Chapter 4: Qt, Artistic, and Creative Commons Licenses
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Artistic License
Perl version 5.10.0 documentation - perlartistic NAME perlartistic - the Perl Artistic License SYNOPSIS You can refer to this document in Pod via "L<perlartistic>" Or you can see this document by entering "perldoc perlartistic" DESCRIPTION This is "The Artistic License". It's here so that modules,programs, etc., that want to declare this as their distributionlicense, can link to it. It is also one of the two licenses Perl allows itself to beredistributed and/or modified; for the other one, the GNU GeneralPublic License, see the perlgpl. The "Artistic License" Preamble The intent of this document is to state the conditions under which aPackage may be copied, such that the Copyright Holder maintains somesemblance of artistic control over the development of the package,while giving the users of the package the right to use and distributethe Package in a more-or-less customary fashion, plus the right to makereasonable modifications. Definitions "Package" refers to the collection of files distributed by theCopyright Holder, and derivatives of that collection of files createdthrough textual modification. "Standard Version" refers to such a Package if it has not beenmodified, or has been modified in accordance with the wishes of theCopyright Holder as specified below. "Copyright Holder" is whoever is named in the copyright orcopyrights for the package. "You" is you, if you're thinking about copying or distributing this Package. "Reasonable copying fee" is whatever you can justify on the basisof media cost, duplication charges, time of people involved, and so on.(You will not be required to justify it to the Copyright Holder, butonly to the computing community at large as a market that must bear thefee.) "Freely Available" means that no fee is charged for the itemitself, though there may be fees involved in handling the item. -
Open Licensing Toolkit for Staff
Open Licensing Toolkit for Staff The Hewlett Foundation Open Licensing Toolkit for Staff is licensed May 2015 under a Creative Commons Attribution 4.0 International License. Legal Disclaimer: This material is for general informational purposes only and does not represent legal advice as to any particular set of facts; nor does it represent any undertaking to keep recipients advised of any relevant legal developments. Please consult appropriate professional advisors as you deem necessary. The Hewlett Foundation shall not be held responsible for any claims or losses that may arise from any errors or omissions in this document. Hewlett Foundation Open Licensing Toolkit for Staff Table of Contents 1. Hewlett Foundation Commitment to Open Licensing 2. Hewlett Foundation Procedures a. Frequently Asked Questions b. Decision Tree c. Creative Commons License Types d. Guidelines for Marking Openly Licensed Documents 3. Sample Language a. Grantee Communications b. Grant Proposal Template c. Grant Reporting Requirements d. Grant Agreement Letter e. Direct Charitable Activities (DCA) Contract May 2015 Hewlett Foundation Open Licensing Toolkit for Staff Hewlett Foundation Commitment to Open Licensing As part of our commitment to openness and transparency, the Hewlett Foundation has long supported open licensing—an alternative for traditional copyright that allows and encourages sharing of intellectual property. Open licenses, such as those developed by our longtime grantee Creative Commons, protect authors’ rights while giving explicit permission to others to freely use, distribute, and build upon their work. The benefits of open licensing are clear: open licensing increases the chances that good ideas will get a hearing, that others will be able to do something with them, and ultimately that they will have their greatest impact. -
Creative Commons Open Licenses - What Is It All About?
CREATIVE COMMONS OPEN LICENSES - WHAT IS IT ALL ABOUT? Introductory presentation by Paul G. West Creative Commons South African Chapter Lead STATING THE UNNECESSARY This workshop is dedicated to providing a harassment-free experience for everyone regardless of gender, gender identity and expression, sexual orientation, disability, physical appearance, body size, race, age or religion. We do not tolerate harassment of participants or facilitators in any form. Sexual language and imagery is not appropriate, including in any online platform that may be used. AND IT IS IMPORTANT TO ADD THAT . • Nothing in this workshop should be construed as legal advice! • We will be talking about an interesting range of topics that touch on copyright, fair use and open licensing. • We will together learn more about copyright, open licensing and open practices in various communities. • Upon completion, you should feel a little more comfortable sharing facts about copyright and open licensing and good open practices. • I am NOT a lawyer – I am a supporter of Open Educational Resources (OER) and Creative Commons (CC) open licenses. THE STORY DOES NOT START IN 2002 UNESCO Forum on the Impact of Open Courseware for Higher Education in Developing Countries https://unesdoc.unesco.org/ark:/48223/pf0000181682 ORIGINS OF OER CREATION OF A MOVEMENT Larry Lessig and others founded the Creative Commons 2001 Charles M. Vest speaks of a meta-university 2007 a transcendent, accessible, empowering, dynamic, communally constructed framework of open materials and platforms -
Ubuntu Unleashed 2013 Edition: Covering 12.10 and 13.04
Matthew Helmke with Andrew Hudson and Paul Hudson Ubuntu UNLEASHED 2013 Edition 800 East 96th Street, Indianapolis, Indiana 46240 USA Ubuntu Unleashed 2013 Edition Editor-in-Chief Copyright © 2013 by Pearson Education, Inc. Mark Taub All rights reserved. No part of this book shall be reproduced, stored in a retrieval Acquisitions Editor system, or transmitted by any means, electronic, mechanical, photocopying, record- Debra Williams ing, or otherwise, without written permission from the publisher. No patent liability is assumed with respect to the use of the information contained herein. Although every Cauley precaution has been taken in the preparation of this book, the publisher and author Development Editor assume no responsibility for errors or omissions. Nor is any liability assumed for damages resulting from the use of the information contained herein. Michael Thurston ISBN-13: 978-0-672-33624-9 Managing Editor ISBN-10: 0-672-33624-3 Kristy Hart Project Editor The Library of Congress cataloging-in-publication data is on file. Jovana Shirley Printed in the United States of America Copy Editor First Printing December 2012 Charlotte Kughen Trademarks Indexer All terms mentioned in this book that are known to be trademarks or service marks have Angie Martin been appropriately capitalized. Sams Publishing cannot attest to the accuracy of this information. Use of a term in this book should not be regarded as affecting the validity Proofreader of any trademark or service mark. Language Logistics Warning and Disclaimer Technical Editors Every effort has been made to make this book as complete and as accurate as Chris Johnston possible, but no warranty or fitness is implied. -
License Agreement
TAGARNO MOVE, FHD PRESTIGE/TREND/UNO License Agreement Version 2021.08.19 Table of Contents Table of Contents License Agreement ................................................................................................................................................ 4 Open Source & 3rd-party Licenses, MOVE ............................................................................................................ 4 Open Source & 3rd-party Licenses, PRESTIGE/TREND/UNO ................................................................................. 4 atk ...................................................................................................................................................................... 5 base-files ............................................................................................................................................................ 5 base-passwd ...................................................................................................................................................... 5 BSP (Board Support Package) ............................................................................................................................ 5 busybox.............................................................................................................................................................. 5 bzip2 ................................................................................................................................................................. -
Introductory Lecture & FLOSS
Introductory Lecture & FLOSS Lecture 1 TU Wien, 193.067 Free and Open Technologies (WS 2019/2020) Christoph Derndorfer and Lukas F. Lang This work is licensed under a Creative Commons Attribution-ShareAlike 4.0 International License. Introduction Organization ● Lectures: ○ Weekly lecture to cover course materials (until Christmas) ○ Lectures take place on Tuesdays, 17:00–19:00, Argentinierstraße 8, Seminarraum/Bibliothek 194-05 ○ Attendance is mandatory ● Group project: ○ In groups of 4 students ○ 3 meetings with lecturers during the semester (week 44/2019, week 48/2019, week 2/2020) ○ Final presentations at the end of January (week 4/2020) ● Final paper: ○ In groups of 2 students ○ Final presentations at the end of January (week 5/2020) ○ Deadline: Sunday, February 9, 2020, 23:59 CET (no exceptions!) Organization ● Grading: ○ 50% group project ○ 35% seminar paper ○ 15% participation during lectures ○ All course components need to be passed in order to pass the overall course! ● Course materials: ○ Will be provided at https://free-and-open-technologies.github.io ● For further questions: ○ Email [email protected] and [email protected] Lecture outline 1. FLOSS (Free/Libre and Open Source Software) 2. Open Hardware 3. Open Data 4. Open Content/Open Educational Resources 5. Open Science/Research 6. Open Access 7. Open Spaces/Open Practices: Metalab Vienna 8. Guest Lecture: Stefanie Wuschitz (Mz* Baltazar’s Lab) Group project ● Goal: ○ Extend, contribute to, or create a new open project within scope of lecture topics ● Choose topic from a list (see course website) or (even better) suggest your own: ○ Groups of 4 students ○ Send a 1-page proposal until Friday, October 25, via email to both lecturers ■ Define the idea, goal, (potential) impact, requirements, and estimated effort ■ State deliverables (should be broken down into three milestones to discuss in meetings) ● Requirements: ○ Open and accessible (Git repository, openly licensed) → others can access/use/study/extend ○ Use time sheet to track and compare estimated vs. -
Artistic License 2.0
Artistic License 2.0 Copyright (c) 2000-2006, The Perl Foundation. Everyone is permitted to copy and distribute verbatim copies of this license document, but changing it is not allowed. Preamble This license establishes the terms under which a given free software Package may be copied, modified, distributed, and/or redistributed. The intent is that the Copyright Holder maintains some artistic control over the development of that Package while still keeping the Package available as open source and free software. You are always permitted to make arrangements wholly outside of this license directly with the Copyright Holder of a given Package. If the terms of this license do not permit the full use that you propose to make of the Package, you should contact the Copyright Holder and seek a different licensing arrangement. Definitions "Copyright Holder" means the individual(s) or organization(s) named in the copyright notice for the entire Package. "Contributor" means any party that has contributed code or other material to the Package, in accordance with the Copyright Holder's procedures. "You" and "your" means any person who would like to copy, distribute, or modify the Package. "Package" means the collection of files distributed by the Copyright Holder, and derivatives of that collection and/or of those files. A given Package may consist of either the Standard Version, or a Modified Version. "Distribute" means providing a copy of the Package or making it accessible to anyone else, or in the case of a company or organization, to others outside of your company or organization. "Distributor Fee" means any fee that you charge for Distributing this Package or providing support for this Package to another party. -
Open Source Software: Avoiding the Pitfalls; Reaping the Rewards
McCarthy Tétrault LLP Open Source Software: Avoiding the Pitfalls; Reaping the Rewards Charles Morgan Presentation to the ALAI Auberge Le Saint-Gabriel September 24, 2003 McCarthy Tétrault Open Source »What is Open Source? »Brief History of Open Source »OSI Open Source Definition »Open Source Licenses »Open Source Business Models »Rewards & Pitfalls »Open Source Tips McCarthy Tétrault LLP What is Open Source? » Open source software can generally be defined by four freedoms: • The freedom to use the program • The freedom to examine and change the source code • The freedom to distribute the program • The freedom to distribute any changes to the source code McCarthy Tétrault LLP What is Open Source? » Nine core principles: • Free Distribution – no restriction on distribution of the software as a component of an aggregate software distribution (including royalty or fee) • Source Code - the source code must be accessible • Derived Works - license must allow modifications and derived works, and must allow them to be distributed under the same terms as the license of the original software • Integrity of the Author’s Source Code - the license may restrict source code from being distributed in modified form only if the license allows the distribution of ‘patch files’ with the source code McCarthy Tétrault LLP What is Open Source? • No Discrimination Against Persons or Groups - the license must not discriminate against any person or group of persons • No Discrimination Against Fields of Endeavor - the license must not restrict anyone from making -
Translate's Localization Guide
Translate’s Localization Guide Release 0.9.0 Translate Jun 26, 2020 Contents 1 Localisation Guide 1 2 Glossary 191 3 Language Information 195 i ii CHAPTER 1 Localisation Guide The general aim of this document is not to replace other well written works but to draw them together. So for instance the section on projects contains information that should help you get started and point you to the documents that are often hard to find. The section of translation should provide a general enough overview of common mistakes and pitfalls. We have found the localisation community very fragmented and hope that through this document we can bring people together and unify information that is out there but in many many different places. The one section that we feel is unique is the guide to developers – they make assumptions about localisation without fully understanding the implications, we complain but honestly there is not one place that can help give a developer and overview of what is needed from them, we hope that the developer section goes a long way to solving that issue. 1.1 Purpose The purpose of this document is to provide one reference for localisers. You will find lots of information on localising and packaging on the web but not a single resource that can guide you. Most of the information is also domain specific ie it addresses KDE, Mozilla, etc. We hope that this is more general. This document also goes beyond the technical aspects of localisation which seems to be the domain of other lo- calisation documents. -
Ubuntu: Unleashed 2017 Edition
Matthew Helmke with Andrew Hudson and Paul Hudson Ubuntu UNLEASHED 2017 Edition 800 East 96th Street, Indianapolis, Indiana 46240 USA Ubuntu Unleashed 2017 Edition Editor-in-Chief Copyright © 2017 by Pearson Education, Inc. Mark Taub All rights reserved. Printed in the United States of America. This publication is protected Acquisitions Editor by copyright, and permission must be obtained from the publisher prior to any prohib- Debra Williams ited reproduction, storage in a retrieval system, or transmission in any form or by any means, electronic, mechanical, photocopying, recording, or likewise. For information Cauley regarding permissions, request forms and the appropriate contacts within the Pearson Managing Editor Education Global Rights & Permissions Department, please visit www.pearsoned.com/ permissions/. Sandra Schroeder Many of the designations used by manufacturers and sellers to distinguish their Project Editor products are claimed as trademarks. Where those designations appear in this book, and Lori Lyons the publisher was aware of a trademark claim, the designations have been printed with initial capital letters or in all capitals. Production Manager The author and publisher have taken care in the preparation of this book, but make Dhayanidhi no expressed or implied warranty of any kind and assume no responsibility for errors or omissions. No liability is assumed for incidental or consequential damages in Proofreader connection with or arising out of the use of the information or programs contained Sasirekha herein. Technical Editor For information about buying this title in bulk quantities, or for special sales opportunities (which may include electronic versions; custom cover designs; and content José Antonio Rey particular to your business, training goals, marketing focus, or branding interests), Editorial Assistant please contact our corporate sales department at [email protected] or (800) 382-3419. -
Table of Contents
Table of Contents Preface . ix 1. Open Source Licensing, Contract, and Copyright Law . 1 Basic Principles of Copyright Law 1 Contract and Copyright 3 Open Source Software Licensing 4 Issues with Copyrights and Patents 7 The Open Source Definition 8 Warranties 11 2. The MIT, BSD, Apache, and Academic Free Licenses . 14 The MIT (or X) License 14 The BSD License 15 The Apache License, v1.1 and v2.0 17 The Academic Free License 24 Application and Philosophy 30 3. The GPL, LGPL, and Mozilla Licenses . 34 GNU General Public License 35 GNU Lesser General Public License 49 The Mozilla Public License 1.1 (MPL 1.1) 62 Application and Philosophy 81 4. Qt, Artistic, and Creative Commons Licenses . 85 The Q Public License 85 Artistic License (Perl) 90 Creative Commons Licenses 98 vii 5. Non-Open Source Licenses . 114 Classic Proprietary License 114 Sun Community Source License 120 Microsoft Shared Source Initiative 144 6. Legal Impacts of Open Source and Free Software Licensing . 147 Entering Contracts 148 Statutory Developments Related to Software Contracts 150 The Self-Enforcing Nature of Open Source and Free Software Licenses 151 The Global Scope of Open Source and Free Software Licensing 153 The “Negative Effects” of Open Source and Free Software Licensing 154 Community Enforcement of Open Source and Free Software Licenses 158 Compatible and Incompatible Licensing: Multiple and Cross Licensing 159 7. Software Development Using Open Source and Free Software Licenses . 164 Models of Open Source and Free Software Development 164 Forking 171 Choosing an Open Source or Free Software License 174 Drafting Open Source Licenses 176 Appendix: Creative Commons Attribution-NoDerivs License . -
The Copyleft Movement: Creative Commons Licensing
Centre for the Study of Communication and Culture Volume 26 (2007) No. 3 IN THIS ISSUE The Copyleft Movement: Creative Commons Licensing Sharee L. Broussard, MS APR Spring Hill College AQUARTERLY REVIEW OF COMMUNICATION RESEARCH ISSN: 0144-4646 Communication Research Trends Table of Contents Volume 26 (2007) Number 3 http://cscc.scu.edu The Copyleft Movement:Creative Commons Licensing Published four times a year by the Centre for the Study of Communication and Culture (CSCC), sponsored by the 1. Introduction . 3 California Province of the Society of Jesus. 2. Copyright . 3 Copyright 2007. ISSN 0144-4646 3. Protection Activity . 6 4. DRM . 7 Editor: William E. Biernatzki, S.J. 5. Copyleft . 7 Managing Editor: Paul A. Soukup, S.J. 6. Creative Commons . 8 Editorial assistant: Yocupitzia Oseguera 7. Internet Practices Encouraging Creative Commons . 11 Subscription: 8. Pros and Cons . 12 Annual subscription (Vol. 26) US$50 9. Discussion and Conclusion . 13 Payment by check, MasterCard, Visa or US$ preferred. Editor’s Afterword . 14 For payments by MasterCard or Visa, send full account number, expiration date, name on account, and signature. References . 15 Checks and/or International Money Orders (drawn on Book Reviews . 17 USA banks; for non-USA banks, add $10 for handling) should be made payable to Communication Research Journal Report . 37 Trends and sent to the managing editor Paul A. Soukup, S.J. Communication Department In Memoriam Santa Clara University Michael Traber . 41 500 El Camino Real James Halloran . 43 Santa Clara, CA 95053 USA Transfer by wire: Contact the managing editor. Add $10 for handling. Address all correspondence to the managing editor at the address shown above.