Il Barbiere Di Siviglia the Barber of Seville Page 1 of 2 Opera Assn

Total Page：16

File Type：pdf, Size：1020Kb

San Francisco War Memorial 2003-2004 Il Barbiere di Siviglia The Barber of Seville Page 1 of 2 Opera Assn. Opera House This production is made possible, in part, by Koret Foundation. Il Barbiere di Siviglia (in Italian) Opera in two acts by Gioachino Rossini Libretto by Cesare Sterbini Based on comedy by Pierre Augustin Caron de Beaumarchais Conductor CAST Stefan Soltesz Fiorello Hugh Russell Francesco Corti (11/21,23) Count Almaviva Yann Beuron Stage director Matthew Polenzani (11/21,23) Johannes Schaaf Doctor Bartolo Paul Plishka Set designer Kevin Glavin (11/21,23) Hans Dieter Schaal Figaro Nathan Gunn Costume Designer Troy Cook (11/21,23) Yan Tax Rosina Helene Schneiderman Lighting Designer Joyce DiDonato (11/21,23) Paul Pyant Don Basilio Philip Ens Chorus Director Ayk Martirossian (11/21,23) Ian Robertson Berta Catherine Cook Dramaturg Notary Steve Nye (11/21) Wolfgang Willaschek Robert Dickinson (11/23) Musical Preparation Magistrate Brad Alexander Adelle Eslinger Ambrogio Ricardo Herrera Paul Harris Bryndon Hassman *Role debut †U.S. opera debut Ernest Fredric Knell Robert Wood PLACE AND TIME: Doctor Bartolo's house in Seville John Churchwell (11/21,23) Recitative accompaniment Bryndon Hassman Martha Gerhart Paul Harris (11/21/23) Supertitles Christopher Bergen Assistant Stage Director Roy Rallo Stage Manager Lisa Anderson Tuesday, October 7 2003, at 7:30 AM (scenes not specified) Friday, October 10 2003, at 8:00 PM Sunday, October 12 2003, at 2:00 PM Tuesday, October 14 2003, at 7:30 PM Thursday, October 16 2003, at 7:30 PM Sunday, October 19 2003, at 12:00 PM Saturday, October 25 2003, at 8:00 PM Friday, November 21 2003, at 8:00 PM Sunday, November 23 2003, at 2:00 PM San Francisco War Memorial 2003-2004 Il Barbiere di Siviglia The Barber of Seville Page 2 of 2 Opera Assn. Opera House Sponsors: Notes: Production owned by San Francisco Opera Supernumerary Steve Nye Acrobat Teresa Lonsbury.

Copy Link

Recommended publications

Network Notebook
Network Notebook Fall Quarter 2018 (October - December) 1 A World of Services for Our Affiliates We make great radio as affordable as possible: • Our production costs are primarily covered by our arts partners and outside funding, not from our affiliates, marketing or sales. • Affiliation fees only apply when a station takes three or more programs. The actual affiliation fee is based on a station’s market share. Affiliates are not charged fees for the selection of WFMT Radio Network programs on the Public Radio Exchange (PRX). • The cost of our Beethoven and Jazz Network overnight services is based on a sliding scale, depending on the number of hours you use (the more hours you use, the lower the hourly rate). We also offer reduced Beethoven and Jazz Network rates for HD broadcast. Through PRX, you can schedule any hour of the Beethoven or Jazz Network throughout the day and the files are delivered a week in advance for maximum flexibility. We provide highly skilled technical support: • Programs are available through the Public Radio Exchange (PRX). PRX delivers files to you days in advance so you can schedule them for broadcast at your convenience. We provide technical support in conjunction with PRX to answer all your distribution questions. In cases of emergency or for use as an alternate distribution platform, we also offer an FTP (File Transfer Protocol), which is kept up to date with all of our series and specials. We keep you informed about our shows and help you promote them to your listeners: • Affiliates receive our quarterly Network Notebook with all our program offerings, and our regular online WFMT Radio Network Newsletter, with news updates, previews of upcoming shows and more.
[Show full text]
LTI OCT Newsletter Final Draft
OCTOBER 2015 Lyric Theatre@Illinois A Conversation between Director and Designer LTI’s Beatrice & Benedict Our second season kicks off with Hector Berlioz’s adaptation of Shakespeare’s Much Ado About Nothing in a delightful French opera, Beatrice & Benedict. To give you a look at how our shows are developed and how Lyric Theatre collaborates with the Krannert Center’s Level 21 program, stage director Michael Foster (’13 DMA Voice Performance) sat down with Regina García, professor of “All the world’s a stage…” theatre and scenic designer, to talk about bringing this enchanting opera to life. LTI’s Shakespeare Season Michael: How did you come to design our production? And what went through by Michael Tilley your mind when you first heard of the New Orleans concept for While most people would readily name Shakespeare the greatest Beatrice & Benedict? playwright in history, perhaps fewer realize that he has also inspired more music than any dramatist or author. Besides the operatic Regina: I was very excited to jump in as settings of his plays by Verdi, Britten, Berlioz, and numerous others, part of the team of Beatrice & Benedict. we have incidental music by Mendelssohn and Sibelius, William Professor Michael Griggs and I realized Walton’s scores for the Olivier films, Tchaikovsky’s overture- that there were several productions that fantasias on Hamlet, The Tempest, and Romeo and Juliet, whose star- needed designers. These shows were crossed lovers inspired six ballets, including Prokofiev’s. large and needed to be designed before (continued on p. 7) the summer. (continued on p. 2) Upcoming Performances Beatrice & Benedict Opera Scenes Concert LTI Studio Showcase Nov.
[Show full text]
A Mystical Journey Into the Jungle... and Beyond
A mystical journey into the jungle... and beyond NOVEMBER 9, 12, 15, 17, 2019 BENEDUM CENTER 2019-20 SEASON SINCE 1893 WHEN OUR CUSTOMERS FACED THE UNEXPECTED WE WERE THERE For over 125 years Henderson Brothers has gone to heroic lengths to provide our customers with peace of mind. Because you can’t expect what tomorrow may bring. That’s why you have us. Commercial Insurance | Personal Insurance | Employee Benefits hendersonbrothers.com LETTER FROM OUR BOARD LEADERSHIP LETTER FROM OUR GENERAL DIRECTOR DEAR FRIENDS, DEAR FRIENDS, Welcome to Pittsburgh Opera’s production of Florencia I am delighted to welcome you to Florencia en en el Amazonas. We are happy to be able to join you in el Amazonas, the first Spanish-language opera in this mystical, magical journey down the Amazon. Pittsburgh Opera’s 81-year history. Like a proud parent, I can’t restrain myself from Our production of this contemporary opera by boasting about this fantastic cast. After a stunning role Mexican composer Daniel Catán illustrates the rich debut as Princess Turandot with us in 2017, our very diversity of the operatic tradition and Pittsburgh own Alexandra Loutsion returns to the Benedum today Opera’s commitment to it. For the first time, Pittsburgh in the title role of diva Florencia Grimaldi. Those of you © Daniel V. Klein Photography © Daniel V. audiences will enjoy an opera in Spanish with a libretto who were here last month for Don Giovanni will no based upon literature in the Latin American genre of doubt recognize Craig Verm (who sang the role of Don Giovanni) as deck-hand/ Magical Realism.
[Show full text]
Vocal Performance Alumnus Wins National Opera Award Acclaimed
Acclaimed music scholars to join Notre Dame faculty MICHAEL O. GARVEY Peter Jeffery and Margot Fassler, specialists in sacred music and liturgy, will join the music and theology facul- ties of the University of Notre Dame, according to John T. McGreevy, I.A. O’Shaughnessy Dean of the College of Arts and Letters. “Our masters in sacred music program is built on a great collaborative relation Jeffery has been appointed the Michael P. between the theology and the music Grace Chair in Medieval Studies effective departments,” said John Cavadini, chair July 2009. of Notre Dame’s theology department. “These distinguished scholars, one in Fassler, a scholar of medieval and Ameri- each of those departments, will bring our can sacred music, and the liturgy of the collaboration to the next level of excel- Latin Middle Ages, is at present the Henry lence, to the benefit, ultimately, of our Luce III fellow in theology at the Center students.” of Theological Inquiry in Princeton, N.J. Earlier, she served for more than 10 years Fassler has been appointed the Keough- as director of the Yale Institute of Sacred Hesburgh Professor of Music History Music. cont. on next page and Liturgy effective January 2010, and Vocal performance alumnus wins national opera award By College of Arts and Letters Paul Appleby, a 2005 Arts and Letters graduate, has won a top award in a prestigious national opera com- petition. Appleby, who majored in vocal performance and English as an undergraduate at Notre Dame, was among four winners of the Metropolitan Opera’s 2009 National Council Auditions on Sunday (Feb.
[Show full text]
Nathan and Julie Gunn and Friends an Evening On
PHOTO BY SHARKEY PHOTOGRAPHY SHARKEY BY PHOTO NATHAN AND JULIE GUNN AND FRIENDS AN EVENING ON BROADWAY Saturday, October 6, 2018, at 7:30pm Foellinger Great Hall PROGRAM NATHAN AND JULIE GUNN AND FRIENDS AN EVENING ON BROADWAY FEATURING PRODUCTION CREDITS Molly Abrams Sarah Wigley, dramatic coordinator Lara Semetko-Brooks Elliot Emadian, choreography Colleen Bruton Michael Williams, lighting Elliot Emadian Alec LaBau, audio Olivia Gronenthal Madelyn Gunn, production assistant Ryan Bryce Johnson Adeline Snagel, stage manager Nole Jones Savanna Rung, assistant stage manager Gabrielle LaBare J.W. Morrissette Logan Piker Andrew Turner Rachel Weinfeld ORCHESTRA Zachary Osinski, flute Emma Olson, oboe J. David Harris, clarinet Robert Brooks, saxophone Ronald Romm, trumpet Robert Sears, trumpet Michael Beltran, trombone Trevor Thompson, violin Amanda Ramey, violin Jacqueline Scavetta, viola Jordan Gunn, cello Lawrence Gray, bass Mary Duplantier, harp Ricardo Flores, percussion Julie Jordan Gunn, piano 2 Kurt Weill, music Street Scene (1946) Langston Hughes, lyrics Ice Cream Sextet Elmer Rice, book Ryan Bryce Johnson, Molly Abrams, Nole Jones, Gabrielle LaBare, Elliot Emadian, Andrew Turner Wouldn’t You Like to Be on Broadway? Lara Semetko-Brooks, Nathan Gunn What Good Would the Moon Be? Lara Semetko-Brooks, J.W. Morrissette Moon Faced, Starry Eyed Logan Piker, Elliot Emadian Frank Loesser, music and lyrics Guys and Dolls (1950) Jo Swerling and Abe Burrows, book Fugue for Tin Horns Nathan Gunn, Andrew Turner, Nole Jones Adelaide’s Lament Colleen Bruton Sit Down, You’re Rocking the Boat Nole Jones, Andrew Turner, Ryan Bryce Johnson, Elliot Emadian, Logan Piker Richard Rodgers, music Carousel (1945) Oscar Hammerstein II, book and lyrics Bench Scene Rachel Weinfeld, Nathan Gunn Carrie/Mr.
[Show full text]
Network Notebook
Network Notebook Fall Quarter 2017 (October - December) A World of Services for Our Affiliates We make great radio as affordable as possible: • Our production costs are primarily covered by our arts partners and outside funding, not from our affiliates, marketing or sales. • Affiliation fees only apply when a station takes three or more programs. The actual affiliation fee is based on a station’s market share. Affiliates are not charged fees for the selection of WFMT Radio Network programs on the Public Radio Exchange (PRX). • The cost of our Beethoven and Jazz Network overnight services is based on a sliding scale, depending on the number of hours you use (the more hours you use, the lower the hourly rate). We also offer reduced Beethoven and Jazz Network rates for HD broadcast. Through PRX, you can schedule any hour of the Beethoven or Jazz Network throughout the day and the files are delivered a week in advance for maximum flexibility. We provide highly skilled technical support: • Programs are available through the Public Radio Exchange (PRX). PRX delivers files to you days in advance so you can schedule them for broadcast at your convenience. We provide technical support in conjunction with PRX to answer all your distribution questions. In cases of emergency or for use as an alternate distribution platform, we also offer an FTP (File Transfer Protocol), which is kept up to date with all of our series and specials. We keep you informed about our shows and help you promote them to your listeners: • Affiliates receive our quarterly Network Notebook with all our program offerings, and our regular online WFMT Radio Network Newsletter, with news updates, previews of upcoming shows and more.
[Show full text]
Art Works Grants
National Endowment for the Arts — December 2014 Grant Announcement Art Works grants Discipline/Field Listings Project details are as of November 24, 2014. For the most up to date project information, please use the NEA's online grant search system. Art Works grants supports the creation of art that meets the highest standards of excellence, public engagement with diverse and excellent art, lifelong learning in the arts, and the strengthening of communities through the arts. Click the discipline/field below to jump to that area of the document. Artist Communities Arts Education Dance Folk & Traditional Arts Literature Local Arts Agencies Media Arts Museums Music Opera Presenting & Multidisciplinary Works Theater & Musical Theater Visual Arts Some details of the projects listed are subject to change, contingent upon prior Arts Endowment approval. Page 1 of 168 Artist Communities Number of Grants: 35 Total Dollar Amount: $645,000 18th Street Arts Complex (aka 18th Street Arts Center) $10,000 Santa Monica, CA To support artist residencies and related activities. Artists residing at the main gallery will be given 24-hour access to the space and a stipend. Structured as both a residency and an exhibition, the works created will be on view to the public alongside narratives about the artists' creative process. Alliance of Artists Communities $40,000 Providence, RI To support research, convenings, and trainings about the field of artist communities. Priority research areas will include social change residencies, international exchanges, and the intersections of art and science. Cohort groups (teams addressing similar concerns co-chaired by at least two residency directors) will focus on best practices and develop content for trainings and workshops.
[Show full text]
Media Release
Media Release FOR IMMEDIATE RELEASE: March 15, 2015 Contact: Edward Wilensky Phone: 619.232.7636 x248 [email protected] Afterhours: 619.384.7636 San Diego Opera Announces 2015-2016 Season Tenor René Barbera Makes His U.S. Recital Debut in the Polly Puterbaugh Emerging Artist Award Recital Saturday, September 19, 2015 (The Balboa Theatre) Soprano Patricia Racette performing her “Diva on Detour” recital in San Diego Saturday, November 14, 2015 (The Balboa Theatre) Puccini’s gripping opera Tosca starring Greer Grimsley as Scarpia, Alexia Voulgaridou as Tosca and Gwyn Hughes Jones as Cavaradossi Saturday, February 13, 2016 at 7 PM Tuesday, February 16, 2016 at 7 PM Friday, February 19, 2016 at 7 PM Sunday, February 21, 2016 at 2 PM (San Diego Civic Theatre) 1 Bass Ferruccio Furlanetto in concert with the San Diego Symphony Saturday, March 5, 2016 (Jacobs Music Center’s Copley Symphony Hall) Puccini’s tragic opera Madama Butterfly starring Latonia Moore as Cio-Cio San, J’nai Bridges as Suzuki, and Teodor Ilincăi as Pinkerton Saturday, April 16, 2016 at 7 PM Tuesday, April 19, 2016 at 7 PM Friday, April 22, 2016 at 7 PM Sunday, April 24, 2016 at 2 PM (San Diego Civic Theatre) The West Coast Premiere of Jake Heggie and Terrence McNally’s opera Great Scott, directed by Jack O’Brien and starring Isabel Leonard as Arden Scott, Nathan Gunn as Sid Taylor and Frederica von Stade as Mrs. Winnie Flato Saturday, May 7, 2016 at 7 PM Tuesday, May 10, 2016 at 7 PM Friday, May 13, 2016 at 7 PM Sunday, May 15, 2016 at 2 PM (San Diego Civic Theatre) All ticket prices remain the same with tickets as low as $35 with a three-opera season subscription starting at $105 San Diego, CA – Exciting premieres, Company debuts by internationally renowned artists, and returning San Diego Opera favorites are all part of San Diego Opera’s 2015- 2016 Season.
[Show full text]
NATHAN GUNN to APPEAR on the COLBERT REPORT Tuesday, May 6 on Comedy Central
NATHAN GUNN TO APPEAR ON THE COLBERT REPORT Tuesday, May 6 on Comedy Central Baritone sensation Nathan Gunn appears on the award-winning The Colbert Report on Tuesday, May 6 at 11:30 p.m. (ET) on Comedy Central. Watch Nathan go head to head with host Stephen Colbert as they discuss the “intrusion” of opera into the most American of art forms – the movies. Nathan Gunn is noted for his interpretations of the great baritone roles ranging from the title role in Billy Budd to the Count in Le nozze di Figaro, which he has sung in the major opera houses and concert halls in Europe and America including the Met, the Royal Opera House, Covent Garden, Paris Opera, New York Philharmonic, Chicago Symphony, Boston Symphony and London Symphony Orchestra. Also a supporter of new works, he created the role of Clyde Griffiths in the premiere of An American Tragedy by Tobias Picker at the Met. Upcoming engagements include Lancelot in the New York Philharmonic Orchestra’s performances of Camelot (which will be broadcast nationally on PBS’s Live at Lincoln Center on May 8) and Gaylord Ravenal in Showboat at Carnegie Hall. He also appears in two world premieres: Peter Eötvös’ Love and Other Demons at the Glyndebourne Opera Festival and André Previn’s Brief Encounter at the Houston Grand Opera. Other engagements next season include his debut at the Los Angles Opera, and returns to the Lyric Opera of Chicago and the Opera Company of Philadelphia His latest album, Just Before Sunrise, was released in August 2007 on the Sony/BMG Masterworks label.
[Show full text]
Meet the Artists
Meet the Artists Hershey Felder, PUCCINI is directed by Felder & Stefano Decarli, with associate direction by Trevor Hay. Production design is by Hershey Felder. Film production and live editing is by the DeCarli Live film company. Live broadcast and sound design production are by Erik Carstensen. Line producer is Annette Nixon. Meghan Maiya is the Director of Development and Research. Costumes and Hair are by Camilla Saccardi. Hershey Felder (Writer & Performer). Named to Time Magazine’s 2016 Top 10 Plays and Musicals, Hershey Felder has played over 6,000 performances of his self-created solo productions at some of the world’s most prestigious theatres, consistently breaking box office records. American Theatre Magazine has said, “Hershey Felder is in a category all his own.” His shows include: George Gershwin Alone (Broadway’s Helen Hayes Theatre, West End’s Duchess Theatre); Monsieur Chopin; Beethoven; Maestro (Leonard Bernstein); Franz Liszt in Musik; Lincoln: An American Story; Hershey Felder as Irving Berlin; Our Great Tchaikovsky; and A Paris Love Story. His compositions and recordings include Aliyah, Concerto for Piano and Orchestra; Fairytale, a musical; Les Anges de Paris, Suite for Violin and Piano; Song Settings; Saltimbanques for Piano and Orchestra; Etudes Thematiques for Piano; and An American Story for Actor and Orchestra. Hershey is the adaptor, director and designer for the internationally performed play-with-music The Pianist of Willesden Lane with Steinway artist Mona Golabek; producer and designer for the musical Louis and Keely: ‘Live’ at the Sahara, directed by Taylor Hackford; and writer and director for Flying Solo, featuring opera legend Nathan Gunn.
[Show full text]
Pittsburgh OPERA NEWS RELEASE
1/3/2008 PITTSBURGH OPERA NEWS RELEASE CONTACT: BETH PARKER (412) 281-0912 X 248 [email protected] PHOTOS: MAGGIE JOHNSON (412) 281-0912 X262 [email protected] PITTSBURGH OPERA TAKES FLIGHT WITH A NEW OPERA BY JONATHAN DOVE WHAT Jonathan Dove’s Flight WHERE CAPA Theater WHEN Saturday, January 26, 8:00 p.m. Friday, February 1, 8:00 p.m. Tuesday, January 29, 7:00 p.m. Sunday, February 3, 2:00 p.m. Note: Saturday, January 26 performance SOLD OUT. RUN TIME 2 hours and 45 minutes including two fifteen-minute intermissions LANGUAGE Sung in English with texts projected above the stage E TICKETS General Admission at $40. Call (412) 456-6666, visit www.pittsburghopera.org, or purchase in person at the Theater Square box office at 665 Penn Avenue. Pittsburgh, PA . Artistic Director Christopher Hahn announces this season’s Pittsburgh Opera Center production, Jonathan Dove’s Flight. An accessible new opera that’s all about the human condition, Flight mixes farce and drama when a storm strands airline passengers and crew, forcing them to take stock of their tempestuous lives. For the first time, seasoned guest artists join the rising stars of the Pittsburgh Opera Center. Internationally-known countertenor sensation David Walker headlines as the Refugee, along with Pittsburgh favorite Myrna Paris as the Older Woman looking for love in all the wrong places. Both Walker and Paris have sung these roles before to great critical acclaim in previous American productions. Conductor James Lowe leads a 45-piece orchestra in this major operatic work. Links The Story Cast Production Credits Related Events Jonathan Dove and Flight Genesis of the Opera The Production Cast and Production Bios 1/3/2008 The Story Set in the departure lounge of an airport, Flight tells the story of passengers and crew members whose planes have been delayed by an electric storm.
[Show full text]
Download Booklet
CD 1 CAMILLE CLAUDEL: Into the Fire (2012) 33:08 RISE & FALL (2007) 16:53 1. Prelude; Rodin 5:45 5. Water Stone 4:20 2. La Valse 4:51 6. Incantation Bowl 3:47 3. Shakuntala 5:13 7. Angels’ Wing 4:08 4. La Petite Châtelaine 4:42 8. The Shaman 4:28 5. The Gossips 4:30 Talise Trevigne soprano; Jake Heggie piano 6. L’Age Mûr 3:12 7. Epilogue: Jessie Lipscomb visits Camille Claudel, A QUESTION OF LIGHT (2011) 19:48 Montdevergues Asylum, 1929 4:44 9. The Light of Coincidences [Magritte] 2:48 Joyce DiDonato mezzo-soprano; 10. Eccentric Flint [Ancient Maya] 2:19 The Alexander String Quartet 11. Yellow Roses in a Vase [Caillebotte] 4:21 Zakarias Grafilo violin; Frederick Lifstiz violin; 12. Place de la Concorde [Mondrian] 2:03 Paul Yarbrough viola; Alexander Walsh-Wilson cello 13. El hombre [Tamayo] 4:03 14. Watch [Murphy] 3:56 PIECES OF 9/11: Memories from Houston (2011) 29:22 Nathan Gunn baritone; Jake Heggie piano 8. Prelude; Lauren 6:04 9. Lessons 5:14 FURY OF LIGHT (2009) 15:39 10. Phone Calls 3:04 15. Fast 4:46 11. That Moment On 5:33 16. Elegy 3:59 12. Beyond 4:04 17. Meditation 2:58 13. An Open Book 5:12 18. Very Fast 3:48 Talise Trevigne soprano; Nathan Gunn baritone Carol Wincenc flute; Jake Heggie piano Ekaterina Gorlova (8, 13) & Ashley Traughber (12, 13) sopranos Dawn Walker flute; Dawn Harms violin; Recorded Sept 4-11 and Oct 5-6, 2012 Marc Teicholz guitar; Emil Miland cello The Scoring Stage at Skywalker Sound, 14 SOLILOQUY for flute and piano (2012) 4:28 A Lucasfilm, Ltd Company; Marin County, CA Carol Wincenc flute; Jake Heggie piano Steve Barnett producer Preston Smith engineer CD 2 Robert Gatley assistant engineer (2008) FRIENDLY PERSUASIONS: Homage to Poulenc 11:14 Mark Schecter piano technician 1.
[Show full text]