The Digital Matte Painting Handbook
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
1. Mary Poppins 2. Le Cronache Di Narnia
1. Mary Poppins 2. Le Cronache di Narnia - Il leone, la strega e l’armadio 3. Il Primo Cavaliere 4. Non ci resta che piangere 5. Cristoforo Colombo 6. Luther – Genio, ribelle, liberatore 7. Assassinio sull’Orient Express 8. Il 7 e l’8 TITOLO: Mary Poppins PAESE DI PRODUZIONE: Stati Uniti d’America LINGUA ORIGINALE: Inglese ANNO: 1964 DURATA: 139 minuti REGISTA: Robert Stevenson GENERE: Musical, commedia, fantastico SOGGETTO: Dai romanzi di P.L. Travers EFFETTI SPECIALI: Peter Ellenshaw, Eustace Lycett, Robert A. Mattey MUSICHE: Richard M. Sherman, Robert B. Sherman, Irwin Kostal COSTUMI: Tony Walton ATTORI: Julia Andrews (Mary Poppins), Richard Wayne Van Dyke (Sig. Dawes/Bert), David Tomlinson (George Banks), Glynis Johns (Winifred Banks), Hermione Baddeley (Ellen), Matthew Garber (Michael Banks), Karen Dotrice (Jane Banks), Ed Wynn (Zio Albert) Rogai e Rossi RECENSIONI E’ un film per bambini, girato negli anni Sessanta, ambientato a Londra ai primi del 1900. Racconta la storia di una famiglia composta da padre, madre e due figli i quali scacciano tutte le babysitter e devono trovarne una che riesca a tenerli a bada. Aggrappata al suo ombrello volante arriva la loro salvezza, “Mary Poppins”, la baby sitter dei sogni che usa la magia per far divertire i bambini, oltre a trasportarli dentro i disegni e a mettere la loro camera in ordine con uno schiocco delle dita cantando l’allegro motivetto della pillola. Oggettivamente l’opera, per il periodo in cui è stata realizzata, è di livello molto alto, non per niente è uno dei film più famosi e con il maggior numero di remake. -
Heritage Auctions | Winter 2020-2021 $7.9 9
HERITAGE AUCTIONS | WINTER 2020-2021 $7.9 9 BOB SIMPSON Texas Rangers Co-Owner Releases Sweet Nostalgia Enduring Charm Auction Previews Numismatic Treasures Yes, Collectibles Bright, Bold & Playful Hank Williams, Provide Comfort Luxury Accessories Walt Disney, Batman features 40 Cover Story: Bob Simpson’s Sweet Spot Co-owner of the Texas Rangers finds now is the time to release one of the world’s greatest coin collections By Robert Wilonsky 46 Enduring Charm Over the past 12 months, collectors have been eager to acquire bright, bold, playful accessories By The Intelligent Collector staff 52 Tending Your Delicates Their fragile nature means collectible rugs, clothing, scarfs need dedicated care By Debbie Carlson 58 Sweet, Sweet Nostalgia Collectibles give us some degree of comfort in an otherwise topsy-turvy world By Stacey Colino • Illustration by Andy Hirsch Patek Philippe Nautilus Ref. 5711/1A, Stainless Steel, circa 2016, from “Enduring Charm,” page 46 From left: Hank Williams, page 16; Harrison Ellenshaw, page 21; The Donald G. Partrick collection, page 62 Auction Previews Columns 10 21 30 62 How to Bid Animation Art: The Arms & Armor: The Bill Coins: Rare Offering The Partrick 1787 New York-style 11 Ellenshaw Collection Bentham Collection Disney artist and son worked California veterinarian’s Civil Brasher doubloon is one of only seven- Currency: The Del Monte Note on some of Hollywood’s War artifacts include numerous known examples Banana sticker makes bill one greatest films fresh-to-market treasures By David Stone of the most famous -
MREADY WHEN You ARE, C.B.1· ··'~· -
• R MREADY WHEN You ARE, C.B.1· ··'~· - ...... -, ....... - Lights, Camera, DeMille .. Action I'" / Story on Page 3 .. ©AMPAS® ACAOfffiV RfPORl FROM TH PRESIDENT T.. sday, .-...y 24 - 7:30 po&, MeWtz Theater, UCLA: AWJfMY/UClA iJooJMBtrAlY SElIES - THE BIIWlCAST Tw Of DI. PmI and SllYERlAKE LIFE: THE VIEW FlOM HERE. We're now well along in tha t season of the year when half the world- the press, dis- appointed suitors, lots of others- seems to want to explain to us how the Academy Thursday, February 2 - 8 p.m., Samuel GoIdwyw Theater: TIIBUlE TO 2S YEAlS Of Osw-WlNNING & -NOMIIlATEO Awards could be better conducted. Bruce Dav is and I have been discussing this phe- MIllATION. nomenon, and we've noticed that many of these complaints share a common under- Friday, February 3 - 10 a.m., Grand lobby GaRery: Dpening of the Exhibnion: The Best of Soviet Animation Art (cour lying assumption: that the Awards rules congealed somewhere around the early tesy of tire Mike and Jeanne Glad Family Trust). 19305, and that no one here has looked at them since. In the meantime, time and T.. sday, February 7 - 7:30 p• ..., Melnitz Theater, motion picture have marched on. UCLA: A(ADfMy/UCIA iJooJMBtrAlY SERIES - FAST EaOlE AII0 THE Bo~ and LuRY: My lifE IN MUSIl line of thin king goes, are hopelessly ou tmoded, and therefore with new conditions that have emerged in the 1990s. l<ll1ma .... , and we see just two things wrong with it. One is that the -.._,.,....01 are reexamined regu larly and carefully. -
Science Fiction Review 34
. .. ] 11 . SCIENCE FICTION REVIEW (ISSN: 0036-8377) Formerly THE ALIEN CRITIC P.O. BOX 11408 FEB. 1980 VOL.9j NO.l PORTLAND, OR 97211 WHOLE NUMBER 34 PHONE: (503) 282-0381 RICHARD E. GEISy editor S publisher PAULETTEy SPECIAL ASSISTANT COVER BY STEPHEN FABIAN PUBLISHED QUARTERLY FEB., MAY, AUG., NOV. SINGLE COPY $1.75 ALIEN THOUGHTS by the editor. ..... .4 REVIEWS THE NUMBER OF THE BEAST OOTE IN PlfASE, NUMBER 666: COLIN WILSON: THE OUTSIDER AND THE WHITE DRAGON.... YOUR TIE IS Ul^ BEYOND I I 3^ JOURNEY TO THE CENTER OF THE EARTH .20 A REVIEW OF ROBERT HEINLEIN S MINDSONG 1 1 1 1 I I 1 1 1 1 133 THE RABEAISIAN LETTERS OF NEW NOVEL, THE WEIRD GATHERING & OTHER JACK WOODFORD .21 THE NUMBER OF THE BEAST TALES iiiiiiiiiiiiiiiiiiiiiiiiiii 3o JACK WOODFORD ON WRITING. .21 BY PETER PINTO 10 SONG OF THE PEARL .39 PANDORA .21 THE PURPLE DRAGON AND OTHER THE IRON AW OF BURAUCRACY .21 IfTTERVIEW WITH DONALD WOUHEIM FANTAS I ES 39 THE BEST OF ELMER T. HACK .22 CONDUCTED BY RICHARD E. GEIS. .... .13 LEGION. I THE RUNESTONE. .22 ATEWAY TO LIMBO 39 FOUNDATION 17 .22 WHAT IS HARLAN ELLMT SOVEREIGN. I . 1 1 1 . I . 1 1 . 1 1 . 1 1 1 . 1 THE BEST OF THE BUSHEL. .22 REALLY LIKE? THE GENTLE GIANTS OF GANYMEDE ..... 40 THE ASTERCON SPEECHES . .22 A PROFILE BY CHARLES PIATT 16 THE YAR's best HORROR STORIES ETERNITY SCIENCE FICTION .22 SERIES VII .40 FANTASY NEWSLETTER .22 ANDTHBT I HEARD.... GATHER, darkness! 4,. SCIENCE FICTION CHRONICLE .22 RECORD REVIEWS BY THE EDITOR 20 WEB OF SAND ...................... -
The Hollywood Cinema Industry's Coming of Digital Age: The
The Hollywood Cinema Industry’s Coming of Digital Age: the Digitisation of Visual Effects, 1977-1999 Volume I Rama Venkatasawmy BA (Hons) Murdoch This thesis is presented for the degree of Doctor of Philosophy of Murdoch University 2010 I declare that this thesis is my own account of my research and contains as its main content work which has not previously been submitted for a degree at any tertiary education institution. -------------------------------- Rama Venkatasawmy Abstract By 1902, Georges Méliès’s Le Voyage Dans La Lune had already articulated a pivotal function for visual effects or VFX in the cinema. It enabled the visual realisation of concepts and ideas that would otherwise have been, in practical and logistical terms, too risky, expensive or plain impossible to capture, re-present and reproduce on film according to so-called “conventional” motion-picture recording techniques and devices. Since then, VFX – in conjunction with their respective techno-visual means of re-production – have gradually become utterly indispensable to the array of practices, techniques and tools commonly used in filmmaking as such. For the Hollywood cinema industry, comprehensive VFX applications have not only motivated the expansion of commercial filmmaking praxis. They have also influenced the evolution of viewing pleasures and spectatorship experiences. Following the digitisation of their associated technologies, VFX have been responsible for multiplying the strategies of re-presentation and story-telling as well as extending the range of stories that can potentially be told on screen. By the same token, the visual standards of the Hollywood film’s production and exhibition have been growing in sophistication. -
PRICES REALIZED DETAIL - Hollywood - Summer 2016 Auction 83, Auction Date
26662 Agoura Road, Calabasas, CA 91302 Tel: 310.859.7701 Fax: 310.859.3842 PRICES REALIZED DETAIL - Hollywood - Summer 2016 Auction 83, Auction Date: LOT ITEM PRICE PREMIUM 1 THEDA BARA (36) VINTAGE ORIGINAL PHOTOGRAPHIC PORTRAITS. $3,250 $650 2 (100+) VINTAGE ORIGINAL BEHIND THE SCENES PHOTOGRAPHS OF EARLY $1,500 $300 HOLLYWOOD STUDIOS AND FILMMAKING. 3 MGM STARS OF THE 1930S (53) VINTAGE ORIGINAL PHOTOGRAPHIC $1,300 $260 PORTRAITS BY HURRELL AND BULL. 4 JEAN HARLOW (7) VINTAGE ORIGINAL PHOTOGRAPHIC PORTRAITS BY BULL, $450 $90 GRIMES, AND HURRELL. 5 CAROLE LOMBARD VINTAGE ORIGINAL PHOTOGRAPHIC PORTRAIT BY $225 $45 CLARENCE SINCLAIR BULL. 6 CAROLE LOMBARD (50+) VINTAGE ORIGINAL PHOTOGRAPHIC PORTRAITS. $2,750 $770 7 CLARK GABLE (14) VINTAGE ORIGINAL PHOTOGRAPHS. $300 $60 8 GONE WITH THE WIND (40+) VINTAGE ORIGINAL PRODUCTION PHOTOS AND (1) $1,100 $308 WINDOW CARD. 9 LAUREN BACALL (2) VINTAGE OVERSIZE PHOTOGRAPHIC PORTRAITS BY JOHN $2,250 $450 ENGSTEAD. 10 REBEL WITHOUT A CAUSE (22) VINTAGE ORIGINAL SET CONTINUITY $400 $80 PHOTOGRAPHS. 11 COLLECTION OF (5000+) ORIGINAL VINTAGE AND CONTEMPORARY $37,500 $7,500 ENTERTAINMENT PHOTOGRAPHS. 12 COLLECTION OF (5000+) ORIGINAL VINTAGE AND CONTEMPORARY $35,000 $7,000 ENTERTAINMENT PHOTOGRAPHS. 13 COLLECTION OF (5000+) ORIGINAL VINTAGE AND CONTEMPORARY $37,500 $7,500 ENTERTAINMENT PHOTOGRAPHS. 14 COLLECTION OF (500+) VINTAGE AND CONTEMPORARY OVERSIZE $9,000 $1,800 PHOTOGRAPHIC PORTRAITS. 15 LON CHANEY, SR. VINTAGE ORIGINAL PHOTOGRAPHER SIGNED GLASS PLATE $450 $90 NEGATIVE. 16 COLLECTION OF (1000++) ORIGINAL VINTAGE AND CONTEMPORARY $5,500 $1,100 NEGATIVES, SLIDES, AND COLOR TRANSPARENCIES. Page 1 of 71 26662 Agoura Road, Calabasas, CA 91302 Tel: 310.859.7701 Fax: 310.859.3842 PRICES REALIZED DETAIL - Hollywood - Summer 2016 Auction 83, Auction Date: LOT ITEM PRICE PREMIUM 17 IN OLD CHICAGO VINTAGE ORIGINAL SCRIPT. -
Avant L'empire Du Pixel : La Convergence Du Graphique Et Du Photographique Dans L'image Filmique : Le Cas Hollywoodien
UNIVERSITÉ DU QUÉBEC À MONTRÉAL AVANT L'EMPIRE DU PIXEL :LA CONVERGENCE DU GRAPHIQUE ET DU PHOTOGRAPillQUE DANS L'IMAGE FILMIQUE: LE CAS HOLLYWOODIEN THÈSE PRÉSENTÉE COMME EXIGENCE PARTIELLE DU DOCTORAT EN COMMUNICATION PAR MARIO BEAULAC MAI 2016 UNIVERSITÉ DU QUÉBEC À MONTRÉAL Service des bibliothèques Avertissement La diffusion de cette thèse se fait dans le respect des droits de son auteur, qui a signé le formulaire Autorisation de reproduire et de diffuser un travail de recherche de cycles supérieurs (SDU-522- Rév.07-2011). Cette autorisation stipule que «conformément à l'article 11 du Règlement no 8 des études de cycles supérieurs, [l'auteur] concède à l'Université du Québec à Montréal une licence non exclusive d'utilisation et de publication de la totalité ou d'une partie importante de [son] travail de recherche pour des fins pédagogiques et non commerciales. Plus précisément, [l'auteur] autorise l'Université du Québec à Montréal à reproduire, diffuser, prêter, distribuer ou vendre des copies de [son] travail de recherche à des fins non commerciales sur quelque support que ce soit, y compris l'Internet. Cette licence et cette autorisation n'entraînent pas une renonciation de [la] part [de l'auteur] à [ses] droits moraux ni à [ses] droits de propriété intellectuelle. Sauf entente contraire, [l'auteur] conserve la liberté de diffuser et de commercialiser ou non ce travail dont [il] possède un exemplaire., REMERCIEMENTS Nous tenons d'abord à remercier les membres de notre jury doctoral, premiers lecteurs de ce travail de longue haleine et certainement parmi les plus avisés. Chaleureux remerciements, donc, à Madame Diane Poitras (présidente du jury ; UQAM), ainsi qu'à Messieurs Charles R. -
The Dark Side of Hollywood
TCM Presents: The Dark Side of Hollywood Side of The Dark Presents: TCM I New York I November 20, 2018 New York Bonhams 580 Madison Avenue New York, NY 10022 24838 Presents +1 212 644 9001 bonhams.com The Dark Side of Hollywood AUCTIONEERS SINCE 1793 New York | November 20, 2018 TCM Presents... The Dark Side of Hollywood Tuesday November 20, 2018 at 1pm New York BONHAMS Please note that bids must be ILLUSTRATIONS REGISTRATION 580 Madison Avenue submitted no later than 4pm on Front cover: lot 191 IMPORTANT NOTICE New York, New York 10022 the day prior to the auction. New Inside front cover: lot 191 Please note that all customers, bonhams.com bidders must also provide proof Table of Contents: lot 179 irrespective of any previous activity of identity and address when Session page 1: lot 102 with Bonhams, are required to PREVIEW submitting bids. Session page 2: lot 131 complete the Bidder Registration Los Angeles Session page 3: lot 168 Form in advance of the sale. The Friday November 2, Please contact client services with Session page 4: lot 192 form can be found at the back of 10am to 5pm any bidding inquiries. Session page 5: lot 267 every catalogue and on our Saturday November 3, Session page 6: lot 263 website at www.bonhams.com and 12pm to 5pm Please see pages 152 to 155 Session page 7: lot 398 should be returned by email or Sunday November 4, for bidder information including Session page 8: lot 416 post to the specialist department 12pm to 5pm Conditions of Sale, after-sale Session page 9: lot 466 or to the bids department at collection and shipment. -
1 CTAN-432 the World of Visual Effects Spring Semester 2021
CTAN-432 The World of Visual Effects Spring Semester 2021 Syllabus Thurs 4:30PM – 7:20PM (PST) SCB 104 Units: 2 Craig Barron [email protected] Office Hours: Wed 7:45am to 9:45am. Friday 7:45am to 9:45am by appt. Offices: TBD SA: SA: Jarrod Chatham [email protected] This course will explore the artistry and traditions of cinematic visual effects (VFX) with a particular emphasis on the indispensable nature of VFX in past, present, and future storytelling. We will examine the creative VFX problem-solving process that continues to be a vital part of cinema. From the earliest motion pictures of magician Georges Méliès (who helped introduce storytelling to movies), through the “trick shot” artists of early Hollywood, to the modern “wizards” hailed for conjuring the visions of the modern blockbuster. Our class will view specific shots, scenes and entire films, and then discuss their technical and dramatic achievements. After viewing film clips in class, students will be asked to present their assumptions (and guesses) as to how the VFX was accomplished and how effective (or not) this contribution was to the film. From this beginning, students will then discover how the shots/scenes were created. In addition, we will discuss the reasons why various techniques were employed to achieve the final result. Each week, students will be assigned reading and viewing homework followed by a discussion in class. Visual effects are forever tied to the mystery of film and its enduring power to beguile and enchant. Class discussions will culminate in a final exam in which students will be assigned specific films to analyze. -
Starlog Photo Guidebook Special Effects Vol 3
Norman Jacobs and Kerry O'Quinn present By David Hutchison Art Director: Cheh N. Low Designer: Robert Sefcik Art Staff: Laura O’Brien, Karen L. Hodell Production Assistants: Susan Adamo, John Clayton, Stuart Matranga ABOUT THE COVER: Front Cover, clockwise from top right: 1) Superman is up, up and away via Zoran Perisic’s Zoptic front projection technique. 2) Live laser effects under the supervision of Derek Meddings on Moonraker. 3) Bran Ferren’s optical enhancement of Dick Smith’s makeup in Altered States. 4) Doug Trumbull pauses a moment with one of the droids from his Silent Running. 5) Miniature from The Black Hole , effects by Art Cruickshank, Peter Ellenshaw, Danny Lee and Eustace Lycett. Back Cover, clockwise from top: 1) Miniature sequence from Thunderbirds, “End of the Road,” special effects supervised by Derek Meddings. 2) One of the optical printers at John Dykstra’s Apogee Co. 3) The model “Galactica” rigged for filming on the Dykstraf lex motion control system. David Robin and Don Dow are shown next to the model at Apogee. 4) Leon Harris’ conceptual art for the original alien saucer sequence at the end of Disney’s Wat- cher In the Woods. This sequence was never filmed. A STARLOG PRESS PUBLICATION 475 Park Avenue South New York, N.Y. 10016 Entire contents of STARLOG’s Photoguide Book to Special Ef- fects Vol. 3 is Copyright © 1981 by Starlog Press, Inc. All rights reserved. Reprinting or copying in part or in whole without the written permission of the publishers is strictly forbidden. Printed in Singapore. ISBN: 0-931064-39-2 PREFACE his is the third volume in the STARLOG Photo Guide- book Series on Special Effects. -
XI Festival Internacional De Cinema E Vídeo De Ambiente Serra Da Estrela Seia Portugal
cineeco2005 XI festival internacional de cinema e vídeo de ambiente serra da estrela seia_portugal membro fundador da ASSOCIAÇÃO DE FESTIVAIS DE CINEMA DE MEIO AMBIENTE (EFFN - ENVIRONMENTAL FILM FESTIVAL NETWORK) juntamente com cinemambiente . environmental film festival . turim . itália festival internacional del medi ambient sant feliu de guíxols . barcelona . espanha ecocinema . festival internacional de cinema ambiental . grécia parceiro dos festival internacional de cinema e vídeo ambiental goiás . brasil festival internacional de cinema do ambiente washington . eua vizionária . international video festival . siena . itália wild and scenic environmental film festival . nevada city . eua em formação plataforma atlântica de festivais de ambiente de colaboração com festival internacional de cinema e vídeo ambiental goiás . brasil festival de são vicente . cabo verde extensão do cineeco: centro das artes . casa das mudas . calheta . madeira Edição: CineEco Título: Programa do CineEco’2005 XI Festival Internacional de Cinema e Vídeo de Ambiente da Serra da Estrela Coordenação, design gráfico e concepção da capa segundo imagem de “Madagáscar”, de Eric Darnell: Lauro António Tiragem: 1000 exemplares Impressão: Cromotipo Artes Gráficas Depósito Legal: 116857/97 | 3 | cineeco2005 Saudação do Presidente da Câmara de Seia O Cine’Eco – Festival Internacional de Cinema e Vídeo de Ambiente da Serra da Estrela é, no plano cultural, uma importante marca do esforço que a Câmara Municipal tem desenvolvido e vai continuar a desenvolver, em benefício da qualidade do nosso ambiente. No ano em que o Cine’Eco avança para a sua 11ª edição, estão a dar-se, finalmente, passos decisivos para o tratamento de todos os esgotos domésticos e industriais. Em 2006, os nossos rios e ribeiras vão voltar a correr sem poluição. -
Adg Film Society Presents the Original Mary Poppins - “Practically Perfect in Every Way: Celebrating the Artists Behind a Classic!”
ADG FILM SOCIETY PRESENTS THE ORIGINAL MARY POPPINS - “PRACTICALLY PERFECT IN EVERY WAY: CELEBRATING THE ARTISTS BEHIND A CLASSIC!” The Panel Will Include Tony Walton, Harrison Ellenshaw, Theodore Thomas Sunday, April 28, 5:30 PM at the Egyptian Theatre Hollywood, April 16, 2019 - The Art Directors Guild (ADG, IATSE Local 800) Film Society’s 2019 Screening Series will launch with the original Oscar®-winning Disney masterpiece MARY POPPINS (1964), at the Egyptian Theatre on Sunday, April 28th at 5:30 pm. The annual 2019 Screening Series “Production Design: Designers On Design,” highlighting the work of renowned Production Designers and their creative collaborations, is in association with American Cinematheque and sponsored by The Hollywood Reporter. “Mary Poppins is considered as one of Walt Disney’s most enduring achievements. Many advances in the art of production design and cinema technologies have been made since Poppins’ 1964 premier. But technology will always be subordinate to emotion, ingenuity, and imagination. The Disney Studio’s family of artists and artisan’s who were most instrumental for the success of Mary Poppins’ animation and in-camera magic-making will forever be remembered as unparalleled masters of the cinematic arts,” said Thomas A. Walsh, ADG, Production Designer and Film Series Co-chair. The ADG’s Film Society will examine and memorialize Mary Poppins’ cinematic achievements by visiting with veteran artisans who will carry us back to relive and appreciate the challenges faced by the many artists who imbued Mary Poppins with its heart and soul. Participating in this special panel will be Tony Walton the film’s Costume and Design Consultant; VFX Artist Harrison Ellenshaw ADG, the son of Peter Ellenshaw, the film’s special effects and master matte artist; and writer-director-producer Theodore Thomas, son of Frank Thomas, one of Disney’s revered nine-old men and the animator and life-force behind the dancing penguins.