vietnam War with 17 Hobson - Lavender and Red.indd 17 29/06/16 4:30 PM 18 | Beyond the Gay Ghetto support for sexual expression.