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The Role of Irish-Language Film in Irish National Cinema Heather
Finding a Voice: The Role of Irish-Language Film in Irish National Cinema Heather Macdougall A Thesis in the PhD Humanities Program Presented in Partial Fulfillment of the Requirements for the degree of Doctor of Philosophy at Concordia University Montreal, Quebec, Canada August 2012 © Heather Macdougall, 2012 ABSTRACT Finding a Voice: The Role of Irish-Language Film in Irish National Cinema Heather Macdougall, Ph.D. Concordia University, 2012 This dissertation investigates the history of film production in the minority language of Irish Gaelic. The objective is to determine what this history reveals about the changing roles of both the national language and national cinema in Ireland. The study of Irish- language film provides an illustrative and significant example of the participation of a minority perspective within a small national cinema. It is also illustrates the potential role of cinema in language maintenance and revitalization. Research is focused on policies and practices of filmmaking, with additional consideration given to film distribution, exhibition, and reception. Furthermore, films are analysed based on the strategies used by filmmakers to integrate the traditional Irish language with the modern medium of film, as well as their motivations for doing so. Research methods included archival work, textual analysis, personal interviews, and review of scholarly, popular, and trade publications. Case studies are offered on three movements in Irish-language film. First, the Irish- language organization Gael Linn produced documentaries in the 1950s and 1960s that promoted a strongly nationalist version of Irish history while also exacerbating the view of Irish as a “private discourse” of nationalism. Second, independent filmmaker Bob Quinn operated in the Irish-speaking area of Connemara in the 1970s; his fiction films from that era situated the regional affiliations of the language within the national context. -
O O O K Stove!
lj? Stam County pmacrat A - Democratic Platform. NOTICE, INSURANCE. TOBACCO AND CIGARS. ANNEXATION BANKERS. JEWELRY STOVES &C. GROCERIES REMOVAL. The Democratic party In National Con- Notice la hereby given. that on the 15th 1 HUMAN liSSURANCK COMPANY! FRBD. EtMPKK. FRANK X'MUBBAT, reposing lta trust in the day of June UtSS, the city of Canton, Stark of g. Br tlici FOP. GREENBACKS. ' S , DlOPOT, ! REMOVAL ! vention assembled, county. Ohio, presentee a to X Bnk D. Q.OLD E STOVES! EW EMOVAL intelligence, patriotism, discrimination Mid petition the Hr & CO., gTO N p Commisxlonerit of the county of mark CLEVELAND OHIO. JpRED. KM1'ER Jastice of the people; standing upon the and Mlate of Ohio, setting torth tliat on 07 Constitution as the foundation and limitation the third day of Hepveiuer A. 1). 1no7, the Ojjie No. 10 Atwater Building. Having purchased the inturest of Kemper GROCERY AND PROVISION of the powers of the Government, and the council of aid city passed an ordinance 4 'T.jft. SSSL' A Appel in the Cigar and Tobacco bust-- . S T O K I'. guaranteeing the liberties of the citizen, and providing for the submliutiou to the qual- nesH, invite their friends and the publin ified elector of said general $200,000 'Sl generally to call and examine thair stock & recognizing the questions of slavery and city, at the CAPITAL, of L. BIECIIELE BROTHER, cc scion as having been settled for all time election held therein In October, A.I. 1867, the question whether certain territory Insure B jlldtngs. Merchandise and other Proper CIGARS AND TOBACCO, B 11 & IiIND, to come by the war, or the voluntary action contiguous to Maid city should bo annexed ty Against Loss .r Dsnan by fire, at as low rale II E X U Y E CKE IIANE of the Southern States in Constitutional thereto. -
The Finance and Production of Independent Film and Television in the UK: a Critical Introduction
The Finance and Production of Independent Film and Television in the UK: A Critical Introduction Vital Statistics General Population: 64.1m Size: 241.9 km sq GDP: £1.9tr (€2.1tr) Film1 Market share of UK independent films in 2015: 10.5% Number of feature films produced: 201 Average visits to cinema per person per year: 2.7 Production spend per year: £1.4m (€1.6) TV2 Audience share of the main publicly-funded PSB (BBC): 72% Production spend by PSBs: £2.5bn (€3.2bn) Production spend by commercial channels (excluding sport): £350m (€387m) Time spent watching television per day: 193 minutes (3hrs 13 minutes) Introduction This chapter provides an overview of independent film and television production in the UK. Despite the unprecedented levels of convergence that characterise the digital era, the UK film and television industries remain distinct for several reasons. The film industry is small and fragmented, divided across the two opposing sources of support on which it depends: large but uncontrollable levels of ‘inward-investment’ – money invested in the UK from overseas – mainly from the US, and low levels of public subsidy. By comparison, the television industry is large and diverse, its relative stability underpinned by a long-standing infrastructure of 1 Sources: BFI 2016: 10; ‘The Box Office 2015’ [market share of UK indie films] ; BFI 2016: 6; ‘Exhibition’ [cinema visits per per person]; BFI 2016: 6; ‘Exhibition’ [average visits per person]; BFI 2016: 3; ‘Screen Sector Production’ [production spend per year]. 2 Sources: Oliver & Ohlbaum 2016: 68 [PSB audience share]; Ofcom 2015a: 3 [PSB production spend]; Ofcom 2015a: 8. -
Adding Value Report Vol.1
ADDING VALUE a report by Northern Ireland Screen NORTHERN BOOSTING CELEBRATING ENHANCING CONTENTS THE THE THE IRELAND OUR OUR OUR CHILDREN'S ECONOMIC CULTURAL EDUCATIONAL SCREEN ECONOMY CULTURE EDUCATION VALUE VALUE VALUE 08 Large-scale Production 44 Writers 84 Creative Learning Centres 18 Independent Film 46 Short Film 90 Moving Image Arts (MIA) 22 Animation 48 ILBF / CCG 92 After School FilmClub 26 Factual / Entertainment 56 USBF 30 Television Drama 64 Film Culture 34 Gaming and Mobile 74 Heritage and Archive 38 Skills Development 78 Awards 04 05 INTROduCTION As the government-backed lead Of course certain activity intersects In a similar vein, the work of the agency in Northern Ireland for the film, more than one area and the inter- Education Department, with regard to television and digital content industry, connectivity of the agency’s work will its intervention through FilmClub, has Northern Ireland Screen is committed become apparent. For example, the value in both education and culture; as to maximising the economic, cultural development and production funding for children learn through film in a pure and educational value of the screen indigenous projects made in Northern educational sense as well as gain a wider industries for the benefit of Northern Ireland by Northern Ireland film-makers appreciation of film culture and of the Ireland. This goal is pursued through our and shown at a Northern Ireland festival, culture of Northern Ireland through mission to accelerate the development will have value in all areas. An obvious watching content-relevant films. of a dynamic and sustainable screen case in point is the feature film Good industry and culture in Northern Ireland. -
Pine Cleaners We-Wash Ulunis Y
i FRIDAY, NDVCMBER HI, IM I WAOM B G H T B b . iianirlfrBtfr lEtt^nbts 1|:?rdh Area Suspends Actit4ties in Mourning-See Story on Page 3 Ih a Lithuanian AJUanoa at tloB department to limit mem Amerioa wtil aponaqr a rum- bership In Its SdUvitles to towns Sale, Exhibit Set About Town maga aide tomorrow from 0 Walter Fox people only. Brig. Hok Special Guest The Weather a.m. to 8 p.m. at Lithuemian Fox, whose interest in sports By Garden Oiib Fereeaet of U. K Weather Vlrat qutiter nixirt 'p&rdr goes back to 1918, now devotes were dtnrttmtad to «tudent|i ut Hall, Ooiway S t Again Heads At Salvation Army Event SHOP nls time to Me second love, hla ••A partridge M a Pear ’Brae’’ Oloady, windy and nanoh epider t t a m M CbaMjr TocMeal Sciwol garden, but never fails to at Miaa Lealie Ann Berkman, te 11»e theme of a Ohrintmaa at this tenigfit with showers. Low In daughter of Mr. and Mra. Saul tend a meeting of his commis and cnmiloaen vocal muate Rec Advisors Brig. RSchatd E. Hoix o<t«xBta Gpeena and Daooratlonn Sale ate. Sunday partly etoudy, wtai- Bertonan, 19 Ruaaell St., haa sion. for Satvathm A m y cholra. IMh KaMB Jjaatm RMtunar, At last nights meeting, the H artf ord 'wldl be a apaeial guest iiattrijpatpr lEupmttg Jlpralli been named to the dean’a Uat Durtxg: 'Wbrld War It ha and BKMMt to be aponaored by SIGN dy and cold. High 40 to 45. -
Review of the Scottish Animation Sector
__ Review of the Scottish Animation Sector Creative Scotland BOP Consulting March 2017 Page 1 of 45 Contents 1. Executive Summary ........................................................................... 4 2. The Animation Sector ........................................................................ 6 3. Making Animation ............................................................................ 11 4. Learning Animation .......................................................................... 21 5. Watching Animation ......................................................................... 25 6. Case Study: Vancouver ................................................................... 27 7. Case Study: Denmark ...................................................................... 29 8. Case Study: Northern Ireland ......................................................... 32 9. Future Vision & Next Steps ............................................................. 35 10. Appendices ....................................................................................... 39 Page 2 of 45 This Report was commissioned by Creative Scotland, and produced by: Barbara McKissack and Bronwyn McLean, BOP Consulting (www.bop.co.uk) Cover image from Nothing to Declare courtesy of the Scottish Film Talent Network (SFTN), Studio Temba, Once Were Farmers and Interference Pattern © Hopscotch Films, CMI, Digicult & Creative Scotland. If you would like to know more about this report, please contact: Bronwyn McLean Email: [email protected] Tel: 0131 344 -
Rediscover Northern Ireland Report Philip Hammond Creative Director
REDISCOVER NORTHERN IRELAND REPORT PHILIP HAMMOND CREATIVE DIRECTOR CHAPTER I Introduction and Quotations 3 – 9 CHAPTER II Backgrounds and Contexts 10 – 36 The appointment of the Creative Director Programme and timetable of Rediscover Northern Ireland Rationale for the content and timescale The budget The role of the Creative Director in Washington DC The Washington Experience from the Creative Director’s viewpoint. The challenges in Washington The Northern Ireland Bureau Publicity in Washington for Rediscover Northern Ireland Rediscover Northern Ireland Website Audiences at Rediscover Northern Ireland Events Conclusion – Strengths/Weaknesses/Potential Legacies CHAPTER III Artist Statistics 37 – 41 CHAPTER IV Event Statistics 42 – 45 CHAPTER V Chronological Collection of Reports 2005 – 07 46 – 140 November 05 December 05 February 06 March 07 July 06 September 06 January 07 CHAPTER VI Podcasts 141 – 166 16th March 2007 31st March 2007 14th April 2007 1st May 2007 7th May 2007 26th May 2007 7th June 2007 16th June 2007 28th June 2007 1 CHAPTER VII RNI Event Analyses 167 - 425 Community Mural Anacostia 170 Community Poetry and Photography Anacostia 177 Arts Critics Exchange Programme 194 Brian Irvine Ensemble 221 Brian Irvine Residency in SAIL 233 Cahoots NI Residency at Edge Fest 243 Healthcare Project 252 Camerata Ireland 258 Comic Book Artist Residency in SAIL 264 Comtemporary Popular Music Series 269 Craft Exhibition 273 Drama Residency at Catholic University 278 Drama Production: Scenes from the Big Picture 282 Film at American Film -
Download 27 March Agenda
ARDS AND NORTH DOWN BOROUGH COUNCIL 20 March 2019 Dear Sir/Madam You are hereby invited to attend a meeting of the Ards and North Down Borough Council which will be held in the Council Chamber, Town Hall, The Castle, Bangor on Wednesday, 27 March 2019 commencing at 7.00pm. Yours faithfully Stephen Reid Chief Executive Ards and North Down Borough Council A G E N D A 1. Prayer 2. Apologies 3. Declarations of Interest 4. Mayor’s Business 5. Mayor and Deputy Mayor Engagements for the Month (To be tabled) 6. Minutes of Meeting of Council dated 27 February 2019 (Copy attached) 7. Minutes of Committees (Copies attached) 7.1. Planning Committee dated 5 March 2019 7.2. Environment Committee dated 6 March 2019 7.3. Regeneration and Development Committee dated 7 March 2019 ***ITEM 7.3.1 IN CONFIDENCE*** 7.3.1 Belfast Region City Deal – Updated Heads of Terms (Report to follow) 7.4. Corporate Services Committee dated 12 March 2019 7.4.1. Veterans’ Day 2019 and Proposal to Mark 75th Anniversary of the D-Day Landings (Report attached) 7.5. Community and Wellbeing Committee dated 13 February 2019 8. Request for Deputation 8.1 Congress – Irish Congress of Trade Unions Northern Ireland Committee (Correspondence attached) 9. Resolution 9.1 Newry, Mourne and Down District Council – Geographical Disposal Facility by Radioactive Waste Management (Correspondence attached) 10. Courses/Invitations etc. 10.1 The Regimental Association UDR – The Ulster Defence Regiment Day Event on Sunday 7th April, Palace Barracks, Holywood. 11. Consultation Documents 11.1 Consultation Response on Allergen Labelling (Report attached) 12. -
The Role of Psbs in the UK TV Production Sector
Small Screen: Big Debate Consultation – Annex 7. The role of PSBs in the UK TV production sector A7. The role of PSBs in the UK TV production sector Overview The TV production sector is a UK success story. The skill base of UK TV production companies has attracted valuable inward investment and global sales of UK programmes have boosted the image of the UK. The UK TV production sector consists of a mixture of large and small independent producers which operate alongside production companies owned by UK broadcasters. This successful production sector has attracted significant inward investment, from foreign broadcasters and streaming services. The UK independent TV production sector is not a product of the market alone; it has been supported and nurtured by the rules and obligations placed on the PSBs over the years. Rules on external commissioning, IP rights and regional quotas have played a vital role in the emergence and development of the independent TV production sector in the UK. UK TV production industry A7.1 The UK TV production sector has changed dramatically over the last 20 years. In 2004, the Public Service Broadcasters (PSBs) accounted for around 87% of all UK commissions.1 The PSBs also dominated content production, accounting for over half (56%) of all UK production.2 A7.2 Fast forward to now, the sector is diverse, competitive, and internationally successful. It has almost doubled in size over this period with commissioning spend on UK productions estimated to range between £4.5bn and £5bn in 2018.3 A7.3 In 2018, UK producers were responsible for almost half of all peak-time shows in major international markets.4 Formats such as Love Island and Strictly Come Dancing/Dancing with the Stars and The Office originated in the UK and have gone on to be global hits. -
Connor Wants School Buses Off Broad St. Committee
, S e p t . 2 3 . Last D ay To Register For General Election A Panorama * COVEIUING Of Local TOWNSHIPS OF HO LM D EL MADISON People And iU R U JO R O , MATAWAN AND Events r MAI Aft AN BOROUGH kdomtxTi Member 97th YEAR — 13th WEEK Ifav Jtnmj Preu AModatlM M ATAW AN, N. J., THURSDAY, SEPTEMBER 23, 1965 National E«!itoriai AaaociaUoa Single Copy Ten Cenh ,Connor Wants School Proposed Library Shown To Public Committee Allows Buses Off Broad St. | Police Referendum Councilman Geoigu"W." Co»uur, The Matawun Township Conuni'- ; ior themselves and their families, chairman of the police committee tee Mcauijy ai^nt autnorved a non ! Mayor Hoary Traphagvn nofed the Reevvs W ithdraws ol the Matawnn Borough Council, binding »derendunt al the Nov. 2 j comm..:ec authorized the referen- sp eared before tho Matawan Re- Matawan Tax Collector Clif ciec'ia:: if po* * dum vnthout commen!, pro or con. giunitl Board of Education Monday ford R em 's, target uf an ottnck iice should be granted additional) A total of 27 bu> .\tops were au- Id Inquire why Ulerc was delay in last week by Councilman Leon hejlih insurance benefits and pjtd j thonzed on LUiyd Rd.. extending Carrying out an understanding be- Christiimt over delayed financial holuLiy*. Meinber-i of tiie police de trom the Marlixuo Township to (ween Robert Hardie, principal of reports tu council, this week tu- partrneaS subrniiksi petitions sign (Ik* Keyport borough lines. Ihoro (vlaUwan Elementary School and nounced h« is withdrawing as a ed by --<Si residents flsktn/; for the are U located on the south side of Chief John J . -
Broadcasting Authority of Lreland
Broadcasting Authority of lreland Review of the Operation, Effectiveness and lmpact of the Archiving Scheme Report to the Minister for Communications, Glimate Action and Environment August 2017 Report on Archiving Scheme August 2017 1. lntroduction Section 158 of the Broadcasting Act 2009 ("the Act") provides that the Broadcasting Authority of lreland ("the BAl") shall review the operation, effectiveness and impact of a Broadcasting (Funding) Scheme not later than 3 years from the passing of the Act (July 2009), and every three years thereafter, and make a written report to the Minister for Communications Energy and Natural Resources ("the Minister") on the review. The Archiving Scheme ("the Scheme") was established in May 2012furlher to Section 15a (1)(e) of the Act. As the Scheme did not exist at the time of the establishment of the Act, the question of a review in accordance with section 158 (1) did not arise at that time. The Scheme seeks to contribute to the preservation of lreland's broadcasting heritage and a record of lrish culture, heritage and experience by supporting the development of an archiving culture in the lrish broadcasting sector. The Scheme was initially approved until the end of December 2014 and two rounds were run during this period. Following consultation with the Department of Communications, Energy and Natural Resources, the Scheme was granted an extension by the Minister until the 30th April 2016 and one further round was run during this period. ln the last quarter of 2016, the BAI undertook a review of the Scheme, as required under Section 158 of the Act and in accordance with the rules of the Scheme. -
Girdwood Barracks and Crumlin Road Gaol - Community Development Opportunities for North Belfast
interface Promoting social and economic regeneration in Belfast’s interface areas Issue No. 7 March 2007 ISSN 1743-9531 Showcasing, Networking, Generating Ideas... Girdwood Barracks and Crumlin Road Gaol - Community Development Opportunities for North Belfast By Manus Maguire THE regeneration of Girdwood Barracks and T H I S I S S U E Crumlin Road Gaol in North Belfast offers a once-in-a-lifetime-opportunity for local Small groups debate recommendations for the Shared Future Triennial Lower Ormeau Residents Action residents and young people to begin to Action Plan. Photo: Christopher Heaney Group Youth Project tackle multiple deprivation and decades of By Chris O’Halloran sectarian division. TIMEWARP Project Belfast Interface Project held its third The communities that surround Girdwood A Legacy of the Past – ‘Gift or annual conference, this time jointly with and the Gaol have suffered greatly from Hindrance’ the N.I. Community Relations Council thirty years of political and sectarian (CRC), on November 8th 2006 in the Spires Lagan Village Home Safety conflict. The wounds inflicted during Conference Centre, Belfast. The theme Project this conflict have not begun to heal. The of the conference was ‘Belfast Interface existence of interfaces is a testament to the Communities: Building a Shared Future’. The Voice Reconciliation Project open sores that exist. The conference was opened by Jean Brown Community Dialogue residential Residents of these interfaces have (BIP chairperson), Nigel Hamilton (Head on sectarianism been bypassed by recent economic of N.I. Civil Service) and Duncan Morrow developments. There is no peace dividend (CRC CEO) and featured presentations Suffolk and Lenadoon Interface here.