Dillon High School Guidance Counselor
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Spin City Friday Night Lights
Spin city friday night lights click here to download Constance Elaine Britton (née Womack; born March 6, ) is an American actress, singer and producer. Britton made her feature film debut in the independent comedy-drama film The Brothers McMullen (), and the following year, she was cast as Nikki Faber on the ABC sitcom Spin City. In , Britton co-starred opposite Carla Gugino and her Friday Night Lights Early life and education · Career · Filmography · Discography. She previously appeared in Universal's Friday Night Lights () -the movie- directed by Spin City Nikki Faber Friday Night Lights (TV Series). Britton is most well known for her roles as Nikki Faber on the ABC sitcom Spin City (–); as Tami Taylor on the NBC/DirecTV sports drama Friday Night. Connie Britton talks about her character on "Spin City" (Nikki Faber). Emmy Roundtable: Connie. Connie Britton discusses getting cast on "Spin City" - www.doorway.ru Connie Brotton on signing. Connie Britton: Friday Night Lights / Spin City / Nashville - cool hat and leather jacket look Connie Britton--Nashville, Friday Nite Lights, Spin City #redheads. “Friday Night Lights” turned Britton into something of an icon, a something sex symbol and role model at the center of a “Spin City,” www.doorway.ru: Spin City: Season 1: Michael J Fox, Connie Britton, Alan Ruck, man- crazy accountant (Connie Britton, Friday Night Lights); and an idealistic. Connie Britton actress: know more information about Connie Britton Spin city, Friday, night lights, movie, married, husband, divorce, biography. Connie Britton interview, biography and videos from the Archive of American Television on her roles in Spin City, Friday Night Lights, Nashville, and more. -
Friday Ntght Lights
Executive Producer: Peter Berg Scri-pt #: 103 Executive Producer: Jason Katims Episode #: 103 Executive Producer: David Nevins Production #: 01003 Executive Producer: Brian Grazer Co-Executive Producer: John Cameron Co-Executive Producer: Sarah Aubrey Co-Executive Producer: Jeffrey Reiner FRIDAY NTGHT LIGHTS "Wind Spr j-nts " !a7ri ffon hrr Li-z Heldens F)i roni'arl hrz .Tof f rorz Ro i nor PRODUCTION DRAFT JuIy 21, 2006 FulI ann ( T,,1,, ?q D1114 D^fiae.qYgJ. a^cJ- Qot-r5, , .wv9 UqJL,99t 15,16,17,29,44,54 JuLy 26, 2006 Pink Pages: Cast ,-7,8,23 .Trr'lrr ?Q )hnA Val lnr,r D.dac. a^ef qof e" t L5 ,23 ,24 ,29 ,37 , 44 O 2005 NBC STUDIOS, INC. AII rights reserved. Not to be duplicated withorrt nermission. io fhF nr^n6rtrz of NRC Strrdinq Tnn ThiS matefial , f rrv. and is intended solely for the use of its personnel. The sale, copying, reproduction or exploitation of this material- in any form is prohibited. Distribution or disclosure of this material- to unauthorized persons is r'1 en nrnhi l-'i +6^ FRIDAY NIGHT IJIGHTS "Inli nrl (nni nl. c/' YELLOW 7 /28/06 CAST L]ST COACH ERIC TAYLOR TIM RIGGINS TYRA COLLETTE JASON STREET BRIAN "SMASH" WILLIAMS TAMI TAYLOR MATT SARACEN JULIE TAYLOR LANDRY CLARKE LYLA GARRITY SPEAKING PARTS: l in nrrlor af qytsvs!anno:ranca) RADIO ANNOUNCER BOOSTER BUDDY GARRITY RADIO ANNOUNCER #2 MOM 1 FATHER MOM 2 IAln[l( z MRS. DOLIA MRS. SARACEN BILLY RIGGINS DAN NURSE BURLY GUY MAC MCGILL BOBBY "BULL" REYES PAM GARRTTY JOANNE STREET MTTCHELL STREET WOMAN 1 LOIS MAYOR I,UCY RODELL DOLIA RALLY G]RL VIC RAY VOODOO TATOM SPORTS GUY DAD FRIDAY NIGHT I,IGIITS "\n7i nd Qnri n1. -
From Pigskins to Sheepskins the Role of Masculinity in Achieving the American Dream
Lunds universitet Andreas Lindbäck Språk- och litteraturcentrum FIVM01 Filmvetenskap Handledare: Lars Gustaf Andersson 2011-06-07 From Pigskins to Sheepskins The role of masculinity in achieving the American dream pig·skin /ˈpɪgˌskɪn/ Nouni Informal A football. sheep·skin /ˈʃipˌskɪn/ Nounii Informal A diploma. From Pigskins to Sheepskins Table of Contents Introduction..................................................................................................................2 Aim & Method ..................................................................................................................... 4 Summary of Films................................................................................................................ 5 American Dream..........................................................................................................7 Types of Masculinities ...............................................................................................11 A Reluctant Leader............................................................................................................ 13 Expected Behavior ............................................................................................................. 17 Missed Opportunities ........................................................................................................ 19 Doing what is Required ..................................................................................................... 21 Brotherhood on the Field ..........................................................................................25 -
Atx Television Festival 2016 Coverage
ATX TELEVISION FESTIVAL 2016 COVERAGE General ATX Coverage • NEW YORK TIMES | Norman Lear and Aaron Sorkin Help ATX Festival Reach New Heights | June 13 • FAST COMPANY | The Most Creative People in Business 2016: Emily Gipson | June 6 • FAST COMPANY | The Most Creative People in Business 2016: Caitlin McFarland | June 6 th • ENTERTAINMENT WEEKLY | EW & ATX Celebrate TV | June 24 Issue • EW.COM | ATX Festival 2016: See the Exclusive Portrait Photos | June 12 • EW.COM | When Is ATX Festival? And Other Burning Questions Answered! | June 9 • EW.COM | VIDEO: Actors and Creators Mourn the Loss of Their Shows Gone Too Soon |June 20 • VARIETY | Winners of Inaugural ATX-Black List Script Competition Announced (EXCLUSIVE) | June 9 • ACCESS HOLLYWOOD.COM | 10 Things You Need to Know From 100 Hours at the ATX TV Festival | June 13 • AUSTIN CHRONICLE | ATX Panel and Event Picks | June 10 • AUSTIN CHRONICLE | ATX Television Festival: Season 5 | June 10 • GOOD DAY AUSTIN | ATX Television Festival 2016 Gets Underway | June 9 • TELL-TALE TV | Interview with ATX TV Festival Co-Founders Emily Gipson and Caitlin McFarland | June 13 • TELL-TALE TV | Nick Wechsler Says the ATX Television Festival is a ‘Beautiful Family’ | June 14 • GLIDE MAGAZINE | Four Days at the Weird and Wonderful ATX TV Fest | June 16 • REALLY LATE REVIEWS | ATX Television Festival Recap: A First Timer’s Experience | June 22 • CW ATLANTA | 5th Annual ATX Television Festival Announces Its Lineup | May 10 • CW ATLANTA | ATX Television Festival 2016 - Day 1-2 | June 11 • CW ATLANTA | ATX -
Friday Night Lights 5X13 - Always.Pdf
Executive Producer: Peter Berg Script #: 513 Executive Producer: Jason Katims Episode #: 426 Executive Producer: David Nevins Production#: 04026 Executive Producer: Brian Grazer Executive Producer: Sarah Aubrey Executive Producer: David Hudgins Co-Executive Producer: Patrick Massett & John Zinman Co-Executive Producer: Bridget Carpenter Co-Executive Producer: John Cameron FRIDAY NIGHT LIGHTS "Always" Written by Jason Katims Directed by Michael Waxman PRODUCTION DRAFT July 9, 2010 July 12, 2010 Blue Pages: Sets,8,9,24,37,37A,38,49,51 July 13, 2010 Pink Pages: 13,14 July 15, 2010 Yellow Pages: Sets,8,14,34,35,36,46 © 2010 NBC STUDIOS, INC. All rights reserved. Not to be duplicated without permission. This material is the property of NBC Studios, Inc. and is intended solely for the use of its personnel. The sale, copying, reproduction or exploitation of this material in any form is prohibited. Distribution or disclosure of this material to unauthorized persons is also prohibited. FRIDAY NIGHT LIGHTS 513 - "Always" Production Draft 07/09/10 CAST LIST COACH ERIC TAYLOR TAMI TAYLOR JULIE TAYLOR VINCE HOWARD LUKE CAFFERTY JESS MERRIWEATHER BECKY SPROLES HASTINGS RUCKLE TIM RIGGINS TYRA COLLETTE MATT SARACEN LANDRY CLARKE BUDDY GARRITY BILLY RIGGINS MINDY COLLETTE-RIGGINS PRINCIPAL LEVI BURNWELL (N.S.) LAUREL SACHS (N.S.) COACH CROWLEY (N.S.) COACH SPIVEY (N.S) STAN TRAUB (N.S) DALLAS TINKER GRACIE TAYLOR BUDDY GARRITY JR. ORNETTE HOWARD REGINA HOWARD ANGELA COLLETTE CHERYL EVERHEART AUNT BIRD BUCKNER MRS. LORRAINE SARACEN ANDRE MERRIWEATHER DARIUS -
2013Maurerocr.Pdf (427.9Kb)
“YOU MAKE ME FEEL LIKE MY LIFE IS OVER!”: TELE/VISIONS OF CONTEMPORARY POSTMATERNAL WOMEN A THESIS SUBMITTED IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF MASTER OF ARTS IN THE GRADUATE SCHOOL OF THE TEXAS WOMAN‟S UNIVERSITY DEPARTMENT OF WOMEN‟S STUDIES COLLEGE OF ARTS AND SCIENCES BY DIANN R. MAURER, B.A., B.A. DENTON, TEXAS DECEMBER 2013 DEDICATION This work is dedicated to Janet and Joe Maurer, who gave me a safe place to grow up; the ability to empathize with others and think critically about everything I experience; an imagination big enough to envision a more just world; and above all, who allowed me to “govern myself accordingly” into a life that is truly my own. iii ACKNOWLEDGMENTS I would like to preface this thesis by acknowledging a few of the people who directly or indirectly influenced its completion. I would first like to thank Dr. Christa Downer for introducing me to motherhood studies. I would like to thank Dr. Claire Sahlin and Dr. Agatha Beins for the thoughtful feedback and continuous encouragement that helped me develop into a better writer, more thorough researcher, and more confident thinker. When I moved to Texas in 2009, sight unseen, to attend Texas Woman‟s University, I had no idea what a challenging and rewarding journey it would be, and I am so grateful for the opportunities, experiences, and individuals that have enriched my life along the way. I am so proud to be part of TWU‟s pioneering past, present, and future. I would also like to thank my friends and family for every draft read, every idea volley returned, and every floor mopped in support of my work. -
Film & Television Studies
ARISTOTLE UNIVERSITY OF THESSALONIKI FACULTY OF FINE ARTS SCHOOL OF FILM MASTER’S PROGRAM: FILM & TELEVISION STUDIES Master’s Thesis Title: Abortion Narratives in Contemporary American Television (2004-2020) By Marina Zigneli Primary Supervisor: Prof. Betty Kaklamanidou Second Supervisor: Prof. Eleftheria Thanouli Third Supervisor: Prof. Stacey Abbott Thessaloniki, January 2021 1 Copyright © Marina Zigneli, 2021 All rights reserved. It is forbidden to copy, store and distribute this work, in whole or in part, for commercial purposes. Reproduction, storage and distribution are permitted for non-‐ profit, educational or research purposes, provided the source is indicated and the message is retained. Questions regarding the paper’s use for commercial purposes should be addressed to the author. The views and positions contained in this paper express only the author. 2 Plagiarism Statement First and Last Name: Marina Zigneli Registration Number: 19002 e-‐mail: [email protected] Year of entry to the MA program: 2019 Abortion Narratives in Contemporary Title of Master Thesis: American Television (2004-2020) I hereby solemnly declare that the present thesis is not the outcome of plagiarism but the product of strictly personal work and the bibliography and sources I use, appear properly in the form of citations and works cited. The points where I use ideas, text and/or sources from other writers are acknowledged in a discernible way in the text with the proper citation and the relevant reference is included in full description in the works cited section. Note: This statement helps the containment of plagiarism and secures the author. Date: 31/01/2021 The Applicant Marina Zigneli 3 Table of Contents ABSTRACT ............................................................................................................. -
Friday Night Lights (NBC Et the 101 Network, 2006-2011) Ou Le Réinvestissement Du Mythe De La Small Town
TV/Series 4 | 2013 Écho et reprise dans les séries télévisées (II) : Re- présentations -- enjeux socio-culturels, politiques et idéologiques de la reprise Friday Night Lights (NBC et The 101 Network, 2006-2011) ou le réinvestissement du mythe de la small town Gérald Billard et Arnaud Brennetot Éditeur GRIC - Groupe de recherche Identités et Cultures Édition électronique URL : http://tvseries.revues.org/739 DOI : 10.4000/tvseries.739 ISSN : 2266-0909 Référence électronique Gérald Billard et Arnaud Brennetot, « Friday Night Lights (NBC et The 101 Network, 2006-2011) ou le réinvestissement du mythe de la small town », TV/Series [En ligne], 4 | 2013, mis en ligne le 15 décembre 2013, consulté le 30 septembre 2016. URL : http://tvseries.revues.org/739 ; DOI : 10.4000/ tvseries.739 Ce document est un fac-similé de l'édition imprimée. TV/Series est mis à disposition selon les termes de la licence Creative Commons Attribution - Pas d'Utilisation Commerciale - Pas de Modification 4.0 International. Friday Night Lights1 ou le réinvestissement du mythe de la small town Gérald BILLARD Arnaud BRENNETOT À partir de l’exemple de Friday Night Lights, cet article entend montrer comment la double adaptation d’un livre documentaire puis d’un film au format d’une série télévisée peut conduire à une amplification et à un approfondissement de la mise en scène tels que l’histoire particulière d’une petite communauté locale du Texas conduit à une relecture originale de quelques-uns des grands thèmes de la fiction télévisée contemporaine (la réalisation de soi, la cohésion sociale, la pression communautaire, etc.). -
Informed Consent, Abortion, and Reproductive Autonomy Heather Dawn Lakey
The University of Maine DigitalCommons@UMaine Electronic Theses and Dissertations Fogler Library 5-2015 Informed Consent, Abortion, and Reproductive Autonomy Heather Dawn Lakey Follow this and additional works at: http://digitalcommons.library.umaine.edu/etd Part of the Feminist Philosophy Commons, and the Women's Studies Commons Recommended Citation Lakey, Heather Dawn, "Informed Consent, Abortion, and Reproductive Autonomy" (2015). Electronic Theses and Dissertations. 2311. http://digitalcommons.library.umaine.edu/etd/2311 This Open-Access Dissertation is brought to you for free and open access by DigitalCommons@UMaine. It has been accepted for inclusion in Electronic Theses and Dissertations by an authorized administrator of DigitalCommons@UMaine. INFORMED CONSENT, ABORTION, AND REPRODUCTIVE AUTONOMY By Heather Dawn Lakey B.A. College of the Atlantic, 2000 M.Phil. College of the Atlantic, 2005 M.A. University of Oregon, 2007 A DISSERTATION Submitted in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy (Interdisciplinary in Women’s, Gender, and Sexuality Studies and Philosophy) The Graduate School The University of Maine May 2015 Advisory Committee: Jessica P. Miller, Associate Professor of Philosophy, Advisor Kirsten Jacobson, Associate Professor of Philosophy Ann Schonberger, Professor Emerita, Women’s, Gender and Sexuality Studies Nathan Stormer, Professor of Communication and Journalism John Visvader, Professor of Philosophy DISSERTATION ACCEPTANCE STATEMENT On behalf of the Graduate Committee for Heather -
Only Murders in the Building’ Check out the Entire Bulletin – Murder Makes Strange in Our Weekly E-Edition
Las Cruces Transportation Martin Short stars August 27 - September 2, 2021 in “Only Murders in YOUR RIDE. YOUR WAY. the Building,” which Las Cruces Shuttle – Taxi begins streaming Charter – Courier Tuesday on Hulu. Veteran Owned and Operated Since 1985. Call us to make a reservation today! We are Covid-19 Safe-Practice Compliant Call us at 800-288-1784 or for more details 2 x 5.5” ad visit www.lascrucesshuttle.com For breaking news follow us on social media ‘Only Murders in the Building’ Check out the entire Bulletin – Murder makes strange in our weekly e-edition. investigative partners www.lascrucesbulletin.com2 x 4” ad 2 Your Bulletin TV & Entertainment pullout section August 27 - September 2, 2021 What’s Available NOW On “Movie: Love and Monsters” “Only Murders in the Building” “Movie: Chaos Walking” After an Earth-bound asteroid is destroyed, “Movie: Spell” Steve Martin and John Hoffman are the creative Tom Holland (“Captain America: Civil War”) a subsequent chemical fallout causes the Director Mark Tonderai’s (“Hush”) 2020 stars as a young man who protects a mysterious horror thriller stars Omari Hardwick (“Power”) forces behind this comedic murder mystery world’s cold-blooded animals to mutate into series that follows three strangers (Martin, woman (Daisy Ridley, “Star Wars: Episode VII large monsters who begin killing off most of as a man who crash lands in Appalachia and — The Force Awakens”) in a dystopian world awakens in the attic of a woman (Loretta Martin Short, Selena Gomez) with an obsession humanity. Young Joel Dawson (Dylan O’Brien) with true crime and find themselves wrapped where all females have disappeared and all men manages to survive, although his parents are Devine, “Family Reunion”) whose dark magic are afflicted by a force that puts their thoughts poses a threat to him and his family. -
Night Lights Audience
It wasn't until she ran into NBC's Brian WIlliams on a flight that she truly realized the extent of the Friday· Night Lights audience. Born in Boston, Britton grew up in Lynchburg, Virginia, and always knew she wanted to be an actress. "I went to a public high school that had a great theater program," she says. "Right from the get-go, I started taking acting classes. That was it for me." For a time after high school, she consid ered pursui.ng a more practical career. "Acting was a dream that I had, but I didn't really think it would manifest," she says. It wasn't long before she realized how much she missed it. In her soph omore year at Dartmouth she auditioned for a play-and won the lead role. "I knew I had to at least try to see this through," she says. And see it through she did. After graduation Britton enrolled in New York's Neighborhood Playhouse School of the Theatre and began pounding the pavement in pursuit of her dream. Her big break came when she answered a casting call for 1995's The Brothers McMullan, an indepen dent film directed by Ed Burns. "Things really started changing after that," Britton says. "The movie won at the Sundance Film Festival, and suddenly I had agents knocking on my door." She relocated to LA but was soon cast in Spin City, a show that brought her back to New York. Britton now divides her time between New York and Austin, Texas, where Friday .Night Lights shoots. -
RACE and REPRESENTATION in FRIDAY NIGHT LIGHTS by Keisha
RACE AND REPRESENTATION IN FRIDAY NIGHT LIGHTS by Keisha Johnson A Thesis Submitted to the Faculty of The Dorothy F. Schmidt College of Arts and Letters in Partial Fulfillment of the Requirements for the Degree of Master of Arts Florida Atlantic University Boca Raton, Florida August 2012 Copyright by Keisha Johnson 2012 ii RACE AND REPRESENTATION IN FRIDAY NIGHT LIGHTS by Keisha Johnson This thesis was prepared under the direction of the candidate's thesis advisor, Dr. Stephen Charbonneau, School of Communication and Multimedia Studies, and has been approved by the members of her supervisory committee. It was submitted to the faculty of The Dorothy F. Schmidt College of Arts and Letters and was accepted in partial fulfillment of the requirements for degree of Master of Arts. Y COMMITTEE: Stephen Charbonneau, Ph.D Thesis Advisor Noemi Marin~ Ph.D Director, School of Communication and Multimedia Studies Heather Coltman, DMA Interim Dean, Dorothy F. Schmidt College of Arts and Letters Barry T. R sson, Ph.D Dean, Graduate College 111 ACKNOWLEDGEMENTS The author wishes to express her sincere thanks to all family and friends who supporter her on the endeavor of writing this manuscript. The author is especially grateful to her thesis advisor for providing the guidance and expertise needed to carry through with the research involved in this manuscript. iv ABSTRACT Author: Keisha Johnson Title: Race and Representation in Friday Night Lights Institution: Florida Atlantic University Thesis Advisor: Dr. Stephen Charbonneau Degree: Master of Arts Year: 2012 This thesis will highlight the significance and representation of race in the film and television show Friday Night Lights.