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Eagles Tribute Band Set for Suffolk Center
Eagles Tribute Band Set for Suffolk Center 7 Bridges: The Ultimate EAGLES Experience will give fans of the classic rock band the Eagles a chance to re-live the greatest hits of the band who had one of the top 20 best-selling albums of the 20th century. 7 Bridges will perform at the Suffolk Center for Cultural Arts on Saturday, Nov. 12 at 8:00 p.m. Eagles fans will hear all their favorite songs. Country-tinged early favorites, like ‘Lying Eyes’, ‘Best of My Love’, and ‘Desperado’ mesh well with the later period rock songs like ‘Life in the Fast Lane’, ‘Heartache Tonight’, and ‘Hotel California’ which are timeless classics audiences love to hear. Other crowd-pleasers include ‘Take It Easy’, ‘Witchy Woman’, ‘Peaceful Easy Feeling’, and ‘Already Gone’. The Eagles had five number one singles, six number one albums, six Grammy Awards, five American Music Awards. Members of 7 Bridges give the audience a stunningly accurate tribute that faithfully re-creates the experience of an Eagles concert. One reviewer wrote, “Close your eyes and listen to 7 Bridges... WOW, they could be the real Eagles. Vocally and visually perfect. A great group of musicians who are consummate professionals. The ultimate Eagles experience.” The performance is sponsored by Duke Automotive. Ticket prices for the performance are $35 and $40. Suffolk Center members at the Sponsor level and above receive a 10% discount on ticket prices. Group discounts are available when purchasing 10 or more tickets. Contact the box office at 923-3900 or purchase tickets online at www.suffolkcenter.org. -
Desperado Set to Fill Hht…
PRESS RELEASE – February 23, 2017 DESPERADO SET TO FILL HHT...AGAIN The band DESPERADO has a reputation for an amazing recreation of the classic sound of THE EAGLES. If you close your eyes, you would swear you were listening to one of your favorite LPs from the 70's. On Saturday March 4th at 7:00 pm you can experience that feeling too. In 2015, DESPERADO was the first group to sell out their performance at the fledgling Historic Hemet Theatre. Last year, their return visit was one of only two concerts that filled the auditorium to capacity. Now that the theatre is filling the house regularly, this appearance will certainly be no exception. With five lead vocalists and instrumentalists who have honed their musical skills in a variety of professional projects, "DESPERADO" is truly a cut above -- performing with all live sound (no backing tracks). Singing the Eagles soaring harmonies while executing the guitar parts and rhythm track to perfection, "Desperado" challenges the listener to tell the difference between what is being played live and the original versions of the songs. Leader and founding member Aaron Broering spent years putting together just the right combination of musicians to fulfill his dream of performing these well-crafted songs with the highest of skill. Recruiting performers who have traveled the world performing with The Beach Boys, David Ruffin of the Temptations, Sam Moore of Sam & Dave, and with Eagles Timothy B Schmit, Don Felder, and J.D. Souther, Desperado truly is "The Premier Eagles Tribute." Tribute to The Eagles is the third in the 2017 "Tribute Mania" concert series that is helping bring the Historic Hemet Theatre back to life. -
Nielsen Music Year-End Report Canada 2016
NIELSEN MUSIC YEAR-END REPORT CANADA 2016 NIELSEN MUSIC YEAR-END REPORT CANADA 2016 Copyright © 2017 The Nielsen Company 1 Welcome to the annual Nielsen Music Year End Report for Canada, providing the definitive 2016 figures and charts for the music industry. And what a year it was! The year had barely begun when we were already saying goodbye to musical heroes gone far too soon. David Bowie, Leonard Cohen, Glenn Frey, Leon Russell, Maurice White, Prince, George Michael ... the list goes on. And yet, despite the sadness of these losses, there is much for the industry to celebrate. Music consumption is at an all-time high. Overall consumption of album sales, song sales and audio on-demand streaming volume is up 5% over 2015, fueled by an incredible 203% increase in on-demand audio streams, enough to offset declines in sales and return a positive year for the business. 2016 also marked the highest vinyl sales total to date. It was an incredible year for Canadian artists, at home and abroad. Eight different Canadian artists had #1 albums in 2016, led by Drake whose album Views was the biggest album of the year in Canada as well as the U.S. The Tragically Hip had two albums reach the top of the chart as well, their latest release and their 2005 best of album, and their emotional farewell concert in August was something we’ll remember for a long time. Justin Bieber, Billy Talent, Céline Dion, Shawn Mendes, Leonard Cohen and The Weeknd also spent time at #1. Break out artist Alessia Cara as well as accomplished superstar Michael Buble also enjoyed successes this year. -
Dazed N Confused Song List
Dazed n Confused Song List Ozzy Osbourne - Crazy Train - Solo’s, Paranoid 163 Whitesnake - Still of the Night -100 - Solo’s Aerosmith - Walk this Way 109 - Sweet Emotion 99 Uriah Heep - Easy Living 161 Robin Trower - Day of the Eagle 132, No time 127 Joe Walsh - Rocky Mountain Way 83 Molly Hatchet - Dream 106, Flirting w/ Disaster 120 April Wine - Roller 141, Sign of the gypsy queen 138 Rush - Tom Sawyer 175, Limelight 138 Bob Seeger - Strut 116 Ratt - Round and Round solo’s 127, Van Halen - Panama 141, Beautiful Girls 205, Jump 129, Poundcake 105 Thin Lizzy - Jailbreak 145 Rick Derringer - Rock n Roll Hoochie Koo 200 Billy Idol - Rebel Yell 166 Montrose - Space Station #5 168 Led Zeppelin - Immigrant Song 113, (Whole Lotta Love, Bring it on Home, How Many More Times) Foghat - I Just Wanna Make Love to You 127, Slowride 114, Fool for the city 140 Ted Nugent - Stranglehold, Dog Eat Dog 136, Cat Scratch Fever 127 Neil Young - Rockin in the Free World 132 Heart - Barracuda 137 James Gang - Funk 49 91, Walk Away 102 Poison - Nothin But a Good Time 129, Talk Dirty to Me 158 Motley Crue - Mr. Brownstone106, Smokin in the boys room 135, Looks that kill 136, Iron Maiden - Run to the Hills 173 Skid Row - Youth Gone Wild 117 ZZ Top - Tush, Sharped dressed man 125 Scorpions - Rock You Like a Hurricane 126 Grand Funk Railroad - American Band 129 Doucette - Mamma Let Him Play 136 Sammy Hagar - Heavy Metal, There’s only one way to rock 153, I don’t need love 106 Golden Earring - Radar Love -
Casey's Countdown :::>
J)Yl\ \Yl(f WESTWOOD ONE COMPANIES 9540 Washington Boulevard • Culver City, California 90232-2689 • (310) 204-5000 ./ ·.•• .· .·• ..,... .< .Casey's Countdown :::>. ; · Show #92·32 for broadcast the weeken.d of August *** Disc One *** lncue: "And now the Westwood One ... " · Seg 1 - 10:05 / · Track 1 •• Open Bbds.: AT&T, Camelot Music, T.G.I. Friday's, Golden Grahams Content: #25. Steel Bars / Michael Bolton #24. You Won't See Me Cry / Wilson Phillips Commercials: :30 Camelot Music :30 Reese's PB Cups :30 Trident Sweepstakes Outcue: " ... June 30th, 1993. I do! " Local Break 1 :30 I Content: #23. Rock You Gently / Jennifer Warnes Seg 2 - 15:50 #22. Do It To Me / Lionel Richie Track 2 #21. Come To Me / Bonnie Raitt AT&T Trivia Quiz Commercials: :30 AT&T Tactical :30 Mars/M&M's Promo :30 U.S. Army :30 Listerine Cool Mint Outcue: " ... use as oirecti:rd-:-" - Local Break 1 :oo 1 Content: #20. Nothing Broken But My Heart / Celine Dion . Seg 3 - 8:58 #19. Everybody Loves To Cha Cha Cha / James Taylor · Track 3 •··• Commercials: :30 Golden Grahams / Musicland Promo :30 T.G.I. Friday's :30 Oxy. Outcue: "... Oxy-cute it!" Local Break 1 :30 I Content: #18. If You Asked Me To/ Celine Dion Seg 4 - 16:33 R&D. Tears In Heaven / Eric Clapton Track 4 #17. What Kind Of Love / Rodney Crowell Commercials: :30 Listerine Cool Mint :30 Dash Detergent :30 Reese's Pieces :30 Trident Sweepstakes Outcue: " ... June 30th, 1993. I do!" Local Break 1 :00 I Content: #16. Hot Fun In The Summertime / The Beach Boys < Seg 5 - 3:44 .. -
AXS TV Canada Schedule for Mon. November 23, 2020 to Sun
AXS TV Canada Schedule for Mon. November 23, 2020 to Sun. November 29, 2020 Monday November 23, 2020 2:30 PM ET / 11:30 AM PT 6:00 AM ET / 3:00 AM PT Rock & Roll Road Trip With Sammy Hagar Tom Green Live Rock & Roll Beach Party - It’s a music festival Sammy-style. Join the Red Rocker for the first an- Marlon Wayans - Comrades in comedy convene Tom trades laughs with Marlon Wayans and nual High Tide Beach Party & Car Show. Vince Neil, Kevin Cronin, Eddie Trunk, Tre Cool, and Eddie Harland Williams. An American comedy dynasty is represented when actor/comedian/writer Money meet up with Sammy at the beach along with 14,000 of their closest friends. Marlon Wayans grabs a seat across from Tom. And he always brings it, whether plying his trade in sit-coms, feature films, or a sketch and variety series like In Living Color. The sardonic Williams, 3:00 PM ET / 12:00 PM PT an accomplished stand-up with a string of appearances on late-night TV, is currently starring in Live From Daryl’s House the sit-com Package Deal. Rob Thomas - Multi Grammy winner Rob Thomas teams up with Daryl Hall on hit songs like “3 AM” and “She’s Gone” on this episode of Live From Daryl’s House. 7:00 AM ET / 4:00 AM PT The Very VERY Best of the 70s 4:00 PM ET / 1:00 PM PT Amazing Toys - From silly to groundbreaking, these play things filled everyone with hours of fun. -
Download This List As PDF Here
QuadraphonicQuad Multichannel Engineers of 5.1 SACD, DVD-Audio and Blu-Ray Surround Discs JULY 2021 UPDATED 2021-7-16 Engineer Year Artist Title Format Notes 5.1 Production Live… Greetins From The Flow Dishwalla Services, State Abraham, Josh 2003 Staind 14 Shades of Grey DVD-A with Ryan Williams Acquah, Ebby Depeche Mode 101 Live SACD Ahern, Brian 2003 Emmylou Harris Producer’s Cut DVD-A Ainlay, Chuck David Alan David Alan DVD-A Ainlay, Chuck 2005 Dire Straits Brothers In Arms DVD-A DualDisc/SACD Ainlay, Chuck Dire Straits Alchemy Live DVD/BD-V Ainlay, Chuck Everclear So Much for the Afterglow DVD-A Ainlay, Chuck George Strait One Step at a Time DTS CD Ainlay, Chuck George Strait Honkytonkville DVD-A/SACD Ainlay, Chuck 2005 Mark Knopfler Sailing To Philadelphia DVD-A DualDisc Ainlay, Chuck 2005 Mark Knopfler Shangri La DVD-A DualDisc/SACD Ainlay, Chuck Mavericks, The Trampoline DTS CD Ainlay, Chuck Olivia Newton John Back With a Heart DTS CD Ainlay, Chuck Pacific Coast Highway Pacific Coast Highway DTS CD Ainlay, Chuck Peter Frampton Frampton Comes Alive! DVD-A/SACD Ainlay, Chuck Trisha Yearwood Where Your Road Leads DTS CD Ainlay, Chuck Vince Gill High Lonesome Sound DTS CD/DVD-A/SACD Anderson, Jim Donna Byrne Licensed to Thrill SACD Anderson, Jim Jane Ira Bloom Sixteen Sunsets BD-A 2018 Grammy Winner: Anderson, Jim 2018 Jane Ira Bloom Early Americans BD-A Best Surround Album Wild Lines: Improvising on Emily Anderson, Jim 2020 Jane Ira Bloom DSD/DXD Download Dickinson Jazz Ambassadors/Sammy Anderson, Jim The Sammy Sessions BD-A Nestico Masur/Stavanger Symphony Anderson, Jim Kverndokk: Symphonic Dances BD-A Orchestra Anderson, Jim Patricia Barber Modern Cool BD-A SACD/DSD & DXD Anderson, Jim 2020 Patricia Barber Higher with Ulrike Schwarz Download SACD/DSD & DXD Anderson, Jim 2021 Patricia Barber Clique Download Svilvay/Stavanger Symphony Anderson, Jim Mortensen: Symphony Op. -
Dec. 22, 2015 Snd. Tech. Album Arch
SOUND TECHNIQUES RECORDING ARCHIVE (Albums recorded and mixed complete as well as partial mixes and overdubs where noted) Affinity-Affinity S=Trident Studio SOHO, London. (TRACKED AND MIXED: SOUND TECHNIQUES A-RANGE) R=1970 (Vertigo) E=Frank Owen, Robin Geoffrey Cable P=John Anthony SOURCE=Ken Scott, Discogs, Original Album Liner Notes Albion Country Band-Battle of The Field S=Sound Techniques Studio Chelsea, London. (TRACKED AND MIXED: SOUND TECHNIQUES A-RANGE) S=Island Studio, St. Peter’s Square, London (PARTIAL TRACKING) R=1973 (Carthage) E=John Wood P=John Wood SOURCE: Original Album liner notes/Discogs Albion Dance Band-The Prospect Before Us S=Sound Techniques Studio Chelsea, London. (PARTIALLY TRACKED. MIXED: SOUND TECHNIQUES A-RANGE) S=Olympic Studio #1 Studio, Barnes, London (PARTIAL TRACKING) R=Mar.1976 Rel. (Harvest) @ Sound Techniques, Olympic: Tracks 2,5,8,9 and 14 E= Victor Gamm !1 SOUND TECHNIQUES RECORDING ARCHIVE (Albums recorded and mixed complete as well as partial mixes and overdubs where noted) P=Ashley Hutchings and Simon Nicol SOURCE: Original Album liner notes/Discogs Alice Cooper-Muscle of Love S=Sunset Sound Recorders Hollywood, CA. Studio #2. (TRACKED: SOUND TECHNIQUES A-RANGE) S=Record Plant, NYC, A&R Studio NY (OVERDUBS AND MIX) R=1973 (Warner Bros) E=Jack Douglas P=Jack Douglas and Jack Richardson SOURCE: Original Album liner notes, Discogs Alquin-The Mountain Queen S= De Lane Lea Studio Wembley, London (TRACKED AND MIXED: SOUND TECHNIQUES A-RANGE) R= 1973 (Polydor) E= Dick Plant P= Derek Lawrence SOURCE: Original Album Liner Notes, Discogs Al Stewart-Zero She Flies S=Sound Techniques Studio Chelsea, London. -
Off the Beaten Track
Off the Beaten Track To have your recording considered for review in Sing Out!, please submit two copies (one for one of our reviewers and one for in- house editorial work, song selection for the magazine and eventual inclusion in the Sing Out! Resource Center). All recordings received are included in “Publication Noted” (which follows “Off the Beaten Track”). Send two copies of your recording, and the appropriate background material, to Sing Out!, P.O. Box 5460 (for shipping: 512 E. Fourth St.), Bethlehem, PA 18015, Attention “Off The Beaten Track.” Sincere thanks to this issue’s panel of musical experts: Richard Dorsett, Tom Druckenmiller, Mark Greenberg, Victor K. Heyman, Stephanie P. Ledgin, John Lupton, Angela Page, Mike Regenstreif, Seth Rogovoy, Ken Roseman, Peter Spencer, Michael Tearson, Theodoros Toskos, Rich Warren, Matt Watroba, Rob Weir and Sule Greg Wilson. that led to a career traveling across coun- the two keyboard instruments. How I try as “The Singing Troubadour.” He per- would have loved to hear some of the more formed in a variety of settings with a rep- unusual groupings of instruments as pic- ertoire that ranged from opera to traditional tured in the notes. The sound of saxo- songs. He also began an investigation of phones, trumpets, violins and cellos must the music of various utopian societies in have been glorious! The singing is strong America. and sincere with nary a hint of sophistica- With his investigation of the music of tion, as of course it should be, as the Shak- VARIOUS the Shakers he found a sect which both ers were hardly ostentatious. -
Sound Recording in the British Folk Revival: Ideology, Discourse and Practice, 1950–1975
Sound recording in the British folk revival: ideology, discourse and practice, 1950–1975 Matthew Ord Submitted in fulfilment of the degree of PhD International Centre for Music Studies Newcastle University March 2017 Abstract Although recent work in record production studies has advanced scholarly understandings of the contribution of sound recording to musical and social meaning, folk revival scholarship in Britain has yet to benefit from these insights. The revival’s recording practice took in a range of approaches and contexts including radio documentary, commercial studio productions and amateur field recordings. This thesis considers how these practices were mediated by revivalist beliefs and values, how recording was represented in revivalist discourse, and how its semiotic resources were incorporated into multimodal discourses about music, technology and traditional culture. Chapters 1 and 2 consider the role of recording in revivalist constructions of traditional culture and working class communities, contrasting the documentary realism of Topic’s single-mic field recordings with the consciously avant-garde style of the BBC’s Radio Ballads. The remaining three chapters explore how the sound of recorded folk was shaped by a mutually constitutive dialogue with popular music, with recordings constructing traditional performance as an authentic social practice in opposition to an Americanised studio sound equated with commercial/technological mediation. As the discourse of progressive rock elevated recording to an art practice associated with the global counterculture, however, opportunities arose for the incorporation of rock studio techniques in the interpretation of traditional song in the hybrid genre of folk-rock. Changes in studio practice and technical experiments with the semiotics of recorded sound experiments form the subject of the final two chapters. -
“What Happened to the Post-War Dream?”: Nostalgia, Trauma, and Affect in British Rock of the 1960S and 1970S by Kathryn B. C
“What Happened to the Post-War Dream?”: Nostalgia, Trauma, and Affect in British Rock of the 1960s and 1970s by Kathryn B. Cox A dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy (Music Musicology: History) in the University of Michigan 2018 Doctoral Committee: Professor Charles Hiroshi Garrett, Chair Professor James M. Borders Professor Walter T. Everett Professor Jane Fair Fulcher Associate Professor Kali A. K. Israel Kathryn B. Cox [email protected] ORCID iD: 0000-0002-6359-1835 © Kathryn B. Cox 2018 DEDICATION For Charles and Bené S. Cox, whose unwavering faith in me has always shone through, even in the hardest times. The world is a better place because you both are in it. And for Laura Ingram Ellis: as much as I wanted this dissertation to spring forth from my head fully formed, like Athena from Zeus’s forehead, it did not happen that way. It happened one sentence at a time, some more excruciatingly wrought than others, and you were there for every single sentence. So these sentences I have written especially for you, Laura, with my deepest and most profound gratitude. ii ACKNOWLEDGMENTS Although it sometimes felt like a solitary process, I wrote this dissertation with the help and support of several different people, all of whom I deeply appreciate. First and foremost on this list is Prof. Charles Hiroshi Garrett, whom I learned so much from and whose patience and wisdom helped shape this project. I am very grateful to committee members Prof. James Borders, Prof. Walter Everett, Prof. -
Indie Mixtape 20 Q&A Is with Big Wild, Who Is Poised and Ready to Vote for the Rock in 2024
:: View email as a web page :: In a recent edition of Uproxx’s “Ask A Music Critic” column, we were asked about our favorite “career-killer follow-up” albums. You know what we’re talking about: A band has a huge hit debut, and then instead of making another record that attempts to replicate that success, the band goes the opposite way and alienates many of the people who originally loved them. One album that came immediately to mind was Congratulations, the 2010 LP by MGMT that essentially transformed them from the kings of late-aughts dorm-room indie-pop — it can’t be overstated how popular songs like “Kids” and “Electric Feel” still are — to a weird outsider psych outfit who never regained the mainstream popularity they once had. Congratulations arrived at a moment when the indie wave of the aughts was about to crash against the critical vogue of poptimism and the commercial consolidation around massive pop stars that has defined the corporate and homogenized streaming era. What I love about Congratulations is that MGMT steered into the crash. Read more here. -- Steven Hyden, Uproxx Cultural Critic and author of This Isn't Happening: Radiohead's "Kid A" And The Beginning Of The 21st Century In case you missed it... Our YouTube channel just added a handful of new videos from late-'80s era The Replacements. Settle into a nice audiobook with St. Vincent, who was announced as the latest artist featured on Audible's Words And Music series. We're getting new Sufjan Stevens solo music for the first time since we cried while looking into a fire to his Call Me By Your Name soundtrack contributions.