Out and About with the Fund: the Waters Run Deep
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Nielsen Music Year-End Report Canada 2016
NIELSEN MUSIC YEAR-END REPORT CANADA 2016 NIELSEN MUSIC YEAR-END REPORT CANADA 2016 Copyright © 2017 The Nielsen Company 1 Welcome to the annual Nielsen Music Year End Report for Canada, providing the definitive 2016 figures and charts for the music industry. And what a year it was! The year had barely begun when we were already saying goodbye to musical heroes gone far too soon. David Bowie, Leonard Cohen, Glenn Frey, Leon Russell, Maurice White, Prince, George Michael ... the list goes on. And yet, despite the sadness of these losses, there is much for the industry to celebrate. Music consumption is at an all-time high. Overall consumption of album sales, song sales and audio on-demand streaming volume is up 5% over 2015, fueled by an incredible 203% increase in on-demand audio streams, enough to offset declines in sales and return a positive year for the business. 2016 also marked the highest vinyl sales total to date. It was an incredible year for Canadian artists, at home and abroad. Eight different Canadian artists had #1 albums in 2016, led by Drake whose album Views was the biggest album of the year in Canada as well as the U.S. The Tragically Hip had two albums reach the top of the chart as well, their latest release and their 2005 best of album, and their emotional farewell concert in August was something we’ll remember for a long time. Justin Bieber, Billy Talent, Céline Dion, Shawn Mendes, Leonard Cohen and The Weeknd also spent time at #1. Break out artist Alessia Cara as well as accomplished superstar Michael Buble also enjoyed successes this year. -
Casey's Countdown :::>
J)Yl\ \Yl(f WESTWOOD ONE COMPANIES 9540 Washington Boulevard • Culver City, California 90232-2689 • (310) 204-5000 ./ ·.•• .· .·• ..,... .< .Casey's Countdown :::>. ; · Show #92·32 for broadcast the weeken.d of August *** Disc One *** lncue: "And now the Westwood One ... " · Seg 1 - 10:05 / · Track 1 •• Open Bbds.: AT&T, Camelot Music, T.G.I. Friday's, Golden Grahams Content: #25. Steel Bars / Michael Bolton #24. You Won't See Me Cry / Wilson Phillips Commercials: :30 Camelot Music :30 Reese's PB Cups :30 Trident Sweepstakes Outcue: " ... June 30th, 1993. I do! " Local Break 1 :30 I Content: #23. Rock You Gently / Jennifer Warnes Seg 2 - 15:50 #22. Do It To Me / Lionel Richie Track 2 #21. Come To Me / Bonnie Raitt AT&T Trivia Quiz Commercials: :30 AT&T Tactical :30 Mars/M&M's Promo :30 U.S. Army :30 Listerine Cool Mint Outcue: " ... use as oirecti:rd-:-" - Local Break 1 :oo 1 Content: #20. Nothing Broken But My Heart / Celine Dion . Seg 3 - 8:58 #19. Everybody Loves To Cha Cha Cha / James Taylor · Track 3 •··• Commercials: :30 Golden Grahams / Musicland Promo :30 T.G.I. Friday's :30 Oxy. Outcue: "... Oxy-cute it!" Local Break 1 :30 I Content: #18. If You Asked Me To/ Celine Dion Seg 4 - 16:33 R&D. Tears In Heaven / Eric Clapton Track 4 #17. What Kind Of Love / Rodney Crowell Commercials: :30 Listerine Cool Mint :30 Dash Detergent :30 Reese's Pieces :30 Trident Sweepstakes Outcue: " ... June 30th, 1993. I do!" Local Break 1 :00 I Content: #16. Hot Fun In The Summertime / The Beach Boys < Seg 5 - 3:44 .. -
Their Greatest Hits (1971-1975)”—The Eagles (1976) Added to the Registry: 2016 Essay by Marc Eliot (Guest Post)*
“Their Greatest Hits (1971-1975)”—The Eagles (1976) Added to the Registry: 2016 Essay by Marc Eliot (guest post)* The Eagles In 1971, the arrival of The Eagles signaled a major shift in popular musical tastes in America. If Woodstock was the funeral for both the music and the culture of a decade of drugged out, hippie, free love and cultish idealism, the Seventies was the decade of blatant decadence, political cynicism, sexual distrust, and rampant narcissism. No band represented both the rejection of the Sixties and the celebration of the Seventies more than its crown princes, the Eagles. Songs like “Lyin’ Eyes,” “Witchy Woman,” “One of These Nights,” and “Already Gone,” filled with spirited playing, close harmonies and an overlay of the Eagles’ war between the sexes, comprise four of the ten selections included in the initial compilation of Eagles’ hit songs from their first four albums, “Their Greatest Hits (1971-1975).” Ironically, although the Eagles’ laid-back sound was bright and natural as Southern California sunshine, none of the original four members were Golden State natives (Don Henley, vocalist, lyricist, drummer, was from Texas, bred on bluegrass and country music; Glenn Frey, vocalist, lyricist, rhythm guitar, pianist, came from the streets of Detroit, influenced by the music of Motown and mentored by Bob Seger; Randy Meisner, on bass, was a veteran bar band night sider out of Nebraska; Bernie Leadon, guitar, mandolin, banjo, was a Minnesotan who loved and loved to play classic country). Each migrated separately to Los Angeles, like lemmings, to The Troubadour, the musical and cultural ground zero club on Santa Monica Boulevard, owned and operated by Doug Weston, who favored putting on his stage country-rock bands and female vocalists. -
Entertainment
8/The Blue Banner/Thursday, Dec. 12, 1985 Entertainment A new kind of “rhap” By Donna Kirby The UNCA Music De should "contribute to "Each year for the partment is now putting our sense of ’spirit of past seven years we together its newest the university’." have added a new per performing group—a Dorr also sees great formance group," she special show chorus potential for the group said. "Perhaps the called Rhapsodies in and anticipates its Rhapsodies in Blue can B lue. addition to their h e lp make it a white According to Music annual Holiday Concert. Christmas next year.” Director, Dr. Joyce Dorr, the name is appropriate because of the type of music the group will perform and Fall Pottery Sale because it will empha size UNCA’s school colors. Among the dust and multitudes of day creations in the ceramic workroom in the Owen Building' By Anna Wilson Rhapsodies in Blue will be a "triple students were getting ready for the Annual Instead of writing a farewell quartet" consisting of Pottery Sale. column, I decided not to be sappy three each sapranos, The sale is sponsored by all of the art s i^ ' but to give you some useful trivia. altos, tenors and dents of Elma Johnson’s ceramics classes. For Christmas, I received The Book of basses, said Dorr. A variety of art and craft items beside^ -^-Rock Lists from a good friend who knows "They will be doing ceramics will be on sale. Items include: mug^' I like triv ia. • , show tunes, college plates, teapots, jewelry, Christmas ornaments* Do You Hear What I Hear?: In the songs, all-time paintings, prints, bird feeders and other varioii^ BaUad of John aiid Yoko by the Beatles, favorites and popular pieces. -
Famous People from Michigan
APPENDIX E Famo[ People fom Michigan any nationally or internationally known people were born or have made Mtheir home in Michigan. BUSINESS AND PHILANTHROPY William Agee John F. Dodge Henry Joy John Jacob Astor Herbert H. Dow John Harvey Kellogg Anna Sutherland Bissell Max DuPre Will K. Kellogg Michael Blumenthal William C. Durant Charles Kettering William E. Boeing Georgia Emery Sebastian S. Kresge Walter Briggs John Fetzer Madeline LaFramboise David Dunbar Buick Frederic Fisher Henry M. Leland William Austin Burt Max Fisher Elijah McCoy Roy Chapin David Gerber Charles S. Mott Louis Chevrolet Edsel Ford Charles Nash Walter P. Chrysler Henry Ford Ransom E. Olds James Couzens Henry Ford II Charles W. Post Keith Crain Barry Gordy Alfred P. Sloan Henry Crapo Charles H. Hackley Peter Stroh William Crapo Joseph L. Hudson Alfred Taubman Mary Cunningham George M. Humphrey William E. Upjohn Harlow H. Curtice Lee Iacocca Jay Van Andel John DeLorean Mike Illitch Charles E. Wilson Richard DeVos Rick Inatome John Ziegler Horace E. Dodge Robert Ingersol ARTS AND LETTERS Mitch Albom Milton Brooks Marguerite Lofft DeAngeli Harriette Simpson Arnow Ken Burns Meindert DeJong W. H. Auden Semyon Bychkov John Dewey Liberty Hyde Bailey Alexander Calder Antal Dorati Ray Stannard Baker Will Carleton Alden Dow (pen: David Grayson) Jim Cash Sexton Ehrling L. Frank Baum (Charles) Bruce Catton Richard Ellmann Harry Bertoia Elizabeth Margaret Jack Epps, Jr. William Bolcom Chandler Edna Ferber Carrie Jacobs Bond Manny Crisostomo Phillip Fike Lilian Jackson Braun James Oliver Curwood 398 MICHIGAN IN BRIEF APPENDIX E: FAMOUS PEOPLE FROM MICHIGAN Marshall Fredericks Hugie Lee-Smith Carl M. -
HIGH SOUTH a Change in the Wind with Impressive Three-Part Harmonies, a Dedication to Songwriting, and Unwavering Optimism
HIGH SOUTH A Change in the Wind With impressive three-part harmonies, a dedication to songwriting, and unwavering optimism, the Nashville-based band High South has developed a dedicated following across Europe, where they’ve been touring regularly there since 2015. Now they’re breaking into the American market with A Change in the Wind, a captivating project that draws comparisons to classic rock bands like the Eagles, Doobie Brothers, and Crosby, Stills and Nash. The group – composed of Jamey Garner, Kevin Campos, and Phoenix Mendoza – sums up it this way: “As vocalists we are always drawn to harmony. It’s such a naturally pleasing sound that we're absolutely hooked on -- and it was never more prevalent than the 1970s. Every kid learns from their environment and we were all fortunate to have parents that exposed us to the music of this era. In a sense, it’s in our soul.” With a desire to carry on that iconic ‘70s vibe, High South teamed with producer Josh Leo, known for his work with Glenn Frey, Nitty Gritty Dirt Band, Jimmy Buffett, and Kim Carnes, as well as No. 1 hits for country artists Love & Theft and Emerson Drive. Other collaborators on A Change in the Wind include engineer Niko Bolas (Neil Young, Don Henley, Warren Zevon), guitarist Jack Pearson (Allman Brothers Band), keyboard player Tony Harrell (Flying Burrito Brothers), drummer Nir Z (Genesis), and singer Raul Malo (The Mavericks). Although the band released several singles internationally through Universal Germany, A Change in the Wind is their first release with distribution in America. -
Corey's Top 10 2014 Concerts As 2014 Comes to a Close I Post My Top Concerts for the Year About to End
Corey's Top 10 2014 Concerts As 2014 comes to a close I post my top concerts for the year about to end. I Guess I Made It, (borrowing the great Poco tune title) barely. Unlike the past year I did get one nice CD, Belly of the Beast (more on that later) and I finally got around to digitizing my Magical Mystery Tour LP into iTunes. I continue to enjoy my self-created iTunes Radio station, aptly titled, A Good Feelin' To Know. I continue to program as it plays deep cuts that I would only hear on the WNEW_FM 102.7 station that helped me finetune my musical tastes (Thank you Mr. Fornatale.). Interestingly, family visitations hindered any show close to Poco or Richie Furay this year. 2015 perhaps? 1) I can certainly recall some great multi-acts shows but this year included some the best. Going back to the two 1976 Stills-Young Band shows opened by Poco preceding by a late winter '76 show that had Peter Frampton opening for the Faces, John Sebastian preceding “Fab Four” Poco then Loggins & Messina, and then The Outlaws opening followed by Poco and The Doobies Brothers, and finally Hendrix opening for The Monkees in 1967, I just cannot think of shows where the results of the pairing so matched the promise. It starts with Jackson Browne OPENING for John Fogerty at Jones Beach. Jackson mixed faves and deep cuts. My highlight was Runnin' On Empty. Interestingly for those who recall his original steel flavored version, Jackson arranged Take It Easy so that if Glenn Frey jumped out, he'd not miss a beat. -
Sundance Institute Announces 2019 New Frontier Story Lab Fellows
FOR IMMEDIATE RELEASE Media Contact: May 16, 2019 Chrissy Riley 310.360.1981 [email protected] Sundance Institute Announces 2019 New Frontier Story Lab Fellows Groundbreaking Group of Emerging Media Creatives Convene to Push the Boundaries of Storytelling and Technology Sandra Rodriguez | Michael Burk | Klasien van de Zandschulp | Emily Baltz | Jenny (QinYa) Guo | Xin Liu | Eve-Lauryn Little Shell LaFountain | Razan AlSalah | Momchil Alexandrov Alexiev | Michael Fallik | Laura Emel Yilmaz Los Angeles, CA — Sundance Institute announces six projects selected for the 2019 Sundance Institute New Frontier Story Lab, which supports independent artists working at the cutting-edge convergence of film, art, media, live performance and technology. The New Frontier Story Lab is a week-long immersive experience that empowers creatives with individual story sessions, conversations about key artistic, design and technology issues and case study presentations from experts in multiple disciplines. Past participants include Roger Ross Williams, Josephine Decker, Silas Howard, Tracy Fullerton, Yung Jake, Chris Milk, Hasan Minhaj, Tommy Pallotta, Amelia Winger-Bearskin, Hank Willis Thomas, Jillian Mayer, Heather Dewey-Hagborg, Navid and Vassiliki Khonsari, A Dandy Punk, and Nicolas Peufaillit. The Lab takes place May 16-21 at the Sundance Resort in Utah, under the leadership of Sundance Institute Feature Film Program Founding Director Michelle Satter and Ruthie Doyle, Interim Director of New Frontier Lab Programs. “The relationship between artists and creative technologists develops and expands during the Lab, using emerging and immersive media to find new forms of deeply personal storytelling, this year especially through performance, machine learning, and reimaginings at the intersection of the human and the machine,” said Ruthie Doyle, Interim Director of New Frontier Lab Programs. -
2016•2017 Season
2016•2017 SEASON DUNCAN-WILLIAMS PERFORMANCE HALL TICKETS AND SUBSCRIPTIONS ON SALE NOW! SUBSCRIBE AND SAVE UP TO 30%! To those that have been with us for many years as a subscriber, patron, volunteer or contributor, I am Giving Opportunities pleased to report we’re on a roll! To those of you who are coming to GPAC for the fi rst time, welcome! We are delighted to have you. I encourage you to explore our numerous performances, educational programs, No gift is ever too small or too big … from PRESENTERS CIRCLE community outreach events and volunteer opportunities. $1 to $100,000+! Please contact Deni Hirsh, Do you want to help ensure Director of Development, at 901.751.7505 or the future of the arts? Most venues and performing arts groups both locally and nationwide [email protected] to discuss your gift. Then consider joining the have seen a dramatic decrease in subscriptions. Thanks to your support GPAC Presenters Circle! and participation, however, our number of subscribers has doubled over Membership consists of an the past three years. In fact, not only have our subscriptions increased, SPONSORSHIP annual gift of at least $1,000 with a three but our single tickets sales are also on the rise. Are we bragging? Well… GPAC sponsorships are an excellent way year commitment. Members are prominently perhaps a little. We are defi nitely celebrating, though, and I want to to promote your business and cultivate recognized throughout the season as part of take this opportunity to thank the City of Germantown, the GPAC Board community recognition as a supporter of the a special circle of supporters who share our of Directors, the Director’s Advisory Committee, the Jazz Advisory arts. -
1 Stairway to Heaven Led Zeppelin 1971 2 Hey Jude the Beatles 1968
1 Stairway To Heaven Led Zeppelin 1971 2 Hey Jude The Beatles 1968 3 (I Can't Get No) Satisfaction Rolling Stones 1965 4 Jailhouse Rock Elvis Presley 1957 5 Born To Run Bruce Springsteen 1975 6 I Want To Hold Your Hand The Beatles 1964 7 Yesterday The Beatles 1965 8 Peggy Sue Buddy Holly 1957 9 Imagine John Lennon 1971 10 Johnny B. Goode Chuck Berry 1958 11 Born In The USA Bruce Springsteen 1985 12 Happy Together The Turtles 1967 13 Mack The Knife Bobby Darin 1959 14 Brown Sugar Rolling Stones 1971 15 Blueberry Hill Fats Domino 1956 16 I Heard It Through The Grapevine Marvin Gaye 1968 17 American Pie Don McLean 1972 18 Proud Mary Creedence Clearwater Revival 1969 19 Let It Be The Beatles 1970 20 Nights In White Satin Moody Blues 1972 21 Light My Fire The Doors 1967 22 My Girl The Temptations 1965 23 Help! The Beatles 1965 24 California Girls Beach Boys 1965 25 Born To Be Wild Steppenwolf 1968 26 Take It Easy The Eagles 1972 27 Sherry Four Seasons 1962 28 Stop! In The Name Of Love The Supremes 1965 29 A Hard Day's Night The Beatles 1964 30 Blue Suede Shoes Elvis Presley 1956 31 Like A Rolling Stone Bob Dylan 1965 32 Louie Louie The Kingsmen 1964 33 Still The Same Bob Seger & The Silver Bullet Band 1978 34 Hound Dog Elvis Presley 1956 35 Jumpin' Jack Flash Rolling Stones 1968 36 Tears Of A Clown Smokey Robinson & The Miracles 1970 37 Addicted To Love Robert Palmer 1986 38 (We're Gonna) Rock Around The Clock Bill Haley & His Comets 1955 39 Layla Derek & The Dominos 1972 40 The House Of The Rising Sun The Animals 1964 41 Don't Be Cruel Elvis Presley 1956 42 The Sounds Of Silence Simon & Garfunkel 1966 43 She Loves You The Beatles 1964 44 Old Time Rock And Roll Bob Seger & The Silver Bullet Band 1979 45 Heartbreak Hotel Elvis Presley 1956 46 Jump (For My Love) Pointer Sisters 1984 47 Little Darlin' The Diamonds 1957 48 Won't Get Fooled Again The Who 1971 49 Night Moves Bob Seger & The Silver Bullet Band 1977 50 Oh, Pretty Woman Roy Orbison 1964 51 Ticket To Ride The Beatles 1965 52 Lady Styx 1975 53 Good Vibrations Beach Boys 1966 54 L.A. -
Journey to the Academy Awards: an Investigation of Oscar-Shortlisted and Nominated Documentaries (2014-2016) PRELIMINARY KEY
Journey to the Academy Awards: An Investigation of Oscar-Shortlisted and Nominated Documentaries (2014-2016) PRELIMINARY KEY FINDINGS By Caty Borum Chattoo, Co-Director, Center for Media & Social Impact American University School of Communication | Washington, D.C. February 2016 OVERVIEW For a documentary filmmaker, being recognized by the Academy of Motion Picture Arts & Sciences for an Oscar nomination in the Best Documentary Feature category is often the pinnacle moment in a career. Beyond the celebratory achievement, the acknowledgment can open up doors for funding and opportunities for next films and career opportunities. The formal recognition happens in three phases: It begins in December with the Academy’s announcement of a shortlist—15 films that advance to a formal nomination for the Academy’s Best Documentary Feature Award. Then, in mid-January, the final list of five official nominations is announced. Finally, at the end of February each year, the one winner is announced at the Academy Awards ceremony. Beyond a film’s narrative and technical prowess, the marketing campaigns that help a documentary make it to the shortlist and then the final nomination list are increasingly expensive and insular, from advertisements in entertainment trade outlets to lavish events to build buzz among Academy members and industry influencers. What does it take for a documentary film and its director and producer to make it to the top—the Oscars shortlist, the nomination and the win? Which film directors are recognized—in terms of race and gender? -
Production Notes
Production Notes ABOUT THE FILM Timed to the 50th anniversary of NASA’s celebrated Apollo 11 mission, Apollo 11: First Steps Edition is a thrilling cinematic experience that showcases the real-life moments of humankind’s first steps on the Moon. In this special giant screen edition of Todd Douglas Miller’s (Dinosaur 13) critically acclaimed Apollo 11 documentary, the filmmakers reconstruct the exhilarating final moments of preparation, liftoff, landing, and return of this historic mission—one of humanity’s greatest achievements, and the first to put humans on the Moon. It seems impossible, but this project was possible because of the discovery of a trove of never-before-seen 70mm footage and uncatalogued audio recordings—which allowed the filmmakers to create a 47-minute version of the film tailored exclusively for IMAX® and giant screen theaters in science centers and museums. Apollo 11: First Steps Edition is produced by Statement Pictures in partnership with CNN Films. The film is presented by Land Rover, and distributed by MacGillivray Freeman Films. “The Apollo 11 mission was humanity’s greatest adventure and we’re pleased to be bringing this edition to science centers and museums everywhere,” says director Todd Douglas Miller. “This film was designed to take full advantage of the immersive quality of IMAX and giant screen theaters.” But how did it happen? How did this one-in-a-lifetime batch of footage remain undiscovered for fifty years? Miller explains that as his team was working closely with NASA and the National Archives (NARA) to locate all known Apollo 11 footage, NARA staff members simply discovered reels upon reels of 70mm, large-format Apollo footage.