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A Few Remarks About Cosmetic Palettes from Tell El‑Farkha1
PL ISSN 0066–5924 INDEX 32597x (VAT 8%) DOI: 10.23858/APa58.2020 Institute of Archaeology and Ethnology Polish Academy of Sciences Archaeologia Polona vol. 58: 2020 Special theme: PREHistorY OF North-EAST AFRICA Volume dedicated to Prof. Michał Kobusiewicz on his 80th birthday Archaeologia Polona Volume 58 : 2020 Editor: DAGMARA H. WERRA Associate Editor MARZENA WOŹNY International Advisory Prof. PETER BOGUCKI – Princeton University, USA Board: Prof. MARTIN GOJDA – University of Western Bohemia, Pilsen, Czech Republic Prof. ANTHONY HARDING – University of Exeter, Great Britain Prof. MARIA IACOVOU – University of Cyprus, Nicosia, Cyprus Prof. CAROLA METZNER-NEBELSICK – University of Munich, Germany Prof. BJØRNAR OLSEN – University of Tromsø, Norway Prof. GUIDO VANNINI – University of Florence, Italy Editors of the volume: PRZEMYSłAW Bobrowski and MirosłAW MASOJć Linguistic consultation: PAUL BARFORD Cover illustration: MACIEJ JÓRDECZKA Reviewers: Mirosław Furmanek (Wroclaw), Elena Garcea (Cassino), Maria Gatto (Leicester), Bolesław Ginter (Cracow), Tomasz Herbich (Warsaw), Karla Kroeper (Berlin), Alice Leplongeon (Leuven), Maria Kaczmarek (Poznan), Andrea Manzo (Naples), Arkadiusz Marciniak (Poznan), Henryk Paner (Gdansk), Tomasz Płonka (Wroclaw), Włodzimierz Rączkowski (Poznan), Andrzej Rozwadowski (Poznan), Jiří Svoboda (Brno), Philip Van Peer (Leuven), András Zboray (Budapest). Editorial office: Institute of Archaeology and Ethnology Polish Academy of Sciences, 00-140 Warsaw; Al. Solidarności 105 Tel. (4822) 6202881 ext. 154; Fax. (4822) 624 01 00 E-mail: [email protected] Website: http://journals.iaepan.pl/apolona DOI: 10.23858/APa DOI: 10.23858/APa58.2020 Archaeologia Polona Copyright © 2020 by Institute of Archaeology and Ethnology Polish Academy of Sciences. All articles in this volume are published in an open access under the CC BY 4.0 license (https://creativecommons.org/licenses/by/4.0/). -
Crossroads 360 Virtual Tour Script Edited
Crossroads of Civilization Virtual Tour Script Note: Highlighted text signifies content that is only accessible on the 360 Tour. Welcome to Crossroads of Civilization. We divided this exhibit not by time or culture, but rather by traits that are shared by all civilizations. Watch this video to learn more about the making of Crossroads and its themes. Entrance Crossroads of Civilization: Ancient Worlds of the Near East and Mediterranean Crossroads of Civilization looks at the world's earliest major societies. Beginning more than 5,000 years ago in Egypt and the Near East, the exhibit traces their developments, offshoots, and spread over nearly four millennia. Interactive timelines and a large-scale digital map highlight the ebb and flow of ancient cultures, from Egypt and the earliest Mesopotamian kingdoms of the Akkadians, Babylonians, and Assyrians, to the vast Persian, Hellenistic, and finally Roman empires, the latter eventually encompassing the entire Mediterranean region. Against this backdrop of momentous historical change, items from the Museum's collections are showcased within broad themes. Popular elements from classic exhibits of former years, such as our Greek hoplite warrior and Egyptian temple model, stand alongside newly created life-size figures, including a recreation of King Tut in his chariot. The latest research on our two Egyptian mummies features forensic reconstructions of the individuals in life. This truly was a "crossroads" of cultural interaction, where Asian, African, and European peoples came together in a massive blending of ideas and technologies. Special thanks to the following for their expertise: ● Dr. Jonathan Elias - Historical and maps research, CT interpretation ● Dr. -
Extraction and Use of Greywacke in Ancient Egypt Ahmed Ibrahim Othman
JFTH, Vol. 14, Issue 1 (2017) ISSN: 2314-7024 Extraction and Use of Greywacke in Ancient Egypt Ahmed Ibrahim Othman 1 Lecturer – Tourism Guidance Department Hotel Management and Restoration Institute, Abu Qir. [ Introduction The Quseir – Qift road was the only practical route in the Central Easter Desert as it was the shortest and easiest road from the Nile Valley to the Red Sea, in addition to the richness of the Bekhen stone quarries and the gold mines. Therefore, it was the preferred road by the merchants, quarrymen and miners. The Bekhen stone quarries of Wadi Hammamat forms an archaeological cluster of inscriptions, unfinished manufactures, settlements, workshops and remaining tools. It seems clear that the state was responsible for the Bekhen stone exploitation, given the vast amount of resources that had to be invested in the organization of a quarrying expedition. Unlike the other marginal areas, the officials leading the missions to Wadi Hammamat show different affiliations in terms of administrative branches. This is probably because Bekhen stone procurement was not the responsibility of the treasury, but these expeditions were entrusted to separate competent officials, graded in a specific hierarchy, forming well – organized missions with different workers for different duties and established wages and functionaries in charge of the administrative tasks. The greywacke quarries were not constantly or intensively exploited. The fact that the stone was used in private or royal statuary and not as a building stone could have caused its demand to be less than that of other materials such as granite, limestone or sandstone. Inscriptions indicated the time lapse between expeditions suggesting that this stone was only quarried when it was needed, which was not on a regular basis. -
Predynastic Art فن ما قبل األسرات
PREDYNASTIC ART فن ما قبل اﻷسرات David Wengrow EDITORS WILLEKE WENDRICH Editor-in-Chief Area Editor Material Culture, Art, and Architecture University of California, Los Angeles JACCO DIELEMAN Editor University of California, Los Angeles ELIZABETH FROOD Editor University of Oxford JOHN BAINES Senior Editorial Consultant University of Oxford Short Citation: Wengrow 2009, Predynastic Art. UEE. Full Citation: Wengrow, David, 2009, Predynastic Art. In Willeke Wendrich (ed.), UCLA Encyclopedia of Egyptology, Los Angeles. http://digital2.library.ucla.edu/viewItem.do?ark=21198/zz001ndn3p 1064 Version 1, May 2009 http://digital2.library.ucla.edu/viewItem.do?ark=21198/zz001ndn3p PREDYNASTIC ART فن ما قبل اﻷسرات David Wengrow Vordynastische Kunst L’Art prédynastique “Predynastic art” describes a range of visual imagery and ornamental forms attested in Egypt and Lower Nubia from c.4000 - 3300 BCE. The known corpus comprises a rich variety of figural and non-figural designs, often applied to functional objects that were widely available, such as cosmetic palettes, ceramic vessels, and combs. Free-standing figurines are also known, as are occasional examples of large-scale painting and sculpture. Such images were a pervasive feature of Egyptian social life prior to the formation of the dynastic state, when elaborate personal display appears to have become a prerogative of elite groups. فن ما قبل اﻷسرات مصطلح يصف مجموعة من اﻷشكال والصور التي عرفت بمصر والنوبة السفلى ما بين 4000 قبل الميﻻد و 3300 قبل الميﻻد. الكم المعروف من فن ما قبل اﻷسرات يتضمن مجموعة من اﻵشكال اﻵدمية والغير آدمية التي كانت تضاف إلى أشياء شائعة اﻹستخدام مثل الصﻻيات المستخدمة لطحن مواد التجميل، اﻵواني الفخارية وأمشاط الشعر. -
The Pharaohs of Ancient Egypt: Oppressors Or Great
order • proposal • value • oppressive • revolution • stability SoGen Unit 6.1 social THE PHARAOHS OF studies ANCIENT EGYPT: OPPRESSORS OR GREAT LEADERS? SOCIAL STUDIES ACTIVITIES Session 1 2–3 Reader’s Theater Identifying Different Perspectives and Support Session 2 4–7 Building Background Knowledge Class Discussion Session 3 8–10 Understanding the Pharaohs Session 4 11–12 It’s Debate Time! Session 5 13–14 Writing SUPPLEMENTARY ACTIVITIES FOR OTHER CONTENT AREAS ELA 15 Twitter Revolutions Math 16 Mathematics with Knotted Ropes Science 17 Precautions in the Lab FOCUS WORDS Examining the Focus Words Closely 18 © 2015 SERP SoGen Unit 6.1 1 Session 1 order • proposal • value • oppressive • revolution • stability Reader’s Theater Comparing Parents to Pharaohs Setting: Tiana, Tray, and Ingrid are walking to school together. They stop to pick up their friend Raul. Since he hasn’t been answering their phone calls, Tiana knocks loudly on his door. After a minute, Raul storms out of his house. Raul: I swear! My parents are like…oppressors! Raul: I’m way ahead of you, Tiana. I did suggest going Tiana: What? somewhere more affordable, and my parents said, “No!” Honestly, I think they just want other parents to be Raul: My parents! They act like those people we’ve been impressed because they take their kids to Disney World. studying in social studies, the pharaohs in ancient Egypt. My aunt and uncle took their kids to the Grand Canyon They’re oppressive! last summer and they can’t stop talking about it. My Tiana: So you’re saying that your parents collect taxes parents are doing this just to look good, so they really from you and force you to build pyramids? Right. -
Before the Pyramids Oi.Uchicago.Edu
oi.uchicago.edu Before the pyramids oi.uchicago.edu before the pyramids baked clay, squat, round-bottomed, ledge rim jar. 12.3 x 14.9 cm. Naqada iiC. oim e26239 (photo by anna ressman) 2 oi.uchicago.edu Before the pyramids the origins of egyptian civilization edited by emily teeter oriental institute museum puBlications 33 the oriental institute of the university of chicago oi.uchicago.edu Library of Congress Control Number: 2011922920 ISBN-10: 1-885923-82-1 ISBN-13: 978-1-885923-82-0 © 2011 by The University of Chicago. All rights reserved. Published 2011. Printed in the United States of America. The Oriental Institute, Chicago This volume has been published in conjunction with the exhibition Before the Pyramids: The Origins of Egyptian Civilization March 28–December 31, 2011 Oriental Institute Museum Publications 33 Series Editors Leslie Schramer and Thomas G. Urban Rebecca Cain and Michael Lavoie assisted in the production of this volume. Published by The Oriental Institute of the University of Chicago 1155 East 58th Street Chicago, Illinois 60637 USA oi.uchicago.edu For Tom and Linda Illustration Credits Front cover illustration: Painted vessel (Catalog No. 2). Cover design by Brian Zimerle Catalog Nos. 1–79, 82–129: Photos by Anna Ressman Catalog Nos. 80–81: Courtesy of the Ashmolean Museum, Oxford Printed by M&G Graphics, Chicago, Illinois. The paper used in this publication meets the minimum requirements of American National Standard for Information Service — Permanence of Paper for Printed Library Materials, ANSI Z39.48-1984 ∞ oi.uchicago.edu book title TABLE OF CONTENTS Foreword. Gil J. -
An Investigation Into the Exchange of Artistic Motifs Between the Aegean, Egypt, and the Near East In
THE AEGEAN AND THE EAST An Investigation into the Exchange of Artistic Motifs - between the Aegean, Egypt, and the Near East in the Bronze Age by J.L. CROWLEY B.A.(Hons.) Submitted in fulfilment of the requirements for the degree of Doctor of Philosophy UNIVERSITY OF TASMANIA HOBART 1977 THE AEGEAN AND THE EAST VOLUME I TEXT VOLUME II PLATES This thesis contains no material which has been accepted for the award of any other degree or diploma in any university nor does it include any copy or paraphrase of material previously published or written by another person except when due reference is made in the text. Signed: Date: THE AEGEAN AND THE EAST TABLE OF CONTENTS VOLUME I TEXT VOLUME II PLATES THE AEGEAN AND THE EAST VOLUME I TEXT Content6 Page ACKNOWLEDGEMENTS (1) LIBRARY ABSTRACT - Summary of the Thesis (ii) ABBREVIATIONS (iv) Intnoduction 1. INTRODUCTION AND CHRONOLOGY 1 Pala I The Moti64 2. MOTIFS COMMON TO THE AEGEAN AND THE EAST Heraldic Poses 15 Antithetical Group 23 Mirror Reverse 27 Contest Scenes, Struggling Hero, and Master of Animals 30 Mistress of Animals 35 Sphinx 41 Griffin 47 Dragons and Crocodiles 55 Thoueris and the Minoan Genius 59 Sacred Tree, Sacred Pillar 65 Palm, Palmette 72 Papyrus, Lotus 76 Rosette 83 Quatrefoil 89 Scale Pattern 92 Guilloche, Linked Circles, Quirk 95 Spiral 100 Flying Gallop 107 Page 3. OTHER MOTIFS IN EASTERN OR AEGEAN ART Smiting Figure, Pharaoh and Weather God 113 Star Disk in Crescent 116 Winged Sun Disk 119 Scale Mountain 120 Duel 121 ' Bull Sports 124 Fish, Dolphin, Octopus, Nautilus 126 Tricurved Arch 128 Rocky Landscape, Glen 129 Marbling, Colour Waves 130 4. -
A Sample Study of Predynastic Animal Depictions on Palettes and D-Ware Pottery
Department of Archaeology and Ancient History A palette of cultural traces - A sample study of Predynastic animal depictions on palettes and D-ware pottery Linus Åkerman-Engström C-dissertation 15 hp in archaeology Spring term 2018 Supervisor: Angus Graham Campus Engelska parken 1 Abstract Åkerman-Engström, L. 2018. A palette of cultural traces - A sample study of Predynastic animal depictions on and D-ware pottery. There are no written sources are available from the Predynastic period, but an array of art decorated artefacts has been found. This essay will take a closer look at one type of these artefact; the animal shaped stone palette to see what art of this artefact can tell us about the culture that made them. I will do so by looking at the animal depictions found on the palettes, to allow comparison I will include D-wear, a decorated Predynastic pottery type. I have put together two data sets for the respective artefact that forms the base for this study. My theoretical perspective is that the art depictions of artefact as traces of the culture that made them. The palettes show a variety of patterns that can be seen as such traces in which type of animals are most common, how the animals can be connected by habitat and which animal depiction gets decorated features. My look at the D-ware data set is only brief but shows that animals are quite rare on the pottery and includes only three different kinds of animals. These still correlates with the animal palettes by both artefacts having birds as the most common. -
The Gazelle in Ancient Egyptian Art Image and Meaning
Uppsala Studies in Egyptology - 6 - Department of Archaeology and Ancient History Uppsala University For my parents Dorrit and Hindrik Åsa Strandberg The Gazelle in Ancient Egyptian Art Image and Meaning Uppsala 2009 Dissertation presented at Uppsala University to be publicly examined in the Auditorium Minus of the Museum Gustavianum, Uppsala, Friday, October 2, 2009 at 09:15 for the degree of Doctor of Philosophy. The examination will be conducted in English. Abstract Strandberg, Åsa. 2009. The Gazelle in Ancient Egyptian Art. Image and Meaning. Uppsala Studies in Egyptology 6. 262 pages, 83 figures. Published by the Department of Archaeology and Ancient History, Uppsala University. xviii +262 pp. ISSN 1650-9838, ISBN 978-91-506-2091-7. This thesis establishes the basic images of the gazelle in ancient Egyptian art and their meaning. A chronological overview of the categories of material featuring gazelle images is presented as a background to an interpretation. An introduction and review of the characteristics of the gazelle in the wild are presented in Chapters 1-2. The images of gazelle in the Predynastic material are reviewed in Chapter 3, identifying the desert hunt as the main setting for gazelle imagery. Chapter 4 reviews the images of the gazelle in the desert hunt scenes from tombs and temples. The majority of the motifs characteristic for the gazelle are found in this context. Chapter 5 gives a typological analysis of the images of the gazelle from offering processions scenes. In this material the image of the nursing gazelle is given particular importance. Similar images are also found on objects, where symbolic connotations can be discerned (Chapter 6). -
Mostafa Elshamy © 2015 All Rights Reserved
Ancient Egypt: The Primal Age of Divine Revelation Volume I: Genesis Revised Edition A Research by: Mostafa Elshamy © 2015 All Rights Reserved Library of Congress United States Copyright Office Registration Number TXu 1-932-870 Author: Mostafa Elshamy Copyright Claimant and Certification: Mostafa Elshamy This volume, coinciding with momentous happenings in Egypt, is dedicated to: Al-Sisi: Horus of Truth and Lord of the Two Lands and The Egyptians who are writing an unprecedented chapter in the modern history of humanity Table of Contents Introduction ………………………………………………………………………. i-ii Chapter I Our Knowledge of the Ancient Egyptian Thoughts of the Spiritual Constituents of Man ……………………………………… 1 Chapter II The Doctrine of the Spirit …………………………………………. 16 - Texts embracing the Breath of Life ………………………………. 16 - Texts comprising Breathing Nostrils ……………………………… 18 - Texts substantiating Lifetime ……………………………………… 19 - The Breath of life: as a Metaphor ……………………………….. 20 - A Long-term Perplexity …………………………………………… 25 - The Tripartite Nature of Human ………………………………….. 27 - The Genuine Book of Genesis of Man …………………………..... 28 - Neith: the Holy Spirit ……………………………………………… 29 - Seshat and the Shen ……………………………………………….. 37 - The Egyptian Conception of "Sahu" ……………………………… 43 - Isolating the hieroglyph of Spirit ………………………………..... 49 Chapter III The Doctrine of the Soul ……………………………………………. 50 - The Louvre Palette ………………………………………………… 54 - The Oxford Palette ………………………………………………… 57 - The Hunters Palette ………………………………………………... 58 - The Battlefield Palette ……………………………………………. -
The Calendars of Ancient Egypt Telo Ferreira Canhão
Alexandrea ad aegyptvm the legacy of multiculturalism in antiquity editors rogério sousa maria do céu fialho mona haggag nuno simões rodrigues Título: Alexandrea ad Aegyptum – The Legacy of Multiculturalism in Antiquity Coord.: Rogério Sousa, Maria do Céu Fialho, Mona Haggag e Nuno Simões Rodrigues Design gráfico: Helena Lobo Design | www.hldesign.pt Revisão: Paula Montes Leal Inês Nemésio Obra sujeita a revisão científica Comissão científica: Alberto Bernabé, Universidade Complutense de Madrid; André Chevitarese, Universidade Federal, Rio de Janeiro; Aurélio Pérez Jiménez, Universidade de Málaga; Carmen Leal Soares, Universidade de Coimbra; Fábio Souza Lessa, Universidade Federal, Rio de Janeiro; José Augusto Ramos, Universidade de Lisboa; José Luís Brandão, Universidade de Coimbra; Natália Bebiano Providência e Costa, Universidade de Coimbra; Richard McKirahan, Pomona College, Claremont Co-edição: CITCEM – Centro de Investigação Transdisciplinar «Cultura, Espaço e Memória» Via Panorâmica, s/n | 4150-564 Porto | www.citcem.org | [email protected] CECH – Centro de Estudos Clássicos e Humanísticos | Largo da Porta Férrea, Universidade de Coimbra Alexandria University | Cornice Avenue, Shabty, Alexandria Edições Afrontamento , Lda. | Rua Costa Cabral, 859 | 4200-225 Porto www.edicoesafrontamento.pt | [email protected] N.º edição: 1152 ISBN: 978-972-36-1336-0 (Edições Afrontamento) ISBN: 978-989-8351-25-8 (CITCEM) ISBN: 978-989-721-53-2 (CECH) Depósito legal: 366115/13 Impressão e acabamento: Rainho & Neves Lda. | Santa Maria da Feira [email protected] Distribuição: Companhia das Artes – Livros e Distribuição, Lda. [email protected] Este trabalho é financiado por Fundos Nacionais através da FCT – Fundação para a Ciência e Tecnologia no âmbito do projecto PEst-OE/HIS/UI4059/2011 a timeless legacy: the calendars of ancient egypt telo ferreira canhão Centro de História (University of Lisbon). -
"Civilisation De L'égypte Pharaonique : Archéologie
BIA LVIII Collège de France Chaire "Civilisation de l'Égypte pharaonique : archéologie, philologie, histoire" Institut français d'archéologie orientale BIAwww.egyptologues.net Bulletin d'Information Archéologique LVIII Juillet - Décembre 2018 Le Caire - Paris 2018 Bulletin d’Information Archéologique REVUE SEMESTRIELLE n° 58 juillet / décembre 2018 Directeur de la publication Nicolas GRIMAL [email protected] Rédaction et coordination Emad ADLY [email protected] IFAO Ambafrance Caire S/C Valise diplomatique 13, rue Louveau F-92438 Chatillon http://www.ifao.egnet.net 37, rue al-Cheikh Ali Youssef B.P. Qasr al-Aïny 11562 Le Caire – R.A.E. Tél. : [20 2] 27 97 16 37 Fax : [20 2] 27 94 46 35 Collège de France Chaire "Civilisation de l’Égypte pharaonique : archéologie, philologie, histoire" http://www.egyptologues.net 52, rue du Cardinal Lemoine F 75231 Paris Cedex 05 Tél. : [33 1] 44 27 10 47 Fax : [33 1] 44 27 11 09 Remarques ou suggestions [email protected] Les articles ou extraits d’articles publiés dans le BIA et les idées qui peuvent s’y exprimer n’engagent que la responsabilité de leurs auteurs et ne représentent pas une position officielle de la Rédaction. En couverture Masque funéraire découvert à Saqqâra. Crédit: Ramadan B. Hussein/Université de Tübingen © Institut français d’archéologie orientale. Le Caire. 2018 © Collège de France. Paris. 2018 ISSN 1110-2489 Système de translittération des mots arabes consonnes v o y e l l e s . ‘ " z # q longues : $ â, % î, & û ' b ( s ) k brèves : a, i, u * t + sh , l diphtongues : aw, ay - th .