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Quarterly Contract Awards (QCA) Report QCA Report Submitted to the Contractor General Pursuant to Section 4(2)(A) and 4(3) of the Contractor-General Act
Office of the Contractor-General Public Body Contract Awards (J$275,001 to J$10,000,000 in Value) Quarterly Contract Awards (QCA) Report QCA Report submitted to the Contractor General pursuant to Section 4(2)(a) and 4(3) of the Contractor-General Act COMPLETE ONLY AFTER READING INSTRUCTIONS IN APPENDIX B . SELECT APPLICABLE PRINT RANGE BEFORE PRINTING SECTION 1 (1) Name of Reporting Public Body National Works Agency (2) Reporting Period 2nd Quarter of 2009 (April - June) APPENDIX A (3) Reporting Date (YYYY-MM-DD) 2009-07-17 QCA Report. REV.5 Issue Date: (4) Name, Title & Signature of Certifying Principal or Accounting Officer Mr.Patrick Wong, Chief Executive Officer November 20, 2008 SECTION 2 (1) (2) (3) (4) (5) (6) (7) (8) (9) (10) (11) (12) Record # Contract Award Date Contract Description Name of Contractor Contractor ID Type of Contract Value Principal Site of Procurement Number of Number of Procurement (YYYY-MM-DD) Contract Contract Method Tenders/ Tenders/ Committee Performance Quotes Quotes Approval? Requested Received 2009-04-01 Emergency Works Supreme ConstructionSU-395/10- W $1,383,450.00 Grandy Hole - SS 1 1 Y 08/3-3 Golden Valley, Tom's River - Broadgate, Broadgate - Agualta Vale 1 2009-04-01 Emergency Works Supreme ConstructionSU-395/10- W $2,336,000.00 Fort George - SS 1 1 Y 08/3-3 Camberwell, Fort George - Cumsee, Fort George - Baxter's Mountain, Broadgate - Agualta Vale, Tom's River - Broadgate 2 2009-04-01 Multifunction Copier Copiers and G $473,000.00 National Works LT 3 3 Y Consumables Agency, 140 Maxfield Avenue 3 -
DRM Enforcement Measures Order 2021
JAN. 15, 2021] PROCLAMATIONS, RULES AND REGULATIONS 1 THE JAMAICA GAZETTE SUPPLEMENT PROCLAMATIONS, RULES AND REGULATIONS 1 Vol. CXLIV FRIDAY, JANUARY 15, 2021 No. 1 No. 1 THE DISASTER RISK MANAGEMENT ACT THE DISASTER RISK MANAGEMENT (ENFORCEMENT MEASURES) ORDER, 2021 WHEREAS the Minister responsible for disaster preparedness and emergency management has given written notice to the Prime Minister that Jamaica appears to be threatened with or affected by the SARS–CoV-2 (Coronavirus COVID-19), and that measures apart from or in addition to those specifically provided for in the Disaster Risk Management Act should be taken promptly: AND WHEREAS on March 13, 2020, the Prime Minister by Order declared the whole of Jamaica to be a disaster area: NOW THEREFORE: In exercise of the powers conferred upon the Prime Minister by section 26(2) of the Disaster Risk Management Act, the following Order is hereby made:— Citation. 1. This Order may be cited as the Disaster Risk Management (Enforcement Measures) Order, 2021, and shall take effect on the 15th day of January, 2021. 2 PROCLAMATIONS, RULES AND REGULATIONS [JAN. 15, 2021 Enforcement. 2. The measures set out in this Order are directed to be enforced,in accordance with sections 26(5) to (7) and 52 of the Act, for removing or otherwise guarding against or mitigating the threat, or effects, of the SARS – CoV-2 (Coronavirus COVID-19) and the possible consequences thereof. Requirements 3.—(1) A person who, during the period January 15, 2021, to April 15, for entry to 2021, seeks to enter Jamaica, shall— Jamaica. (a) if the person is ordinarily resident in Jamaica, complete,through the website https://jamcovid19.moh.gov.jm/, the relevant application for entry; or (b) if the person is not ordinarily resident in Jamaica, (i) complete, through the website https:// www.visitjamaica.com, the relevant application for entry; and (ii) comply with all applicable provisions of the Immigration Restriction (Commonwealth Citizens) Act and the Aliens Act. -
Downloaded from Brill.Com09/24/2021 05:47:45AM Via Free Access Review Articles 103
nwig New West Indian Guide 87 (2013) 102-121 brill.com/nwig Bookshelf 2012 Richard Price & Sally Price In this moment of transition for the New West Indian Guide (as it becomes a publication of Brill), it may be appropriate to look back on the history of the book review section as well as forward to plans for its expansion. Founded in 1919 as the Nieuwe West-Indische Gids, the NWIG published book reviews only sporadically, and almost always in Dutch, for its first six-plus decades. As part of its revitalization in 1982 it became an exclusively English-language publication and a book review editor was appointed, charged with find- ing reviewers for Caribbean books published in all languages. Sally Price served in this capacity during the first five years, producing an average of 36 reviews (plus some 3 review articles) annually. After Rolph Trouillot succeeded her, the annual number declined to 21 (with almost no review articles). Then, in the early 1990s the team of Rich and Sally took over and began publishing about 60 reviews and 6 review articles per year, with the rate stabilizing for more than a decade at some 52 reviews plus 4 or 5 review articles annually. We are pleased to announce that with the current issue, we move up to a steady offering of 100 reviews a year (fifty reviews plus 1 to 3 review articles in each issue). The annual “Bookshelf ” section, inaugu- rated in 1993, will continue to offer brief discussion of books on Caribbean subjects that aren’t receiving full reviews. -
A Dub Approach to Defining a Caribbean Literary Identity in the Contemporary Diaspora
ABSTRACT Title of Document: ON THE B-SIDE: A DUB APPROACH TO DEFINING A CARIBBEAN LITERARY IDENTITY IN THE CONTEMPORARY DIASPORA Isis N. Semaj, Doctor of Philosophy, 2013 Directed by: Professor Merle Collins, Department of English Drawing from Jamaica’s socio-politically distinct dub musical genre, “On the B: Side” argues that the literary aesthetics of Caribbean migration and history can be analyzed according to a model of dub. As I define it, the dub aesthetic is marked by erasures, repairs, re-invention, and re-creation. It is thematically and formally captured in migration and represented in the experience of dislocation and home(lessness), memory and the layering of time, political silences and cultural amplification, and the distinct social climate associated with the 21st century push toward celebrating diasporic communities and marking progress through globalization. Given these contemporary circumstances, the Caribbean subject at home locally and at home in the diaspora necessarily demonstrates an acute investment in memory recall and a strong motivation toward building cultural posterity. This dissertation, therefore, explicates how the more recent literature reaches back in new ways that facilitate the survival of a uniquely Caribbean literary identity into the future. This dissertation analyzes works by Ramabai Espinet, Edwidge Danticat, and Anthony Winkler to highlight the ways in which relocation and dislocation intersect for the Caribbean subject. Additionally, I examine works by Marion Patrick Jones and Diana McCaulay, who represent another category of unbelonging and homelessness in the Caribbean that is read in the middle class’s exclusion from national and regional discourse on authenticity. Interrogating the space of Caribbean fiction, the dissertation moves through the deconstruction and reinvention of migration to arrive at the diasporic intersections of erasure, rupture, and repair. -
395 Njelle W. Hamilton How Does One Read Musical Novels?
Book Reviews 395 Njelle W. Hamilton, Phonographic Memories: Popular Music and the Contemporary Caribbean Novel. New Brunswick NJ: Rutgers University Press, 2019. xiv + 222 pp. (Paper US$34.95) How does one read musical novels? Njelle Hamilton proposes that novels in which music and recording technologies figure prominently offer an opportu- nity to consider a variety of themes, including memory, nostalgia, belonging, and the making of exilic identities. Phonographic Memories admirably ignores the Anglo/Hispanic Caribbean divide and takes as its objects of study Lawrence Scott’s Night Calypso, Oscar Hijuelos’s Mambo Kings Play Songs of Love, Daniel Maximin’s Lone Sun, Colin Channer’s Waiting in Vain, and Ramabai Espinet’s Swinging Bridge. In all of these, recorded music is related to memory, and Hamilton explores the variety of ways it acts as the medium through which the characters negotiate their relationship to place and to their own pasts. The main characters, she argues, are frequently constrained by the nostalgia and inherent conservatism of recording technology and of certain musical genres. But they also find a way forward, a way into the future that music opens up for them. Hamilton relies on music and technology to bear a large proportion of the analytical burden. They are metaphors and archives as well as indications of certain identity formations; they both silence and give voice to the charac- ters’ thoughts and feelings. The methodological approach consists principally of careful, detailed analysis of the plots and characters. These range widely and represent aspects of Caribbean life from Cuban exiles’ love-hate relation- ship with Cuba, domestic violence in Trinidad, and the transnational and peri- patetic experiences of young professionals in London, New York, and Kingston. -
Stimulating Sustainable Growth for Bigger, Better, Stronger Industries
MINISTRY OF INDUSTRY, COMMERCE, AGRICULTURE & FISHERIES QUARTERLY PERFORMANCE REVIEW REPORT [APRIL – JUNE 2020] | 1 GOVERNMENT OF JAMAICA SECURING OUR OPPORTUNITIES…STIMULATING SUSTAINABLE GROWTH FOR BIGGER, BETTER, STRONGER INDUSTRIES MINISTRY OF INDUSTRY, COMMERCE, AGRICULTURE & FISHERIES QUARTERLY PERFORMANCE REVIEW REPORT [APRIL – JUNE 2020] STRATEGIC PLANNING & PERFORMANCE MONITORING & EVALUATION (SPPMED) DIVISION July 20, 2020 MINISTRY OF INDUSTRY, COMMERCE, AGRICULTURE & FISHERIES QUARTERLY PERFORMANCE REVIEW REPORT [APRIL – JUNE 2020] | 2 Foreword In this report, the Ministry of Industry, Commerce, Agriculture & Fisheries presents its First Quarter Performance Report for the period April to June 2020, against the planned deliverables as reflected in the Ministry’s Budget Speeches, 2020/2021 Operational Plan and Strategic Business Plan 2020/2021 – 2023/2024. This Report has been compiled in accordance with the requirements of Part IV Section 75 of the Financial Administration and Audit Act: The Financial Management Regulations, 2011 to display and promote transparency and accountability to agricultural, fisheries, manufacturing and services stakeholders and the general populace. This reported information will also be utilised to respond to the Ministry`s commitments in the achievement of the Economic Growth Agenda “5 in 4” Plan, GOJ’s Strategic Priority – Inclusive Sustainable Growth and Job Creation; the monitoring of the Medium Term Results Based-Budget Indicators and Jamaica’s Vision 2030 Outcomes 8, 9, 11, 12, 13, 14, 15 – Internationally Competitive Sustainable Industries in the Agricultural, Fisheries, Manufacturing and Service Sectors within an Enabling Business Environment. This report and other forthcoming quarterly reports will form the basis of the of Ministry`s Annual Report, to be compiled at the end of the current financial year. -
Jamaica National Heritage Trust (JNHT), Jamaica Archive and Gordon, Ms
AtlAs of CulturAl HeritAge AND iNfrAstruCture of tHe Americas JAMAICA luis Alberto moreno President Board of trustees Honourable General Coordinator liliana melo de sada olivia grange m. P. Alfonso Castellanos Ribot ChairPerson of the Board Minister ● ● ● national liaison Trustees mr. robert martin Marcela Diez teresa Aguirre lanari de Bulgheroni PerManent seCretary ● sandra Arosemena de Parra ● national teaM Adriana Cisneros de griffin senator Warren Newby Desmin Sutherland-Leslie (Coordinator) gonzalo Córdoba mallarino Halcyee Anderson Andrés faucher Minister of state marcello Hallake Shemicka Crawford enrique V. iglesias ● Christine martínez V-s de Holzer ProGraMMers eric l. motley, PhD A Alfonso Flores (Coordinator) rodolfo Paiz Andrade Eduardo González López marina ramírez steinvorth directories Alba M. Denisse Morales Álvarez Julia salvi ● Ana maría sosa de Brillembourg Diego de la torre editorial Coordination ● Alfonso Castellanos Ribot sari Bermúdez ● Ceo editorial desiGn raúl Jaime Zorrilla Juan Arroyo and Luz María Zamitiz dePuty Ceo Editorial Sestante, S.A. de C.V. Atlas of Cultural Heritage and Printed and made in Mexico Infrastructure of the Americas: Jamaica isBN (colection:) 978-607-00-4877-7 Primera edición, 2011 isBN (Jamaica Atlas) 978-607-00-4910-1 first edition, 2011 © C. r. inter American Culture and Development foundation, ministry of Youth, sports and Culture, Jamaica. Acknowledgements Institute of Jamaica on behalf of the Cultural Atlas team, we would like to thank the following organisations provided fundamental information the following persons were instrumental in the creation minister olivia grange, m.P. minister of Youth, sports and Culture and support that enabled the publication of the Atlas: of the Atlas: for partnering with the inter-American Cultural foundation (iCDf) to facilitate the creation of the Atlas of Cultural Heritage institute of Jamaica (IOJ), National library of Jamaica (NlJ), ms. -
TEF and NWA Partners to Enhance Elegant Corridor Over $200 Million to Be Spent on Street Lighting
ROADSTER “Paving the Way” Volume 11, Issue 34 September 2014 PB ROADSTER “Paving the Way” Volume 11, Issue 34 September 2014 1 Volume 11, Issue 34 A Publication of the Communication “Paving the Way” September 2014 and Customer Services Department TEF and NWA partners to enhance Elegant Corridor over $200 million to be spent on street lighting Minister of Transport, Works and Housing, Dr. the Honourable Omar Davies (right) and Minister of Tourism and Entertainment, Honourable Dr. Wykham McNeil (2nd right) affixing their signatures to the contract for the installation of street lights along the Elegant Corridor (Sangster’s International Airport to Iberostar Hotel), St. James. State Minister for Tourism and Entertainment, Honourable Damion Crawford (standing left) and State Minister for Works, Honourable, Richard Azan (standing 2nd left), looked on. Also in the picture are Calvert Mundle of contractors Y.P. Seaton and Associates (seated). See related story on page 3 Multimillion Dollar New Bridge for Latium, Remembering Ethnie... Mitigation Programme St. James an Angel among us ... pg 5 ... pg 6 ... pg 13 ROADSTER “Paving the Way” Volume 11, Issue 34 September 2014 2 Jeep Phase III Making a Difference in Communities Western Region Westmoreland- Fullersfield; Road Rehabilitation Western Region North Eastern Region St. James - Fairfield to Point ( Kensington); Clarendon- Mt. Providence to Cross Paths; Road Rehabilitation Side walk installation of Rails North Eastern Region South East Region St. Mary - Gibbs Hill, South East; St. Catherine - Cedar Grove High School; Sidewalk construction Completed Gabion Wall ROADSTER “Paving the Way” Volume 11, Issue 34 September 2014 3 The NWA and the TEF Lighting the Way… $248 Million Street Lighting Project for the Elegant Corridor A section of the North Coast Highway The National Works Agency (NWA) and the Tourism Enhancement Fund (TEF) have once again forged a partnership with a view to developing areas which significantly contribute to the island’s tourism product. -
Disaster Risk Management (Enforcement Measures) (No. 12) Order, 2020
SEPT. 8, 2020] PROCLAMATIONS, RULES AND REGULATIONS 3373 THE JAMAICA GAZETTE SUPPLEMENT PROCLAMATIONS, RULES AND REGULATIONS 3373 Vol. CXLIII TUESDAY, SEPTEMBER 8, 2020 No. 135 No. 162 THE DISASTER RISK MANAGEMENT ACT THE DISASTER RISK MANAGEMENT (ENFORCEMENT MEASURES) (NO. 12) ORDER, 2020 WHEREAS the Minister responsible for disaster preparedness and emergency management has given written notice to the Prime Minister that Jamaica appears to be threatened with or affected by the SARS–CoV-2 (Coronavirus COVID-19), and that measures apart from or in addition to those specifically provided for in the Disaster Risk Management Act should be taken promptly: AND WHEREAS on March 13, 2020, the Prime Minister by Order declared the whole of Jamaica to be a disaster area: NOW THEREFORE: In exercise of the powers conferred upon the Prime Minister by section 26(2) of the Disaster Risk Management Act, the following Order is hereby made:— Citation. 1. This Order may be cited as the Disaster Risk Management (Enforcement Measures) (No. 12) Order, 2020, and shall take effect on the 8th day of September, 2020. 3374 PROCLAMATIONS, RULES AND REGULATIONS [SEPT. 8, 2020 Objects. 2. The measures set out in this Order are directed to be enforced for removing or otherwise guarding against or mitigating the threat, or effects, of the SARS–CoV-2 (Coronavirus COVID-19) and the possible consequences thereof. Requirements 3.—(1) A person who, during the period September 8, 2020, to September for entry to 30, 2020,seeks to enter Jamaica, shall— Jamaica. (a) if the person is ordinarily resident in Jamaica, complete,through the website https://jamcovid19.moh.gov.jm/, the relevant application for entry; or (b) if the person is not ordinarily resident in Jamaica; (i) complete, through the website https://www.visitjamaica.com, the relevant application for entry; and (ii) comply with all applicable provisions of the Immigration Restriction (Commonwealth Citizens) Act and the Aliens Act. -
Table of Contents
Table of Contents Welcome to the Department of English and Creative Writing _____________________________ 2 New Courses ____________________________________________________________________ 4 Course Descriptions ______________________________________________________________ 5 Major and Minor Requirements ___________________________________________________ 32 Honors _______________________________________________________________________ 34 Directions for Sophomores Planning to Major in English or English and Creative Writing ____ 35 People: English Department Administration _____________________________________________ 36 Faculty Bios ________________________________________________________________ 37 April 25, 2021 Welcome to the Department of English and Creative Writing! English as a discipline stresses the intensive study of writers and their works in literary, cultural, and historical contexts. It is keyed to the appreciation and analysis of literary language, through which writers compose and organize their poems, stories, novels, plays, and essays. The discipline equally stresses writing critically and creatively in response to reading literature. We thus offer a wide range of courses: introductory courses in literary and writing skills; more advanced courses in influential writers, historical periods, and themes in English, American, and world literatures in English; and numerous courses in creative writing, including screenwriting and creative nonfiction. Our course offerings strike a balance between great authors of past centuries and emerging fields of study. We teach courses on writers such as Shakespeare, Milton, Jane Austen, and James Joyce, and on Asian American literature, the Harlem Renaissance, and film. We stress analysis and argument in paper-writing, critical thinking, and literary research, and we foster and develop a deep, complex, passionate response to literature. This booklet is designed to help you with the selection of courses in the English department and, if you choose, with the construction of a major or minor in English. -
2006 04 All D Final
“Open the doors to all — let the children of the rich and the poor take their seats together and know of no distinction save that of industry, good conduct, and intellect.” — Townsend Harris, founder cuny.edu/news THE CITY UNIVERSITY OF NEW YORK • FOUNDED 1847 AS THE FREE ACADEMY M AY 2006 Marshall, Truman and Goldwater Scholars are Named, Inside Continuing the String of Highly Prestigious Awards PAGE Online BA Steps onto Last year’s went to his friend Charles 3 the Stage Julia Rafal, a special-education teacher Claudio Simpkins of City College, who After years of offering online earning her master’s at Lehman College, has has been accepted to Harvard Law courses to students who want – a clear aim: to open the Bronx’s first all- School for this fall. no, need – them, the Univer- inclusive charter school. Merola is a vice chair for fiscal affairs sity is preparing to offer its Ryan Merola, a Brooklyn College junior of the University Student Senate. The first online bachelor’s enrolled in the Honors College, wants to Marine Park resident’s parents and one degrees. The Online become an assistant district attorney. of his grandmothers also studied at Baccalaureate makes And Rachel Schnur of Queens College Brooklyn College. That fact, combined its debut. sees her future in cancer research and a with his acceptance into CUNY’s university teaching position. Honors College program, made his As winners of three highly competitive decision to attend Brooklyn “a no-brain- PAGE national scholarships, the students recently er,” he said. Citizenship Now! took giant steps toward reaching their The highly competitive Honors 4 The University continued its part- respective goals. -
Making the Case for Middlebrow Culture
Introduction: Making the Case for Middlebrow Culture BELINDA EDMONDSON A milestone of sorts was reached in 2007 when, for the first time ever, a dreadlocked, black Rastafarian woman won a Caribbean beauty pageant. It was no longer news, as it might have been ten years before, that Zahra Redwood, a dark‐skinned, black woman, won the coveted Miss Jamaica Universe title. The predilection for light‐ skinned, long‐haired Caribbean women of racially mixed heritage had already begun to fade in the English‐speaking Caribbean since the dark‐skinned black Trinidadian Wendy Fitzwilliam became the second black woman to win the Miss Universe title in 1998. (The first was the predictably light‐skinned Trinidadian contestant Janelle “Penny” Commissiong, in 1977.) “Marcus Garvey must be smiling in his grave,” exclaimed one admirer, implying that Garveyesque black nationalism had come full circle.1 But in a region where Rastafarianism has long been equated with poverty, marginalization, and subversive, millennial black power politics, Zahra Redwood’s victory was more than just an ideological triumph of indigenous aesthetics over Western ones. The Rasta beauty queen also heralded the depoliticization of black power aesthetics. Rather than the triumph of radical black nationalism, she highlights the co‐optation of both Western metropolitan and local working‐class culture in the upper echelons of Caribbean society. One interpretation of the Rasta beauty queen is to view her as representative of a globalized indigenous aesthetic, which she is. But even more so, she is the culmination of a long regional history of Caribbean middlebrow culture. In the beauty contest–obsessed societies of the Caribbean and Latin America, a contestant’s chances of winning a national pageant are directly related to the perception that she has a shot at winning an international beauty contest such as Miss World or Miss Universe.