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ISSUE # 16 | 04.19.18 OUTSHINE ARTS NEWSIE: OUTSHINEFILM FESTIVAL FILM FESTIVAL 20TH ANNIVERSARY 20TH MIAMI EDITION FUN HOME 5 TONY AWARD WINNING MUSICAL TOP TRAX: TODRICK HALL FORBIDDEN FRUIT DESTINATIONS: PORTLAND OREGON HIPSTER HAVEN + + SPOTLIGHT FILMS SPOTLIGHT OVERVIEW FESTIVAL Call Now: 888-233-5843 Their Price CrestorTM $914.18 Are You Still Paying Too Typical US Brand Price for 40mg x 100 Much For Your Medications? Our Price Rosuvastatin* You can save up to 97% when you fi ll $148 your prescriptions with our Canadian and Generic equivalent of CrestorTM Generic price for for 40mg x 100 International prescription service. THEIR PRICE OUR PRICE THEIR PRICE OUR PRICE TM $ $ TM $ * $ * 202.00 Viagra 2565.71 vs Sildenafi l 153.00 Cialis 2526.76 vs Tadalafi l Typical US Brand Price for 100mg x 40 Generic Price for 100mg x 40 Typical US Brand Price for 20mg x 40 Generic Price for 20mg x 40 TM $ * $ TM $ Salmeterol & $ Nexium 927.16 vs Esomeprazole 87.00 Advair 1203.13 vs Fluticasone 149.00 * Typical US Brand Price for 40mg x 100 Generic Price for 40mg x 100 Typical US Brand Price for 250-50mcg x 180 Propionate Generic Price for 250-50mcg x 180 TM $ * $ TM $ * $ Premarin 458 vs Conj. Estrogen 51.00 Evista 772.37 vs Raloxifene 88.00 Typical US Brand Price for 0.625mg x 84 Generic Price for 0.625mg x 84 Typical US Brand Price for 60mg x 100 Generic Price for 60mg x 100 TM $ * $ TM $ * $ Abilify 2994.49 vs Aripiprazole 86.00 Zetia 994.42 vs Ezetimibe 87.00 Typical US Brand Price for 15mg x 112 Generic Price for 15mg x 112 Typical US Brand Price for 10mg x 100 Generic Price for 10mg x 100 TM $ * $ TM $ Sitagliptin $ Celebrex 743.17 vs Celecoxib 87.00 Januvia 1151.87 vs * 136.00 Typical US Brand Price for 100mg x 100 Generic price for 100mg x 100 Typical US Brand Price for 100mg x 84 Phosphate Generic Price for 100mg x 84 Get An Extra $15 Off & Free Shipping On Your 1st Order! Get an extra Call the number below and save an additional $15 plus get free shipping on your fi rst prescription order with Canada Drug Center. -
2017 Scripps ADF Award Announced
HONORARY CHAIRPERSONS Mrs. Laura Bush Mrs. Hillary Rodham Clinton Mrs. George Bush Mrs. Nancy Reagan Mrs. Rosalynn Carter Mrs. Be y Ford (1918–2011) BOARD OF DIRECTORS Curt C. Myers, Chairman Jodee Nimerichter, President Russell Savre, Treasurer Nancy McKaig, Secretary PRESS CONTACT Charles L. Reinhart, Director Emeritus National Press Representative: Lisa Labrado Jennings Brody Mimi Bull [email protected] Nancy P. Carstens Rebecca B. Elvin Direct: 646-214-5812/Mobile: 917-399-5120 Richard E. Feldman, Esq. James Frazier, Ed.D. omas R. Galloway North Carolina Press Representative: Sarah Tondu Jenny Blackwelder Grant [email protected] Susan T. Hall, Ph.D. Dave Hurlbert Office: 919-684-6402/Mobile: 919-270-9100 Carlton Midye e Adam Reinhart, Ph.D. Arthur H. Rogers III FOR IMMEDIATE RELEASE Judith Sagan 2017 SAMUEL H. SCRIPPS/AMERICAN DANCE FESTIVAL AWARD PRESENTED TO LUCINDA CHILDS Durham, NC, February 6, 2017—The American Dance Festival (ADF) will present the 2017 ADVISORY COMMITTEE Samuel H. Scripps/American Dance Festival Award for lifetime achievement to legendary Robby Barne Brenda Brodie choreographer, Lucinda Childs. Established in 1981 by Samuel H. Scripps, the annual award honors Ronald K. Brown choreographers who have dedicated their lives and talent to the creation of modern dance. Ms. Childs’ Martha Clarke Chuck Davis work, acclaimed throughout the world, is renowned for its minimal and elegant style, virtuosity, and Laura Dean mesmerizing repetitive movements and patterns. Additionally, Jorge Pérez Martínez will be in Mark Dendy Eiko and Koma residence at ADF 2017 setting two of Ms. Childs’ works on ADF students to be performed as a part Garth Fagan William Forsythe of the Footprints program July 25-26. -
Ben Whishaw Photographed by Matt Doyle at the Walter Kerr Theatre in NYC on Feb
03.17.16 • BACKSTAGE.COM YOUR VO NEED-TO-KNOWS: BEN BUILD YOUR OWN WHISHAW IN-HOUSE STUDIO! DOWNLOAD YOUR THE BRIT GOES WAY TO SUCCESS! PURITANICAL IN “THE CRUCIBLE” TAKE TIPS FROM THE PROS! 17+ Pages of Casting Notices! NEW YORK STELLAADLER.COM 212-689-0087 31 W 27TH ST, FL 3 NEW YORK, NY 10001 [email protected] THE PLACE WHERE RIGOROUS ACTOR TRAINING AND SOCIAL JUSTICE MEET. SUMMER APPLICATION DEADLINE EXTENDED: APRIL 1, 2016 TEEN SUMMER CONSERVATORY 5 Weeks, July 11th - August 12th, 2016 Professional actor training intensive for the serious young actor ages 14-17 taught by our world-class faculty! SUMMER CONSERVATORY 10 Weeks, June 6 - August 12, 2016 The Nation’s Most Popular Summer Training Program for the Dedicated Actor. SUMMER INTENSIVES 5-Week Advanced Level Training Courses Shakespeare Intensive Chekhov Intensive Physical Theatre Intensive Musical Theatre Intensive Actor Warrior Intensive Film & Television Acting Intensive The Stella Adler Studio of Acting/Art of Acting Studio is a 501(c)3 not-for-prot organization and is accredited with the National Association of Schools of Theatre LOS ANGELES ARTOFACTINGSTUDIO.COM 323-601-5310 1017 N ORANGE DR LOS ANGELES, CA 90038 [email protected] by: AK47 Division CONTENTS vol.57,no.11|03.17.16 NEWS 6 Ourrecapofthe37thannualYoung Artist Awardswinners 7 Thisweek’sroundupofwho’scasting whatstarringwhom 8 7 brilliantactorstowatchonNetflix ADVICE 11 NOTEFROMTHECD Themonsterwithin 11 #IGOTCAST EbonyObsidian 12 SECRET AGENTMAN Redlight/greenlight 13 #IGOTCAST KahliaDavis -
Anthonycurtis '
$5 ANTHONY CURTIS’ May 2017 Vol. 34 LasVegasAdvisor Issue 5 FRANKIE MORENO Dinner and a show at the Golden Nugget … pgs. 3, 8 LAS VEGAS RAIDERS Football’s bad boys coming for real … pg. 1 SHOW-PRICE SURVEY Price of show tickets up again … pgs. 1, 5 THE $2 BUZZ At a Strip casino, no less … pg. 8 $1 BLACKJACK Play it 24/7 … pg. 9 CASINOS Local (702) Toll Free • 2017 LVA MEMBER REWARDS • † †† Numbers (800) ( 855) ( 866) (*877) (**888) ALL-PURPOSE COMP DINING—“LOCAL CORNER” Local Toll Free Aliante Casino+Hotel+Spa ........692-7777 ............477-7627* 50% off up to $50 (Palms) 2-For-1 Menu Item: Gambler’s Café (Gambler’s General Store), Sagos; Aria ............................................590-7111 ............359-7757†† 2-For-1 Burger or Philly (Home Plate); Pizza Upgrade at Naked City Pizza Arizona Charlie’s Boulder ..........951-5800 ............362-4040 ACCOMMODATIONS Shop; $25 off Dining (Rosati’s); Comped Lunch or Dinner at Sporting Life Arizona Charlie’s Decatur ..........258-5200 ............342-2695 2-For-1 Room (El Cortez); 25% off Room Rate (Mardi Gras) Bar Bally’s ........................................739-4111 ............603-4390* Bellagio ......................................693-7111 ............987-7111** BUFFETS DRINKS Binion’s ......................................382-1600 ............937-6537 2-For-1 Buffet (Aliante Casino+Hotel, Arizona Charlie’s Boulder, Arizona Free Drink Brewers, Kixx, or Havana Bar (Boulder Station); 3 Free Rounds Boulder Station ..........................432-7777 ............683-7777 Caesars -
Certificate Program Student Handbook
CERTIFICATE PROGRAM STUDENT HANDBOOK 2016-2017 Artistic Director, Igal Perry Director of Development, Yarden Ronen Certificate Program Coordinator, Nikki Holck Certificate Program Assistant Coordinator, Cleo Sykes Peridance Capezio Center 126 East 13th Street New York, NY 10003, USA 212.505.0886 www.peridance.com Peridance Capezio Center ___________________________________________________________________________________________ Table of Contents History of Peridance Capezio Center 3 Statement of Purpose 3 General Information 4 Size and Scope 4 Tracks 5 Program Components and Coursework 6 Sample Class Schedule 8 Faculty 9 Administrative Contacts 23 Board of Trustees 24 Peridance Capezio Center Facilities 24 Library Facilities 24 Housing 25 Tuition and Fees 25 Financial Aid 25 Withdrawal, Refund, and Transfer Policies 26 Attendance Policy 27 Sign In and Sign Out ____________________________________________________________________29 Space Rental Procedure and Policy _______________________________________________________ 29 Rules of Conduct 30 Dress Code 31 Tactile Cueing 31 Injury Policy 32 Admission Information 32 Orientation 32 Evaluation Policy 33 Failing Grades 33 Grading Policy 34 Retention Policy 35 Credit Policy 35 Graduation Requirements 35 Certificates Granted and Requirements 36 Visa Options and Employment 36 Academic Calendar 37 Grievance, Probation, and Appeals Procedures 38 Self-Evaluative Process 38 Other Services 39 Contracted Education Services 39 Certificate Program 2 Peridance Capezio Center ___________________________________________________________________________________________ -
The Berkeley Rep Magazine 2017–18 · Issues 5–6
aids in the United States today 25 · 4 questions for the cast 27 · The program for Angels in America: A Gay Fantasia on National Themes 33 THE BERKELEY REP MAGAZINE 2017–18 · ISSUES 5–6 AG_program.indd 1 4/4/18 3:54 PM Encore spread.indd 1 2/28/18 3:55 PM Encore spread.indd 1 2/28/18 3:55 PM AG_program.indd 4 4/4/18 3:54 PM IN THIS ISSUE 16 23 29 BERKELEY REP PRESENTS MEET THE CAST & CREW · 34 ANGELS IN AMERICA: A GAY FANTASIA ON NATIONAL THEMES · 33 PROLOGUE A letter from the artistic director · 7 Connect with us online! A letter from the managing director · 8 Visit our website berkeleyrep.org facebook.com/ @berkeleyrep You can buy tickets and plan your visit, berkeleyrep watch videos, sign up for classes, donate to vimeo.com/ @berkeleyrep REPORTS the Theatre, and explore Berkeley Rep. berkeleyrep The Messenger has arrived: berkeleyrep. berkeleyrep The art of theatrical flying ·13 We’re mobile! tumblr.com Crossing paths: Download our free iPhone or Google Play app —or visit our mobile site —to buy tickets, read An intergenerational conversation · 16 the buzz, watch videos, and plan your visit. June 2018, when 21 Ground Floor projects roam · 19 Considerations FEATURES Only beverages in cans, cartons, or cups with You are welcome to take a closer look, but The Origin Story · 20 lids are allowed in the house. Food is prohibited please don’t step onto the stage or touch in the house. the props. Tinkering and tinkering: An interview with Tony Kushner and Tony Taccone · 21 Smoking and the use of e-cigarettes is prohibited Any child who can quietly sit in their own by law on Berkeley Rep’s property. -
News from the Jerome Robbins Foundation Vol
NEWS FROM THE JEROME ROBBINS FOUNDATION VOL. 6, NO. 1 (2019) The Jerome Robbins Dance Division: 75 Years of Innovation and Advocacy for Dance by Arlene Yu, Collections Manager, Jerome Robbins Dance Division Scenario for Salvatore Taglioni's Atlanta ed Ippomene in Balli di Salvatore Taglioni, 1814–65. Isadora Duncan, 1915–18. Photo by Arnold Genthe. Black Fiddler: Prejudice and the Negro, aired on ABC-TV on August 7, 1969. New York Public Library for the Performing Arts, Jerome Robbins Dance Division, “backstage.” With this issue, we celebrate the 75th anniversary of the Jerome Robbins History Dance Division of the New York Public Library for the Performing Arts. In 1944, an enterprising young librarian at The New York Public Library named One of New York City’s great cultural treasures, it is the largest and Genevieve Oswald was asked to manage a small collection of dance materials most diverse dance archive in the world. It offers the public free access in the Music Division. By 1947, her title had officially changed to Curator and the to dance history through its letters, manuscripts, books, periodicals, Jerome Robbins Dance Division, known simply as the Dance Collection for many prints, photographs, videos, films, oral history recordings, programs and years, has since grown to include tens of thousands of books; tens of thousands clippings. It offers a wide variety of programs and exhibitions through- of reels of moving image materials, original performance documentations, audio, out the year. Additionally, through its Dance Education Coordinator, it and oral histories; hundreds of thousands of loose photographs and negatives; reaches many in public and private schools and the branch libraries. -
Mike Royer INTERVIEW by PHIL BUSSE
olume 4, Issue 9 H April 27 - May 10, 2017 Pg 7 Pg 8 Pg 26 2 / WWW.ROGUEVALLEYMESSENGER.COM Convergence: Digital Media and Technology On view through Saturday, May 27, 2017 Exhibition co-curated by Richard Herskowitz and Scott Malbaurn in collaboration with the Jordan Schnitzer Museum of Art and the Ashland Independent Film Festival. Works by Allison Cekala, Nina Katchadourian, Derek G. Larson, Ken Matsubara, Julia Oldham, Vanessa Renwick, Peter Sarkisian, and Lou Watson. First Friday Trolley May 5 Hours extended to 8 pm. Free and open to the public. Vanessa Renwick, Medusa Smack, 2012, MOV file, screen, rugs, pillows, 66 x 86 inches. On generous loan from the Jordan Schnitzer Museum of Art, Eugene, OR. This work was acquired with the assistance of The Ford Family Foundation through a special grant program managed by the Oregon Arts Commission. FREE Family Day Saturday, May 20 Photo: Mark Licari. 10 am to 1 pm. Free and open to the public. Gala Celebration: the Schneider Museum of Art at 30 Years Benefitting the Museum’s exhibitions and educational programming Please join our red carpet event as we celebrate our pearl anniversary SATURDAY, JUNE 10, 2017 AT 6:00 PM Cocktail hour with hors d’ouevres, open wine and beer bar on the patio An elegant dinner prepared by Larks Chef Damon Jones in the museum Silent art auction • Special entertainment Festive attire • Designated parking [email protected] or 541-552-8248 for invitation and ticket information mailing: 1250 Siskiyou Boulevard • gps: 555 Indiana Street Ashland, Oregon 97520 541-552-6245 • email: [email protected] web: sma.sou.edu • social: @schneidermoa PARKING: From Indiana Street, turn left into the metered lot between Frances Lane and Indiana St. -
An Exploration of the Life and Work of Helen Tamiris (1902-1966) Elizabeth Mcpherson and Joanne Tucker
Avodah Dance Ensemble performing Tamiris's Negro Spirituals, c. 1996, as staged from the Labanotation score by McPherson. Dancers: Carla Norwood, Lisa Watson, and Kezia Gleckman Hayman, photo by Tom Brazil An Exploration of the Life and Work of Helen Tamiris (1902-1966) Elizabeth McPherson and JoAnne Tucker Introduction by JoAnne Tucker Because of our mutual and overlapping interest in Helen Tamiris, In the summer of 1958, I attended Perry-Mansfield Performing Arts when there was a call for papers/presentations for the “Jews and School and Camp in Steamboat Springs, Colorado, USA where I Jewishness in the Dance World Conference,” it was a natural re- studied with Helen Tamiris and performed her Dance for Walt Whit- sponse for us to propose a presentation on Tamiris. man. Although just a high school student, the three-week experi- ence was life changing. Tamiris had a profound impact on my dance Helen Tamiris: A Biography by Elizabeth McPherson career as founder and artistic director of the Avodah Dance En- Helen Tamiris is one of the great pioneers of American modern semble (1972-2004) and more recently in my work in prisons and dance. A dynamic dancer and choreographer, she explored themes jails and with domestic violence survivors. central to the American experience. Her diverse career included not only work in modern dance, but also in ballet, nightclubs, and Elizabeth McPherson joined the Avodah Dance Ensemble in 1990. musical theatre. Descriptions of Tamiris invariably include the word With her experience in Labanotation as well as having studied and “powerful,” describing her dancing and the force of her personal- performed many dance legacy works of the 20th century, she staged ity that propelled her into a career in which she followed her pas- Tamiris’ Negro Spirituals, which Avodah performed for nine years. -
Programmers' Picks
43RD SEATTLE INTERNATIONAL FILM FESTIVAL PROGRAMMERS’ PICKS SIFF 2017 PROGRAMMERS’ PICKS . 2 BETH BARRETT Interim Artistic Director queen” who is hailed as one of the early activists in the THE BIG SICK modern transgender movement. Michael Showalter’s crowd-pleasing and heart- breaking comedy, based on star Kumail Nanjiani’s GOD’S OWN COUNTRY real-life courtship of writer Emily V. Gordon - the A lonely Yorkshire sheep farmer who drowns his feelings personal tragedies to overcome, and the challenges in booze and sordid hookups has his life turned upside of family wrapped in standup comedy and cross- down by the Romanian migrant worker he hires. cultural misunderstandings. GOOK DOLORES Set on the first day of the 1992 LA Riots, two Korean A stunning portrait of the criminally under-celebrated brothers are just trying to run their shoe shop in a mix labor hero, Dolores Huerta, the woman behind “sí se of hang-out comedy and escalating racial tension and puede,” yes we can!! violence. Short in black and white, it has a real kinship with early ’90s indie film, while also investigating the FREE AND EASY complex racism and classism of the time. A Chinese petty criminal on a Jim Jarmuschian visit to a small village, inhabited by ever more petty LADY MACBETH criminals all trying to get an up on each other. Dryest A passionate affair leads to mayhem spiraling downward of dry comedy. in ever faster circles. Lead Florence Pugh is mesmerizing. I, DANIEL BLAKE THE MAN Ken Loach Palme d’Or 2016 winner, and what A by-turns hilarious and scathing film about artists, male happens when a mild-mannered worker gets caught ego, and the challenge of family. -
Society of Dance History Scholars Proceedings
Society of Dance History Scholars Proceedings Twenty-Seventh Annual Conference Duke University ~ Durham, North Carolina 17-20 June 2004 Twenty-Eighth Annual Conference Northwestern University ~ Evanston, Illinois 9-12 June 2005 The Society of Dance History Scholars is a constituent member of the American Council of Learned Societies. This collection of papers has been compiled from files provided by individual authors who wished to contribute their papers as a record of the 2004 Society of Dance History Scholars conference. The compiler endeavored to standardize format for columns, titles, subtitles, figures or illustrations, references, and endnotes. The content is unchanged from that provided by the authors. Individual authors hold the copyrights to their papers. Published by Society of Dance History Scholars 2005 SOCIETY OF DANCE HISTORY SCHOLARS CONFERENCE PAPERS Susan C. Cook, Compiler TABLE OF CONTENTS 17-20 June 2004 Duke University ~ Durham, North Carolina 1. Dancing with the GI Bill Claudia Gitelman 2. Discord within Organic Unity: Phrasal Relations between Music and Choreography in Early Eighteenth-Century French Dance Kimiko Okamoto 3. Dance in Dublin Theatres 1729-35 Grainne McArdle 4. Queer Insertions: Javier de Frutos and the Erotic Vida Midgelow 5. Becomings and Belongings: Lucy Guerin’s The Ends of Things Melissa Blanco Borelli 6. Beyond the Marley: Theorizing Ballet Studio Spaces as Spheres Not Mirrors Jill Nunes Jensen 7. Exploring Ashton’s Stravinsky Dances: How Research Can Inform Today’s Dancers Geraldine Morris 8. Dance References in the Records of Early English Drama: Alternative Sources for Non- Courtly Dancing, 1500-1650 E.F. Winerock 9. Regional Traditions in the French Basse Dance David Wilson 10. -
Dance History – a Brief Overview
Dance History – a brief overview French Court spectacles of the 16th & 17th centuries existed to glorify the state and the monarchy. They were essentially a mixture of art, politics and entertainment – plays, with musical interludes. Courtiers and noblemen wore heavy ornate costumes and masks and any dancing consisted largely of groups of people moving in intrictae patterns around the space. Women’s roles as such, were invariably played by men. Dancing was considered to be a very social activity and at the end of these evenings in court, the audience joined the noblemen and danced a long dance, often led by a royal or state official. During these centuries, ballet in France gradually progressed from this sort of entertainment for the court noblemen (who had little or no formal training,) into a professional art form. This was definitely helped along by Louis X1V, who started the process of the creation of the ‘Academie Royale de Danse’ in 1661. The purpose of the academie was to train dancers to perform in the King’s opera ballets. (Ballet & opera had not yet evolved into separate art forms.) The 18th century saw the age of the brilliant dancers, technical elements of dancing were inproved by the sheer raise in standard of the dancers. This century saw the rise of the so called ‘ballet d’action,’ in which stories unfolded purely through the dancers’ movements. In 1760, a dancer and choreographer, Jean Georges Noverre published his ‘Letters on dancing and ballets’ – which were very influencial on choreographers right across Europe. Noverre shunned the use of masks.