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Cuadernos De Etnomusicología Nº3

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Cuadernos De Etnomusicología Nº3 Cuadernos de Etnomusicología nº3 Cuadernos de Etnomusicología nº3 Marzo 2013 ISSN: 2014-4660 1 Cuadernos de Etnomusicología nº3 © “Músicas de la ciudad imaginada: modernidad, identidad y europeísmo en el videoclip y spot de rock andaluz para la campaña Córdoba 2016: Ciudad Europea de la Cultura”. Diego García Peinazo © “Música y política. El flamenco como seña de identidad nacional en TVE. La serie Rito y geografía del cante”. Juan Pedro Escudero Díaz © “Judas de Lady Gaga. María Magdalena como reintento de provocación”. Elena Monzón Pertejo © “El sonido como disciplina del orden: fenomenología e identidades sonoras en La Residencia”. Marcos Sapró Babiloni © “Etnomusicología y Cine. Investigaciones recientes en Asturias”. Héctor Braga Corral © “Funciones propagandísticas de la música cinematográfica en períodos bélicos. Una propuesta metodológica”. Lidia López Gómez © “La Voz del Fantasma de la ópera”. Alba Montoya Rubio © “Musicología, didáctica y audiovisuales: querer y poder”. Juan Carlos Montoya Rubio © “Las Silly Symphonies de Walt Disney: una introducción desde una perspectiva didáctica y motivacional”. Beatriz Hernández Polo © “Análisis cuantitativo de un pograma musical infantil de TV2: El club del pizzicato”. Santiago Pérez Aldeguer © “Programas musicales en televisión: Imagen e impacto en la Opinión Pública”. Alicia Álvarez Vaquero © “La inserción del número musical en las series de televisión: el papel de la música en Scrubs”. Judith Helvia García Martín © “Música e imagen en la obra y el pensamiento de Ramón Barce”. Miriam Mancheño Delgado © Facundo de la Viña y sus Seis impresiones para piano en los inicios del cine sonoro. Sheila Martínez Díaz © “La música de Chopin, un personaje más en la obra de Bergman”. Marie Quilly y Eloy Ramos Cívico © “Bresson y su circunstancia”. Marcos Azzam Gómez © “Biografía y estética de Pedro Iturralde a través del análisis general de su filmografía”. Juan F. García Vinuesa © Edición Cuadernos de Etnomusicología. SIBE-Sociedad de Etnomusicología. Coordinadora Nº3: Teresa Fraile Prieto Equipo Editorial Rubén Gómez Muns (Universitat Rovira i Virgili) Teresa Fraile Prieto (Universidad de Extremadura) María Salicrú-Maltas (Universitat Autònoma de Barcelona) Eduardo Viñuela Suárez (Universidad de Oviedo) Edita: Esta obra está bajo una licencia de Creative Commons Reconocimiento-NoComercial- SinObraDerivada 3.0 Unported. 2 Cuadernos de Etnomusicología nº3 ÍNDICE PRESENTACIÓN 5 MÚSICA E IDENTIDADES Músicas de la ciudad imaginada. Modernidad, identidad y europeísmo en el videoclip y spot de rock andaluz para la campaña Córdoba 2016: Ciudad Europea de la Cultura. Diego García Peinazo 6 Música y política. El flamenco como seña de identidad nacional en TVE. La serie Rito y geografía del cante. Juan Pedro Escudero Díaz 29 Judas de Lady Gaga. María Magdalena como reintento de provocación. Elena Monzón Pertejo 50 El sonido como disciplina del orden: fenomenología e identidades sonoras en La Residencia. Marcos Sapró Babiloni 67 METODOLOGÍA Etnomusicología y Cine. Investigaciones recientes en Asturias. Héctor Braga Corral 86 Funciones propagandísticas de la música cinematográfica en períodos bélicos. Una propuesta metodológica. Lidia López Gómez 98 La voz del Fantasma de la Ópera. Alba Montoya Rubio 112 MÚSICA DE AUDIOVISUALES Y DIDÁCTICA Musicología, didáctica y audiovisuales: querer y poder. Juan Carlos Montoya Rubio 130 Las Silly Symphonies de Walt Disney: una introducción desde una perspectiva didáctica y motivacional. Beatriz Hernández Polo 151 Análisis cuantitativo de un pograma musical infantil de TV2: El club del pizzicato. Santiago Pérez Aldeguer 177 MÚSICA Y TELEVISIÓN Programas musicales en televisión: Imagen e impacto en la Opinión Pública. Alicia Álvarez Vaquero 188 La inserción del número musical en las series de televisión: el papel de la 204 música en Scrubs. Judith Helvia García Martín 3 Cuadernos de Etnomusicología nº3 CINE, MÚSICA Y AUTORES Música e imagen en la obra y el pensamiento de Ramón Barce. Miriam Mancheño Delgado 220 Facundo de la Viña y sus Seis impresiones para piano en los inicios del cine sonoro. Sheila Martínez Díaz 232 La música de Chopin, un personaje más en la obra de Bergman. Marie Quilly y Eloy Ramos Cívico 250 Bresson y su circunstancia. Marcos Azzam Gómez 263 Biografía y estética de Pedro Iturralde a través del análisis general de su filmografía. Juan F. García Vinuesa 301 AUTORES 318 4 Cuadernos de Etnomusicología nº3 Presentación Dedicamos este tercer número de la revista Cuadernos de Etnomusicología a la relación de la música con los medios audiovisuales. En este volumen se recogen casi una veintena de artículos y trabajos de investigación que, en su mayor parte desde el ámbito académico, se han realizado a propósito de la inclusión de la música en el lenguaje audiovisual. Diferentes géneros tanto musicales como audiovisuales conviven en estas páginas y son analizados desde diferentes perspectivas de estudio. La música ha estado presente en los medios audiovisuales desde el momento mismo del nacimiento del cine, acompañándolo en su evolución y en su desarrollo. Por eso hasta hace un par de décadas resultaba paradójico que los estudios sobre comunicación obviaran el estudio de la música por considerarlo ajeno a la estructura narrativa. Afortunadamente, desde hace un tiempo los estudios de música de audiovisual se están haciendo un hueco en el campo académico y comienza a entenderse y tomarse conciencia del esencial papel del elemento musical en la construcción mediática. Al mismo tiempo, la música en los medios, a menudo postergada, empieza a ocupar el lugar que merece en los estudios de etnomusicología, proverbialmente más volcados en la música de tradición oral, aumentando su valoración, y siendo tratada como objeto de estudio musicológico, sociológico y antropológico de primer orden. El presente número de Cuadernos de Etnomusicología sirve como muestra del panorama académico y de las últimas tendencias de la investigación en la disciplina, correspondientes a los cinco ejes temáticos en los que se enmarcan los trabajos: “Música e identidades”, “Metodologías” de investigación, “Música de audiovisuales y didáctica”, “Música y televisión” y una úlitma sección consagrada a “Cine, música y autores”. Muchos de estos artículos son el resultado de estudios presentados en el VI Simposio La creación musical en la banda sonora (Salamanca 2011), si bien han seguido el correspondiente proceso de selección, revisión de pares ciegos y posterior reelaboración para ser publicados. Confiamos en que la aportación que el campo de las músicas insertas en los medios audioviuales realiza al ámbito de la etnomusicología siga dando frutos que permitan continuar indagando en los aspectos culturales de la música en las sociedades contemporáneas. El equipo editorial 5 Cuadernos de Etnomusicología nº3 MÚSICAS DE LA CIUDAD IMAGINADA. MODERNIDAD, IDENTIDAD Y EUROPEÍSMO EN EL VIDEOCLIP Y SPOT DE ROCK ANDALUZ PARA LA CAMPAÑA CÓRDOBA 2016: CIUDAD EUROPEA DE LA CULTURA. Diego García Peinazo1 Resumen La música ocupa un lugar destacado en la articulación de significados relativos a los imaginarios sobre las ciudades. Dimensiones como la política, la identidad o las concepciones de tradición y modernidad son re-significadas en el discurso audiovisual, adquiriendo una relevancia especial en el contexto urbano. Este artículo plantea un acercamiento a estas realidades a través del estudio de un videoclip y un spot utilizados para la campaña publicitaria del Proyecto Córdoba 2016: Ciudad Europea de la Cultura. Por medio del análisis semiótico, puede observarse cómo el rock andaluz logra articular y crear sentido en torno a temas como la juventud, la innovación tecnológica y el europeísmo. Así, actúa como delimitador territorial a la vez que plantea dialécticas entre lo local y lo global: de un lado, las dimensiones cordobesa y andaluza, y del otro, la dimensión europea. De esta forma, el análisis musicológico ofrece herramientas valiosas para analizar los procesos de significación de lo andaluz en los productos audiovisuales. Palabras clave: ciudad, tradición y modernidad, rock andaluz, europeísmos, identidad. Abstact The music occupies a prominent place in the articulation of meanings around city imaginaries. Concepts such as politics, identity or tradition and modernity led to new meanings in audiovisual discourse, and this question is accentuated in the urban context. This paper presents an approach to these realities through the study of a music video and a spot (audiovisual advertisement) used for the for the promotion of the project Cordoba 2016 Ciudad Europea de la Cultura. Through semiotic analysis, we observe how Andalusian rock is able to articulate and generate sense around youth, technological innovations and Europeanism. The Andalusian Rock operates as territorial delimiter and it develops a debate between local and global discourse. On the one hand, Cordoba (and Andalusian) dimension; and in the other hand, European dimension. So, musicological analysis offers various tools to analyze the processes of meaning of Andalusian identity in audiovisual products Keywords: city, tradition and modernity, Andalusian rock, Europeanism, identity. 1 El presente artículo está inscrito en el proyecto de investigación “Música y cultura en la España del siglo XX: dialéctica de la modernidad y diálogos con Hispanoamérica” (HAR2009-10865), coordinado por la Universidad de Oviedo. Forma parte, asimismo, del programa de Formación del Profesorado Universitario FPU-MECD, del que es beneficiario
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