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The Best of the Whitesell Prize Competition 2005-2006
The Best of the Whitesell Prize Competition 2005-2006 The Writing Center’s Phyllis C. Whitesell Prizes for Expository Writing in General Education 3rd Edition, Summer 2006 The Writing Center @ Franklin and Marshall College Lancaster, PA 17604-3003 717.291.3866 Preface The Writing Center’s Phyllis C. Whitesell Prizes honor excellent student writing in Franklin and Marshall’s General Education curriculum. Each year the Writing Center invites submissions and awards a prize for the best essay written in a course that fulfills the First-Year Writing Requirement and for the best essay from a Foundations course. This booklet contains the prize-winning and honorable mention essays from this year’s competition. Named for the emeritus Director of F&M’s Writing Center, the Whitesell Prizes serve several goals. In addition to honoring both Phyllis’s dedication to teaching writing and the achievements of the College’s students writers themselves, the Whitesell Prizes seek to add to the vitality of the College’s General Education curriculum by getting students to think of their intellectual efforts as ongoing enterprises (revision, often after the essay has been graded and the class is completed, is a requirement of the competition). Also, by involving faculty and Writing Center tutors in the judging of the essays—and by making this booklet available to the College community, the Whitesell competition hopes to foster a fuller awareness of the interesting work being done in our Foundations and First-Year Writing requirement courses. My great appreciation goes to this year’s Whitesell Prize judges. Prof. Patrick Bernard, Prof. -
In 1925, Eight Actors Were Dedicated to a Dream. Expatriated from Their Broadway Haunts by Constant Film Commitments, They Wante
In 1925, eight actors were dedicated to a dream. Expatriated from their Broadway haunts by constant film commitments, they wanted to form a club here in Hollywood; a private place of rendezvous, where they could fraternize at any time. Their first organizational powwow was held at the home of Robert Edeson on April 19th. ”This shall be a theatrical club of love, loy- alty, and laughter!” finalized Edeson. Then, proposing a toast, he declared, “To the Masquers! We Laugh to Win!” Table of Contents Masquers Creed and Oath Our Mission Statement Fast Facts About Our History and Culture Our Presidents Throughout History The Masquers “Who’s Who” 1925: The Year Of Our Birth Contact Details T he Masquers Creed T he Masquers Oath I swear by Thespis; by WELCOME! THRICE WELCOME, ALL- Dionysus and the triumph of life over death; Behind these curtains, tightly drawn, By Aeschylus and the Trilogy of the Drama; Are Brother Masquers, tried and true, By the poetic power of Sophocles; by the romance of Who have labored diligently, to bring to you Euripedes; A Night of Mirth-and Mirth ‘twill be, By all the Gods and Goddesses of the Theatre, that I will But, mark you well, although no text we preach, keep this oath and stipulation: A little lesson, well defined, respectfully, we’d teach. The lesson is this: Throughout this Life, To reckon those who taught me my art equally dear to me as No matter what befall- my parents; to share with them my substance and to comfort The best thing in this troubled world them in adversity. -
Coll E C T Ion P R O F
ARSC Study Guide: Screen Actors Guild Foundation: “Conversations” COLLECTION PROFILE The Screen Actors Guild (SAG) Foundation Legacy Documentation Program is the product of the Foundation's ongoing efforts to preserve and illuminate the history of the Guild, Hollywood, and the labor movement by funding the production of documentary interviews with long- time Guild members. Through its ActorSpeak program, SAG provides a forum for Guild members to relate their shared experiences in the entertainment industry with a diverse public audience in an effort to inspire and inform future generations of performers. Guild member Joe Mantegna in conversation with television pioneer Conversations is the live Sid Caesar. audience, in-house version of the Foundation’s ActorSpeak Legacy Program that features high-profile SAG members recorded in discussions, often with other Guild members, in a variety of locations around the United States. Dozens of interviews have been completed to date, including discussions with Jack Lemmon, James Garner, Marsha Hunt, Patty Duke, Cliff Robertson, Buddy Ebsen, Gloria Stuart, Charlton Heston, Henry Fonda, Rod Steiger, Danny Glover, Ernest Borgnine, Phyllis Diller and Ed Asner. The living documents created by the Legacy Program offer an unparalleled window into the early struggles and successes of the Guild, as seen through the eyes of the actors and other industry professionals who have contributed to the Guild’s history. For more information regarding material available in this collection please contact the Archive Research & Study Center at 310-206-5388, [email protected] or: Consult the Archive’s online catalog of holdings: • http://cinema.library.ucla.edu ARSC Study Guide: Screen Actors Guild Foundation: “Conversations” SAMPLES FROM THE COLLECTION: (this is only a partial list – consult the Archive Research and Study Center for further listings) COLLECTION RESOURCES Henry Fonda and Charlton Heston (1979-12-15). -
Chapter One: Postwar Resentment and the Invention of Middle America 10
MIAMI UNIVERSITY The Graduate School Certificate for Approving the Dissertation We hereby approve the Dissertation of Jeffrey Christopher Bickerstaff Doctor of Philosophy ________________________________________ Timothy Melley, Director ________________________________________ C. Barry Chabot, Reader ________________________________________ Whitney Womack Smith, Reader ________________________________________ Marguerite S. Shaffer, Graduate School Representative ABSTRACT TALES FROM THE SILENT MAJORITY: CONSERVATIVE POPULISM AND THE INVENTION OF MIDDLE AMERICA by Jeffrey Christopher Bickerstaff In this dissertation I show how the conservative movement lured the white working class out of the Democratic New Deal Coalition and into the Republican Majority. I argue that this political transformation was accomplished in part by what I call the "invention" of Middle America. Using such cultural representations as mainstream print media, literature, and film, conservatives successfully exploited what came to be known as the Social Issue and constructed "Liberalism" as effeminate, impractical, and elitist. Chapter One charts the rise of conservative populism and Middle America against the backdrop of 1960s social upheaval. I stress the importance of backlash and resentment to Richard Nixon's ascendancy to the Presidency, describe strategies employed by the conservative movement to win majority status for the GOP, and explore the conflict between this goal and the will to ideological purity. In Chapter Two I read Rabbit Redux as John Updike's attempt to model the racial education of a conservative Middle American, Harry "Rabbit" Angstrom, in "teach-in" scenes that reflect the conflict between the social conservative and Eastern Liberal within the author's psyche. I conclude that this conflict undermines the project and, despite laudable intentions, Updike perpetuates caricatures of the Left and hastens Middle America's rejection of Liberalism. -
Nashville, Secret Honor, And Nashville Nashville
Nashville, Secret Honor, and Nashville Nashville: A Journey Through the Robert Altman Archives By Ava Burnham 1 Table of Contents Abstract 3 Preface 4 Introduction 6 Chapter 1: Nashville 7 Nashville Marketing and Reception 7 American Politics and the Origin of Nashville 12 Finding Joan Tewkesbury 13 Interview with Joan Tewkesbury 15 Journal Entry #1 18 Chapter 2: Secret Honor 21 Journal Entry #2 21 Secret Honor Archives 22 Secret Honor Production 24 Meaning and Symbolism in Secret Honor 25 Secret Honor Reception 28 Secret Honor and Nashville 30 Chapter 3: Nashville Nashville 32 Journal Entry #3 32 Nashville Nashville Introduction 32 A Call with Robert Harders 36 Nashville Nashville Production 38 Chapter 4: Nashville Today 44 Conclusion 50 Epilogue: The Nashville Screening 52 Acknowledgements 55 Bibliography 58 2 Abstract Was Robert Bernard Altman a mediocre director who was in the right place at the right time, or was he a truly talented innovator who deserves his reputation as one of Hollywood’s greatest film directors? In this paper I answer this question by providing evidence from The Robert Altman Archives at The University of Michigan, and from interviews with Frank Beaver (Professor of Communications and a colleague of Altman’s at Michigan), Joan Tewkesbury (screenwriter for Nashville), and Robert Harders (screenwriter for the unmade Nashville Nashville). Specifically, I will address three Altman films: Nashville (1975), Secret Honor (1985), and Nashville Nashville (unmade). In uncovering new information about these films, their public receptions, and Altman’s rationale and techniques for making them, I show that Altman was a thoughtful and politically-driven director who used both innovative film techniques and symbolism to create his films. -
Chernobyl Si Spegne. Via I Bambini Da Kiev
Anno 63* N. 109 Quotidiano LIRE 650 Spcd. abb. post, gruppo 1/70 SABATO 10 MAGGIO 1986 Arretrati L. 1.300 ORGANO DEL PARTITO COMUNISTA ITALIANO Nell'interno Cambiano i venti, da oggi fino a lunedì soffieranno da Est sull'Italia 7Q\.Ì Maddalena- ) Napoli SAHDCOSA k. ITALIA .GRECI Al t» "UUmif "Cagliari *Souda iraLI'""' SJ7 ~ C©ro Torna la nube radioattiva • (> J . Cfl£M Chernobyl si spegne. Via i bambini da Kiev "~~^ \-..-'2 raglia «Preavviso» del servizio meteorologico alla Protezione civile: non si hanno però dati sui rischi effettivi di conta Q Base americana minazione - Svolta nell'atteggiamento dell'Urss, che da ieri ha iniziato a fornire informazioni dettagliate alPAiea ROMA — Torna la nube radioattiva. O almeno quanto rimane delle masse d'aria che si trovavano su Chernobyl, Il giorno della tragedia nucleare. Lo dicono gli esperti del servizio meteorologico nazionale dell'Aeronautica che hanno Inviato un «preavviso! alla Protezione Comìzio fiume civile. Il cambiamento del venti che erano stati a nostro favore fino alla notte scorsa, inale ranno Invece a «rientro» tra oggi e lunedì sull'Italia. Il «preavviso» alla Protezione civile dice Colate di che «nel corso della giornata di oggi e fino a lunedì, si prevede l'instaurarsi di moderate correnti da settentrione con componenti da est». In prati cemento di Gheddafi ca, torneranno sulla peniso la le masse d'aria attual mente presenti sulla Jugo per soste slavia e sull'Europa orienta Le manifestazioni le. Andranno a «slstermars!» Nuove minacce — come hanno spiegato gli specialisti — sulle regioni nere il di oggi e domani del medio-basso versante adriatico, su quelle appenni niche centro-meridionali, reattore all'Italia sui versanti orientali delle di GERARDO CHIAROMONTE regioni meridionali, con un flusso che interesserà preva Dal nostro corrispondente Gheddafi ha fatto la sua prima ricomparsa In pubblico dal lentemente gli strati bassi MOSCA — Primo rapporto sulla situazione a Chernobyl: Io fatidico 15 aprile del bombardamento americano. -
Film Soleil 28/9/05 3:35 Pm Page 2 Film Soleil 28/9/05 3:35 Pm Page 3
Film Soleil 28/9/05 3:35 pm Page 2 Film Soleil 28/9/05 3:35 pm Page 3 Film Soleil D.K. Holm www.pocketessentials.com This edition published in Great Britain 2005 by Pocket Essentials P.O.Box 394, Harpenden, Herts, AL5 1XJ, UK Distributed in the USA by Trafalgar Square Publishing P.O.Box 257, Howe Hill Road, North Pomfret, Vermont 05053 © D.K.Holm 2005 The right of D.K.Holm to be identified as the author of this work has been asserted by him in accordance with the Copyright, Designs and Patents Act 1988. All rights reserved. No part of this book may be reproduced, stored in or introduced into a retrieval system, or transmitted, in any form, or by any means (electronic, mechanical, photocopying, recording or otherwise) without the written permission of the publisher. Any person who does any unauthorised act in relation to this publication may beliable to criminal prosecution and civil claims for damages. The book is sold subject tothe condition that it shall not, by way of trade or otherwise, be lent, re-sold, hired out or otherwise circulated, without the publisher’s prior consent, in anyform, binding or cover other than in which it is published, and without similar condi-tions, including this condition being imposed on the subsequent publication. A CIP catalogue record for this book is available from the British Library. ISBN 1–904048–50–1 2 4 6 8 10 9 7 5 3 1 Book typeset by Avocet Typeset, Chilton, Aylesbury, Bucks Printed and bound by Cox & Wyman, Reading, Berkshire Film Soleil 28/9/05 3:35 pm Page 5 Acknowledgements There is nothing -
Cliff Robertson Receives 2007 Wesley L
For Immediate Release September 14, 2007 Contact: Jonathan Gaffney, President, NAA, 703.527.0226 CLIFF ROBERTSON, AVIATOR AND ACTOR, IS THE WINNER OF THE 2007 WESLEY L. MCDONALD ELDER STATESMAN OF AVIATION AWARD The National Aeronautic Association, the oldest aviation organization in the United States, is very proud to announce that Cliff Robertson is the winner of the 2007 Wesley L. McDonald Elder Statesman of Aviation Award. The Elder Statesman Awards were established in 1954 to honor outstanding Americans who, by their efforts over a period of years, have made contributions of significant value to aeronautics and have reflected credit upon America and themselves. The award was renamed this year in honor of NAA’s past chairman, Admiral Wesley L. McDonald. Previous winners have included Eddie Rickenbacker, Jimmy Doolittle, Scott Crossfield and Chuck Yeager. Robertson, a lifelong soaring fanatic, is a member of the Experimental Aircraft Association (EAA) President’s Council and was the founding Chairman of the EAA Young Eagles Program, a youth development initiative that has helped put more than 1.5 million future pilots into the air. The EAA’s “Cliff Robertson Work Program” for young people over the age of 16 is named in his honor. Robertson is best known for his long career as an actor in television and film, and for his Academy Award-winning performance in the 1968 film Charly. It is aviation, however, that has captured his imagination and his heart since childhood. The two paths have intersected many times in his career, with roles in films like The Pilot, The Squadron, and Midway, and Robertson has frequently used his work in the movies to support both his own vintage airplane collection and his work with the Experimental Aircraft Association. -
They're Tasty!
The Goodland Star-News / Tuesday, October 14, 2003 5 abigail it’s too late. The following are some of the (6) Anyone who wants to avoid say that neither I nor my husband Flu shots are FACT: Although it’s best to be people for whom influenza vac- the risk of spreading the flu (and has contracted the flu since we be- van buren vaccinated in October or Novem- cine is recommended in the United its possible complications) to a gan getting flu shots. Other excel- ber for maximum protection States: loved one or friend. Flu vaccine lent candidates who should con- good protection throughout the flu season, people (1) People 50 and older. protects not only you, but also the sider being immunized include •dear abby who are immunized in December, (2) Anyone 6 months and older people you care about. police and fire personnel, teachers, for people January and February are pro- who has medical problems such as A nasal spray form of influenza bus drivers, and people who come DEAR ABBY: Each year in the mended fail to get immunized. tected. heart or lung disease (including vaccine is newly licensed in the in contact with the public. United States, influenza kills Some presumptions that keep MYTH 3: Only people 65 and asthma), diabetes, kidney disease U.S. this year. For more informa- Readers, if you have questions 36,000 people and hospitalizes people from being vaccinated: older need the influenza vaccine. or a weak immune system. tion about it, your readers should about influenza vaccine, or any 110,000 more. -
Screen Biography of Mary Pickford to Premiere at Museum of Modern Art Personal Appearances by Buddy Rodgers & Producer Matty Kemp
SCREENING ADVICE Please note: There will be a press screening of THE MARY PICKFORD STORY on Monday, March 20th at 2:30 p.m. in the Department of Film projection room on the 4th floor of The Museum of Modern Art at 21 West 53rd Street. More information is attached. The Museum of Modern Art H West 53 Street, New York, N.Y. 10019 Tel. 956-6100 Cable: Modernart NO. 20 From: FOR IMMEDIATE RELEASE Lillian Gerard (212) 956-7296 SCREEN BIOGRAPHY OF MARY PICKFORD TO PREMIERE AT MUSEUM OF MODERN ART PERSONAL APPEARANCES BY BUDDY RODGERS & PRODUCER MATTY KEMP To honor the most widely acknowledged and celebrated pioneer of American film, the actress Mary Pickford, whose career began in 1909, The Museum of Modern Art has set aside the evening of March 20 at 8:30 p.m. to present a new screen biography, titled "America's Sweetheart: The Mary Pickford Story." Narrated by Henry Fonda, with commentary highlights by Miss Pickford, the film has special commentary by Gene Kelly, Charles "Buddy" Rodgers, Lord Lewis Mountbatten, Yvonne Vallee (the former Mrs. Maurice Chevalier) and Galina Kravtchenko, who recorded those portions filmed in the Soviet Union. The picture was produced by Matty Kemp and Michael Small from a screenplay by John Edwards, who also directed this co-production between the Mary Pickford Company and Polytel Films, Ltd. of London. The premiere at the Museum has been arranged at the request of Miss Pickford, in recognition of the Museum's work in preserving her films. Buddy Rodgers, her husband, will introduce the film and Matty Kemp, the producer, will also comment on it. -
Lilms Perisllecl
Film History, Volume 9, pp. 5-22, 1997. Text copyrig ht © 1997 David Pierce. Design, etc. copyright© John libbey & Company. ISSN: 0892-2 160. Pri nted in Australia l'lle legion of file conclemnecl - wlly American silenf lilms perisllecl David Pierce f the approximately 1 0 ,000 feature print survives for most silent films, usually therewere films and countless short subjects re not many copies lo begin with . While newspapers leased in the United States before or magazines were printed and sold by the thou O 1928, only a small portion survive . sands, relatively few projection prints were re While so me classics existand are widelyavailable, quired for even the most popular silent films . In the many silent films survive only in reviews, stills, pos earliest days of the industry, producers sold prints, ters and the memories of the few remaining audi and measured success bythe number ofcopies sol d. ence members who saw them on their original By the feature period, beginning around 1914, release. 1 copies were leased lo subdistributors or rented lo Why did most silent films not survive the pas exhibitors, and the owners retained tight control. sage of time? The curren! widespread availability The distribution of silent features was based on a of many tilles on home video, and the popularity of staggered release system, with filmgoers paying silent film presentations with live orchestral accom more lo see a film early in its run. Films opened in paniment might give the impression that silent films downtown theatres, moved lo neighbourhood had always been held in such high regard . -
The Dead Don't Die — They Rise from Their Graves and Savagely Attack and Feast on the Living, and the Citizens of the Town Must Battle for Their Survival
THE DEAD DON’T DIE The Greatest Zombie Cast Ever Disassembled Bill Murray ~ Cliff Robertson Adam Driver ~ Ronnie Peterson Tilda Swinton ~ Zelda Wintson Chloë Sevigny ~ Mindy Morrison Steve Buscemi ~ Farmer Miller Danny Glover ~ Hank Thompson Caleb Landry Jones ~ Bobby Wiggins Rosie Perez ~ Posie Juarez Iggy Pop ~ Coffee Zombie Sara Driver ~ Coffee Zombie RZA ~ Dean Carol Kane ~ Mallory O’Brien Austin Butler ~ Jack Luka Sabbat ~ Zach Selena Gomez ~ Zoe and Tom Waits ~ Hermit Bob The Filmmakers Written and Directed by Jim Jarmusch Produced by Joshua Astrachan Carter Logan TABLE OF CONTENTS I. Synopsis . 4 II. “The Dead Don’t Die” Music and Lyrics by Sturgill Simpson 5 III. About the Production . 6 IV. Zombie Apocalypse Now . 8 V. State of the Nation . 11 VI. A Family Affair . 15 VII. Day For Night . 18 VIII. Bringing the Undead to Life . 20 IX. Anatomy of a Scene: Coffee! . 23 X. A Flurry of Zombies . 27 XI. Finding Centerville . 29 XII. Ghosts Inside a Dream . 31 XIII. About the Filmmaker – Jim Jarmusch . 33 XIV. About the Cast . 33 XV. About the Filmmakers . 49 XVI. Credits . 54 2 SYNOPSIS In the sleepy small town of Centerville, something is not quite right. The moon hangs large and low in the sky, the hours of daylight are becoming unpredictable, and animals are beginning to exhibit unusual behaviors. No one quite knows why. News reports are scary and scientists are concerned. But no one foresees the strangest and most dangerous repercussion that will soon start plaguing Centerville: The Dead Don't Die — they rise from their graves and savagely attack and feast on the living, and the citizens of the town must battle for their survival.