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University of Huddersfield Repository
CORE Metadata, citation and similar papers at core.ac.uk Provided by University of Huddersfield Repository University of Huddersfield Repository Catterall, Stephen Book review: Class against Class: The Communist Party in Britain between the Wars, Matthew Worley, I. B. Tauris, 2002 Original Citation Catterall, Stephen (2006) Book review: Class against Class: The Communist Party in Britain between the Wars, Matthew Worley, I. B. Tauris, 2002. Manchester Region History Review, 17 (2). pp. 127-129. ISSN 0952-4320 This version is available at http://eprints.hud.ac.uk/8268/ The University Repository is a digital collection of the research output of the University, available on Open Access. Copyright and Moral Rights for the items on this site are retained by the individual author and/or other copyright owners. Users may access full items free of charge; copies of full text items generally can be reproduced, displayed or performed and given to third parties in any format or medium for personal research or study, educational or not-for-profit purposes without prior permission or charge, provided: • The authors, title and full bibliographic details is credited in any copy; • A hyperlink and/or URL is included for the original metadata page; and • The content is not changed in any way. For more information, including our policy and submission procedure, please contact the Repository Team at: [email protected]. http://eprints.hud.ac.uk/ MRHR 17ii Maidment volume.qxd 24/07/2006 10:22 Page 127 LONG REVIEWS Matthew Worley Class against Class: The Communist Party in Britain between the Wars London: I. -
REFORMATIVE SYMPATHY in NINETEENTH-CENTURY CRIME FICTION Erica Mccrystal
Erica McCrystal 35 REFORMATIVE SYMPATHY IN NINETEENTH-CENTURY CRIME FICTION Erica McCrystal (St. John’s University, New York) Abstract Nineteenth-century British crime novels whose heroes were criminals redefined criminality, alerting readers to the moral failures of the criminal justice system and arguing for institutional reform. My research on this topic begins with William Godwin’s novel Caleb Williams (1794) as a social reform project that exposes hypocrisy and inconsistency of governing institutions. I then assess how contemporary social criticism of crime novels contrasts with the authors’ reformative intentions. Critics argued the ‘Newgate novels’, like those of Edward Bulwer-Lytton and William Harrison Ainsworth, glorified criminality and were therefore a danger to readers. However, Bulwer-Lytton’s Paul Clifford (1830) and William Harrison Ainsworth’s Jack Sheppard (1839) serve, like Caleb Williams, as social reform efforts to alert readers to the moral failings of the criminal justice and penal institutions. They do so, I argue, through the use of sympathy. By making the criminal the victim of a contradictory society, Godwin, Bulwer-Lytton, and Ainsworth draw upon the sympathies of imagined readers. I apply contemporary and modern notions of sympathy to the texts to demonstrate how the authors use sympathy to humanise the title characters in societies that have subjected them to baseless mechanisation. The emergence of crime fiction in nineteenth-century Britain provided readers with imaginative access to a criminal’s perspective and history as they conflicted with the criminal justice system and its punitive power. Novelists working within the genre re- examined criminality, morality, and justice, often delivering powerful social critiques of extant institutions. -
Long Reviews
University of Huddersfield Repository Catterall, Stephen Book review: Class against Class: The Communist Party in Britain between the Wars, Matthew Worley, I. B. Tauris, 2002 Original Citation Catterall, Stephen (2006) Book review: Class against Class: The Communist Party in Britain between the Wars, Matthew Worley, I. B. Tauris, 2002. Manchester Region History Review, 17 (2). pp. 127-129. ISSN 0952-4320 This version is available at http://eprints.hud.ac.uk/id/eprint/8268/ The University Repository is a digital collection of the research output of the University, available on Open Access. Copyright and Moral Rights for the items on this site are retained by the individual author and/or other copyright owners. Users may access full items free of charge; copies of full text items generally can be reproduced, displayed or performed and given to third parties in any format or medium for personal research or study, educational or not-for-profit purposes without prior permission or charge, provided: • The authors, title and full bibliographic details is credited in any copy; • A hyperlink and/or URL is included for the original metadata page; and • The content is not changed in any way. For more information, including our policy and submission procedure, please contact the Repository Team at: [email protected]. http://eprints.hud.ac.uk/ MRHR 17ii Maidment volume.qxd 24/07/2006 10:22 Page 127 LONG REVIEWS Matthew Worley Class against Class: The Communist Party in Britain between the Wars London: I. B. Tauris, 2002, x + 352pp., h/b, ISBN 1–86064–747–2 Worley’s contribution is concerned with Worley lucidly develops this theme further the debate over the early development of in arguing that the debate within the the Communist Party of Great Britain CPGB reflected a wider debate within (CPGB) during the late 1920s and early international communism and led to a 1930s in a phase known as communism’s ‘leftward’ lurch which confirmed the split ‘Third Period’ following the Third with the Labour Party. -
Index All Names Are Arranged Last Name, First Name, Or Last Name
Index All names are arranged last name, first name, or last name, nickname/title, so Old Sleuth is indexed as “Sleuth, Old.” All pseudonyms and story and novel titles are indexed according to their most famous and well-known arrangement, so Les Miserables is put in the L section—it would be an act of mulish perversity and unfriendliness to the reader to put Les Miserables in the Ms—but The Adrets Inn is put in the A section. Generally, I’ve indexed names and titles where readers are most likely to look for them. Abällino the Great Bandit, The Abbess: A Romance, Abbott, Edwin Abbott, Flatland, The Abbott of Montserrat, or, The Pool of Blood, Abdallah or the Horrible Sacrifice, About, Edmond, Abrams, M.H., Across the Zodiac (1880), Across the Zodiac (1896), “The Actress Detective,” Adams, H.C., Schoolboy Honour, Adams, Sir John, Adee, Alvey, “The Life Magnet,” Adler, Irene, Admiral Tom, King of the Boy Buccaneers, The Adrets Inn, adventure fiction, “The Adventure of a Scandal in Bohemia,” “The Adventure of the Final Problem,” The Adventures of a Micro-Man, The Adventures of a Mounted Trooper in the Australian Constabulary, The Adventures of Hajji Baba, of Ispahan, The Adventures of Hajji Baba of Ispahan in England, “The Adventures of John Bell—Ghost-Exposer,” The Adventures of Pinocchio, Adventures of Susan Hopley, adventuress, aerial bombardment, Aesop’s Fables, “Affairs of a State Detective,” Afghanistan, Anglo-Afghanistan wars, An African Millionaire: Episodes in the Life of the Illustrious Colonel Clay, – African-Americans, The Age of Storytellers, “Ahez the Pale,” Aiken, Albert W., Aimard, Gustav, see Oliver Gloux. -
Sporting Rambles
Hi AN D 8ET8.0F N0VEL8 AND 8TANDARD W0RK8. £ s. ã. AINSWORTH'S (W. H.), in 8 vols., fcap. 8vo, ha T roan . I s o ' in .17 vols., fcap. 8vo, cloth I 5 6 AUSTEN'S (JANE), in 5 vols., fine edition, with plates, fcap 8vo, cloth . in a box o 10 o BANCROFT'S HISTORY OF UNITED STATES, 7 vols., hf. rn 0 8 o BARNES'S NOTES ON THE NEW TESTAMENT, 6 vols., hf. rn 1 10 o COOPER'S (J. F.), in 18 vols., fcap. 8vo, with steel plates, bound in cloth 250 • in 7 vols.,double columns, half roan I I o in 7 vols., double columns, cloth 0 17 6 DUMAS (ALEXANDRE), in 10 vols., fcap. 8vo, half roan 1 10 o EDGEWORTH'S TALES OF FASHIONABLE LIFE, 4 vols., fcap 8vo, cloth 080 FiELDiNG (HENRY), in 3 vols., fcap. 8vo, lif roan, in a box 076 GRANT'S (JAMES), in 26 vols., fcap. 8vo, half roan 3 5 o HALL'S (REV. ROBERT), WORKS, 6 vols., fcap. 8vo, cloth , o 15 o LOVER'S (SAMUEL), in 4 vols., half roan , in a box 0 10 o LYTTON'S (LORD), in 22 vols., crown 8vo, well illustrated, bound in glazed cloth 4 10 o in II vols.,cr. 8vo, well illust.,hf roan 430 in 22 vols., fcap.8vo,with plates, brov/n cl. 2 15 o MARRYAT'S (CAPTAIN), in 13 vols., with steel plates, blue cl. 126 in 8 vols., illustrated, half roan 1 st o in 16 vols., bound in cloth 140 MOTLEY'S RISE AND FALL OF THE DUTCH REPUBLIC, 3 vols., cloth. -
THE JACK SHEPPARD CRAZE of the 1720S
Theory and Practice in English Studies Volume 10, No. 1, 2021 E-ISSN: 1805-0859 CLAPPING TO A CRIMINAL: THE JACK SHEPPARD CRAZE OF THE 1720s Klára Škrobánková Abstract Jack Sheppard, a real historical figure executed in 1724 London, became the focus of many biographical publications and theatrical pieces immediately after his demise. This article examines the earliest literary works featuring Sheppard and the way the character of a criminal entered London’s stages. By analyzing the digression from the facts of Sheppard’s life, the tendencies of the popular theatrical genres of the 1720s emerge. Based on two works of art, Thurmond’s Harlequin Sheppard (1724) and Walker’s Quaker’s Opera (1728), one can trace the development of the theatre devices as well as the marketing strategies dramatic authors used to lure the audience into theatres. Both examined pieces were not particularly successful but Thurmond’s pantomime significantly inspired John Gay to write Beggar’s Opera, basing the character of Macheath on Sheppard. Walker then combined the two phenomena – taking the strategies of new ballad operas, he re- purposed the story of Jack Sheppard and adapted it into Quaker’s Opera. Keywords Jack Sheppard, pantomime, ballad opera, eighteenth century, The Beggar’s Opera, biography * * * THE figure of Jack (or John) Sheppard, a London-based criminal executed in the fall of 1724, has periodically emerged on the English stage, significantly influencing English popular culture. Beginning during his lifetime, Sheppard’s popularity con- tinued to grow throughout the 1720s, culminating with the publication and staging of John Gay’s The Beggar’s Opera in 1728. -
THE NEWGATE NOVELS and DRAMA of TIIE 1830S ADRIAN PHILLIPS Phd the UNIVERSITY of YORK JULY 2001
THE NEWGATE NOVELS AND DRAMA OF TIIE 1830s ADRIAN PHILLIPS PhD THE UNIVERSITY OF YORK DEPARTMENT OF ENGLISH AND RELATED LITERATURE JULY 2001 TABLE OF CONTENTS Page Acknowledgements IV Abstract `' Note on the 'Texts VI INTRODUCTION I CHAPTER I Ruiwer's Newgate Novels and the Reformatory Spirit 23 i Respectability, Truth, and the Workings of Justice: Paul Clifford and Caleb Williams 30 ii Natural Law versus Human Law: Eugene Aram and Utilitarianism 60 iii Working-Class Defiance, Victorian Gentility, and Regency Dandyism: Paul Clifford and Pelham 74 iv Corruption or Correction: Romantic Love and the Shaping of Self 93 CHAPTER 2 Thieves and Thief-Takers: the Newgate Novel, Literary Self-Consciousness, and the Field of Cultural Production 99 i The Newgate Novels and Literary Controversy 104 ii Pelham, the 1820s, and the Privileged Control of Culture 1>; iii hie Criminal as Author: Paul Clifford, Rookw'ood, and the Changing Literary Order I39 iv faul Clifford and the Literary Critic 155 v 'l lie Newgate Novelists and a very Personal Struggle 160 CHAPTER 3 Theatre, Politics, and the Jack Sheppard Adaptations 185 1 The 'Jack Sheppard' Controversy 188 II ii Deceptions and Disguises: Radical Rhetoric and Early 19th-Century 71ieatrc 197 iii Buckstone's'Jack Sheppard' and Other Dramatic Adaptations 221 CONCLUSION 262 BIBLIOGRAPHY 274 A_(-KNOWLE GEN N'I S I would like to thank Dr Jane Moody for her invaluable comments upon two of the chapters in this thesis, and especially her expert advice on 19th-century theatre research. I am most grateful to Rebecca Edwards for her thorough and very helpful reading of the text at short notice. -
Jack Sheppard [Annotated]: the Hermestes Edition Online
ecqJP (Download) Jack Sheppard [Annotated]: The Hermestes Edition Online [ecqJP.ebook] Jack Sheppard [Annotated]: The Hermestes Edition Pdf Free William Harrison Ainsworth ePub | *DOC | audiobook | ebooks | Download PDF #1746467 in eBooks 2016-04-20 2016-04-20File Name: B01EMCW9KU | File size: 60.Mb William Harrison Ainsworth : Jack Sheppard [Annotated]: The Hermestes Edition before purchasing it in order to gage whether or not it would be worth my time, and all praised Jack Sheppard [Annotated]: The Hermestes Edition: 4 of 4 people found the following review helpful. Bravo Broadview Press!!!! An amazing edition of a thrilling old bookBy Ibsen FreakThree cheers for Broadview press! This edition of a totally thrilling victorian novel is perfect in every way- This is one of those great old novels that you will not put down- no wonder the victorians were suspitious of Crime Fiction- who wants to work when we can get lost in a great book? This book is a riot- and a blast to teach too- If you like Sensation fiction like "East Lynne" or Penny Dreadfuls like "Varney the Vampire" then Jack Sheppard is a great book to turn to- Who knew reading could be this much fun! Ainsworth's fictionalised account of the life of the notorious housebreaker Jack Sheppard is brought to life in this new edition by Hermestes Publications. The author's vivid descriptions of life in the slums of 18th century London provide a thoroughly satisfying backdrop to the story of the lovable young apprentice carpenter who went astray and met his end at the gallows at the tender age of twenty-one. -
Rookwood, by William Harrison Ainsworth 1
Rookwood, by William Harrison Ainsworth 1 Rookwood, by William Harrison Ainsworth The Project Gutenberg EBook of Rookwood, by William Harrison Ainsworth This eBook is for the use of anyone anywhere at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg License included with this eBook or online at www.gutenberg.org Title: Rookwood Author: William Harrison Ainsworth Release Date: November 20, 2007 [EBook #23564] Language: English Character set encoding: ISO-8859-1 *** START OF THIS PROJECT GUTENBERG EBOOK ROOKWOOD *** Produced by Afra Ullah, Stephen Blundell and the Online Distributed Proofreading Team at http://www.pgdp.net "The immortal Ainsworth." Thackeray. NOVELS BY Livros Grátis http://www.livrosgratis.com.br Milhares de livros grátis para download. Rookwood, by William Harrison Ainsworth 2 WILLIAM HARRISON AINSWORTH ROOKWOOD "Gives a vivid picture of the times and places with which he dealt." The New York Herald. THE RITTENHOUSE PRESS PHILADELPHIA [Illustration: DICK TURPIN CLEARS HORNSEY TOLL-GATE] PRINTED IN U.S.A. BY ARRANGEMENT WITH GEORGE BARRIE'S SONS Transcriber's Note: Minor typographical errors have been corrected without note. Archaic and dialect spellings have been retained. Greek text has been transliterated and is shown between {braces}. The oe ligature has been transcribed as [oe]. A table of contents, though not present in the original publication, has been provided below: MEMOIR TO MY MOTHER PREFACE BOOK I. THE WEDDING RING I. The Vault II. The Skeleton Hand III. The Park IV. The Hall V. Sir Reginald Rookwood VI. -
Melodrama: Metropolis: Modernity
CORE Metadata, citation and similar papers at core.ac.uk Provided by Goldsmiths Research Online GOLDSMITHS Research Online Thesis (PhD) Reid, Margaret Melodrama: Metropolis: Modernity You may cite this version as: Reid, Margaret. 2011. Melodrama: Metropolis: Modernity. Doctoral thesis, Goldsmiths, University of London. [Thesis]: Goldsmiths Research Online. Available at: http://eprints.gold.ac.uk/6541/ COPYRIGHT This is a thesis accepted for a Higher Degree of the University of London. It is an unpublished document and the copyright is held by the author. All persons consulting this thesis must read and abide by the Copyright Declaration below. COPYRIGHT DECLARATION I recognise that the copyright and other relevant Intellectual Property Rights (IPR) of the above- described thesis rests with the author and/or other IPR holders and that no quotation from it or information derived from it may be published without the prior written consent of the author. ACCESS A non-exclusive, non-transferable licence is hereby granted to those using or reproducing, in whole or in part, the material for valid purposes, providing the copyright owners are acknowledged using the normal conventions. Where specific permission to use material is required, this is identified and such permission must be sought from the copyright holder or agency cited. REPRODUCTION All material supplied via Goldsmiths Library and Goldsmiths Research Online (GRO) is protected by copyright and other intellectual property rights, and duplication or sale of all or part of any of the Data Collections is not permitted, except that material may be duplicated by you for your research use or for educational purposes in electronic or print form. -
Criminal Masculinities and the Newgate Novel
Western University Scholarship@Western Electronic Thesis and Dissertation Repository 3-28-2019 11:00 AM Criminal Masculinities and the Newgate Novel Taylor R. Richardson The University of Western Ontario Supervisor Bruhm, Steven The University of Western Ontario Graduate Program in English A thesis submitted in partial fulfillment of the equirr ements for the degree in Doctor of Philosophy © Taylor R. Richardson 2019 Follow this and additional works at: https://ir.lib.uwo.ca/etd Part of the Literature in English, British Isles Commons Recommended Citation Richardson, Taylor R., "Criminal Masculinities and the Newgate Novel" (2019). Electronic Thesis and Dissertation Repository. 6076. https://ir.lib.uwo.ca/etd/6076 This Dissertation/Thesis is brought to you for free and open access by Scholarship@Western. It has been accepted for inclusion in Electronic Thesis and Dissertation Repository by an authorized administrator of Scholarship@Western. For more information, please contact [email protected]. Abstract This dissertation builds upon the seminal work of Keith Hollingsworth in his The Newgate Novel, 1830-1847 and expands analysis of the contentious Victorian subgenre into the realm of studies in masculinities. Outside of critical opinion that the novels were defined by the reactionary and conservative reception of Victorian reviewers who saw the novels as morally outrageous and socially dangerous, the genre, as this dissertation argues, was markedly concerned with specifically male readerships. Victorian critics were concerned about the effects reading criminal literature had on boys becoming men, and, accordingly, this dissertation argues that the reformative political and social climate of the 1830s and 40s was also a great period of examination and literary reflection upon the growth of the boy into the man. -
Special Issue: Gender in Victorian Popular Fiction, Art, and Culture
NINETEENTH-CENTURY GENDER STUDIES ISSUE 12.3 (WINTER 2016) Special Issue: Gender in Victorian Popular Fiction, Art, and Culture Guest Edited by Janine Hatter and Helena Ifill Popular Fictions of Gender in the Newgate Novels By Philippa Abbott, University of Sunderland <1>The Newgate Novel was a popular genre during the 1830s and 1840s. It gained its name from hostile critics who believed the authors’ focus on criminals would corrupt impressionable contemporary readers, especially the young. Among the criminals who are portrayed in the Newgate novels, female criminals are under-represented compared to women’s prosecutions for actual crimes during the period. Keith Hollingsworth’s The Newgate Novel, 1830-1847 (1963) remains the most comprehensive available survey of the genre, yet omits the important role played by female characters, especially the ways in which they ground the novels in nineteenth-century cultural ideals of femininity. Many Newgate novels do not represent female criminals at all, but their omission in itself is significant, and highlights the way that the novels are informed by and reflect the gender ideology of their authors’ contemporary society for which “proper” femininity was especially associated with innocent passivity. The surprising lack of female criminals in Newgate novels is most notable at the beginning of the 1830s, and this absence is linked to the ascendancy of a bourgeois domestic ideal for women. Over the course of the decade the authors of the Newgate novels begin to relinquish their focus on idealized women and begin to include more abject female characters. Where women, and particularly female criminals, are represented in these novels, they remain bound to middle-class conventions of femininity, which are unsettled by the agency and energy of the criminal female who is independent, transgressive and active in a world where morally upstanding women are expected to be obedient, subservient and passive.