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Home >> Archives Archives - 2016 Volume 4, issue 4 July - August 2016 Volume 4, Issue 4 - Journal Cover Page Download pdf Validation of A Commercial Hand-Held Human Electronic Glucose Meter for use in 1. Pigs Rosa Elena Pérez Sanchez, Gerardo Ordaz Ochoa, Aureliano Juárez Caratachea, Rafael Maria Román Bravo, Ruy Ortiz Rodriguez Page No: 1-7 Download pdf doi: http://dx.doi.org/10.18782/2320-7051.2364 Instituto de Investigaciones agropecuarias y Forestales-Universidad Michoacana de San Nicolás de Hidalgo. Km 9,5 Carretera Morelia-Zinapécuaro. Tarímbaro Michoacán, México 0 Download : Diatom Species in Lake Batur, Bali Province, Indonesia As Supporting Data for 2. Forensic Analysis of Drowned Victim Ni Made Suartini and I Ketut Junitha Page No: 8-14 Download pdf doi: http://dx.doi.org/10.18782/2320-7051.2363 Biology Department, Faculty of Mathematic and Natural Sciences, Udayana University, Bukit Jimbaran-Badung, Bali-Indonesia 0 Download : Ecological Characterization and Mass propagation of Mansonia altissima A. Chev. in 3. the Guinean Zone of Benin, West Africa Wédjangnon A. Appolinaire, Houètchégnon Towanou and Ouinsavi Christine Page No: 15-25 Download pdf doi: http://dx.doi.org/10.18782/2320-7051.2339 Laboratoire d’Etudes et de Recherches Forestières (LERF), Faculté d’Agronomie, Université de Parakou, Bénin 0 Download : 4. Identification of the Substance Bioactive Leaf Extract Piper caninum Potential as Botanical Pesticides Ni Luh Suriani Page No: 26-32 Download pdf doi: http://dx.doi.org/10.18782/2320-7051.2337 Department of Biology, Faculty of mathematics and Natural Sciences, Udayana University, Kampus Bukit Jimbaran Bali, Indonesia 0 Download : Effect of Cinnamon Leaf Extract Formula (Cinnamomum Burmanni Blume) on 5. -
Koel Chatterjee Phd Thesis
Bollywood Shakespeares from Gulzar to Bhardwaj: Adapting, Assimilating and Culturalizing the Bard Koel Chatterjee PhD Thesis 10 October, 2017 I, Koel Chatterjee, hereby declare that this thesis and the work presented in it is entirely my own. Where I have consulted the work of others, this is always clearly stated. Signed: Date: 10th October, 2017 Acknowledgements This thesis would not have been possible without the patience and guidance of my supervisor Dr Deana Rankin. Without her ability to keep me focused despite my never-ending projects and her continuous support during my many illnesses throughout these last five years, this thesis would still be a work in progress. I would also like to thank Dr. Ewan Fernie who inspired me to work on Shakespeare and Bollywood during my MA at Royal Holloway and Dr. Christie Carson who encouraged me to pursue a PhD after six years of being away from academia, as well as Poonam Trivedi, whose work on Filmi Shakespeares inspired my research. I thank Dr. Varsha Panjwani for mentoring me through the last three years, for the words of encouragement and support every time I doubted myself, and for the stimulating discussions that helped shape this thesis. Last but not the least, I thank my family: my grandfather Dr Somesh Chandra Bhattacharya, who made it possible for me to follow my dreams; my mother Manasi Chatterjee, who taught me to work harder when the going got tough; my sister, Payel Chatterjee, for forcing me to watch countless terrible Bollywood films; and my father, Bidyut Behari Chatterjee, whose impromptu recitations of Shakespeare to underline a thought or an emotion have led me inevitably to becoming a Shakespeare scholar. -
Group Housing
LIST OF ALLOTED PROPERTIES DEPARTMENT NAME- GROUP HOUSING S# RID PROPERTY NO. APPLICANT NAME AREA 1 60244956 29/1013 SEEMA KAPUR 2,000 2 60191186 25/K-056 CAPT VINOD KUMAR, SAROJ KUMAR 128 3 60232381 61/E-12/3008/RG DINESH KUMAR GARG & SEEMA GARG 154 4 60117917 21/B-036 SUDESH SINGH 200 5 60036547 25/G-033 SUBHASH CH CHOPRA & SHWETA CHOPRA 124 6 60234038 33/146/RV GEETA RANI & ASHOK KUMAR GARG 200 7 60006053 37/1608 ATEET IMPEX PVT. LTD. 55 8 39000209 93A/1473 ATS VI MADHU BALA 163 9 60233999 93A/01/1983/ATS NAMRATA KAPOOR 163 10 39000200 93A/0672/ATS ASHOK SOOD SOOD 0 11 39000208 93A/1453 /14/AT AMIT CHIBBA 163 12 39000218 93A/2174/ATS ARUN YADAV YADAV YADAV 163 13 39000229 93A/P-251/P2/AT MAMTA SAHNI 260 14 39000203 93A/0781/ATS SHASHANK SINGH SINGH 139 15 39000210 93A/1622/ATS RAJEEV KUMAR 0 16 39000220 93A/6-GF-2/ATS SUNEEL GALGOTIA GALGOTIA 228 17 60232078 93A/P-381/ATS PURNIMA GANDHI & MS SHAFALI GA 200 18 60233531 93A/001-262/ATS ATUULL METHA 260 19 39000207 93A/0984/ATS GR RAVINDRA KUMAR TYAGI 163 20 39000212 93A/1834/ATS GR VIJAY AGARWAL 0 21 39000213 93A/2012/1 ATS KUNWAR ADITYA PRAKASH SINGH 139 22 39000211 93A/1652/01/ATS J R MALHOTRA, MRS TEJI MALHOTRA, ADITYA 139 MALHOTRA 23 39000214 93A/2051/ATS SHASHI MADAN VARTI MADAN 139 24 39000202 93A/0761/ATS GR PAWAN JOSHI 139 25 39000223 93A/F-104/ATS RAJESH CHATURVEDI 113 26 60237850 93A/1952/03 RAJIV TOMAR 139 27 39000215 93A/2074 ATS UMA JAITLY 163 28 60237921 93A/722/01 DINESH JOSHI 139 29 60237832 93A/1762/01 SURESH RAINA & RUHI RAINA 139 30 39000217 93A/2152/ATS CHANDER KANTA -
Raja Ravi Varma 145
viii PREFACE Preface i When Was Modernism ii PREFACE Preface iii When Was Modernism Essays on Contemporary Cultural Practice in India Geeta Kapur iv PREFACE Published by Tulika 35 A/1 (third floor), Shahpur Jat, New Delhi 110 049, India © Geeta Kapur First published in India (hardback) 2000 First reprint (paperback) 2001 Second reprint 2007 ISBN: 81-89487-24-8 Designed by Alpana Khare, typeset in Sabon and Univers Condensed at Tulika Print Communication Services, processed at Cirrus Repro, and printed at Pauls Press Preface v For Vivan vi PREFACE Preface vii Contents Preface ix Artists and ArtWork 1 Body as Gesture: Women Artists at Work 3 Elegy for an Unclaimed Beloved: Nasreen Mohamedi 1937–1990 61 Mid-Century Ironies: K.G. Subramanyan 87 Representational Dilemmas of a Nineteenth-Century Painter: Raja Ravi Varma 145 Film/Narratives 179 Articulating the Self in History: Ghatak’s Jukti Takko ar Gappo 181 Sovereign Subject: Ray’s Apu 201 Revelation and Doubt in Sant Tukaram and Devi 233 Frames of Reference 265 Detours from the Contemporary 267 National/Modern: Preliminaries 283 When Was Modernism in Indian Art? 297 New Internationalism 325 Globalization: Navigating the Void 339 Dismantled Norms: Apropos an Indian/Asian Avantgarde 365 List of Illustrations 415 Index 430 viii PREFACE Preface ix Preface The core of this book of essays was formed while I held a fellowship at the Nehru Memorial Museum and Library at Teen Murti, New Delhi. The project for the fellowship began with a set of essays on Indian cinema that marked a depar- ture in my own interpretative work on contemporary art. -
Minutes of the Meeting of the Expert Committee Held on 14Th, 15Th,17Th and 18Th October, 2013 Under the Performing Arts Grants Scheme (PAGS)
No.F.10-01/2012-P.Arts (Pt.) Ministry of Culture P. Arts Section Minutes of the Meeting of the Expert Committee held on 14th, 15th,17th and 18th October, 2013 under the Performing Arts Grants Scheme (PAGS). The Expert Committee for the Performing Arts Grants Scheme (PAGS) met on 14th, 15th ,17thand 18th October, 2013 to consider renewal of salary grants to existing grantees and decide on the fresh applications received for salary and production grants under the Scheme, including review of certain past cases, as recommended in the earlier meeting. The meeting was chaired by Smt. Arvind Manjit Singh, Joint Secretary (Culture). A list of Expert members present in the meeting is annexed. 2. On the opening day of the meeting ie. 14th October, inaugurating the meeting, Sh. Sanjeev Mittal, Joint Secretary, introduced himself to the members of Expert Committee and while welcoming the members of the committee informed that the Ministry was putting its best efforts to promote, develop and protect culture of the country. As regards the Performing Arts Grants Scheme(earlier known as the Scheme of Financial Assistance to Professional Groups and Individuals Engaged for Specified Performing Arts Projects; Salary & Production Grants), it was apprised that despite severe financial constraints invoked by the Deptt. Of Expenditure the Ministry had ensured a provision of Rs.48 crores for the Repertory/Production Grants during the current financial year which was in fact higher than the last year’s budgetary provision. 3. Smt. Meena Balimane Sharma, Director, in her capacity as the Member-Secretary of the Expert Committee, thereafter, briefed the members about the salient features of various provisions of the relevant Scheme under which the proposals in question were required to be examined by them before giving their recommendations. -
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International Conference on Communication, Media, Technology and Design ICCMTD 09-11 May 2012 Istanbul - Turkey The OXWVLGHUV:RPHQ$V6RFLDO2XWFDVWV,Q%LPDO5R\¶V)LOPV Maitreyee Mishra Assistant Professor, Manipal Institute of Communication, Manipal University, Manisha Mishra Visiting Assistant Professor- Naxatra Institute of Media Studies Abstract Bimal 5R\ RQH RI ,QGLD¶V PRVW UHYHUHG GLUHFWRUV, left behind films that featured female protagonists who were not pushed to the back as secondary characters, but took centre stage. Starting from his 1953 Hindi film Parineeta, the critically acclaimed Biraj Bahu (1954), the immensely popular Madhumati (1955) to Bandini 5R\¶VFHQWUDOFKDUDFWHUVZHUHZRPHQ 5R\¶VYHUVLRQRI Devdas, too, focuses on the two women that are bound to the love of the namesake, Devdas. While Devdas becomes the doomed hero, Paro the woman he loves and Chandramukhi, the courtesan who is in love with him turn out to be the ones making their own FKRLFHV6HYHUDORI5R\¶VIHPDOHSURWDJRQLVWVDUHVRFLDORXWFDVWVVSXUQHGE\society; whether it is Chandramukhi in Devdas; Sujata, the Dalit girl raised by a Brahmin family in the film Sujata or Kalyani in Bandini- the woman who does the unthinkable both in real life as well as in cinematic spaces. This paper focuses on three such women from three of Roy¶V in the 1950s and 1960s: Devdas (1955), Sujata (1959) and Bandini (1963). Using semiotic tools, including narrative, music, dialogue, cinematography and characterisation, the paper studies the representation of ZRPHQLQ%LPDO5R\¶VILOPVZKLOHSD\LQJSDUWLFXODUDWWHQWLRQWRWKHZRPHQZKR can be seen as social outcasts. Keywords: Indian cinema, Bimal Roy, women in cinema, Bandini, Devdas (1955), Sujata, semiotics INTRODUCTION Bimal Roy was one of InGLD¶VPRVWUHYHUHGGLUHFWRUV+DYLQJVWDUWHGKLVFDUHHULQILOPVDVDFDPHUDPDQ5R\¶VGLUHFWRULDOGHEXWZDVWKH%HQJDOL film Udayer Pathey (Towards the Light, 1944), remade in Hindi as Hamrahi (1945). -
Medicare Shared Savings Program
MEDICARE SHARED SAVINGS PROGRAM Accountable Care Organizations Participant Taxpayer Identification Numbers Names MSSP ACO Participant TIN Names for 2012 and 2013 As of August 2013 TABLE OF CONTENTS A.M. Beajow, M.D. Internal Medicine Associates ACO, P.C. ..................................................................... 9 AAMC Collaborative Care Network ........................................................................................................... 9 Accountable Care Clinical Services PC ...................................................................................................... 9 Accountable Care Coalition of Caldwell County, LLC .............................................................................. 11 Accountable Care Coalition of Central Georgia, LLC ............................................................................... 11 Accountable Care Coalition of Coastal Georgia, LLC ............................................................................... 12 Accountable Care Coalition of DeKalb, LLC ............................................................................................. 12 Accountable Care Coalition of Eastern North Carolina, LLC ................................................................... 14 Accountable Care Coalition of Georgia, LLC ........................................................................................... 15 Accountable Care Coalition of Greater Athens Georgia II, LLC ............................................................... 15 Accountable Care -
Copyright by Peter James Kvetko 2005
Copyright by Peter James Kvetko 2005 The Dissertation Committee for Peter James Kvetko certifies that this is the approved version of the following dissertation: Indipop: Producing Global Sounds and Local Meanings in Bombay Committee: Stephen Slawek, Supervisor ______________________________ Gerard Béhague ______________________________ Veit Erlmann ______________________________ Ward Keeler ______________________________ Herman Van Olphen Indipop: Producing Global Sounds and Local Meanings in Bombay by Peter James Kvetko, B.A.; M.M. Dissertation Presented to the Faculty of the Graduate School of the University of Texas at Austin in Partial Fulfillment for the Degree of Doctor of Philosophy The University of Texas at Austin May 2005 To Harold Ashenfelter and Amul Desai Preface A crowded, red double-decker bus pulls into the depot and comes to a rest amidst swirling dust and smoke. Its passengers slowly alight and begin to disperse into the muggy evening air. I step down from the bus and look left and right, trying to get my bearings. This is only my second day in Bombay and my first to venture out of the old city center and into the Northern suburbs. I approach a small circle of bus drivers and ticket takers, all clad in loose-fitting brown shirts and pants. They point me in the direction of my destination, the JVPD grounds, and I join the ranks of people marching west along a dusty, narrowing road. Before long, we are met by a colorful procession of drummers and dancers honoring the goddess Durga through thundering music and vigorous dance. The procession is met with little more than a few indifferent glances by tired workers walking home after a long day and grueling commute. -
THE RECORD NEWS ======The Journal of the ‘Society of Indian Record Collectors’ ------ISSN 0971-7942 Volume: Annual - TRN 2011 ------S.I.R.C
THE RECORD NEWS ============================================================= The journal of the ‘Society of Indian Record Collectors’ ------------------------------------------------------------------------ ISSN 0971-7942 Volume: Annual - TRN 2011 ------------------------------------------------------------------------ S.I.R.C. Units: Mumbai, Pune, Solapur, Nanded and Amravati ============================================================= Feature Articles Music of Mughal-e-Azam. Bai, Begum, Dasi, Devi and Jan’s on gramophone records, Spiritual message of Gandhiji, Lyricist Gandhiji, Parlophon records in Sri Lanka, The First playback singer in Malayalam Films 1 ‘The Record News’ Annual magazine of ‘Society of Indian Record Collectors’ [SIRC] {Established: 1990} -------------------------------------------------------------------------------------------- President Narayan Mulani Hon. Secretary Suresh Chandvankar Hon. Treasurer Krishnaraj Merchant ==================================================== Patron Member: Mr. Michael S. Kinnear, Australia -------------------------------------------------------------------------------------------- Honorary Members V. A. K. Ranga Rao, Chennai Harmandir Singh Hamraz, Kanpur -------------------------------------------------------------------------------------------- Membership Fee: [Inclusive of the journal subscription] Annual Membership Rs. 1,000 Overseas US $ 100 Life Membership Rs. 10,000 Overseas US $ 1,000 Annual term: July to June Members joining anytime during the year [July-June] pay the full -
Desertion of Rural Theme from Hindi Cinema: a Study
International Journal of Humanities & Social Science Studies (IJHSSS) A Peer-Reviewed Bi-monthly Bi-lingual Research Journal ISSN: 2349-6959 (Online), ISSN: 2349-6711 (Print) Volume-III, Issue-V, March 2017, Page No. 335-339 Published by Scholar Publications, Karimganj, Assam, India, 788711 Website: http://www.ijhsss.com Desertion of Rural theme from Hindi Cinema: A Study Neema Negi Research Scholar, Department of Journalism and Communication, Dev Sanskriti Vishwavidyalaya, Hardwar, U.K., India Abstract Hindi Cinema caters different themes from last 100 glorious years and in earlier phase it reflects the nation’s conflict, difficulties and struggle of a common man in a true manner. In past era one of the major themes rural has been an integral part of Bollywood storytelling. However over the year’s Hindi cinema has changed in terms of film making, content, representation of issues and technological changes. But during the transition of modern Cinema some of the popular themes have vanished. Cinema become bold and creative today and brings different genres with ample of independent filmmakers. The present paper deals with the study of films which depicted the village theme and also explore the causes of disappearance of village theme. Keywords: village theme, Hindi Cinema, farmers, social issues, vanished I- Disappearance of village theme: Indian Cinema acknowledged for the largest producer of films which caters the widest themes and genres from past 100 magnificent years. In every era Hindi cinema represents the social relevant issues in a very different narrative style. In the past six decades Hindi cinema has played a significant role in nation-building, constructing a national awareness, portraying an ideal family system, attacking terrorism, criticizing class prejudice and propagating various phenomena such as globalization, westernization, urbanization and modernization in India. -
Reel to Realpolitik: the Golden Years of Indian Cinema Overseas
International Journal of Humanities and Social Science Invention (IJHSSI) ISSN (Online): 2319 – 7722, ISSN (Print): 2319 – 7714 www.ijhssi.org ||Volume 10 Issue 5 Ser. II || May 2021 || PP 09-16 Reel To Realpolitik: The Golden Years Of Indian Cinema Overseas Saumya Singh School of International Studies, Jawaharlal Nehru University, India ABSTRACT This paper seeks to establish the links between cinema and foreign policy of a state. An important illustration is the popular reception of Bollywood abroad in the heydays of cold war. In a world simmering with tensions, the nascent film industry of India reflected the crisis of existence that its newly independent state faced. The imagination of India seeped into the consciousness of the country’s artistic, cultural, political and social scene. Bollywood had produced the best movies like Awaara and Mother India with stars such as Raj Kapoor and Nargis winning the hearts of Turkish, Russians and Nigerians alike. The aim here is to connect the acceptance of Indian cinema in the corners of the world during the 1950s and 1960s as a success of the idea of third world. Now, in a multipolar order, when India seeks to acquire a global ascendancy, it can judiciously conceive it's hard and soft power resources to woo the world. Taking cue from history, we propose a cautious utilisation of cultural resources for foreign policy ends. KEYWORDS- soft power, diplomacy, foreign policy, Bollywood, Indian Culture --------------------------------------------------------------------------------------------------------------------------------------- Date of Submission: 08-05-2021 Date of Acceptance: 22-05-2021 --------------------------------------------------------------------------------------------------------------------------------------- I. INTRODUCTION The aim of this paper is to study how Bollywood functioned as a tool of promoting India’s soft power interests in the decade of 1950’s and 1960’s. -
Cinefan 2006
Cinefan 2006 By Ron Holloway Fall 2006 Issue of KINEMA CINEFAN NEW DELHI FESTIVAL 2006 When I asked an informed critic for an opinion as to which was the most important film festival in India today, he named Osian’s Cinefan in a close tie with the Trivandrum International Film Festival - with the caveat, of course, that Cinefan in New Delhi primarily presents Asian cinema, while Trivandrum (aka Triruvananthapuram, to use the official name) in Kerala opens its doors wide to international film fare.As for the long-running International Film Festival in India (IFFI), a government-sponsored affair based in Goa for the past couple of years, I was told that it ranked third at best, although a larger attendance was recorded last year. In other words, Goa, a resort city populated mostly by tourists from home and abroad, has had to work hard to attract a movie-mad Indian public from across the country. Two other festivals were also thrown into the melee: Kolkata (Calcutta) and Mumbai (Bombay), both feeding upon major production centres with long traditions for supporting auteur directors. Some other Indian film festivals were named in passing - the Mumbai International Festival of Documentaries, Shorts, and Animation Films, for instance. And there’s also a growing film festival in Pune, where the country’s National Film Archive and National Film School are located. Under the tireless leadership of Osian’s Neville Tuli (founder-chairman) and Cinefan’s Aruna Vasudev (founder-director), the 8th Osian’s Cinefan Festival of Asian Cinema in New Delhi (14-23 July 2006) set new standards of Asian cinema excellence.