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BAM Summer 93 Coverage One World Beat By Jonathan E. Conjunto Ckspedesbe- gan at a family reunion in Oakland in August, In 1970, in a magazine called Crawdaddy, he described a kind I 1981and becameprorni- music that no one else had heard of, let alone tried to describe. nent players in the mid- He named this music heavy metal. Courtney Pine (alto and soprano saxophone, flute). '80s surge of interest in Songstresses NrDea Davenport of Brand New Heav- world beat in the Bay In 1972, he assembled, named, wrote far, ies and Carlene Anderson take this LP over the top Area. They released a with some penetrating vocals. Songs like 'When produced and managed great album, Guira con rite to Jonathan E., c/o Sound You're Near," 'Trust Me," and "Sights of the City" Son, on their own dl,54 29th St., Richmond, CA the first avowed heavy metal band, Blue Oyster Cult. are absolutely brilliant. Caldero label in 1984. 804, or email to: ieue @ For many young people, jazz is a lofty and unat- only to disappear from well'sf'ca'Â¥'s In 1975, before Rotten, before the Ramones, tainable music from the past. However, Jazzmatazz regular view. Over the past couple of years there have he discovered, fought for, succeeds in bringing generationstogether. At a recent been scattered sightings, but with the release of their recorded and forced Epic to release the first punk record, show at the DNA Lounge, the players got an over- magnificent new album, Una Sola Casa (Green Lin- whelming reception as Ayers got busy on the vibes The Dictators Go Girl Crazy. net/Xenophile), they should regain- their place in the and Byrd wove intricate notes with his muted trum- spotlight. pet, while Guru dropped the dope rhymes. Guru In 1976, having defined the scope of heavy metal for summed things up when he humbly noted that he was proud to be down with the "masters" and that it a thousand imitators to come, the Blue Oyster Cult redefined was an honor to work with their crew. the Top 40 with "Don't Fear the Reaper." Although rap is derived mostly from blues, the irnprovisational/freestyle elements of hip-hop and In 1978, he was invited to produce the second record by jazz have often led folks to liken the two musical "the only band that matters," the Clash. genres. The highlight of the DNA show came when Guru allowed Byrd and Ayers to let loose while he In 1980, he was invited to assume management of the other I invited local SF rapper JT the Bigger Figger and a raggamuffin artist from East New York to come seminal heavy metal band, Black Sabbath. onstage and wreckshop. Props out toGuru for taking hip-hop to a new level. In 1984, he brought LA'S paisley underground into the light, Finally, for the record, while this hip-hop-jazz- thing is the flavor of the month, please bear in mind producing the major-label debut of Dream Syndicate. that folks were rapping over jazz grooves and col- laborating with jazz musicians from jump street. In 1987, he helped bring San Francisco alternative music Grover Washington and Bob James had tracks that to the world as proprietor were highly popular among NY's pioneering rap- of 41 5 Records, home to Romeo Void, Translator. pers. Later, Herbie Hancock hooked up with hip-hop DJ Grand Mixer DST. Stesasonic and DJ Jazzy Jeff &the Fresh Prince superbly demonstrated the poten- In 1990, he established Popular Metaphysics Records, tial for this fusion with tracks like "Talking All That home to Manitoba's Wild Kingdom, Jazz," and "A Touch of Jazz." Even Public Enemy World Entertainment War, and Love Club. with their "noise" hooked up with Branford Marsalis for "Fight the Power." But Guru has centered his Conjunto Cespedes: irresistible and universal sound and perspective around the jazz masters, and And in 1991, he built his dream recording studio, 72 tracks dedicated to making musical history on into the millenium. Jazzmatazz bears that out. If s a curious thing, but even with an almost com- Finally, on the local tip, look out for Oakland's plete personnel turnover (only leaders Gladys"Bobil' Siggnett Posse, which has released a very flavorful Ckspedes and her nephew, Guillenno Ckspedes, That studio is ~lpha& Omega. and funky track entitled "Get Right to It" (BSB remain from the old days) and the addition of piano And now it con be yours. To borrow. Records). The group's two principle members, Jwanz and a powerful horn section to the lineup, the sound and DFlat, have been hard at work promoting their is much the same. Such is the innate power of the For custom rate packages, material and successfully establishing club and local tradition of son Cubano. The cool shade of the key- production & management services, college radio play. The flipside is "Chocolate Girls," boards and the blazing light of the flashy horns flow a slower groove that may hit you right. so naturally with the fres riverine guitar, airy flute, help, dial: 41 5-485-5675. Next issue, I'm gonna hit all the local releases, I entwined strings, embedded bass, and splashy rap swear, including Pooh-Man, Easki, Spice-1, and oth- ids of percussion that one hears the whole watershed ers. Until then, peace out. before the tributaries. Tumbling throughit allisBobi's elementall life-affirmingvoice, travelling through the musical landscape from sourceto ocean with a stream- ing force that is irresistible and universal. The official record release dance party will be June 26th at La Pefia Cultural Center, 3105 Shattuck Ave., Blue Notes Berkeley. You can also catch ConjuntoCbspedes June 19th at the Julia Morgan Theatre, 2640 College Ave., san rafael By Steve Stolder Berkeley. In addition, Wayne Wallace, who provided the horn arrangements and played lead trombone on 16 to 72 tracks rn API 48 console Una Sola Casa, unveils "Rhythm and Rhyme" at the IAnalog 1/2", 1/4" & ADAP digital mastering Steve is playing tourist in Dinkelspiel Auditorium July 2nd as part of the New Yorkforan issue. Blue Stanford Jazz Workshop Summer Jazz Concert Se- Moving fader automation rn No VCA's Notes will return on July ries. Call (415) 386-8535 for full info on that series. 17 delays, reverbs & multi-efx boxes 2nd. Sol Y Luna's Flamenco, Salsa, Rumba (Nagualito Music, 516 Monterey "C",Pacifica, CA 94044; 415/ 36 channels of outboard limited & compressors 282-4369) steers away from traditional fare, blending IMassenberg, EAR & Drowmer mike-pre's 36 noise gates three Hispanic musics together with a little jazz to 16 outboard EQ's Tube gear Address correspondence c/o BAM come up with something familiar yet new. The com- at 3470 Buskirk Aue., Pleasant IStone & glass drum chapel Hill, CA 94523. bination of two pita& endlessly chasing each otherL JUNE 18.1W3/BAM 13 given the number of times these guys have split and way they leave artists alone and manage to break reunited, fwas bound to happen, and the dawning of them anyway. Just ask Helmet and 4 Non Blondes, a new era is welcome. Bad Brains have never been less both enjoying some success thanks to Interscope per- than scorching. Rise, the band's new album, won't be severance. out for a couple of months, but I implore you to check Cop Shoot Cop, which has been allowed to make a out their albums (especially Rock for Light, I Against I, fine album in its own way, will play the Kennel Club and Quickness), and make sure to catch a show next June 18th. It's a show that looks set to be a big, fat time. winner, especially with the God Machine on the bill. v v v Can they recreate those ugly, woeful, incessant walls of misery live? It'll be intriguing to see.. "I'm taking you out!" said my wife Deanna one ~ednesdaynight, and I was jolly excited; if s nice to the expected palmas (the handclaps so associated be brought out on a date. We pulled up outside the with flamenco), and the extra percussion fromcongas Clubhouse, parked our ride, and went inside to Faster and timbales, allied with tasteful piano, yearning Pussycat night. I was finally going toseeMudwimmin, South Bay Beat violin, and the vortex of ecstatic singing, perfectly a band which I've been meaning to see for a while. No By Carla Hay captures the swirling energy of flamenco while tak- femme-femme pretty garbage here, just thick, heavy ing it to a higher ground. It's a luminous peak, yet slabs of riff tossed at you like a crowbar. As the band interesting shadows dapple the earth. Sol Y Luna are interchanged instruments, each having a leap and yell The Bay Area isn't ex- , the house band at the Sol Y Luna restaurant, 475 at the mic, nothing could hide the murderous mean actly the center of the Sacramento, SF, and can be seen there every Friday at streak that is so obviously within the Mudwimmin's country-bluegrass in- 1030 p.m. and every Saturday at 11 p.m. They also easy reach. Didn't quite see it that night-the show dustry, but there are present a traditional flamenco show there the same was more for fun than thuggery-but I'll bet in the some talented perform- evenings at 8 p.m. right situation,Mudwimmincould blow up a PA, kick ers here that are making Out and about: The San Francisco Ethnic Dance some heads in, and make some bodies explode.
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