Sue Mingus As She Prepared to Depart for Eu- SUBSCRIPTIONS: Prices in US Dollars: Charter Rate: $199.00 Per Year, Rope with the Mingus Big Band

Home , Scott Routenberg

JazzWeek with airplay data powered by jazzweek.com • July 27, 2005 Volume 1, Number 35 • $7.95 In This Issue: Berklee Awards Honorary Degrees at Umbria . . . . . 4

Jensen Selected as Brubeck Inst. Summer Artistic Dir. . . 6 Industry Q&A: Freihofer’s Jazz SUE Festival . . . . . 9 Reviews and MINGUS Picks . . . . . 16 page 12 Jazz Radio . 19

Smooth Jazz Radio...... 24

Radio Panels. . . . . 28 News...... 4

Charts: #1 Jazz Album – Terry Gibbs #1 Smooth Album – Richard Elliot #1 Smooth Single – Richard Elliot JazzWeek This Week EDITOR Ed Trefzger MUSIC EDITOR ext week, JazzWeek will roll out a new chart, a Col- Tad Hendrickson CONTRIBUTING EDITORS lege Jazz Chart. The chart, monitored and tabulat- Keith Zimmerman Ned by Mediaguide, will include stations not part of Kent Zimmerman CONTRIBUTING WRITER/ the current jazz panel. Much like a new software release, PHOTOGRAPHER we’re going to introduce it as a “beta” – we’ll publish a Tom Mallison few issues to allow labels, stations, and promoters to have PHOTOGRAPHY Barry Solof a look-see and get their ducks in a row before the ﬁnal launch in conjunction with the ever-approaching fall se- Founding Publisher Tony Gasparre mester.

ADVERTISING: Call (585) 328-3104 or email: [email protected] This week, Tad Hendrickson has a fascinating interview with Sue Mingus as she prepared to depart for Eu- SUBSCRIPTIONS: Prices in US Dollars: Charter Rate: $199.00 per year, rope with the Mingus Big Band. And our look at summer JazzWeek w/ Industry Access – Charter Rate: $249.00 per year festivals continues with one now in its 28th year, the Frei- To subscribe using Visa/MC/Discover/ hofer’s Festival in Saratoga Springs, N.Y. AMEX/PayPal go to: http://www.jazzweek.com/account/ subscribe.html We’ve got a lot more to tell you about in coming weeks: new features – both in print and online – and an announce- AIRPLAY MONITORING BY ment this fall about the 2006 JazzWeek Summit.

– Ed Trefzger, Editor

Mediaguide 1000 Chesterbrook Blvd. Suite 150 Berwyn, PA 19312

JazzWeek (ISSN 1554-4338) is published weekly by

2117 Buffalo Road Suite 317 Rochester, NY 14624 phone: (585) 235-4685 fax: (585) 235-4685 [email protected] Copyright ©2005 Yellow Dog Communications Inc. jazzweek.com • July 27, 2005 JazzWeek 2 Contents July 27, 2005

News ...... 4 Berklee Celebrates 20 Years In Umbria With Honorary Degrees ...... 4 Jazz Composer Wins John Lennon Songwriting Prize ...... 5 Trumpeter Ingrid Jensen Selected As Artistic Director for Summer Jazz Colony . 6 Kitty Margolis Featured on Irish Radio ...... 7 Birthdays ...... 8 Features 4 Freihofer’s Fest Weathers the Heat ...... 9 Industry Q&A: Sue Mingus, Sue Mingus Music ...... 12 Reviews and Picks ...... 16 Greg Osby...... 16 Frank Morgan ...... 17 Bob Rodriguez ...... 17 Editors’ Picks ...... 17 11 Jazz Charts ...... 19 Jazz Album Chart ...... 20 Jazz Add Dates ...... 21 Jazz Current CDs ...... 22 Jazz Radio Panel ...... 28 Smooth Jazz Charts ...... 24 Smooth Album Chart ...... 25 Smooth Singles Chart...... 26 19 Smooth Current CDs ...... 27 Smooth Radio Panel ...... 28 Classifieds ...... 18

Cover photo: Sue Mingus (courtesy mingusmingusmingus.com) 24 JazzWeek Volume 1 Issue 35 jazzweek.com • July 27, 2005 JazzWeek 3 News

Berklee Celebrates 20 Years In Umbria With Honorary Degrees To Hank Jones, McCoy Tyner, And Enrico Rava

PERUGIA, Italy, July 20, 2005 – Berklee College of Music President Roger Brown conferred honorary doctor of music degrees upon pianists Hank Jones and McCoy Tyner, and trumpeter Enrico Rava for their en- during contributions to jazz and culture, July 16, at the Sala del Notari. The Boston-based college was in Pe- rugia celebrating its 20th season of in- novating jazz education at the Umbria Jazz Festival, with Berklee Summer School at Umbria Jazz Clinics. In previous trips to the festival, Berklee has also presented honorary doctorates to Nick Balkin Berklee president Roger Brown, Enrico Rava, McCoy Tyner, and Hank Jones. Berklee con- Sonny Rollins, Giovanni Tomasso, ferred honorary doctor of music degrees upon the three musicians on July 16. Pino Candini, Bobby McFerrin, Ray Brown, Jim Hall, Johnny Griffin, and Carlo Pagnotta. his 1967 recording for Blue Note, The in Italian culture, and it is my honor 86-year-old Hank Jones is one of Real McCoy, stands as one of the great to share with Italy, and the rest of the the most versatile and durable modern recordings in jazz. world, a legacy rooted in my country – pianists in jazz. He has recorded both Arguably the most international- jazz,” said Roger Brown. “I can think as a leader and with such major jazz ly renowned jazz artist to ever come of no finer way to honor this music figures as Coleman Hawkins, Wes out of Italy, trumpeter and composer than by celebrating the work of three Montgomery, Charlie Parker, and Ben Enrico Rava has made over 90 record- men who helped create and carry for- Webster. An outstanding accompanist ings, including 25 as a leader. He has ward this tradition – Hank Jones, Mc- of singers, Jones spent 1948 – 1953 collaborated with a long list of Italian Coy Tyner, and Enrico Rava.” backing Ella Fitzgerald. and American artists such as Franco On Sunday, July 18, Berklee One of the most important pianists D’Andrea, Enrico Pieranunzi, Massi- awarded $150,000 in scholarships to of the last 30 years, McCoy Tyner se- mo Urbani, Cecil Taylor, John Aber- a number of outstanding student mu- cured his place in jazz history for his crombie, Roswell Rudd, Jimmy Lyons, sicians, during a concert at the Scuo- work as a member of the legendary and Archie Shepp, among others. la Elementare Ciabatti” Via Brunacci John Coltrane Quartet. Tyner has also “I have always been impressed by had a successful career as a leader, and the powerful heritage of art and music continued ... jazzweek.com • July 27, 2005 JazzWeek 4 News Jazz Composer Berklee at Umbria Wins John Lennon (continued) Songwriting Prize Brunamonti. Since the beginning of Verve recording artist Chiara Civello. NEW YORK, July 22 – Scott Routenberg of Miami, Florida was presented the $20,000 the program, approximately $1 mil- This year, Berklee celebrates its check for the 2004 Maxell Song of the lion worth of scholarships have been 20th season of jazz education at Um- Year for his song, “Bandwidth.” It is the awarded, and nearly 5,000 students bria, with Berklee Summer School at first composition in the Jazz category of have sharpened their playing and per- Umbria Jazz Clinics, held at the Scuo- the John Lennon Songwriting Contest to forming skills at the Summer School. la Elementare Ciabatti” Via Brunac- be honored as the Maxell Song of the Year. Many of these recipients have excelled ci Brunamonti. Over those 20 years, Routenberg was noted as a runner-up in at Berklee, and gone on to prominent the college has brought a sample of its last year’s JLSC in the Electronic category careers in the music industry. jazz and improvisation curriculum to and has won numerous awards including Italians who got their start at mostly young Italian and other Euro- the ASCAP Young Jazz Composer Awards in 2003 and 2004. the Summer School and then went pean musicians whose source of mu- on to Berklee and eventually bigger sic education was mainly traditional Routenberg is a professional jazz pianist things include bassists Matt Garrison conservatory training. This summer’s with a Master of Music degree in Jazz (solo, and with Herbie Hancock, Joni school is full to capacity, as it is every Piano Performance and a second MM Mitchell, Pat Metheny, The Gil Evans year, with 240 students who will at- in Media Writing and Production from the University of Miami. In addition, he Orchestra, Chaka Khan) and Marco tend from all over Europe, with oth- teaches Jazz and Popular Music History Panascia (Ben Dixon, Joe Sample, Mi- ers who traditionally come from Afri- at Miami-Dade College and is starting the chel Legrand, Teodross Avery, Lewis ca, Australia, Turkey, the U.S., among JW Doctoral program this Fall at UM for his Nash) and 2005 Festival performer, other countries. DMA (Doctor of Musical Arts).

�� ☛ ��

jazzweek.com • July 27, 2005 JazzWeek 5 News Trumpeter Ingrid Jensen Selected As Artistic Director for Brubeck Institute’s 2005 Summer Jazz Colony STOCKTON, Calif. – Trumpeter In- years of high school, the program cre- are truly the jazz giants of tomorrow.” grid Jensen will serve as artistic direc- ates an inspiring, stress-free environ- “Based on my inspired experienc- tor and trombonist, educator, and au- ment where prodigious young players es I have had with the Brubeck Insti- thor Hal Crook will be one of many can perform, practice, and study along tute in the past, I can’t wait to hang artists-in-residence at the Brubeck with their peers who are equally com- out with this year’s Summer Colony Institute Summer Jazz Colony at the mitted to mastering America’s indig- participants” said Jensen. “The future University of the Paciﬁc in Stockton, enous art form. of jazz is full of exciting, spirited play- Calif., August 7-13, 2005. “The students this year are truly ers, and I am thrilled to be invited on The Brubeck Institute Summer incredible, said J. B. Dyas, executive part of their journey in the music, and Jazz Colony, dedicated to the memory director of the Brubeck Institute.”They honored to be able to share my stories of saxophone visionary Paul Desmond, not only hail from New York, Miami, and ideas with them. Let’s play!” is a full scholarship program that pro- Houston, Dallas, and Los Angeles as The Brubeck Institute is a com- vides 17 of the best young jazz musi- you might expect, but also from small ponent of the University of the Pacif- cians in the nation, age 14-17, the op- towns across the Midwest and more. ic’s Conservatory of Music, Dave Bru- portunity to interact with and learn Hearing these amazing kids play with beck’s alma mater. from eminent jazz artists. so much talent and passion, and know- The Summer Jazz Colony is un- Aimed at exceptionally gifted and ing that they come from all over the derwritten by a generous grant from intrinsically motivated jazz students country, assures me that Dave [Bru- the Herb Alpert Foundation in honor between their freshman and senior beck’s] legacy is in good hands. They of Paul Desmond. JW ��

��

jazzweek.com • July 27, 2005 JazzWeek 6 News Kitty Margolis Featured on Irish Radio

adio RTE, (the national broad- and their music. The series also fea- casting network of Ireland) will tures Wayne Shorter, Larry Coryell, Rbe airing a one-hour radio spe- Dee Dee Bridgewater, David Benoit, cial on San Francisco-based jazz vo- Bobby McFerrin, Airto Moreira and calist Kitty Margolis on August 3 at Flora Purim and more. 10 p.m. Irish Summer Time, which is The program will be broadcast live 5 p.m. Eastern and 2 p.m. Pacific Day- on the web at http://www.rte.ie/ra- light Time. The show will be broadcast dio1/jazzonthebay/ nationwide in Ireland. Margolis will perform live in Dub- The program features interviews lin on August 5, with two sets begin- with Mad-Kat recording artist Mar- ning at 9 p.m. at Bewley’s Café The- golis and lots of her music, and is host- atre. ed by acclaimed Irish singer Melanie Margolis will be supported by a O’ Reilly. trio including Myles Drennon (pia- Part of the nine part series nine no), Dave Redmond (bass) and Sean part series “Jazz on the Bay,” Melanie Carpio (drums). This will be Margo- interviews American jazz musicians, lis’ first engagement in Ireland and the �� Kitty Margolis exploring what motivates their lives venue’s first international act. JW

The Dr. Jazz Test For “Promotionitis” Do you suffer from these symptoms? Tighness of Budget Distributor Complications Depressed Sales Air Play Rejection Elevated Blood Pressure or Ulcers If you answer yes to any of the above, call Dr. Jazz immediately 800-955-4375

��

jazzweek.com • July 27, 2005 JazzWeek 7 News Birthdays August 6 August 13 Luis Russell (1902) George Shearing (1919) July 28 Buddy Collette (1921) Benny Bailey (1925) Delfeayo Marsalis (1965) Abbey Lincoln (1930) Mulgrew Miller (1955) July 29 Dorothy Ashby (1932) August 14 Charlie Christian (1916) Roberto Baden-Powell (1936) Stuff Smith (1909) Charlie Haden (1937) Lorez Alexandria (1929) July 30 Byard Lancaster (1942) James Spaulding (1937) Eddie Costa (1930) David Sanborn (1945) August 7 August 15 Idrees Sulieman (1923) Oscar Peterson (1925) July 31 Rahsaan Roland Kirk (1936) Roy Milton (1907) George Bohanon (1937) August 16 Mal Waldron (1926) Hank Jones (1918) Howard Johnson (1941) Kenny Burrell (1931) Bill Evans (piano) (1929) Gap Mangione (1938) August 8 Alvin Queen (1950) Stanley Jordan (1959) Lucky Millinder (1900) Benny Carter (1907) August 17 August 2 Ike Quebec (1918) Nana Vasconcelos (1944) August 9 George Duvivier (1920) Jack Dejohnette (1942) August 3 Duke Pearson (1932) Lawrence Brown (1907) August 10 August 18 Charlie Shavers (1917) Claude Thornhill (1909) Adam Makowicz (1940) Eddie Jefferson (1918) Arnett Cobb (1918) David Benoit (1953) Tony Bennett (1926) Chuck Israels (1936) Michael Mantler (1943) August 19 Ray Draper (1940) Jimmy Rowles (1918) Roscoe Mitchell (1940) August 11 Jess Stacy (1904) August 20 Greg Osby (1960) Frank Rosolino (1926) Russell Procope (1908) August 4 Jimmy Raney (1927) Peter King (1940) Louis Armstrong (1901) Milford Graves (1941) Herb Ellis (1921) August 12 Enrico Rava (1943) Sonny Simmons (1933) Earl Coleman (1925) Pat Metheny (1954) August 21 August 5 Count Basie (1904) Red Nichols (1905) Art Farmer (1928)

jazzweek.com • July 27, 2005 JazzWeek 8 Festivals Freihofer’s Fest Weathers the Heat

by Victor Lipka

SARATOGA SPRINGS, N.Y. – The 28th annual Friehofer’s Jazz Festival at Saratoga Performing Arts Center (SPAC) on June 25 and 26 took the over-90 degree heat and crushing humidity in stride. The fest’s 23 acts on two stages opened SPAC’s 40th season at the performing arts center, which is part of Sara- toga Spa State Park north of Albany. SPAC has partnered since 1977 with Newport Jazz Fest im- presario George Wein to produce the event. A few years back, Wein even jammed along with a special “Newport All Stars” band on the main stage. The festival’s names have changed over the years, but the musical content remained consistently high and di- verse, running from Sun Ra to Solomon Burke. Opening day found the grounds in good shape, volunteers cheerfully manning their stations and food vendors cranking up grills. There were no signs of SPAC’s fiscal and management tsu- namis of the past year – canceling, then reinstating the New Yokr City Ballet season, the appointment of a new executive director, a state audit, an attorney general’s investigation and the resignation and replacement of the SPAC board. New York State feels things have stabilized enough to forward $2 million for long-postponed upgrades in the state park Amphitheater’s acoustics, lighting and roof repairs. Two days of world-class jazz in a heavily-wooded state park with a cool stream running through a ravine next to the venue, surrounded by nicely restored 1930’s-era Spa buildings made festival-goers almost forget the heat. Almost. A wide selection of Terrell Stafford performs at the gazebo with his quartet. food vendors, a massive, colorful display of fan’s tents and sun shades that are religiously erected each morning plus a soaring white arts and craft tent filled with 70 vendors made it a total summer weekend package. Jazz fans benefit from SPAC’s “special ground rules” unique to this single event, which prohibit glass and cooking implements, but permit just about any- thing else. Fans forklift quantities of goods out of SUVs and vans, then set up camp in style. Plus they come and go to the parking lots to replenish food and drink as needed. The relaxed atmosphere keeps fans returning for years, even decades. Plus there are plenty of clubs, restaurants and bars in Saratoga proper to sa- tiate desires for additional music – jazz and beyond – and dining delicacies of continued ... jazzweek.com • July 27, 2005 JazzWeek 9 Freihofer’s Fest (continued)

many types. People-watching on Friday included a woman with a large parrot on her shoulder (who shut her car door on the bird’s tail feathers), a BMW Z3 own- er chatting it up with some Harley riders while a horse-drawn carriage drifted by to the sounds of a sidewalk banjo and bass thumb piano duo’s strains.

aturday’s main stage show kicked off in a typical manner – most fans were outside on the lawn or milling around the site. An appreciative crowd Ssparsely populated the 5,100-seat Amphitheater to welcome Boulder, Col- orado’s The Motet, who, as is SPAC tradition, also played later at the much more intimate outdoor Gazebo stage, teamed with guitarist D’Gary from Madagas- car. The small-stage Gazebo started out with Boston’s El Eco quintet. Percus- sionist Dafnis Prieto’s group’s sound clearly reflected the Cuban and Argentin- ean/South American roots of its players, while the local vocalist/former New York Voices member Kim Nazarian teamed with the group’s German harp player to add an Astor Piazolla aspect to their set. Lou Donaldson’s early-afternoon set at the massive main stage kept people moving into the area and set the tone by noting that “We’ll be playing straight- ahead jazz; no fusion; no confusion.” It was no lie. Donaldson’s set shifted to Louie Armstrong’s “What a Wonderful World,” complete with a short vocal. He complimented the crowd on their “appreciation of classical music.” Donald- son’s sax mixed well with the B3 during his noted “Alligator Boogaloo.” John Pizzarelli displayed his fine technique during a solo on “It’s Only a Paper Moon,” and his band’s finesse came through on “Say It (Over and Over Again)” and “The Girl from Ipanema.” At the Gazebo, trumpeter Terell Stafford led his Quartet in blowing some nice, tight bop-influenced contemporary originals and prominently featured some tasty piano by Mulgrew Miller throughout. Later at the Gazebo, the Gretchen Parlato Quartet were one with laid back bossa nova. At the same time on the main stage Jazz Attack did just that with guitarist/vocalist Jonathan Butler, trumpeter Rick Braun, saxophonist Richard Elliot and guitarist Peter White. The Charlie Hunter Trio with leader Hunter working his 8-string guitar well with John Ellis’ sax, keyboards and bass clarinet performed that afternoon at the big stage. Evening approached with the McCoy Tyner Trio with Ravi Coltrane and, from earlier in the day, trumpeter Terell Stafford. Coltrane fit in well with Tyner’s sound, working with Stafford to produce a more straight- ahead program than with his own group. Lizz Wright made a return appearance to SPAC with a quartet of electric and acoustic guitars. Her powerful voice, taking a more folky tack, easily sliced through many tunes from the just-released Dreaming Wide Awake CD, includ-

continued ... jazzweek.com • July 27, 2005 JazzWeek 10 Freihofer’s Fest (continued)

ing a version of Neil Young’s “Old Man.” Steps Ahead finished off Day One to a small but appreciative Amphitheater crowd. Vibist Mike Mainieri fronted alumni Steve Smith, Richard Bona and Mike Stern. Bill Evans subbed for an ailing Michael Brecker and the group was almost unfazed by the heat; SPAC was just their second tour stop. Stern laid out some blistering, fusion/rock guitar work. The heat didn’t dissipate on Sunday. Jean-Michel Pilc’s finely-tuned trio cranked up the close-to-the-stage Gazebo fans with a medley of Monk, Shorter and Coltrane pieces which featured Pilc’s tasty piano. After repeated announcements to the crowd to continuously hydrate them- selves, David Sanchez and his quartet took the main stage. They cycled between tight swinging pieces and cooler, slower pieces with some delicate, quiet Short- er-influenced solos by Sanchez that almost suckered the crowd into thinking the air temperature had dropped a few degrees. The afternoon’s big event was Trio! – Stanley Clarke, Jean-Luc Ponty, and Bela Fleck (replacing Al DiMeola) in this version of the group. Their strategy was decidedly non-ensemble, each progressing through a series of solos. Clarke’s “Song To John” tribute to Coltrane, though, showed what the three could really do as a group when the lasso was tightened. Fleck seemed like the new kid on the block, feeling his way through his bandmate’s mix. He put a whimsical spin on his featured solo, working in snippets from an assortment of standard bluegrass and Americana tunes. The banjo’s inherent percussive nature gave the group a decidedly different sound than with guitar. As usual, Clarke’s work on the upright bass left people slack-jawed. And Jean-Luc wasn’t bad, either. Dave Brubeck’s grooving, high-level playing was contrasted by his deliber- ate, almost halting introductions – indicative of a legend in his 80’s. Bobby Mil- litello – a large guy with a big sound – provided a fiery edge to the group, particularly on “London Flat, London Sharp,” Brubeck’s musical recounting of a UK tour turned sour. Chris Botti brought the late-afternoon crowd back into the amphitheater with his smooth-jazz set, featuring cuts from his new CD. Botti mingled with fans for his version of “My Funny Valentine.” Ray Barretto’s Latin Jazz band was next up at the main stage. A semi-fre- quent SPAC performer, Barretto – now in his 70s – again surrounded himself with some fine young players who mined and refined his Afro-Cuban rhythms for all they were worth. The current New York City jazz scene was well represented at the Gazebo all afternoon, with performances by Kurt Rosenwinkel Quartet, Dafnis Prieto Quintet, Rudresh Mahanthappa Quartet and Ben Allison’s Kush Trio. Closing the 2005 festival was the Hot Summer Nights assemblage – Cas- sandra Wilson, Al Jarreau and Boney James. Wilson and Jarreau crooned a broadway-ish duet of “My Favorite Things.” James came out with a series of funk-tinged works with abrupt endings and Jarreau worked the crowd with his semi-scat singing. JW jazzweek.com • July 27, 2005 JazzWeek 11 Industry Q&A: Sue Mingus, Sue Mingus Music

t would be an understatement to call Charles Mingus a force of nature, but Sue Mingus is no hothouse ﬂower herself. In the 26 Iyears since her husband’s death, Sue has kept her husband’s music alive through the Mingus Dynasty, Mingus Big Band and Min- gus Orchestra. She’s also involved in a number of other Mingus related activities, including the launch of the new label Sue Mingus Music. JazzWeek caught up with Sue at home a few hours before she headed to Europe with the Mingus Big Band. –Tad Hendrickson

JW: Why go out with the band? Couldn’t you just send them on their way? SM: Well I don’t always go out. It depends what’s going on. When I did my book [Tonight At Noon], I’d go out with the band to do readings at bookstores and so forth as part of touring around. I went to Malaysia because it was a fun trip. There’s often a reason. What’s the reason this time? First of all, there is a special tribute to Mingus in San Sebastian. And there is a new record company called Sue Mingus Music. I’m going to be doing interviews in conjunction with that. The record I Am Three will be out in Europe on September 26 on Universal, who is our representitive for the rest of the world. I’m going now so I can have a presence in conjunction with the new record. It’s a dangerous time and things are uncertain since we left Dreyfus and took another tack, which is what a lot of other people are doing these days. We do have our stuff on iTunes and someone is working at getting it into the stores over at Sunnyside. It’s a crapshoot and an adventure. Do you get out to see the band in town here? I try and get out on Tuesday nights at Iridium because I do love the music – I never get tired of it. It’s my one night out. I really enjoyed your book, Tonight At Noon. I had a meeting early on with five or six people and one of them asked me: Did mingusmingusmingus.com Sue Mingus you really write this? Because it was a first book and they were surprised [at the quality of the writing]. Was that book difficult to do? I love writing. I’ve written all my life. It took a turn, the book. I originally thought it would be about Charles dying in Mexico. People think that Mingus

continued ... jazzweek.com • July 27, 2005 JazzWeek 12 Q&A: Sue Mingus (continued)

has always been this angry man; the person that sat at the piano eight hours a day didn’t get headlines. The story of Charles dying in Mexico with such grace and courage, and living up to everything he ever said. In the paperback, I did write a little bit about this. I was going to call it Portrait Of The Artist as a Dy- ing Man. Then the editor started asking questions like who is the voice and who are you? How did you meet Mingus? Then it became much more personal than I ever intended it to be. And much harder to write because I’m not a pro, but I do feel like I’m getting a handle on things and I did have a magazine, Changes, so I played footsy with writing and loved it. Now I’m working on another one. “People think What’s this new one going to be about? I don’t really want to say at this point, but it will involve the music world be- that Mingus cause that is what I’ve come to know and love as part of having the great pleasure and blessing of being involved in Charles’s music. It may be first person has always been fiction. this angry man; As if this all wasn’t enough, you also have a new education program that has the person that been put together using Mingus’s music. We’re very excited about it. We’re in the process of organizing and we want to sat at the piano launch it at IAJE next year. Aside from that there is going to be a panel dis- eight hours a day cussion. How did you get the idea? didn’t get head- It was something that Nat Hentoff said when he was at a school in Boston lines.” that was doing a tribute to him. The students were performing the Essential- ly Ellington material from Lincoln Center and he mentioned Mingus over the course of this performance. He also pointed out that Wynton’s approach is that musicians have the possibility, pleasure and honor to play the exact charts that Ellington played. Our approach is that that style can be daunting to middle school, high school or whatever. It’s not that Charles’s music isn’t complex, but there are ways, without sacrificing the integrity of the music, of making this music more welcoming and fun. For example, you don’t have to have the notes so high or the tempos so fast. We’re just trying to open up the window. How’s it gonna work? It’s the same as the Essentially Ellington: We want to have competitions and get the music out there. We’ll send individual members of the band out to re- hearse the bands. One of the most exciting things about going out on tours to Alaska and Maylasia were these workshops where the musicians talked about what they really know. It brings this music to life for students who are really hungry. We had a trombone clinic in Fairbanks, and who knew that there would be 12 trombonists who showed up? We had Ron Westray, Conrad Her- wig and Ku-mba Frank Lacy, each different from the other, all telling these kids what trombone is all about. Then having the kids trying to follow up, with continued ... jazzweek.com • July 27, 2005 JazzWeek 13 Q&A: Sue Mingus (continued)

questions of their own. It’s just thrilling. You got a new label too. Why put all three bands on the one album? These things happen more or less organically. I’ve been trying to give an over- view of Charles’s work for a long time. I remember there was a jazz magazine where there were six pages of musicians categorized into different groups: jazz, Dixieland, whatever. Everyone you’ve ever heard of was in there and Charles was not. He was the first musician to respond to journalist who asked how to categorize his music to say: Can’t you just call it Min- gus Music. The music covers so much territory. To me the biggest point about I Am Threeis that we were able to focus on Mingus’s classical side. The other sides as well. Some of the arrangements swing so hard. “Song With Orange” is my favorite. That’s our favorite too. It’s a great first song and we can’t get it out of our heads. That is the swinging side of Charles. When Charles died they didn’t think of him as a great composer. To them he was a bandlead- er, a colorful character and a great bassist. In the 25 years since he died, he’s come to be regarded as a great composer. Charles the bass player is gone forever, but there is this incredible music that he left behind. I think that it’s easier to organize and compartmen- talize now that he’s dead. Not only because there is finite number of songs, but also because he’s not messing with them. Sure. It’s also interesting to think about what could have happened if Charles had a 14-piece band to work with like this one. Different people from the bands actually arranged the tunes for the new album, including the late John Stubblefield. I made a video at the recording date that we was conducting – he got out of the hospital for the day to do that – and someone at NBC did us the great favor of editing it into a loop that would play over and over again. His sister asked me for a copy and they played it at the funeral. Everyone at the funeral wore something orange. He was so involved with the project, and musicians would go up to the hospital and talk to him about the music. It was a wonderful last in- volvement for John, for him and certainly for us. I had asked John if he would arrange one of the orange songs [“Song With Orange” and “Orange Is The

continued ... jazzweek.com • July 27, 2005 JazzWeek 14 Q&A: Sue Mingus (continued)

Color Of Her Dress”] – I can’t remember which one. Then I asked him to arrange the other one, which he did. Then he offered to do “Pedal Point Blues.” This was after being in the band for a dozen years and never having arranged for us, so it was a wonderful surprise. So what’s next for the label? I’m going to release both Mingus repertory bands and also unreleased Min- gus – I have some incredible tapes of Charles that have never been released. There’re also four albums that Charles and I released in the 60s when we had a little company called Charles Mingus Enterprises. One of them has never been released on CD and it’s one of my absolute fa- vorites. It has a typically unwieldy Mingus title of Music Written For Monterrey, Not Played, Performed At UCLA. There was a lot of hiring and firing of musicians that night for what he called at one point “mental tardiness.” Then he’d hire them back after the song. And this is all on this record. Any self- respecting record company would have edited this all out, but we left it in. Charles wanted to show people the way things really were. He used to fire Dannie [Richmond] all mingusmingusmingus.com the time. There was a tradition of Mingus Big Band, including the late John Stubblefield (at right.) firing after first set and then hiring him back for the second. So they would pack up? Yeah, and he’d continue on with the tune with those that weren’t fired and then hire the others back for the next piece. I have the Mingus Big Band at Ronnie Scott’s, recorded last year that I’m trying to decide whether to release. Then I have Mingus at Ronnie Scott’s, recorded by Columbia Records by their mobile studio trucks. That was done the year of the big scandal, at least from our perspective, when Columbia cut all the jazz except I think Miles Davis [ed. note – Thelonious Monk was kept as well.]. They gave us back the tapes and they’ve never been issued and there is some really incredible stuff. There’s also Mingus at Cornell University with Eric Dolphy, Clifford Jordan and Johnny Coles. It’s before they went on the tour to Europe that was much recorded in 1964. It’s the best material I’ve heard. Everyone was in great spirits. JW The music just soars. jazzweek.com • July 27, 2005 JazzWeek 15 Reviews and Picks

Channel Three Among Osby’s Best

Greg Osby

Channel Three (Blue Note) ats off to Greg Osby. He’s carved out an excellent catalog of material in what is approaching 20 years of recording. One who rarely repeats himself from release Hto release, Osby offers his 2005 CD as a power trio with drummer Jeff Tain Watts, who is his usual majestic self, and bassist Mathew Brewer, who is Osby’s current bassist. As with such classic saxophone trio efforts as Coleman’s Golden Circle recordings and Sonny Rollins’s Vanguard sessions, the melody and soloing is firmly laid upon the saxophonist. This of course is a real test to see if the saxophonists can carry the set, which Osby does beautifully. His sound is a more melodic here than we’ve McBride/gregosby.com Clay Patrick come to expect, while at the same time he wanders far afield as he works through these songs. The seven originals (all of which, like the title, have a TV theme) are thoughtful, inviting and suc- cinct (only the title song is over seven minutes). Osby bookends his compositions with a bouncing opener version of Ornette Cole- man’s “Mob Job” and closes with Eric Dolphy’s “Miss Ann,” where he plays soprano to fine ef- fect. All killer and no filler, Channel Three is up there with the best of this saxophonist’s work. – Tad Hendrickson Contact: Groov Marketing Phone: (877) GROOV 32 Email: [email protected] Add Date: Aug. 1 Release Date: Aug. 2 continued ... jazzweek.com • July 27, 2005 JazzWeek 16 Reviews and Picks

Frank Morgan even goes so far as to work in the trio format. The three- some simmers throughout on this collection of standards Raising The Standard: Live At The Jazz Standard (“Naima,” “Prelude To A Kiss,” “Spring Is Here”) and orig- Vol. 2 (HighNote) inals, showcasing the pianist by providing subtle rhythmic underpinnings. The chemistry is particularly strong on a THE STORY OF Frank Morgan is mostly a tragic one with a soulful reading of Coltrane’s “Naima” and the ringing “It’s happy ending. Coming up in the ’50s, the alto saxophon- Not That Dark.” Recommended for those who like their ist sounded like Bird and sadly also picked up Bird’s drug jazz to be lyrical and broadly emotional. habit. Morgan was in and out of jail for the – Tad Hendrickson following 30 years Contact: Michael Hurzon before finally kick- Phone: (305) 669-2677 ing. He’s recorded Email: [email protected] Add Date: Aug. 1 off and on since then Release Date: Aug. 2 and this 2003 live date is culled from the same dates that Editors’ Picks yielded the much-ac- Dave Valentin World On A String (HighNote) claimed City Nights Anyone who has enjoyed Valentin’s previous solo work or his Live. Morgan still recordings as a member of the Caribbean Jazz Project will retains the Parker in- instantly recognize and delight in the latest from this Latin jazz fluence as he leads a sympathetic rhythm section (pianist flutist. Original tunes by Valentin and pianist Bill O’Connell shine George Cables, bassist Curtis Lundy and drummer Billy on this CD, whether its the opening “Meet You at the Coda” Hart) through this set of jazz classics. Highlight’s include or the ending “Zig Zag.” Even stations who normally shy away from Latin jazz should check out the fresh treatments of “I’ve the bittersweet ballads “Polka Dots and Moonbeams” and Got The World On A String” and “I Remember You.” “In A Sentimental Mood” as well as the surging “Foot- prints.” Ted Howe Ellington (Summit) – Tad Hendrickson Howe and his trio recorded this CD almost by accident; an Atlanta dance troupe was planning a ballet of Ellington music, Contact: Michael Hurzon and the group recorded with the intention of helping the dancers Phone: (305) 669-2677 choreograph the production. Before long, Howe decided the Email: [email protected] arrangements and performance merited a CD release. Check Add Date: Aug. 1 out Neal Starkey’s bass on “Mood Indigo,” drummer Jerry Fields Release Date: Aug. 2 during “Take the ‘A’ Train,” and Howe’s stride piano on “It Don’t Mean a Thing.” Not groundbreaking, Ellington nonetheless adds a couple interesting takes on Ellington. Bob Rodriguez Mozayik Haitian Creole Jazz (Zoho) This irresistably rhythmic – and melodic – album has been Corridor (CreOp lingering on Chartbound for a few weeks, so I thought it was Muse) time to encourage you to give it another (or first) listen. Perhaps people were put off by the title or the African percussion on the PIANIST BOB RODRI- CD’s tray card, but this is a release that shouldn’t be overlooked. GUEZ may not have Strong piano and guitar performances and solid songwriting put the big reputation of this disc solidly in the jazz genre. The occasional vocal tracks some out there, but are reminicent of Richard Bona’s work with Stern and Metheny. his music still speaks If your station features any Latin, Afro-Cuban, world-influenced or funky jazz – or even jazz’s seminal Spanish tinge – this volumes. Coming release is a must-listen. out of the Bill Evans school of melody and – compiled by Ed Trefzger drama, Rodriguez jazzweek.com • July 27, 2005 JazzWeek 17 Classifieds SERVICES GET YOUR CD HEARD AT for jazz and smooth jazz fans FOR SALE RADIO! Offering The Most as well. Combine an advertise- LISA REEDY PROMOTIONS Thorough Radio Promotional ment in JazzWeek with ads Find the top 50 jazz and Hire the full service radio pro- Campaigns Available for over in JazzWeek’s weekly Top 50 smooth jazz CDs at jazzweek. motions company with a prov- 10 years, Groov Marketing Jazz and Smooth Jazz email com/shop/. JazzWeek each en track record. Lisa Reedy & Consulting specializes in blasts, and improve impact to week lists the top 50 jazz and Promotions specializes in Jazz Jazz, (Acid/Avant Garde/ radio with ads on JazzWeek’s smooth jazz CDs based on ra- and related music and works Crossover) and World Music Monday Adds Blast and the dio airplay with quick links to with over 300 radio stations Radio Promotion. We are a full- Jazz Programmers Mailing purchase through Amazon. across the United States, in- service radio promotion team, List. To find out more, com. Also listed are the top cluding NPR affiliates, college skilled in bringing your finished call Ed Trefzger at (585) selling CDs, DVDs, and books & community radio stations, package to radio at the national 328-3014, or email us at in various categories. Sign up syndicated & satellite program- level including Tour Promotion [email protected]. for weekly top 50 emails at ming and select International & Interview Set Up. Owned and www.jazzweek.com/shop/. stations. The radio promotions operated by Josh Ellman and company that treats ALL cli- Mark Rini, Groov Marketing ☛ JazzWeek classifieds are an easy and economical way to ents with equal importance boasts repeat clients such as get your message out. 75-word ads, plus your URL are $25 per and individualized attention. Blue Note Records, Columbia issue, and an up to 25-word ad is just $10 weekly. Display clas- For more information contact Records, Mack Avenue, ECM, sifieds are216118A01 $10 per column inch, with a $30 minimum. Save Lisa Reedy: www.jazzpromo- MAXJAZZ, Basin Street, more by signing up for several weeks in advance – receive tion.com – 775-826-0755 – Cryptogramophone and one week free for every four weeks purchased. To reserve E-Mail: [email protected] many others. Give us a call your ad, call Ed Trefzger at (585) 328-3014, or email us at DR. JAZZ OPERATIONS is to get “The Most Thorough [email protected]. the original independent jazz & Effective Radio Promotion record promotion firm in the Campaigns Available!” (323) States. We are the only indi to 856-5550 www.groovmar- handle BOTH radio and print keting.com media promotions. Specializing DON’T BE LEFT OUT! Sign in mainstream, latin, Brazilian up for the Jazz Programmers and world jazz. Unlike our Mailing List and find out what’s competition, we limit the num- going on in jazz radio. Radio ber of projects in order to give programmers, promoters, re- your product the attention it cord industry, and musicians DENNIS MANARCHY © 2004 UNCF ALL RIGHTS RESERVED deserves! Upcoming releases are all welcome. Visit www. include Myanna, Symphonic jazzweek.com/jpl/. ® Jobim, Beaux J Poo Boo, Ted Howe, Bob Boguslaw and Mark MEDIAGUIDE ArtistMonitor: Weinstein. www.drjazz.com Now independent artists can have access to cost-effective MEDIAGUIDE MusicMonitor: monitored radio airplay infor- Monitored airplay informa- mation too! Visit www.artist- tion service for music indus- monitor.com for information on try professionals provides the various packages available. timely, accurate airplay date For daily, online access to the for your releases in easy to data behind the charts, contact read online reports, monitored Erik Maier at (212) 621-8466 or stations playlists and more. [email protected]. http:// Subscripiton packages start www.artistmonitor.com/ around $100 per month. For daily, online access to the data P R O M O T I O N A L behind the charts, contact Erik OPPORTUNITY: JazzWeek We are born with limitless potential. Help us make sure that we all Maier at (212) 621-8466 or offers advertising packag- have the chance to achieve. Please visit uncf.org or call 1-800-332-8623. [email protected]. http:// es to give you maximum im- Give to the United Negro College Fund. www.mediaguide.com/ pact – not only to radio, but jazzweek.com • July 27, 2005 JazzWeek 18 NOTE TO PUB: DO NOT PRINT INFO BELOW, FOR ID ONLY. NO ALTERING OF AD COUNCIL PSAs. United Negro College Fund - Magazine - (4 5/8 x 4 7/8) 4/C - UNC204-N-08231-F “Books” 120 line screen digital files at Schawk: (212) 689-8585 Ref#:216118 Public Service Director - Please Note: This PSA ad expires: 7/17/06 Running this PSA after the expiration date may result in claims by licensor, photographer or Talent. Jazz Radio

Terry Gibbs’ Feelin’ Good Is Week’s No. 1

Sherman Irby’s Faith is Most Added with Adds on 20 Stations

ibraphonist Terry Gibbs had the week’s top jazz CD, Feelin’ Good: Live Vin Studio (Mack Avenue), with 247 spins on 48 stations in its seventh week on the chart. Faith, the new CD from Sherman Irby (BWR) was Most Added with 20 stations adding the CD. Seeing the biggest leap in airplay for a second week was Mulgrew Miller’s MAX- JAZZ CD Live at Yoshi’s Vol. 2 which picked Terry Gibbs’ Feelin Good: Live in Studio (Mack up 141 spins, added 12 stations, and which Avenue) tops this week’s chart. jumped from No. 43 all the way to No. 4.

Jazz Album Charts p. 20 Jazz Add Dates p. 21 Jazz Current CDs p. 22 Mulgrew Miller had the biggest jump in spins for a second week with his MAXJAZZ CD Live at Jazz Radio Panel p. 28 Yoshi’s Volume Two. jazzweek.com • July 27, 2005 JazzWeek 19 airplay data JazzWeek Jazz Album Chart July 27, 2005 powered by TW LW 2W Peak Artist Release Label TP LP +/- Weeks Stations Adds 1 5 5 1 Terry Gibbs Feelin’ Good: Live In Studio Mack Avenue 247 238 9 7 48 0 2 6 4 2 Bill Charlap Plays George Gershwin: The American Soul Blue Note 245 236 9 4 50 0 3 8 10 3 Eddie Palmieri Listen Here! Concord Jazz 238 230 8 7 54 0 4 43 NR 4 Mulgrew Miller Live At Yoshi’s: Vol. 2 MAXJAZZ 232 91 141 2 43 12 5 9 8 5 Freddy Cole This Love Of Mine HighNote 227 227 0 6 50 2 6 3 9 3 Joshua Redman Elastic Band Momentum Nonesuch 224 246 -22 8 48 1 7 10 7 7 Sean Jones Gemini Mack Avenue 221 212 9 7 52 6 8 7 6 4 Terence Blanchard Flow Blue Note 217 231 -14 7 47 0 9 11 13 9 Javon Jackson Have You Heard Palmetto 216 206 10 6 48 1 10 1 11 1 Ahmad Jamal After Fajr Dreyfus Jazz 213 259 -46 5 48 1 11 13 2 2 Bill Cunliffe Imaginacion Torii Records 212 187 25 10 45 1 12 4 3 1 John Scofield That›s What I Say: The Music of Ray Charles Verve Music Group 203 239 -36 12 43 0 13 32 21 13 Roni Ben-Hur Signature Reservoir 202 111 91 4 43 5 14 16 31 14 The Clayton-Hamilton Jazz Orchestra Live At MCG MCG Jazz 192 160 32 3 37 8 15 17 26 15 Dave Stryker Big City Mel Bay 187 154 33 4 44 4 16 NR NR 16 Paul Anka Rock Swings Verve Music Group 169 76 93 1 35 4 17 14 27 14 City Rhythm Orchestra Vibrant Tones Limehouse Records 166 181 -15 6 37 0 18 20 16 16 Brian Lynch 24/7 Nagel Heyer 162 148 14 5 38 1 19 23 20 15 Cedar Walton Underground Memoirs HighNote 155 136 19 6 49 2 20 12 12 1 Joe Lovano Joyous Encounter Blue Note 151 196 -45 12 39 0 21 18 28 18 Mary Stallings Remember Love Half Note Records 146 151 -5 9 40 2 22 30 NR 22 Harry Connick Jr. Occasion Marsalis Music/ Rounder 142 113 29 5 41 1 Records 23 50 NR 23 Vince Seneri Street Talk Senful Records 140 82 58 2 43 19 24 24 23 13 Dave Brubeck Quartet London Flat, London Sharp Telarc Jazz 136 133 3 9 39 0 24 28 22 16 Peter Martin In The P.M. MAXJAZZ 136 121 15 10 40 1 26 30 NR 26 Sammy Figueroa & His Latin Jazz Explosion ... And Sammy Walked In Savant 134 113 21 2 44 9 26 19 19 14 The Frank & Joe Show 66 2/3 Hyena Records 134 149 -15 7 31 0 26 15 14 5 Hank Jones For My Father Justin Time 134 179 -45 9 37 0 29 37 38 1 Gary Burton Next Generation Concord Jazz 133 97 36 16 43 2 30 25 17 8 Lizz Wright Dreaming Wide Awake Verve/Forecast 116 127 -11 9 33 0 31 27 35 27 Arturo Sandoval Live At The Blue Note Half Note Records 115 125 -10 9 33 1 32 34 50 32 Melvin Sparks This Is It Savant 113 110 3 3 38 7 32 42 42 32 Roger Kellaway Remembering Bobby Darin IPO Recordings 113 92 21 3 40 7 34 22 18 13 Dena DeRose A Walk In The Park MAXJAZZ 112 142 -30 10 32 0 35 36 32 30 Mingus Big Band/Orchestra/Dynasty I Am Three Sunnyside 107 99 8 7 31 1 36 25 25 22 Ron Blake Sonic Tonic Mack Avenue 105 127 -22 10 30 1 37 21 15 3 Steve Hobbs Spring Cycle Random Chance 103 143 -40 12 25 1 38 32 23 3 Scott Hamilton/Bill Charlap Trio Back In New York Concord Jazz 102 111 -9 16 27 0 39 35 NR 27 Miguel Zenon Jibaro Marsalis Music/ Rounder 101 109 -8 8 29 0 Records 40 NR NR 40 Pearl Django Chasing Shadows Modern Hot Records 100 64 36 1 27 8 41 39 35 33 Kathy Kosins Vintage Mahogany Jazz 97 95 2 8 27 2 42 50 43 42 The Bud Shank Quartet with Phil Woods Bouncing With Bud & Phil - Live At Yoshi’s Capri 96 82 14 4 33 1 43 29 NR 1 Eldar Eldar Sony Classical 93 118 -25 16 32 1 44 43 37 25 The Bill Holman Band Live Jazzed Media 92 91 1 7 29 0 45 49 43 43 Lorraine Feather Dooji Wooji Sanctuary 90 83 7 3 30 1 46 NR NR 46 Beaux J Poo Boo All Things Are New Summit 89 80 9 1 33 5 47 NR NR 47 Frank Mantooth Ladies Sing for Lovers MCG/Heads Up 87 62 25 1 27 5 48 38 30 7 Cheryl Bentyne Let Me Off Uptown Telarc Jazz 86 96 -10 14 17 0 49 47 43 43 Wayne Shorter Beyond The Sound Barrier Verve Music Group 85 88 -3 5 27 1 50 NR NR 50 Afro-Latin Jazz Orchestra w/ Arturo O’Farrill Noche Inolvidable Palmetto 82 73 9 1 25 2 Most Added Increased Airplay Chartbound Sherman Irby Faith (BWR) +20 Mulgrew Miller Live At Yoshi’s: Vol. 2 (MAXJAZZ) +141 Ted Howe Ellington (Summit) Sherman Irby Faith (BWR) Vince Seneri Street Talk (Senful Records) +19 Paul Anka Rock Swings (Verve Music Group) +93 Matt Criscuolo Lotus Blossom (Self-Produced) Chris McNulty Dance Delicioso (Elefant Dreams) +15 Roni Ben-Hur Signature (Reservoir) +91 David Gibson The Path To Delphi (Nagel Heyer) Mulgrew Miller Live At Yoshi’s: Vol. 2 (MAXJAZZ) +12 Sherman Irby Faith (BWR) +71 Dave Peck Good Road (LPS Records) Denise Donatelli In The Company of Friends (Jazzed Media) Ilona Knopfler Live The Life (Mack Avenue) +10 Vince Seneri Street Talk (Senful Records) +58 Mozayik Haitian Creole Jazz (Zoho Music) Sammy Figueroa & His Latin Jazz Explosion ... And Gary Burton Next Generation (Concord Jazz) +36 James Carter Organ Trio Out Of Nowhere (Half Note Records) Sammy Walked In (Savant) +9 Noah Baerman Soul Force (Lemel Music) Will Calhoun Native Lands (Half Note Records) Luciana Souza Duos II (Sunnyside) jazzweek.com • July 27, 2005 All monitored airplay data is owned by Mediaguide, Inc. ©2005 Mediaguide, Inc. JazzWeek 20 Jazz Radio Adds Here are upcoming add dates for new releases, and add dates that have passed during the last few weeks. This listing was current as of press time.

June 1, 2005 July 5, 2005 Allen Won – The Jewel In The Lotus (Allen Won Records) James Carter – Out Of Nowhere (Half Note Records) June 2, 2005 Will Calhoun – Native Lands (Half Note Records) Celso Fonseca – Rive Gauche Rio (Six Degrees Records) July 11, 2005 June 3, 2005 Dave Peck – Good Road (Lets Play Stella) Marc Pompe – Nobody Else But Me (Kopaesthetics) Pearl Django – Chasing Shadows (Modern Hot Records) Cadwallader Asetta & Dixson – Quicker Than The Eye (Stanza USA June 6, 2005 Music) Barbara Montgomery – Trinity Chris McNulty – Dance Delicioso (Elefant Dreams) Denise Donatelli – In The Company of Friends (Jazzed Media) The Clayton-Hamilton Jazz Orchestra – Live At MCG (MCG/Heads Kathy Kosins – Vintage (Mahogany Jazz) Up) Paul Anka – Rock Swings (Verve Records) Lizz Wright – Dreaming Wide Awake (Verve Records) July 18, 2005 The Frank and Joe Show – 66 2/3 (Hyena Records) Sherman Irby – Faith (Black Warrior Records) Mingus Big Band, Orchestra & Dynasty – I Am Three (Sunnyside/ Jim Self – Innerplay (Bassett Hound Music) Sue Mingus Music) August 1, 2005 Rita Coolidge – And So Is Love (Concord Records) Poncho Sanchez – Do It! (Concord/Picante Records) Mozayik – Haitian Creole Jazz (Zoho Music) August 8, 2005 June 13, 2005 Organissimo – This Is The Place (Big “O” Records) Wayne Shorter – Beyond The Sound Barrier (Verve Records) Tim Reis – Stones Project (Concord Records) City Rhythm Orchestra – Vibrant Tones (Limehouse Records) Nnenna Freelon – Blueprint of a Lady (Concord Records) Javon Jackson – Have You Heard (Palmetto Records) August 15, 2005 Eddie Palmieri – Listen Here! (Concord Picante Records) Bill Mays Trio – Live At Jazz Standard (Palmetto) Frank Mantooth – Ladies Sing for Lovers (MCG/Heads Up) Kevyn Lettau – Bye Bye Blackbird (MCG/Heads Up) August 22, 2005 Roni Ben-Hur – Signature (Reservoir) Joe Zawinul & The Zawinul Syndicate – Vienna Nights (BHM Productions) June 20, 2005 Kelley Johnson – Music Is The Magic (Saphire) Ahmad Jamal – After Fajr (Birdology/Dreyfus Jazz) Bud Shank Quartet with Phil Woods – Bouncing With Bud & Phil - September 5, 2005 Live At Yoshi’s (Capri Records) Mark Sherman – One Step Closer (CAP) June 27, 2005 September 12, 2005 Philip Catherine with Brussels Jazz Orchestra – Meeting Colours Maceo Parker – School’s In (BHM Productions) (Dreyfus Jazz) Mort Weiss – The Four Of Us (Sms Jazz) Noah Baerman – Soul Force (Lemel Music) Afro-Latin Jazz Orchestra with Arturo O’Farrill – Noché Inolvidable (An Unforgettable Night) (Palmetto) July 4, 2005 Elaine Dame – Comes Love (Blujazz) Nick Bisesi – Gemini (Blujazz)

Note: JazzWeek industry subscribers may update this information online at jazzweek.com. Add dates may also be submitted via email to [email protected]. jazzweek.com • July 27, 2005 JazzWeek 21 Jazz Radio Currents Greg Abate Horace Is Here Koko Jazz Jack DeJohnette & Foday Musa Music From The Hearts Of The Golden Beam / Afro-Latin Jazz Orchestra w/ Arturo Noche Inolvidable Palmetto Suso Masters Kindred Rhythm O’Farrill Lea DeLaria Double Standards Telarc Sandro Albert The Color Of Things 215 Records Dena DeRose A Walk In The Park MAXJAZZ Monty Alexander Live At The Iridium Telarc Jazz Tony DeSare Want You Telarc Herb Alpert & The Tijuana Brass Lost Treasures Shout Factory Stefano di Battista Parker’s Mood Blue Note Scott Amendola Band Believe Cryptogramophone Denise Donatelli In The Company of Friends Jazzed Media Carl Amundson & The Modern Guitarists Blue Line Music Armen Donelian Full Moon Music: Grand Ideas, Vol. 3 Sunnyside Guitar Quintet Bob Dorough Sunday At Iridium Arbors Paul Anka Rock Swings Verve Music Group Dave Douglas Mountain Passages Greenleaf Music Babatunde Lea Suite Unseen: Summoner of the Motema Mark Dresser Time Changes Cryptogramophone Ghost Catherine Dupuis The Rules of the Road Bearheart Records The Bad Plus Blunt Object: Live In Tokyo Sony Martin Eagle & Friends A Welcoming Beauty Hawksnest Noah Baerman Soul Force Lemel Music Kahil El’Zabar’s Ritual Trio Live at the River East Art Center Delmark Billy Bang Vietnam: Reflections Justin Time Eldar Eldar Sony Classical BeatleJazz With A Little Help From Our Friends Lightyear John Ellis One Foot In The Swamp Hyena Records Beaux J Poo Boo All Things Are New Summit Connie Evingson Gypsy In My Soul Minnehaha Music Roni Ben-Hur Signature Reservoir Lorraine Feather Dooji Wooji Sanctuary The Marco Benevento/Joe Russo Reason to Buy the Sun Ropeadope Dale Fielder Baritone Sunride Clarion Jazz Duo Cheryl Bentyne Let Me Off Uptown Telarc Jazz Amina Figarova Come Escape With Me Munich Records Daniel Benzali Benzali Rio Kat Sammy Figueroa & His Latin Jazz ... And Sammy Walked In Savant Explosion Shelly Berg Trio Blackbird Concord Jazz Celso Fonseca Rive Gauche Rio Six Degrees Jeff Berlin Lumpy Jazz M.A.J. Records Yves François Blues For Hawk Delmark Big Neighborhood Neighbors Origin The Frank & Joe Show 66 2/3 Hyena Records Nick Bisesi Gemini Blujazz Curtis Fuller Keep It Simple Savant Ron Blake Sonic Tonic Mack Avenue Tia Fuller Pillar Of Strength Wambutia Terence Blanchard Flow Blue Note Garage a Trois Outre Mer [Original Soundtrack] Telarc Jane Ira Bloom Like Silver, Like Song Artist Share Terry Gibbs Feelin’ Good: Live In Studio Mack Avenue Bob Boguslaw & The Way Gabrielle’s Hand Summit David Gibson The Path To Delphi Nagel Heyer Salvatore Bonafede Journey To Donnafugata CAM Rosario Giuliani More Than Ever Dreyfus Jazz Debby Boone Reflections Of Rosemary Concord John Goldman In Walked Pierre Blujazz Chris Botti When I Fall In Love Columbia Paul Grabowsky Tales Of Time & Space Sanctuary Joe Bourne & The Gary Moran Trio Remembering Mr. Cole Jonaja Drew Gress 7 Black Butterflys Premonition Ron Brendle Trio Photograph Lo Note Roland Guerin Groove, Swings And Harmony II Jazz Maniacs Zach Brock & The Coffee Achievers Chemistry Secret Fort Onaje Allan Gumbs Remember Their Innocence Ejano Brian Bromberg It’s About Time Artistry Rigmor Gustafsson & The Jacky Close To you HighNote(ACT) Dave Brubeck Quartet London Flat, London Sharp Telarc Jazz Terrason Trio Jimmy Bruno Solo Mel Bay Tord Gustavsen Trio The Ground ECM Michael Buble It’s Time 143 Records/Reprise Michael Hackett Circles Summit Katie Bull Love Spook Corn Hill Indie Dan Haerle Trio Standard Procedure Blujazz Anne Burnell Blues In The Night Spectrum Music Scott Hamilton/Bill Charlap Trio Back In New York Concord Jazz Gary Burton Next Generation Concord Jazz Happy Apple The Peace Between Our Companies Sunnyside Billy Butterfield Joins Andy Bartha Take Me to the Land of Jazz Delmark Roderick Harper The Essence Of... RHM Will Calhoun Native Lands Half Note Records Gabriel Mark Hasselbach Swingin’ Affair Wind Tunnel Michel Camilo Solo Telarc Jazz David Hazeltine Modern Standards Sharp Nine Caribbean Jazz Project Here and Now: Live In Concert Concord Picante Carol Heffler Exactly Peeka Records Amanda Carr Tender Trap Original Music Fred Hersch Ensemble Leaves Of Grass Palmetto James Carter Organ Trio Out Of Nowhere Half Note Records Hiroshima Obon Heads Up Philip Catherine Meeting Colors Dreyfus Steve Hobbs Spring Cycle Random Chance Bill Charlap Plays George Gershwin: The Blue Note Dave Holland Big Band Overtime Dare2/Sunnyside American Soul The Bill Holman Band Live Jazzed Media Corey Christiansen Awakening Mel Bay The Hot Club of San Francisco Postcards From Gypsyland Lost Wax Music City Rhythm Orchestra Vibrant Tones Limehouse Records Ted Howe Ellington Summit Chiara Civello Last Quarter Moon Verve/Forecast Luther Hughes Cannonball-Coltrane Primrose Lane The Clayton-Hamilton Jazz Live At MCG MCG Jazz Abdullah Ibrahim A Celebratiom Enja/Justin Time Orchestra Jeff Coffin Bloom Compass Sherman Irby Faith BWR Anat Cohen Place & Time Anzic Records Vijay Iyer Reimagining Savoy Jazz Avishai Cohen Trio & Ensemble At Home Razdaz Javon Jackson Have You Heard Palmetto Freddy Cole This Love Of Mine HighNote Christian Jacob Styne and Mine WilderJazz Collier & Dean Duets Origin Records Ahmad Jamal After Fajr Dreyfus Jazz Ravi Coltrane In Flux Savoy Jazz Khan Jamal Peace Warrior Random Chance Paul Combs’ Pocket Big Band Live At Chit Chat Sea Breeze Jazz Keith Jarrett Radiance ECM Common Ground High Voltage Delmark Gordon Johnson Trios Version 3.0 Tonalities Eric Comstock No One Knows Harbinger Records Randy Johnston Is It You? HighNote Harry Connick Jr. Occasion Marsalis Music/ Hank Jones For My Father Justin Time Rounder Records Sean Jones Gemini Mack Avenue Rita Coolidge And So Is Love Concord Vic Juris A Second Look Mel Bay Roz Corral Telling Tales Blujazz Roger Kellaway I Was There - Roger Kellaway Plays IPO Recordings Chris Cortez Mum Is The Word Blue Bamboo From The Bobby Darin Songbook Matt Criscuolo Lotus Blossom Self-Produced Roger Kellaway Remembering Bobby Darin IPO Recordings Bill Cunliffe Imaginacion Torii Records Calvin Keys Calvinesque’ Silverado Records Paquito d’Rivera The Jazz Chamber Trio Chesky Guillermo Klein Una Nave Sunnyside Elaine Dame Comes Love Blujazz Kneebody Kneebody Koch Lars Danielsson Libera Me HighNote(ACT) Ilona Knopfler Live The Life Mack Avenue Daria Feel The Rhythm Jazz M Up Cliff Korman and the Brazilian Tinge Migrations Planet Arts Bobby Darin Live At The Desert Inn Concord Records Kathy Kosins Vintage Mahogany Jazz Jo Ann Daugherty Range Of Motion Blujazz Reed Kotler Tomo Torii Records Dave’s True Story Nature Be Pop Records Benny Lackner Trio Not The Same Nagel Heyer Orbert Davis Blue Notes 3 Sixteen Bireli Lagrene & Gipsy Project Move Dreyfus Jazz Joey DeFrancesco w/Jimmy Smith Legacy Concord Jazz Dana Landry Journey Home Summit jazzweek.com • July 27, 2005 JazzWeek 22 Jazz Radio Currents Michelle Latimer Sings and Plays Cool Note Marc Ribot Spiritual Unity PI Recordings Sara Lazarus Give Me The Simple Life Dreyfus Jazz Roditi / Ignatzek / Rassinfosse Light In The Dark Nagel Heyer Nguyen Le Quartet Walking On The Tiger’s Tail ACT Kurt Rosenwinkel Deep Song Verve Music Group Bradley Leighton Just Doin’ Our Thang Pacific Coast Jazz Kermit Ruffins Throwback Basin Street Carolyn Leonhart New 8th Day Sunnyside Sakesho We Want You To Say Heads Up Jay Leonhart Cool Sons of Sound David Sanborn Closer Verve Music Group Kevyn Lettau Bye Bye Blackbird MCG/Heads Up Arturo Sandoval Live At The Blue Note Half Note Records Dave Liebman Manhattan Dialogues Zoho Music Rebecca Sayre This Is Always Becca Lincoln Center Jazz Orchestra A Love Supreme Palmetto Diane Schuur w/ Caribbean Jazz Schuur Fire Concord Records Charles Lloyd Jumping The Creek ECM Project Jeff Lorber Flipside Narada Jazz John Scofield That’s What I Say: The Music of Ray Verve Music Group Los Hombres Calientes Vol 5: Carnival Basin Street Charles Joe Lovano Joyous Encounter Blue Note Vince Seneri Street Talk Senful Records Sylvain Luc Ambre Dreyfus Jazz Paul Serrato Excursions Graffiti Productions Brian Lynch 24/7 Nagel Heyer SFJazz Collective SFJazz Collective Nonesuch The Leslie Maclean Trio That’s Time Enough KippieJosh Jazz The Bud Shank Quartet with Phil Bouncing With Bud & Phil - Live At Capri Woods Yoshi’s Kevin Mahogany Big Band Zebra Records/Ma- Shapes The Big Picture Burnin’ Down The hogany Jazz House Productions Frank Mantooth Ladies Sing for Lovers MCG/Heads Up Avery Sharpe Trio Dragonfly JKNM Thomas Marriott Individuation Origin Woody Shaw Live: Volume four HighNote Veronica Martell The Art Of Intimacy Apria Wayne Shorter Beyond The Sound Barrier Verve Music Group Peter Martin In The P.M. MAXJAZZ Ben Sidran Quartet Bumpin’ At The Sunside! Nardis Scott Martin Menudo and Gritz SCM Jeff ‘Siege’ Siegel Magical Space Consolidated Artists Will Martin Morning Saguaro Beach Herb Silverstein & Friends Beach Walker Silvertunes Music Hugh Masekela Revival Heads Up Productions Mark Masters Ensemble Porgy & Bess Redefined! Capri Doctor Lonnie Smith Too Damn Hot Palmetto Irvin Mayfield & The Orleans Jazz Strange Fruit Basin Street Keely Smith Vegas ‘58 - Today Concord Orchestra Luciana Souza Duos II Sunnyside Kate McGarry Mercy Streets Palmetto Melvin Sparks This Is It Savant Chris McNulty Dance Delicioso Elefant Dreams Mary Stallings Remember Love Half Note Records Marian McPartland Piano Jazz w/ Steely Dan Concord The Stamm/Soph Project Live At Birdland NYC Jazzed Media Marian McPartland Piano Jazz w/ Elvis Costello Concord Patches Stewart Blow Koch Marian McPartland & Friends 85 Candles-Live In New York Concord Jazz Curtis Stigers I Think It’s Going To Rain Today Concord Jazz Charles McPherson w/ Strings A Tribute To Charlie Parker Clarion Jazz Sonny Stitt Work Done HighNote Pablo Mendendez Havana Blues Mambo Zoho Music Kevin Stout & Brian Booth Tales Of The Tetons Jazzed 5 Records Pat Metheny Group The Way Up Nonesuch Dave Stryker Big City Mel Bay Raul Midon State of Mind Manhattan Records Andy Summers The X Tracks Fuel 2000 Marcus Miller Silver Rain Koch Records Bill Tapia Duke Of Uke Moon Room Records Mulgrew Miller Live At Yoshi’s: Vol. 2 MAXJAZZ Times 4 Seductivity Rhombus Mingus Big Band/Orchestra/Dynasty I Am Three Sunnyside Mel Torme, Gerry Mulligan & George The Classic Concert Live Concord Jazz Grachan Moncur III Exploration Capri Shearing Monk’s Music Trio Think Of One CMB Records Dwight Trible Living Water Passin’ The Vibe Barbara Montgomery Trinity MMB Two Siberians Out of Nowhere Heads Up Jason Moran Same Mother Blue Note Belinda Underwood Underwood Uncurling Cosmik Muse Mozayik Haitian Creole Jazz Zoho Music Rekords Oliver Mtukudzi Nhava Heads Up Various Artists Blue Note Perfect Takes Blue Note Myanna One Never Knows Bridge Street Records Various Artists Putumayo Presents: Swing Around Putumayo Ted Nash & Odeon La Espade de la Noche Palmetto the World The Marty Nau Group At The Bouquet Chorale Summit The Mike Vax Big Band Next Stop - Live... On The Road Summit Jacqui Naylor East/West Birdland - Yoshi’s Ruby Records Steve Venz Scoop Daal Jazz Meshell Ndegeocello presents The Dance Of The Infidel Shanachie The Chris Walden Big Band Home Of My Heart Origin Records Spirit Music Jamia Ken Walker Sextet Terra Firma Synergy Music Shelley Neill entree blue Cobalt Blue Cedar Walton Underground Memoirs HighNote Ed Neumeister Quartet New Standards Meistero Doug Wamble Bluestate Marsalis Music/ Calvin Newborn New Born Yellow Dog Rounder Records David ‘Fathead’ Newman I Remember Brother Ray HighNote Wasilewski, Kurkiewicz & Trio ECM Russ Nolan Two Colors Rhinoceruss Miskiewicz Nouvelle Vague Peacefrog Harry Watters Out Of A Dream: Love Songs Summit Hod O’Brien Live At Blues Alley: First Set Reservoir The Dave Weckl Band Multiplicity Stretch/Concord Arturo O’Farrill Live In Brooklyn Zoho Music Mark Weinstein Algo Mas/Cuban Roots Jazz Heads Michael O’Neill The Long And Short Of It Jazzmo The Mort Weiss Quartet The Four Of Us: Live At Steamers SMS Jazz One More Music of Thad Jones IPO Recordings Westwind Brass Jazztet LMP Productions Organissimo This Is The Place Big “O” Records Judy Wexler Easy On The Heart Rhombus Eddie Palmieri Listen Here! Concord Jazz Kenny Wheeler What Now? CAM Alan Pasqua My New Old Friend Cryptogramophone Kenny Wheeler & John Taylor Where Do We Go From Here? CAM Jim Payne Energie Savant Wesla Whitfield In My Life HighNote Pearl Django Chasing Shadows Modern Hot Records Scott Whitfield Jazz Orchestra The Minute Game Summit Dave Peck Good Road LPS Records Joe Williams Havin’ A Good Time! Hyena Records Madeleine Peyroux Careless Love Rounder Abram Wilson Jazz Warrior Dune Records Enrico Pieranunzi (W/ Charlie Special Encounter CAM Allen Won Quartet The Jewel In The Lotus Self-Produced Haden, Paul Motian) Phil Woods Groovin’ To Marty Paich Jazzed Media Leslie Pintchik So Glad To Be Here Ambient Victor Wooten Soul Circus Vanguard John Pizzarelli Knowing You Telarc Jazz Lizz Wright Dreaming Wide Awake Verve/Forecast Marc Pompe You Must Believe In Swing Cadence Jazz Savina Yannatou & Primavera En Sumiglia ECM Michel Portal & Richard Galliano Concerts Dreyfus Jazz Solonico The Devere Pride Trio ... As In A Morning Sunrise The Davis Group Yellowjackets Altered State Heads Up Dafnis Prieto About The Monks Zoho Music Dave Young Mainly Mingus Justin Time Flora Purim Flora’s Song Narada Jazz Ruth Young This Is Always Nagel Heyer Nelson Rangell My American Songbook Vol. 1 Koch Rachel Z Grace Chesky Joshua Redman Elastic Band Momentum Nonesuch Denny Zeitlin Solo Voyage MAXJAZZ Twana Rhodes Thru The Night Nagel Heyer Miguel Zenon Jibaro Marsalis Music/ Rounder Records jazzweek.com • July 27, 2005 JazzWeek 23 Smooth Jazz Radio

Richard Elliot Has Top Album, Single For 3rd Week

Hugh Masekela’s Revival and Two Singles Most Added

ichard Elliot’s Metro Blue (Artizen) and its single “People Make the World Go ’Round” Rtopped the July 27 charts, making it three weeks in a row. Mindy Abair saw the biggest increase in singles airplay with “Make A Wish” (GRP) gain- ing 117 spins, while Paul Hardcastle’s 4 (Trippin’ ’N’ Rhythm) picked up 114 spins on the album chart. The Most Added single and album this week came from veteran trumpeter Hugh Masekela.

Richard Elliot has the top album, Metro Blue (Arti- The track “Spring” from his Heads Up releaseRe - zen), and the top single, “People Make the World Go vival was added to the playlist of 27 stations and ’Round,” for the third straight week. his “After Tears” was added on 25 stations.

Smooth Albums p. 25 Smooth Singles p. 26 Smooth Current CDs p. 27 Hugh Masekela’s Revival (Heads Up) was the most Smooth Radio Panel p. 28 added album, and its tracks “Spring” and “After Tears” were the top two added on the singles chart. jazzweek.com • July 27, 2005 JazzWeek 24 airplay data JazzWeek Smooth Album Chart July 27, 2005 powered by TW LW 2W Peak Artist Release Label TP LP +/- Weeks Stations Adds 1 1 1 1 Richard Elliot Metro Blue Artizen 716 734 -18 7 34 0 2 2 2 1 Nils Pacific Coast Highway Baja 670 697 -27 27 33 0 3 3 5 3 Steve Cole Spin Narada Jazz 645 663 -18 19 30 0 4 6 7 4 Paul Taylor Nightlife Peak 645 633 12 20 30 0 5 4 4 1 Kenny G At Last...The Duets Album Arista 644 659 -15 33 32 0 6 5 8 5 Chuck Loeb When I’m WIth You Shanachie 625 636 -11 24 30 0 7 11 33 7 Paul Hardcastle 4 Trippin ‘N’ Rhythm 576 462 114 3 31 0 8 9 9 8 Norman Brown West Coast Coolin’ Warner Bros. 571 565 6 5 34 0 9 12 11 1 Various Artists Forever, For Always, For Luther GRP 518 436 82 33 33 0 10 10 10 2 Boney James Pure Warner Bros. 481 487 -6 38 34 0 11 8 3 1 Michael Lington Stay With Me Rendezvous 480 581 -101 38 32 0 12 13 12 1 Wayman Tisdale Hang Time Rendezvous 423 413 10 38 32 0 13 23 30 4 Mindi Abair Come As You Are GRP 372 269 103 38 31 0 14 14 NR 14 Anita Baker My Everything Blue Note 351 361 -10 2 29 0 15 21 44 15 Brian Culbertson It’s On Tonight GRP / Verve 340 303 37 3 29 1 16 16 16 14 Jeff Lorber Flipside Narada Jazz 338 329 9 26 31 0 17 15 13 4 Euge Groove Livin’ Large EMI 310 337 -27 38 31 0 18 17 17 17 Average White Band Greatest And Latest Liquid 8 305 314 -9 6 28 0 19 18 15 15 Jonathan Butler Jonathan Rendezvous (Red) 301 309 -8 8 27 0 20 22 20 6 Marion Meadows Player’s Club Heads Up 299 279 20 38 29 0 21 29 NR 21 Paul Brown The City GRP / Verve 284 189 95 2 27 0 22 19 18 18 Ken Navarro Love Coloured Soul Positive Music 275 306 -31 24 27 1 23 20 14 3 Paul Brown Up Front GRP 269 305 -36 33 31 0 24 25 21 14 Nick Colionne Just Come On In Will Keys 243 252 -9 38 29 0 25 32 39 25 Walter Beasley For Her Heads Up 239 187 52 10 21 0 26 26 22 4 Tim Bowman This Is What I Hear Liquid 8 218 212 6 30 29 0 27 24 19 13 3rd Force Driving Force Higher Octave 200 256 -56 26 24 0 28 27 23 5 Chris Botti A Thousand Kisses Deep Columbia 200 199 1 38 32 0 29 31 NR 29 Kem Album II Universal / Motown 196 187 9 2 15 0 30 30 26 1 Soul Ballet Dream Beat Dream 215 183 189 -6 38 31 0 31 28 25 14 David Sanborn Closer Verve 182 198 -16 28 21 0 32 34 29 16 Fourplay Journey BMG 159 169 -10 38 22 0 33 33 24 18 Joyce Cooling This Girl’s Got To Play Narada Jazz / Virgin 156 181 -25 33 26 0 34 38 31 9 Peter White Confidential Columbia 150 148 2 33 27 0 35 36 NR 35 Seal Seal IV Warner Bros. 150 164 -14 2 26 0 36 37 28 1 Gerald Albright Kickin’ It Up GRP / VMG / UMG 148 161 -13 38 31 0 37 40 NR 37 Michael Buble It’s Time 143 / Reprise 142 141 1 2 8 0 38 44 41 35 Nelson Rangell My American Songbook Vol. 1 Koch 141 126 15 22 14 0 39 35 27 10 Chris Botti When I Fall In Love Columbia 141 164 -23 33 23 0 40 39 34 5 George Benson Irreplaceable GRP / VMG / UMG 139 145 -6 38 29 0 41 43 62 41 Jeff Golub Temptation Narada Jazz 137 137 0 3 14 0 42 41 32 18 Pieces Of A Dream No Assembly Required Heads Up 133 141 -8 38 17 0 43 42 35 20 Dan Siegel Inside Out Native Language 128 140 -12 38 22 0 44 50 43 43 Chieli Minucci The Juice [Single] Shanachie 123 112 11 8 11 2 45 49 38 25 The Ramsey Lewis Trio Time Flies Narada Jazz 111 113 -2 33 20 0 46 52 42 26 Richard Smith Soulidified A440 109 110 -1 33 24 0 47 55 40 31 Rick Braun Esperanto Warner Bros. 108 96 12 33 21 0 48 51 NR 48 Daryl Hall & John Oates Our Kind Of Soul U-Watch 100 112 -12 2 20 0 49 54 47 11 Queen Latifah The Dana Owens Album AM / UMG 98 96 2 33 16 0 50 48 37 36 Alexander Zonjic Seldom Blues Heads Up 94 115 -21 33 14 0

Most Added Increased Airplay Chartbound Hugh Masekela Revival (Heads Up) +23 Paul Hardcastle 4 (Trippin ‘N’ Rhythm) +114 The Rippingtons Wild Card (Peak) Praful Pyramid In Your Backyard Mindi Abair Come As You Are (GRP) +103 Ray Charles Genius Loves Company (Concord) Hugh Masekela Revival (Heads Up) (Therapy / Rendezvous) +15 Paul Brown The City (GRP / Verve) +95 Bass X Volume 2: Heir Wave (Liquid 8) Warren Hill Pop Jazz (Pop Jazz) +8 Various Artists Forever, For Always, For Luther Raul Midon State Of Mind (Manhattan) Joe McBride Texas Hold ’Em (Heads Up) +6 (GRP) +82 Praful Pyramid In Your Backyard (Therapy / Rendezvous) Seal Best: 1991-2004 (Warner Bros.) Soul Ballet “She Rides” [Single] (215) +5 Hugh Masekela Revival (Heads Up) +56 Michael McDonald Motown Two (Motown) Chiara Civello Last Quarter Moon (Verve)

jazzweek.com • July 27, 2005 All monitored airplay data is owned by Mediaguide, Inc. ©2005 Mediaguide, Inc. JazzWeek 25 airplay data JazzWeek Smooth Singles Chart July 27, 2005 powered by TW LW 2W Peak Artist Release Label TP LP +/- Weeks Stations Adds 1 1 1 1 Richard Elliot People Make The World Go ’Round Artizen 716 734 -18 7 34 0 2 2 2 1 Nils Pacific Coast Highway Baja 670 697 -27 27 33 0 3 3 3 2 Steve Cole Thursday Narada Jazz 645 663 -18 19 30 0 4 5 4 4 Paul Taylor Nightlife Peak 645 633 12 20 30 0 5 4 5 4 Chuck Loeb Tropical Shanachie 625 636 -11 24 30 0 6 7 29 6 Paul Hardcastle Serene Trippin ‘N’ Rhythm 576 462 114 3 31 0 7 9 7 7 Norman Brown West Coast Coolin’ Warner Bros. 415 394 21 6 32 0 8 8 8 8 Kenny G & Earth Wind, & Fire The Way You Move Arista 410 396 14 29 32 0 9 6 6 2 Michael Lington Two Of A Kind (w/ Chuck Loeb) Rendezvous 386 496 -110 38 31 0 10 14 10 10 Paul Jackson, Jr. Never Too Much GRP 358 307 51 23 28 0 11 16 46 11 Brian Culbertson Hookin’ Up GRP / Verve 340 303 37 3 29 1 12 11 11 9 Jeff Lorber Ooh La La Narada Jazz 338 329 9 26 31 0 13 12 14 12 Average White Band Work To Do (Nu-Jazz Mix) Liquid 8 305 314 -9 6 28 0 14 13 9 9 Jonathan Butler Fire And Rain Rendezvous (Red) 301 309 -8 8 27 0 15 24 NR 15 Paul Brown Cosmic Monkey GRP / Verve 284 189 95 2 27 0 16 15 15 14 Ken Navarro You Are Everything Positive Music 274 305 -31 24 27 1 17 18 17 17 Wayman Tisdale Ready To Hang Rendezvous 262 257 5 15 24 0 18 17 13 1 Boney James Stone Groove (w/ Joe Sample) Warner Bros. 247 268 -21 37 32 0 19 44 NR 19 Mindi Abair Make A Wish GRP 235 118 117 2 24 3 20 27 39 20 Walter Beasley Coolness Heads Up 225 180 45 10 20 0 21 21 19 2 Kenny G & David Sanborn Pick Up The Pieces Arista 205 236 -31 33 27 0 22 19 16 10 3rd Force Believe In Me Higher Octave 200 256 -56 26 24 0 23 22 NR 22 Anita Baker How Does It Feel Blue Note 200 220 -20 2 19 0 24 20 18 3 Euge Groove XXL EMI 196 242 -46 38 28 0 25 26 21 1 Tim Bowman Summer Groove Liquid 8 193 189 4 30 29 0 26 28 NR 26 Kem I Can’t Stop Loving You Universal / Motown 185 179 6 2 15 0 27 23 23 5 Marion Meadows Sweet Grapes Heads Up 184 193 -9 38 27 0 28 25 22 1 Soul Ballet Cream 215 183 189 -6 38 31 0 29 29 20 5 Paul Brown Moment By Moment GRP 168 169 -1 33 27 0 30 32 25 1 Wayman Tisdale Ain’t No Stoppin’ Us Now Rendezvous 160 154 6 38 28 0 31 31 30 15 Fourplay Fields Of Gold BMG 150 160 -10 38 20 0 32 37 26 5 Chris Botti Back Into My Heart Columbia 144 144 0 38 27 0 33 33 27 1 Gerald Albright To The Max GRP / VMG / UMG 141 150 -9 38 30 0 34 34 31 11 Nick Colionne It’s Been Too Long Will Keys 141 150 -9 38 23 0 35 39 72 35 Jeff Golub Simple Pleasures Narada Jazz 137 137 0 3 14 0 36 43 41 36 Nelson Rangell Don’t You Worry ’Bout A Thing Koch 136 119 17 14 13 0 37 36 33 2 Norman Brown Up ’N’ At ’Em Warner Bros. 136 145 -9 38 27 0 38 35 28 3 Mindi Abair Come As You Are GRP 134 146 -12 38 26 0 39 41 34 3 George Benson Softly, As In A Morning Sunrise GRP / VMG / UMG 131 130 1 38 28 0 40 40 NR 40 Seal Love’s Divine Warner Bros. 129 134 -5 2 26 0 41 48 43 41 Chieli Minucci The Juice Shanachie 123 112 11 8 11 2 42 38 32 16 David Sanborn Tin Tin Deo Verve 123 140 -17 28 20 0 43 42 36 15 Dan Siegel In Your Eyes Native Language 116 125 -9 38 20 0 44 60 48 1 Richard Elliot Your Secret Love GRP 115 85 30 33 31 0 45 55 64 45 Boney James 2:01 AM Warner Bros. 112 89 23 8 13 1 46 54 50 17 Euge Groove Livin’ Large EMI 110 93 17 38 25 0 47 50 40 22 The Ramsey Lewis Trio The In Crowd Narada Jazz 108 106 2 33 19 0 48 67 63 48 Marion Meadows Suede Heads Up 105 76 29 38 10 1 49 51 47 31 Nick Colionne High Flyin’ Will Keys 100 101 -1 33 24 0 50 49 42 2 Boney James Here She Comes Warner Bros. 99 109 -10 38 24 0

Most Added Increased Airplay Chartbound Hugh Masekela “Spring” (Heads Up) +27 Mindi Abair “Make A Wish” (GRP) +117 Anita Baker “You’re My Everything” (Blue Note) Hugh Masekela “After Tears” (Heads Up) +25 Paul Hardcastle “Serene” (Trippin ‘N’ Rhythm) +114 Michael Buble “Home” (143 / Reprise) The Rippingtons “Wild Card” (Peak) Praful “Moon Glide” (Therapy / Rendezvous) +8 Paul Brown “Cosmic Monkey” (GRP / Verve) +95 Bass X “Vonnie” (Liquid 8) Warren Hill “Still In Love” (Pop Jazz) +8 Paul Jackson, Jr. “Never Too Much” (GRP) +51 Ray Charles “You Don’t Know Me” (w/ Diana Krall) (Concord) Soul Ballet “She Rides” (215) +5 Walter Beasley “Coolness” (Heads Up) +45 Chris Botti “Indian Summer” (Columbia) Seal “Walk On By” (Warner Bros.) Kirk Whalum “Any Love” (GRP) David Sanborn “Don’t Let Me Be Lonely Tonight” (Verve) jazzweek.com • July 27, 2005 All monitored airplay data is owned by Mediaguide, Inc. ©2005 Mediaguide, Inc. JazzWeek 26 Smooth Jazz Radio Current Albums 3rd Force Driving Force Higher Octave Chaka Khan Classikhan AGU Sanctuary Mindy Abair Come As You Are GRP Records Greg Adams Firefly 215 Records Dave Koz Saxophonic Capitol Sandro Albert The Color Of Things 215 Records Pattie LaBelle Timeless Journey Island /Def Jam Gerald Albright Kickin’ It Up GRP David Lanz The Good Life Decca Herb Alpert & The Tijuana Brass Lost Treasures Shout Factory Ronnie Laws Everlasting Holland Group Marc Antoine Mediteraneo Rendevous Michael Lington Stay With Me Rendevous Marc Antoine The Very Best of Marc Antoine Verve Music Group Liquid Soul Evolution Shanachie Average White Band Greatest And Latest Liquid 8 Chuck Loeb eBop Shanachie Anita Baker My Everything Blue Note Chuck Loeb When I’m WIth You Shanachie Bob Baldwin Brazil Chill A440 Music Group Jeff Lorber Flipside Narada Jazz Walter Beasley Go With The Flow N-Coded Music Torcuato Mariano Diary 215 Records Walter Beasley For Her Heads Up Eric Marienthal Sweet Talk Peak Pete Belasco Deeper Compendia Hugh Masekela Revival Heads Up Regina Belle Lazy Peak Keiko Matsui Wildflower Narada David Benoit/Russ Freeman Benoit Freeman Project 2 Peak Maysa Smooth Sailing Encoded George Benson Irreplaceable GRP Michael McDonald Motown Motown Matt Bianco Matt’s Mood Universal Music Michael McDonald Motown Two Motown Group Marion Meadows Player’s Club Heads Up Theo Bishop Newport Nights Native Language Raul Midon State of Mind Manhattan Records Terence Blanchard Flow Blue Note Marcus Miller Silver Rain Koch Records Debby Boone Reflections Of Rosemary Concord Chieli Minucci Night Grooves Shanachie Chris Botti A Thousand Kisses Deep Columbia Chieli Minucci Jewels JVC Chris Botti When I Fall In Love Columbia Najee Embrace N-Coded Music Tim Bowman This Is What I Hear Liquid 8 Najee Classic Masters Capitol Jeff Bradshaw Bone Deep Hidden Beach Ken Navarro All The Way Shanachie Rick Braun Esperanto Warner Bros. Ken Navarro Love Coloured Soul Positive Music Toni Braxton Ultimate Toni Braxton LaFace Meshell Ndegeocello presents The Dance Of The Infidel Shanachie Braxton Brothers Rollin Peak Spirit Music Jamia Bridge To Havana (f. Gladys Knight) Bridge To Havana Pyramid Grady Nichols Sophistication Compendia Brian Bromberg Choices A440 Music Group Grady Nichols Sneak Compendia Norman Brown West Coast Coolin’ Warner Bros. Nils Pacific Coast Highway Baja/TSA Records Paul Brown Up Front GRP O’2L Doyle’s Brunch Peak Michael Buble It’s Time 143 Records/Reprise Andrew Oh Silk Ark Music Alex Bugnon Southern Living Narada Jazz Steve Oliver 3-D Koch Records Jonathan Butler Jonathan Rendezvous (Red) Renee Olstead Renee Olstead 143 Records/Reprise Cabo Frio Island Dance Kezia Records Pieces Of A Dream No Assembly Required Heads Up Jonathan Cain Bare Bones Reality/AAO Music Doc Powell 97th & Columbus Heads Up Bobby Caldwell Perfect Island Nights Sin-Drome Doc Powell Cool Like That Heads Up Sergio Caputo That Kind of Thing Idiosyncrasy Music Praful One Day Deep Rendezvous/N-Coded Larry Carlton Sapphire Blue Bluebird Nelson Rangell Look Again A440 Music Group Craig Chaquico Midnight Moon Higher Octave Nelson Rangell My American Songbook Vol. 1 Koch Ray Charles Genius Loves Company Concord The Rippingtons Let It Ripp Peak Club 1600 Ridin, High N-Coded Music Smokey Robinson My World: The Definitive Collection Motown Steve Cole NY LA Warner Bros. Linda Ronstadt Hummin’ to Myself Verve Music Group Steve Cole Spin Narada Jazz David Sanborn Time Again Verve Music Group Nick Colionne Just Come On In Three Keys Music David Sanborn Closer Verve Music Group Rita Coolidge And So Is Love Concord Seal IV Warner Bros. Joyce Cooling This Girl’s Got to Play Narada Jazz Seal Best: 1991-2004 Warner Bros. Couch Potato Allstars Jazz For Couch Potatoes Shanachie Dan Siegel Inside Out Native Language Brian Culbertson Come On Up Warner Bros. Simply Red Home Simply Red Eric Darius Night On The Town Higher Octave Richard Smith Soulidfied A440 Music Group Will Downing Emotions GRP Jimmy Sommers Love Life Higher Octave Carol Duboc All Of You Gold Note Soul Ballet Dream Beat Dream 215 Records George Duke Duke BPM/Navarre Special EFX Party Shanachie Richard Elliot Ricochet GRP Spyro Gyra The Deep End Heads Up Richard Elliot Metro Blue Artizen Stanley B. All For Love Tommy Emmanuel Endless Road Favored Nations Wonder Stevie The Definitive Collection Motown Fattburger Work To Do Shanachie Patches Stewart Blow Koch Fourplay Journey RCA/Victor Curtis Stigers I Think It’s Going To Rain Today Concord Jazz A. Ray Fuller The Weeper A Ray Artists Music Andy Summers The X Tracks Fuel 2000 Garry Goin Goin’ Places Compendia Paul Taylor Steppin’ Out Peak/Concord Jeff Golub Soul Sessions GRP Paul Taylor Nightlife Peak Al Green The Absolute Best EMI J. Thompson Romantic Night AMH Records Euge Groove Living Large Narada Wayman Tisdale Hang Time Rendevous Onaje Allan Gumbs Remember Their Innocence Ejano Nester Torres Sin Palabras Heads Up Hall & Oates Our Kind Of Soul U-Watch Two Siberians Out of Nowhere Heads Up Paul Hardcastle The Jazzmasters 4 Trippin’ N’ Rhythm Urban Knights Urban Knights V Narada Records Luther Vandross Dance With My father J Records Everette Harp All For You A440 Music Group Various Artists Forever, For Always, For Luther GRP Gabriel Mark Hasselbach Gabriel... First Name Basis Wind Tunnel Various Artists Wedding Songs: A Body & Soul Time Life Hil St. Soul Copasetik & Cool Shanachie Collection Hiroshima The Bridge Heads Up Various Artists Princess Diaries 2 : Royal Engage- Walt Disney Hiroshima Obon Heads Up ment [Original Soundtrack] Incognito Who Needs Love Narada Jazz Various Artists Rendezvous Lounge, Vol.1 Rendevous Paul Jackson Jr. Still Small Voice Blue Note Vlad Vladosphere Unis Boney James Pure Warner Bros. Andre Ward Steppin Up Orpheus Jazz Crusanders Soul Axess True Life Kim Waters Someone To Love You Shanachie Marcus Johnson Urban Groove Marimelj Entertain- Kim Waters In The Name Of Love Shanachie ment Kirk Whalum Into My Soul Warner Bros. Ronny Jordan At Last N-Coded Music Peter White Confidential Columbia Ronny Jordan After 8 N-Coded Music Bernie Williams The Journey Within GRP Jeff Kashiwa Peace Of Mind Native Language Pamela Williams Sweet Saxations Shanachie Kem Kemistry Motown Jim Wilson River Hillsboro Kem Album II Motown Victor Wooten Soul Circus Vanguard Kenny G At Last...The Duets Album Arista Yellowjackets Altered State Heads Up Alicia Keys The Diary Of Alicia Keys J Records Alexander Zonjic Seldom Blues Heads Up jazzweek.com • July 27, 2005 JazzWeek 27 Jazz Station Panel Smooth Station Panel Call letters Frequency Market Rank Call letters Frequency Market Rank CJRT-FM* 91.1 Toronto, ON N/A KAJZ-FM 101.7 Albuquerque, NM 71 KANU-FM 91.5 Topeka, KS 195 KBZN-FM 97.9 Salt Lake City - Ogden - Provo, UT 31 KBEM-FM 88.5 Minneapolis - St. Paul, MN 16 KEZL-FM 96.7 Fresno, CA 68 KCCK-FM* 88.3 Cedar Rapids, IA 204 KHJZ-FM 95.7 Houston - Galveston, TX 7 KCLU-FM 88.3 Los Angeles, CA 2 KCSM-FM 91.1 San Francisco, CA 4 KIFM-FM 98.1 San Diego, CA 17 KEWU-FM 89.5 Spokane, WA 93 KJCD-FM 104.3 Denver - Boulder, CO 22 KFSR-FM 90.7 Fresno, CA 68 KJZI-FM 100.3 Minneapolis - St. Paul, MN 16 KIOS-FM 91.5 Omaha, NE - Council Bluffs, IA 73 KJZY-FM 93.7 San Francisco, CA 4 KIPO-FM* 89.3 Honolulu 62 KKSF-FM 103.7 San Francisco, CA 4 KJZZ-FM 91.5 Phoenix, AZ 15 KKSJ/KTSJ-FM 105.9 Lafayette, LA 102 KKJZ-FM 88.1 Los Angeles, CA 2 KLJT-FM 102.3 Tyler-Longview, TX 148 KLCC-FM 89.7 Eugene-Springfield, OR 171 KMGQ-FM 97.5 Santa Barbara, CA 204 KMHD-FM 89.1 Portland, OR 24 KMUW-FM 89.1 Wichita, KS 95 KOAI-FM 107.5 Dallas - Ft. Worth, TX 5 KNTU-FM 88.1 Dallas - Ft. Worth, TX 5 KOAS-FM 105.7 Las Vegas, NV 38 KPLU-FM 88.5 Seattle - Tacoma, WA 14 KRVR-FM 105.5 Stockton, CA 82 KRTU-FM 91.7 San Antonio, TX 30 KSKX-FM 105.5 Colorado Springs, CO 97 KSDS-FM 88.3 San Diego, CA 17 KSMJ-FM 97.7 Bakersfield, CA 83 KSJS-FM 90.5 San Jose, CA 33 KSSJ-FM 94.7 Sacramento, CA 26 KSMF-FM* 89.1 Ashland, OR 207 KTWV-FM 94.7 Los Angeles, CA 2 KSUT-FM* 91.3 Ignacio, CO N/A KWJZ-FM 98.9 Seattle - Tacoma, WA 14 KTSU-FM 90.9 Houston - Galveston, TX 7 KUAZ-FM 89.1 Tucson, AZ 63 KYOT-FM 95.5 Phoenix, AZ 15 KUNR-FM* 88.7 Reno, NV 231 WBRH-FM 90.3 Baton Rouge, LA 84 KUNV-FM 91.5 Las Vegas, NV 38 WEIB-FM 106.3 Hartford - New Britain - Middletown, CT 50 KUT-FM 90.5 Austin, TX 7 WFJZ-FM 106.7 Ft. Wayne, IN 105 KUVO-FM 89.3 Denver - Boulder, CO 22 WFSK-FM 88.1 Nashville, TN 44 KXJZ-FM 88.9 Sacramento, CA 26 WGPR-FM 107.5 Detroit, MI 10 WAER-FM* 88.3 Syracuse, NY 79 WJAB-FM 90.9 Huntsville, AL 116 WBEZ-FM 91.5 Chicago, IL 3 WBFO-FM 88.7 Buffalo - Niagara Falls, NY 52 WJJZ-FM 106.1 Philadelphia, PA 6 WBGO-FM 88.3 New York, NY 1 WJSJ/WSJF-FM 105.5 Jacksonville, FL 49 WCLK-FM 91.9 Atlanta, GA 11 WJZA/WJZK-FM 103.5 Columbus, OH 35 WCMU/WUCX-FM 89.5/90.1 Mount Pleasant – Saginaw/Bay City/Midland, MI 131 WJZI-FM 93.3 Milwaukee - Racine, WI 32 WCPN-FM 90.3 Cleveland, OH 25 WJZL/WJZO-FM 93.1 Louisville, KY 55 WDCB-FM* 90.9 Chicago, IL 3 WJZR-FM 105.9 Rochester, NY 54 WDET-FM 101.9 Detroit, MI 10 WJZW-FM 105.9 Baltimore, MD 20 WDNA-FM 88.9 Miami - Ft. Lauderdale - Hollywood, FL 12 WJZZ-FM 107.5 Atlanta, GA 11 WDUQ-FM 90.5 Pittsburgh, PA 23 WEAA-FM 88.9 Baltimore, MD 20 WLOQ-FM 103.1 Orlando, FL 39 WEMU-FM* 89.1 Ypsilanti, MI 10 WLVE-FM 93.9 Miami - Ft. Lauderdale - Hollywood, FL 12 WFNX-FM 101.7 Boston, MA 133 WNUA-FM 95.5 Chicago, IL 3 WFSS-FM 91.9 Fayetteville, NC 128 WNWV-FM 107.3 Cleveland, OH 25 WGBH-FM 89.7 Boston, MA 8 WPMJ-FM 94.3 Peoria, IL 149 WGLT-FM 89.1 Peoria, IL 149 WQCD-FM 101.9 New York, NY 1 WGMC-FM 90.1 Rochester, NY 54 WSJT-FM 94.1 Tampa - St. Petersburg - Clearwater, FL 21 WGVU-FM 88.5 Grand Rapids, MI 67 WSJW-FM 92.7 Harrisburg - Lebanon - Carlisle, PA 80 WHRV-FM 89.5 Norfolk - Virginia Beach - Newport News, VA 40 WICN-FM* 90.5 Worcester,MA 8 WSMJ-FM 104.3 Baltimore, MD 20 WJSU-FM 88.5 Jackson, MS 123 WVAS-FM 90.7 Montgomery, AL 152 WMOT-FM 89.5 Nashville, TN 44 WVMV-FM 98.7 Detroit, MI 10 WNCU-FM 90.7 Raleigh - Durham, NC 43 WXJZ-FM 100.9 Gainesville - Ocala, FL 87 WRTI-FM 90.1 Philadelphia, PA 6 WYJZ-FM 100.9 Indianapolis, IN 41 WSHA-FM 88.9 Raleigh - Durham, NC 43 Music Choice National N/A WSIE-FM 88.7 St. Louis, MO 19 WTEB-FM 89.3 Greenville,NC 87 WUAL-FM 91.5 Tuscaloosa, AL 133 WUCF-FM 89.9 Orlando, FL 39 Airplay of all stations, except as noted, is monitored by Mediaguide. WUMR-FM 91.7 Memphis, TN 48 WUSF-FM 89.7 Tampa - St. Petersburg - Clearwater, FL 21 To apply to become a member of a station panel, email WVPR/WVPS-FM 94.3 Burlington, VT-Plattsburgh, NY 220 [email protected] WWOZ-FM 90.7 New Orleans, LA 46 WWSP-FM* 89.9 Wausau-Stevens Point, WI 198 WXUT/WXTS-FM 88.3 Toledo, OH 85 Music Choice National Distribution N/A *Denotes station not monitored by Mediaguide. Station submits a weekly airplay report. Sirius* National Distribution N/A jazzweek.com • July 27, 2005 JazzWeek 28 127979 CLIENTS 1 19:48 9/17/02 WV 110 Dolev *568920*

It’s a long way from the Apollo the trumpet was as a guest in a Theatre to the Apollo program. correctional home for wayward And while his playing may have boys. If only today’s schools were been “as lofty as a moon flight,” as enlightened and informed as as Time magazine once suggested, that reformatory was. that would be as close as Louis Alas, the arts are dismissed as Daniel Armstrong would ever get extravagant in today’s schools. to taking “one small step for man.” This, despite all the studies that But as the jazz musician of the show parents believe music and Instead of a giant leap, Louis Armstrong delivered 20th century, giant one giant free-form crazy jazz groove for mankind. dance and art and drama make leaps were simply a matter of course for their children much better students and better people.

Satchmo. For no one has ever embodied If you feel like your kids aren’t READIN’

Armstrong left his the art form the way he did. It was he getting their fair share, make ART footprints on the jazz world, wearing lace-up oxfords. who helped make virtuoso solos a part some noise. To find out how,

of the vocabulary. It was he who was honored with or for more information about ’RITING the title “American goodwill ambassador” by the State the benefits of arts education, ’RITHMETIC There’s plenty of brain to go Department. It was he who was the last jazz musician please visit us on the web at around. Give more to art. to hit #1 on the Billboard pop chart. AmericansForTheArts.org. Just like the great Louis Not bad for a kid whose first experience with Armstrong, all you need is a little brass.

ART. ASK FOR MORE.

For more information about the importance of arts education, contact www.AmericansForTheArts.org.

Photo used with permission, Louis Armstrong Educational Foundation.

NOTE TO PUB: DO NOT PRINT INFO BELOW, FOR I.D. ONLY. NO ALTERING OF AD COUNCIL PSAS. Americans for the Arts - Magazine (7 x 10) B/W AFAWV1-M-11106-L “Louis Armstrong” 110 screen Film at Horan Imaging 212-689-8585 Reference #: 127979