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MAY 2012 ISSUE MMUSICMAG.COM Q&A a utumn de Wilde The ’ co-leader takes a solo flight through classic love songs

“The eagles is The moThership,” How did you approach it? could do them with confidence. it definitely says glenn Frey. “We venture to and from We really wanted it to be a piano-and-voice increased my appreciation for everyone that.” For his first solo album in 20 years, album. That’s how things always started out. who’s sung these songs. the 63-year-old native ventured far We would go into the control room and talk indeed: After Hours is a collection of love about a song. michael would go to the piano, Did you have trepidations? songs dating from the ’40s to the present. we would pick a key, get a lyric sheet and i felt i was approaching things in the right producing with richard F.W. Davis and start messing around. Things would evolve way. You have to follow your instincts and try michael Thompson, Frey gives candlelit from there. if we liked what we were hearing, to please yourself first. if you do that, chances treatment to such gems as Johnny mercer’s we would go out into the studio and cut a are you will please others, too. in fact, i “i Wanna Be around” and Brian Wilson’s demo with piano and voice—maybe put a think i’ve just scratched the surface. i’ll “Caroline, No.” meanwhile, the eagles couple of rough overdubs on, just to see probably make another album similar to this mothership hovers—the group is playing a what it might sound like if it were more one. There were so many songs i wanted handful of shows this year, as well as working fleshed out. lastly we would bring in the to sing that i didn’t get to do. most of the time with oscar-winning director on musicians to cut the track. We also had we were right on the money, but there were a documentary about its storied history. a terrific arranger in alan Broadbent. he a couple that i couldn’t quite nail. We tried really understood what we were doing and “rainy Night in georgia”—the beautiful What sparked the idea for this? wrote some beautiful charts. Tony Joe White song that Brook Benton it goes back to the early ’90s. i was a recorded—but it didn’t seem right for me. it’s partner in an aspen restaurant called Did you sing differently? all about picking songs that fit your voice. andiamo. The owner wanted the restaurant No question. singing contemporary to be a bit upscale and asked me to put songs and uptempo songs—like i do in the How’s the eagles documentary? together music that would play well in that eagles—is sort of a guitar-piano-harmonica We’re right in the middle of that. We feel very environment. i compiled all the great hits by style of singing. For these songs, it’s fortunate to have gotten alex gibney as the , ella Fitzgerald, , as if you’re singing like a trumpet or a director. he has a great ability to tell a story. , Billie holiday … the list goes flute or a clarinet. Your voice is another That’s what i want for the eagles—someone on. The restaurant didn’t last long, but i instrument in the ensemble. it required an who understands what we were about, and was left with eight hours of great music adjustment, but it was a challenge i wanted who’s able to portray that accurately and in that i continued to listen to and always to embrace. i tried to learn the songs an interesting way. carried around with me. well before going into the studio so that i –Russell Hall

‘you have to follow your instincts and try to please yourself first.’

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